soaring-guitars

Peter Frampton / Frampton Comes Alive – What to Listen For

Peter Frampton Albums Available Now

Peter Frampton Albums We’ve Reviewed

What to listen for you ask? Dynamic, soaring guitar solos!

On the best copies the guitar solos are the loudest parts of some songs, which, as everyone who’s ever been to a rock concert knows, is exactly what happens in live rock music.

Not many live albums are mixed to allow the guitar solos to rock the way these do. Since Frampton is one of my favorite players, hearing his solos get loud on this album is nothing less than a thrill.

It’s hard to turn up the volume on most copies — they tend to get aggressive in a hurry — but that simply doesn’t happen on our hottest Hot Stampers. They sound right when they’re loud.

It’s ridiculously hard to find good sound for this record. Most copies are thin, dry and transistory. And it’s time consuming to clean and play as many copies of this double album as it takes to find enough Hot Stampers to make the endeavor worthwhile. When this album doesn’t have the goods it’s just not very fun.

Another in the long list of recordings that really comes alive when you Turn Up Your Volume.

(more…)

Eagles – One Of These Nights

More Eagles

  • On an exceptionally good sounding copy such as this one, the soaring guitar solo of the title track really comes alive – assuming you have it turned up GOOD and LOUD
  • Lyin’ Eyes and Take It To The Limit sound the way they should – we guarantee you have never heard them sound remotely as good as they do here
  • 4 stars: “…a lyrical stance — knowing and disillusioned, but desperately hopeful — had evolved, and the musical arrangements were tighter and more purposeful. The result was the Eagles’ best-realized and most popular album so far.”

Another in the long list of recordings that really comes alive when you Turn Up Your Volume.

What to listen for you ask? Dynamic, soaring guitar solos! On the best copies the guitar solos are the loudest parts of some songs, which, as everyone who’s ever been to a rock concert knows, is exactly what happens in live rock music.

This is one of the toughest Eagles albums to find with good sound. This album may never sound quite as good as Hotel California or the self-titled debut, but there are some wonderful songs here and a Hot Stamper like this brings them to life in a way most pressings cannot hope to do.

The best copies are richer and sweeter. When you turn them up, they really come to life. When you play the better sides at Rock Music Volumes they really ROCK. When a copy is cut really clean, as the best ones are, the louder you play them the better they sound. They’re tonally correct at loud levels and a bit dull at what we would call “audiophile” levels. That’s the way it should be. (more…)

Supertramp – Breakfast In America

  • A truly superb recording with huge, powerful, dynamic sound – the Tubey Magical richness of these sides will have your jaw on the floor
  • A Top 100 title and True Demo Disc – turn it up and this recording gets LOUD like few rock records we’ve ever played
  • 4 1/2 stars: “The majority of the album consisted of tightly written, catchy, well-constructed pop songs, like the hits ‘The Logical Song,’ ‘Take the Long Way Home,’ and ‘Goodbye Stranger.'”

Turn it up good and loud and you will be amazed at how dynamic some of the guitar solos are.

We’ve just concluded another big shootout for Breakfast, the band’s biggest charting success, and once again we were blown away by just how good the best copies can sound – huge, spacious, punchy sound we can never get enough of around here. If you have big speakers a great copy will blow your mind, and it will probably blow your mind even if you don’t.

We are not the least bit ashamed to say that we LOVE this album here at Better Records, and a copy like this will certainly help to show you why. Drop the needle on Gone Hollywood, The Logical Song or Take The Long Way Home to hear how powerful this music can sound when you have a great pressing.

Most copies of this record are grainy, thin, shrill and aggressive. When you get a Hot Stamper like this one the highs are sweet and silky. This recording has plenty of top end, so if the highs aren’t correct it pretty much ruins the sound of the record. (more…)

Stevie Ray Vaughan – The Sky Is Crying

More Stevie Ray Vaughan

Albums with Especially Dynamic Guitar Solos

  • This STUNNING pressing boasts insanely good Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second, which means the nearly seven minutes of Little Wing on this side one is guaranteed to present you with some of the most amazing sound you’ve ever heard
  • Some of the most blistering performances of electric blues we have ever had the pleasure of rocking out to
  • Hands down the best sounding SRV recording — Little Wing is an absolute monster on this side one and a Demo track to beat them all
  • 4 stars: “Doing away with vocals, Vaughan augments Hendrix’s concise two-and-a-half minute original, turning the track into a nearly seven-minute-long electric tour de force. The cover would earn Vaughan his sixth Grammy, for Best Rock Instrumental Performance, in 1992.”

This is one of the most blistering recordings of electric blues we’ve ever played. Few other records recorded in the ’80s have this kind of BIG, BOLD sound. Maybe none. The sheer impact and wallop of this music is a real treat, but only if you have the right pressing (and the right kind of stereo to play it on, of course).

Stevie’s take on Jimi’s Little Wing is the surest proof that SRV was one of the greatest Electric Blues Guitarists of All Time. I know of no other guitar showcase to compete with it.

Turn it up good and loud and you will be amazed at how dynamic the guitar solos are.

Sonically it’s a knockout, with one of the tallest, widest, and deepest soundstages I have ever heard on record. It brings to mind Gilmore’s multiple solos on Money from the hottest Dark Side of the Moon pressings, high praise indeed.

Little Wing deservedly won SRV the Grammy in ’92 for Best Rock Instrumental.

And, if you want to hear Stevie channel Wes Montgomery instead of Jimi Hendrix, take a listen to Chitlins Con Carne. (more…)

Carlos Santana Knows: The Louder His Guitar Gets, the Better It Sounds

More Santana

Reviews and Commentaries for Abraxas

Abraxas is yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

For me, a big speaker guy with a penchant for giving the old volume knob an extra click or two, it just doesn’t get any better than Abraxas.

This is a true Demo Disc in the world of rock records. It’s also one of those recordings that demands to be played LOUD. If you’ve got the the big room, big speakers, and plenty of power to drive them, you can have a LIVE ROCK AND ROLL CONCERT in your very own home.

When Santana lets loose with some of those legendary monster power chords — which incidentally do get good and loud in the mix, unlike most rock records which suffer from compression and “safe” mixes — I like to say that there is no stereo system on the planet that can play loud enough for me. (Horns maybe, but I don’t like the sound of horns, so the point is moot.)

You may have heard me say this before, but it’s important to make something clear about this music. It doesn’t even make sense at moderate listening levels. Normal listening levels suck the life right out of it. You can tell by the way it was recorded — this music is designed to be played back at LOUD levels, and anything less does a disservice to the musicians, not to mention the listener, you.

(more…)

Richard & Linda Thompson – Shoot Out The Lights

More Richard Thompson

More Demo Discs for Bass

  • Without a doubt this is the best record Richard and Linda Thompson ever made – for sound and music
  • DYNAMIC, huge, lively, powerful and musical – a real Demo Disk – both sides here are guaranteed to rock your world
  • A Top 100 album, and clearly Thompson’s Masterpiece of Grungy Guitar Rock
  • 5 stars: “Shoot Out The Lights found them rallying their strengths to the bitter end; it’s often been cited as Richard Thompson’s greatest work, and it’s difficult for anyone who has heard his body of work to argue the point.”

Without a doubt, this is the best record Richard and Linda Thompson ever made together, possibly the best record Thompson was ever involved with, but it also holds one other important distinction, one of great interest to us audiophiles: it’s the BEST SOUNDING record he (they) ever made as well.

Turn it up good and loud and you will be amazed at how dynamic the guitar solos are.

(more…)

Santana’s Guitar Solos Soar on Inner Secrets

More Santana

Albums with Especially Dynamic Guitar Solos

On side two the final guitar solo Santana takes on Well All Right gets LOUDER in the mix than any guitar solo on any rock record with which I am familiar. The sound gets louder after the first chorus, then louder still right before the second solo, and then the solo itself gets even louder until it seems to be as loud as live music. (Operative word: seems.)

Some copies get loud and some do not. Some stereos are dynamic and some are not.

If you have the right stereo, set at the right volume, and THIS copy, you will hear something that not one out of one hundred audiophiles (or music lovers) have ever heard on a record — LIVE ROCK SOUND. (more…)