This TAS List Super Hot Stamper pressing of one of the greatest and most famous Orchestral Blockbuster Soundtracks ever recorded more than lives up to our expectations for Decca Phase 4. This is Phase 4 done RIGHT.
As with all the best Herrmann releases, the huge size and scope you hear is the sound of orchestral music recorded in glorious ANALOG!
The sound is so clear, spacious and three-dimensional that you will feel as if your speakers have disappeared before your very eyes.
The layering of depth is really something to hear on this copy, with choirs of brass instruments located precisely in space, some further back, some off to the side of the soundstage. And what a soundstage it is, so wide and deep. Transparency – a quality you find on both sides of this copy — is what makes this all sound so REAL.
Opacity Vs. Transparency
Note that we have been especially anti-heavy vinyl in our recent commentaries for their consistently opaque character, the opposite of what is necessary in order to hear into the music, deep into the soundstage, to see and hear ALL the instruments, even the ones at the back.
Try that with any Classic Record or Speakers Corner pressing. It’s records like this that show you precisely what you have been missing all these years if you have been collecting and playing releases from those labels and the others like them. (more…)