The Exciting Joe Williams returns with outstanding Double Plus (A+++) sound from first note to last and reasonably quiet vinyl for RCA Black Label original
Clean, clear and dynamic, this copy has plenty of Living Stereo Tubey Magic and lovely space around all the musicians
We have a devil of a time finding good sounding Joe Williams records – discovering that this title was so well recorded was a very pleasant surprise, and this copy takes the record close to as far as we think it can go
“Joe Williams was the last great big-band singer, a smooth baritone who graced the rejuvenated Count Basie Orchestra during the 1950s and captivated audiences well into the ’90s.” – All Music
Supertramp’s self-titled debut finally arrives on the site with Shootout Winning Triple Plus (A+++) sound or close to it throughout
It’s even more Tubey Magical than an album like ’Crime Of The Century,’ which is more about slam and presence than a record like this, which has amazingly sweet, natural sounding acoustic guitars
Condition was the problem with these original British pressings – none of the best sounding copies did not have issues, hence the exceptionally low price for our Shootout Winner here
“Harmonious in themes but varied in tones, alternating short and lengthy pieces with a sophisticated sound and classy arrangement, it features all the distinctive elements of prog rock. And as with any prog album, it only makes full sense when listened to in its entirety.”
An outstanding copy of this wonderful classical guitar masterpiece with solid Double Plus (A++) sound from start to finish
The sound here is glorious, brimming with the wonderful qualities that make listening to classical music in analog on top quality equipment so involving and pleasurable
The sound of the orchestra is as rich and sweet as would be expected from the Decca engineers, yet the guitar is clear, present and appropriately placed at the center of the ensemble surrounding it
If you were only to be allowed one Guitar Concerto recording, the Concierto De Aranjuez would probably be the one to own. You will recognize the main theme instantly; it’s the one Miles Davis appropriated for the astonishingly innovative Sketches of Spain album he did with Gil Evans.
The second picture in this listing is the original London, CS 6046, from which the piece is taken. It is a longtime member of the TAS List, and deservedly so.(more…)
Movin’ Wes finally arrives on the site with outstanding Double Plus (A++) sound or BETTER throughout
We guarantee there is dramatically more richness, fullness and presence on this copy than anything you have ever heard, and that’s especially true if you made the mistake of buying whatever godawful Heavy Vinyl pressing is currently on the market
Credit goes to Rudy Van Gelder once again for the huge space this superbly well-recorded group occupies
“The guitarist is in excellent form here, playing a nimble solo on the up-tempo waltz ‘Senza Fine’, as well on old favourites from previous albums like ‘Born To Blue’ and ‘West Coast Blues.”
One of our good customers had this to say about some Hot Stampers he purchased recently:
All time world champ. A cut above unbelievable! All the magic sans the shrillness so common in the multitudinous copies I’ve heard. Breathtaking finesse and musicianship exploding in holographic dynamics that are clean and tonally real and penetrating.
What a copy. Pure gold. Thank you Tom. You knocked it out of the park.
Fantastic! We loved it too.
One small correction: Some mastering engineer knocked it out of the park. All we did was find the ball, grab it and run with it.
An insanely good copy with Shootout Winning Triple Plus (A+++) sound on side one married with an outstanding Double Plus (A++) side two
Basie Big Band is a Top Basie Big Band title in every way — musically, sonically, you name it, this album has got it going on
Guaranteed to be dramatically livelier and more dynamic than any Basie title you’ve heard – if you like your brass big, rich and powerful, you came to the right place
Lots of tight, deep, note-like bass and unerringly correct timbre for the brass throughout
*NOTE: On side one, a mark on the edge makes 10 light to very light ticks during the intro to Track 1, Front Burner. On side two, a mark makes 9 light to moderate pops in the middle of Track 2, Give ‘M Time.
More Basie Big Band ANALOG Magic, this time from his 1975 debut for Pablo.
With 18 pieces in the studio (five trumpets!, four trombones!, five saxes!) this album can be a real powerhouse — if you have the right copy, and both sides here show you just how lively and dynamic this music can be. It’s got real Demo Disc qualities, no doubt about it.
When you get this record home, pay special attention to how natural and correct the timbre of the brass is. This is the hallmark of a well recorded album — it sounds right.(more…)
[I think these are the labels for the copy we played, It came out around 2000-2005. It’s not Speakers Corner, Simply Vinyl or Back to Black. Those are labels best avoided in our experience.]
Hey, they really did a good job with this one. We are going to listen to it again at a later date to see if our initial impressions were correct [I guess by now it should be clear that we are never going to do that, sorry], but it sure sounded good to us when we played it recently during our big GYBR shootout.
I’m guessing no domestic copy can beat it, and certainly no audiophile half-speed mastered pressing can hold a candle to it. Those records are pretty awful.(more…)
This delightful collection, a longstanding member of the TAS Super Disc List, finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish
Both sides here are wonderful — clean, clear and present with tons of energy and lots of space around all of the players
“For what it is, it doesn’t get any better than this. What it is, of course, is a collection of Russian folk music played with astonishing artistry by the Ossipov State Russian Folk Orchestra…”
The Classic Records Reissue Was a Real Bust
It’s been quite a while since I played the Classic pressing, but I remember it as unpleasantly hard and sour. Many of the later Mercury reissues pressed by Columbia had some of that sound, so I was already familiar with it when their pressing came out in 1998 as part of the just-plain-awful Mercury series they released.
I suspect I would hear it that way today. Bernie Grundman could cut the bass, the dynamics, and the energy onto the record. Everything else was worse 99% of the time.
The fast transients of the plucked strings of the Balalaikas was just way beyond the ability of his colored and crude cutting system. Harmonic extension and midrange delicacy were qualities that practically no Classic Records Heavy Vinyl pressing could claim to have.
Or, to be precise, they claimed to have them, and whether they really believed they did or not, they sure fooled a lot of audiophiles and the reviewers that write for them.
The better your stereo gets the worse those records sound, and they fall further and further behind with each passing year.
Heart Shaped World seen below has never impressed us.
It’s modern and digital sounding. If you like the music, just buy the CD.
An incredible sounding copy with Shootout Winning Triple Plus (A+++) sound from the first note to the last; the first copy to ever hit the site
These sides are KILLER – open and spacious, but with all-important richness, smoothness and Tubey Magic that makes the top quality analog pressing such a special listening experience, and it doesn’t get any better than this record for Chris Isaac
Exceptionally quiet vinyl throughout – Mint Minus to Mint Minus Minus
“… 11 songs of smoky, wounded romance and dark menace given great all-around performances. Isaak’s gift for capturing a perfect blend of early rock & roll twang and making it sound perfectly of the now is his greatest strength…
Mulligan and Getz’s 1957 collaboration arrives on the site with this superb 2-pack offering Nearly Triple Plus (A++ to A+++) sound on both sides – just shy of our Shootout Winner
Full, rich, and spacious with tons of Tubey Magic and, better yet, not the least bit dry, hard or transistory
Practically impossible to find in stereo with audiophile playing surfaces – it took two different pressings to get two good sides, and they are very good indeed
“Produced by [Norman] Granz, Getz And Mulligan In Hi-Fi captures the two saxophone giants as they showcase a world class duet which provided them with a superb rhythm section featuring Lou Levy, proud member of The Stan Getz Quartet at the piano who play with impeccable style and well-conceived ideas that swing with unique vitality, while Ray Brown’s bass solidify the combo’s edge.”