More of the Music of the Traveling Wilburys
Many of the pressings we played of Volume One suffered from too much compression and a phony hi-fi-ish quality on the vocals. We knew there had to be better sounding copies out there somewhere, so we kept dropping the needle on every pressing we could get our hands on until we found one. Here is how we described a killer copy we ran into during that process.
We heard a lot of copies with a spitty, gritty top end, but this one is smooth like butter.
Side two is nearly as good but doesn’t have quiet the same energy factor. It’s still dramatically better than most copies out there.
Now that we’ve discovered these Hot Stampers, the sound is finally where we want it to be. Until this week, we were convinced that these songs sounded better on the radio. (That’s what tons of compression and FM bass boost will do for you.)
Learning the Record
For our recent shootout we had at our disposal a variety of pressings we thought would have the potential for Hot Stamper sound. We cleaned them carefully, then unplugged everything in the house we could, warmed up the system, Talisman’d it, found the right VTA for our Triplanar arm (by ear of course) and proceeded to spend the next hour or so playing copy after copy on side one, after which we repeated the process for side two.
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