Top Artists – Pink Floyd

Letter of the Week – Revolver and Dark Side Of The Moon

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I needed a day to fully pick up my jaw from the floor after hearing Revolver and Dark Side…

Now that I‘ve given them both a few listens to fully absorb how revealing these recordings I thought I knew so well really are, I just have so many questions.

How much better sounding can the respective White Hots really be?????

As far as Dark Side, I’m finding out for myself. Just ordered the white hot stamper. Most likely will be returning one of them, but I hope that after this, I will finally be able to stop looking for “the better sound” on this one….

Regarding Revolver, will the A++ side of my Revolver Super hot sound the same as the A++ side of the WHS? Or is the A++ grade on the WHS relative to its A+++ side, and still better than the SHS? What I am getting at is, will both sides blow me away in comparison to my SHS, or is it better to be patient and hold out for a two-sided A+++? Btw, regardless of your answer, you cannot have this copy back, it is simply fantastic!

I know these kinds of questions are quite relative to a number of variables, but any enlightenment you can provide is welcome…. I appreciate what you do, you have gained a very happy customer. (more…)

Letter of the Week – Off The Wall, Talking Book, Elton John and Meddle

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

These are absolutely fantastic – mind blowing. I can’t believe I’m saying this, but your Off the Wall pressing was a religious experience. (more…)

Pink Floyd – The Final Cut – Our Shootout Winner from 2012

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Here is THE BEST SOUNDING COPY of The Final Cut to EVER hit the site! We recently finished a gigantic shootout for this album and this killer pressing took top A+++ honors on BOTH sides! Everything we’ve looked for in a great copy of The Final Cut is here: incredible immediacy; punchy lows; extended highs; spaciousness and transparency; depth to the soundfield and so forth. In a word, the sound on this copy is POWERFUL — an excellent way to experience this music!

If you weren’t a fan of The Wall, I can’t imagine this one is going to be your cup of tea, but Pink Floyd fanatics will likely be very happy with the sound we found on this copy. Most of them we played weren’t anything like this!

Side one is super transparent with loads of detail and texture. The brass sounds excellent and there’s real depth to the soundfield. The vocals are full-bodied and present.

Side two has excellent presence and tons of tubey magic. The backing orchestra sounds wonderful. Many copies have a tendency to sound dry, sterile or even analytical, but this one has lovely analog warmth and real musicality.

TRACK LISTING

Side One

The Post War Dream
Your Possible Pasts
One of the Few
The Hero’s Return
The Gunners Dream
Paranoid Eyes

Side Two

Get Your Filthy Hands Off My Desert
The Fletcher Memorial Home
Southampton Dock
The Final Cut
Not Now John
Two Suns in the Sunset

AMG  Review

This is more like a novel than a record, requiring total concentration since shifts in dynamics, orchestration, and instrumentation are used as effect. This means that while this has the texture of classic Pink Floyd, somewhere between the brooding sections of The Wall and the monolithic menace of Animals, there are no songs or hooks to make these radio favorites. The even bent of the arrangements, where the music is used as texture, not music, means that The Final Cut purposely alienates all but the dedicated listener. Several of those listeners maintain that this is among Pink Floyd’s finest efforts, and it certainly is an achievement of some kind…

Letter of the Week – Wish You Were Here

Wish You Were Here

 

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I’ve bought several LPs from you guys and have been exceptionally impressed. The eponymous Dire Straits plus Breakfast in America arrived yesterday, and are excellent.

The best one from you guys that I’ve bought is easily Wish You Were Here. That is an album meant to be played at full volume from start to finish, loving every minute. Listening with Vinnie Rossi LIO, Acoustic Signature WOW xxl and Hana Shibata MC cart into Joseph Audio Perspectives.

Keep up the good work! 

Anyway, thanks from a very satisfied customer.

Pink Floyd – Obscured By Clouds – Our Shootout Winner from 2009

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A distinguished member of the Better Records Rock and Pop Hall of Fame.  

EXCELLENT SOUND and some seriously strange music! This obviously isn’t Floyd’s greatest album, but we still found a lot to like about this record and specifically this copy. It’s a British Import Harvest Green Label pressing that rates close to A+ on both sides — slightly better on side one, not quite there on side two. Those of you who enjoy Meddle will certainly get a lot out of this one.

We rated side one between A+ and A++. The second and the fifth tracks were our favorites on this side, while the fourth track honestly left us a bit cold. We played other copies that couldn’t come near this side in terms of clarity, transparency or bass definition.

Side two has a bit of a thick, Moody Blues-esque sound. It’s tonally correct from top to bottom with good energy. The lead guitar sounds particularly good, as does the organ.

Don’t expect a fully realized album a la Dark Side, because this ain’t that. It’s a nice collection of songs and instrumentals that should provide a nice thrill to Floyd fans who really dig the prog-psych aspect of the band. (more…)

Pink Floyd – Atom Heart Mother – Our Shootout Winner from 2013

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This is an album that almost never sounds good. We’ve spent a ton of money over the years chasing British originals and various other pressings looking for that Pink Floyd magic, but most copies were terribly disappointing sonically. This was the best copy we’ve heard in many years — richer, bigger sounding and more solid than everything else we were able to put against it. It’s far from a Demo Disc but if you like this music I don’t think you can find better sound for it. 

Atom Heart Mother is from Pink Floyd’s early psych years, and it’s not a pop album by any means. In truth it’s fairly bizarre, kicking off with a side long orchestral piece before settling into songs on the second side. There’s a lot to enjoy here, but if you aren’t familiar with the album you may want to check it out on youtube before laying out the big bucks we charge for a copy that sounds as good as this one does. (more…)

Derek Makes the Case for His Hot Stamper Dark Side of the Moon

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I wanted to comment on the discussion as to the validity of the ‘Better Records’ business model and offerings to audiophiles. As a backgrounder, I am an electrical engineer that grew up in the 60s and 70s listening first hand to many of the classic LPs that Better Records now offers for sale. I was also a musician with perfect pitch (playing French Horn in the Symphony and keyboards in various bands), I had a killer stereo and spent a lot of time in recording studios that produced some of the top acts and albums of the era so I certainly had exposure to the best equipment and listening environments back in the day.

I went on to being a CEO of various telecom/mobile software companies and somewhat lost touch with my musical purist roots. But I had 3 boys and one of them turned out to have the same music bug I had and he has gone on to pursuing a career as a recording engineer, re-introducing me to analog vinyl LPs, pushing me to re-engage in my greatest love, which I eventually did in spades: I tossed out my electrostatics and full digital sound chain and I built a set of Altec 604 monitors driven by a 300B tube amp and a killer turntable, and I went about spending about $30,000 on 1st pressing vinyl from around the world, cleaning them with an ultrasonic platform, and I learned a great deal during that process. (more…)

Today’s Half-Speed Mastered Mess Is Meddle on Mobile Fidelity

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Sonic Grade: D

A Hall of Shame pressing and another MoFi LP debunked.

Same problems as the MoFi Thick As a Brick: The MoFi is TRANSPARENT and OPEN, and the top end will be lush and extended. If you prize clarity, this is the one!

But if you prize clarity at the expense of everything else, you are seriously missing the boat on Meddle (and of course Thick As A Brick too). The MoFi is all mids and highs with almost nothing going on below.

This is a rock record, but without bass and dynamics the MoFi pressing can’t rock, so what exactly is it good for?

Roger Waters – The Pros and Cons of Hitch Hiking – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame

We paired together our best sounding side one with an equally impressive side two from a different copy to make this White Hot Stamper 2-pack for Roger Waters debut. That gives you A+++ sound and quiet vinyl for both sides! Let me tell you, it is DIFFICULT to find copies of this album that sound as good and plays as quietly as the two White Hot sides in this set. Those of you who like Floyd’s The Final Cut will probably get a lot out of this one.

This is the first solo Roger Waters album, though apparently these songs date back to the Pink Floyd album. Waters was writing this material at the same time he was composing The Wall and even gave the band the choice of which project they wanted to tackle. The Wall obviously became one of the most famous albums in rock history, while this album didn’t get nearly as much attention. Eric Clapton and David Sanborn help fill out Waters’ band here.

This album has an interesting concept — the songs happen in “real time”, which is to say the story takes place completely within the playing time of the record. Each track is subtitled with the time that the events are supposed to take place, and there’s even an extra minute between the A side and the B side to allow you to flip the record.

Let’s talk about the sound, though. Most of the copies we played were too dry, grainy, and flat to get excited about. The two strong sides from this 2-pack do a much better job communicating Waters’ music and vision. You get amazing presence, more body to the sax, more energy and a bigger soundfield on the Hot Stamper sides than on the typical copy by a mile. The overall sound is super clean, clear and transparent with the kind of size and power music like this demands. (more…)

Which One’s Pink? – And What Do All Those Numbers Mean?

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An erstwhile customer sent us an email a while back asking this question: “What is the FULL stamper matrix for this record… all the way around the dead wax?”

I replied that we never give out stamper numbers for the records we sell. The only way to find out the stampers for our records is to buy them.

He then countered with this bit of information:

Well, ok. I don’t understand the logic, but it’s your show.

Floyd stampers are probably the most uniquely well documented stampers on [a site that no longer exists] that they’re pretty much common knowledge. If I understand your logic, a first pressing may not be a “Hot Stamper” while a 3rd, 4th or 5th might be. Just a function of the stars aligning when that record is pressed. So what’s the diff?

I would think this would be pretty obvious. If we say pressing X is the best, this is information that you cannot get anywhere else, certainly not on the site you sent us a link to. The day that such a site tells you which stampers sound the best is the day that such a site will have any value to those who are not collecting for the sake of collecting, but actually want to find pressings with the best sound to play (more…)