Top Artists – Pink Floyd

Today’s Half-Speed Mastered Mess Is Meddle on Mobile Fidelity

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Sonic Grade: D

A Hall of Shame pressing and another MoFi LP debunked.

Same problems as the MoFi Thick As a Brick: The MoFi is TRANSPARENT and OPEN, and the top end will be lush and extended. If you prize clarity, this is the one!

But if you prize clarity at the expense of everything else, you are seriously missing the boat on Meddle (and of course Thick As A Brick too). The MoFi is all mids and highs with almost nothing going on below.

This is a rock record, but without bass and dynamics the MoFi pressing can’t rock, so what exactly is it good for?

Roger Waters – The Pros and Cons of Hitch Hiking – Our Shootout Winner from 2012

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A distinguished member of the Better Records Rock and Pop Hall of Fame

We paired together our best sounding side one with an equally impressive side two from a different copy to make this White Hot Stamper 2-pack for Roger Waters debut. That gives you A+++ sound and quiet vinyl for both sides! Let me tell you, it is DIFFICULT to find copies of this album that sound as good and plays as quietly as the two White Hot sides in this set. Those of you who like Floyd’s The Final Cut will probably get a lot out of this one.

This is the first solo Roger Waters album, though apparently these songs date back to the Pink Floyd album. Waters was writing this material at the same time he was composing The Wall and even gave the band the choice of which project they wanted to tackle. The Wall obviously became one of the most famous albums in rock history, while this album didn’t get nearly as much attention. Eric Clapton and David Sanborn help fill out Waters’ band here.

This album has an interesting concept — the songs happen in “real time”, which is to say the story takes place completely within the playing time of the record. Each track is subtitled with the time that the events are supposed to take place, and there’s even an extra minute between the A side and the B side to allow you to flip the record.

Let’s talk about the sound, though. Most of the copies we played were too dry, grainy, and flat to get excited about. The two strong sides from this 2-pack do a much better job communicating Waters’ music and vision. You get amazing presence, more body to the sax, more energy and a bigger soundfield on the Hot Stamper sides than on the typical copy by a mile. The overall sound is super clean, clear and transparent with the kind of size and power music like this demands. (more…)

Which One’s Pink? – And What Do All Those Numbers Mean?

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An erstwhile customer sent us an email a while back asking this question: “What is the FULL stamper matrix for this record… all the way around the dead wax?”

I replied that we never give out stamper numbers for the records we sell. The only way to find out the stampers for our records is to buy them.

He then countered with this bit of information:

Well, ok. I don’t understand the logic, but it’s your show.

Floyd stampers are probably the most uniquely well documented stampers on [a site that no longer exists] that they’re pretty much common knowledge. If I understand your logic, a first pressing may not be a “Hot Stamper” while a 3rd, 4th or 5th might be. Just a function of the stars aligning when that record is pressed. So what’s the diff?

I would think this would be pretty obvious. If we say pressing X is the best, this is information that you cannot get anywhere else, certainly not on the site you sent us a link to. The day that such a site tells you which stampers sound the best is the day that such a site will have any value to those who are not collecting for the sake of collecting, but actually want to find pressings with the best sound to play (more…)

Pink Floyd – The Dark Side of the Moon – Our Shootout Winner from Way Back in 2012

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Side One

A+++ and should absolutely BLOW YOUR MIND with its HUGE, three-dimensional soundfield. It’s got big-time energy, amazing presence, and wonderful clarity. The bottom end sounds phenomenal, with real weight to the bass. The overall sound is rich, sweet and warm. Listen to how clean and clear the female background vocalists sound on Time. The guitars have a meaty texture that really adds to the life force of this copy — it’s positively ELECTRIC.

Side Two

Side two is every bit as AMAZING! A+++ White Hot sound. The size of the stage on this side is beyond anything in our experience. Check out the incredible transparency and the silky highs, as well as the breathy vocals and tons of energy. Money on this copy will blow your mind. We had a copy with bigger bass than this one but it could not hold a candle to this one is any other way. This was an easy choice for Best Side Two Ever.

TRACK LISTING

Side One

Speak To Me
Breathe In The Air
On The Run
Time
The Great Gig In The Sky

Side Two

Money
Us And Them
Any Colour You Like
Brain Damage
Eclipse

AMG  Review

By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren’t that impressive by themselves, but when given the sonic backdrop of Floyd’s slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance.

But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It’s dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon, but no other record defines them quite as well as this one.

Pink Floyd / Dark Side of the Moon – “NEVER would I have thought a single record could make this kind of difference…”

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Dan, our letter writer, is a new convert to the world of Hot Stampers. Although his system is modest by his own admission, the sound he was able to conjure up in his living room was “…a revelation…”
A good Dark Side can have that effect on you.

Hi Tom,
I received this DSOTM yesterday…

First I played the 180gm 25th anniversary release, so I listened to the first side. While it didn’t necessarily ‘grab’ me, I sat through and listened, with the assumption that I really needed to get a feel for this to do a somewhat critical A/B listening experience.

Then I put this Hot Stamper on.

From the very beginning, I heard vocals I never heard before, in my 12 years of listening to this album. There was such a dramatically engaging ‘dreamlike’ flow to the music, that I have never experienced before! The soundstage was so 3-dimensional, the speakers disappeared, and moment after moment, I completely forgot I was sitting in my living room!

NEVER would I have thought a single record could make this kind of difference… it was TRULY one of those rare experiences – a revelation, of recreating an actual concert in one’s listening room.

While my system is quite modest by most accounts, this is a new chapter in the music playback book, to hear/ listen to something that is so lifelike, everything else disappears.

I look forward to enjoying this for a lifetime.

Sincerely,
Dan E.

Dan started out by emailing me about having some records cleaned, especially a copy of the Dark Side on Heavy Vinyl remastered for the 25th Anniversary of its release, by Doug Sax with the assistance of Kevin Gray (basically just using Kevin’s mastering chain).

My less-than-artful reply:

Dan, this is not a good sounding record. Cleaning it won’t help it much. Boosted top, zero ambience, it’s a dog on most levels.

My excuse for being curt? Simply this: Who has time to waste talking about a bad sounding record? The world is full of them. Their shortcomings are obvious to anyone with even a halfway-decent stereo. (Apparently such stereos are in shorter supply than one would think.) But everything is relative; the Heavy Vinyl beat Dan’s SACD, so he naturally concluded that it must be pretty good, since SACD is widely considered the latest and greatest digital software around.

But we here at Better Records think all this digital foolishness is a load of crap, a dead end. The reason we think that is that we have access to amazing sounding pressings of records like Dark Side, and they have the kind of sound no CD or digital media of any kind has — in our experience — ever had. We call them – you guessed it — Hot Stampers.

When Dan asked if we had a Hot Stamper that would blow his mind and blow that Heavy Vinyl version right out of the water, I said “Hell Yeah!”

The rest is history I guess. (more…)

Pink Floyd – Animals

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  • An outstanding vintage UK copy with Double Plus (A++) sound or close to it from first note to last – exceptionally quiet vinyl too (for the most part)
  • Forget the dead-as-a-doornail Heavy Vinyl – only these Brits have the Tubey Magical Midrange that lets Pink Floyd come alive 
  • “Of all of the classic-era Pink Floyd albums, Animals is the strangest and darkest, a record that’s hard to initially embrace yet winds up yielding as many rewards as its equally nihilistic successor, The Wall. Animals is all extended pieces, yet it never drifts — it slowly, ominously works its way toward its destination. For an album that so clearly is Waters’, David Gilmour’s guitar dominates thoroughly …it surges with bold blues-rock guitar lines and hypnotic space rock textures.”

(more…)

Pink Floyd – Dark Side of the Moon – Quick and Easy Listening Test

More Pink Floyd

More Dark Side of the Moon

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Another in our series of Home Audio Exercises.

Breathe is my favorite test track for side one for any version of Dark Side Of The Moon, Half-Speed or otherwise. When the voices come in about halfway through the song, you can tell that most copies are too bright simply by listening to the vocals on this track. The cymbals might sound wonderful; lots of other instruments might sound wonderful; and there might be plenty of ambience, detail and transparency.

But all of that counts for nothing if the voices don’t sound right. And on most copies the voices sound bright, aggressive, grainy and transitory. (This is the case with the new 180 gram 30th Anniversary copy I regret to say.)  (more…)

Pink Floyd – Meddle – Our Shootout Winner from 2012

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Side two is where the 20+ minute prog epic Echoes is found, and the sound of it on this copy is MINDBLOWINGLY GOOD. If you’re the kind of guy who will get a thrill from hearing Pink Floyd bangin’ out one of their heaviest psych jams with top quality sonics, this copy will completely knock you out. And side one is no slouch either — it sounds amazing as well! Drop the needle on ’One of These Days’ and listen to how HUGE the soundfield is, it’s big, wide and deep so you can really hear into the music.

Side two has all of the magic that’s lacking from the typical copy. It’s open and spacious with lots of ambience, breathy vocals and silky smooth cymbals. The bottom end is MASSIVE on this one with much less bloat than you get on most copies. The presence and energy are off the charts! The sound on this A+++ side one has the kind of impact and power that let you really FEEL the music. Guaranteed to blow your mind? You better believe it!

Side one is nearly as good. It’s full-bodied with lots of energy and impressive dynamics. The soundfield is open and transparent with good size and real depth. We rate this side A++, far better than most copies out there.

The Brits Are King And Nothing Else Comes Close

We’ve been buying up every clean Import copy we can find, but most copies just don’t have the kind of magic that we know is on the tape. Beyond that, many of them are too noisy to sell — even the minty looking ones. (more…)

Pink Floyd – Wish You Were Here

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Amazing! Triple Plus (A+++) sound on both sides, making this a Top Copy that will knock you out. The sound is, in a word, HUGE. You won’t believe how full, rich and clear this one is.

This copy has the size, energy and presence to bring the music out of the speakers and right into your listening room!

Both sides sound wonderful — silky up top and meaty down low. The sound is HUGE, open, and spacious. The vocals are breathy and full-bodied, and the various synths and sound effects sound just the way you want them to. The bass definition is startling — you almost never find copies with bass this tight.

This copy is also very transparent with substantial amounts of depth and three-dimensionality. You can really hear the room around these drums. The acoustic guitars are lovely — rich and full-bodied with proper harmonic overtones and textures.

Everything We Look For

This is the perfect example of everything we look for in a recording here at Better Records: it’s dynamic, present, transparent, rich, full-bodied, super low-distortion, sweet — good copies of this record have exactly what we need to make us audiophiles forget what our stereos are doing and focus instead on what the musicians are doing. (more…)

Pink Floyd – Piper at the Gates of Dawn

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

Rich, Tubey Magical and full-bodied with a big, solid bottom. The energy is phenomenal, with tremendous separation between the instruments and real depth to the soundfield. This is the sound of the Master Tape, make no mistake about it. 

Side two is nearly as amazing, earning a Super Hot grade for so many of the sonic qualities we enjoyed on the first side. It’s smooth in a good way, allowing you to really crank the levels and trip out with the crazy psych-rock these guys were making back then.

Astronomy Domine and Interstellar Overdrive are especially impressive.

Without a doubt this is by far the best sounding early Floyd record we’ve ever played. You have to wait for 1971’s Meddle before you find sound this good again for Pink Floyd. Once the ’70s arrive the band went on to release four of the best sounding albums of the decade: Meddle, Dark Side of the Moon, Wish You Were Here and The Wall. All four are in our Top 100. Dark Side I would put in any Top Ten worthy of the name.

The Beatles may have owned the ’60s but the ’70s clearly belong to Floyd. (more…)