_Composers – Beethoven

Beethoven / Violin Concerto – Classic Records Reviewed

Hot Stamper Pressings Featuring the Violin

Reviews and Commentaries for Recordings Featuring Jascha Heifetz

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Sonic Grade: D

Hall of Shame pressing and another Classic Records LP debunked.

It is an airless fraud, a cheap fake reproduction that’s incapable of fooling anyone with two good ears, a properly set up stereo and a decent collection of Golden Age violin concertos. 

The Classic pressing of this album does not present the listener with the sound of a real, wood instrument bowed by horsehair in physical space.

Notes from a Recent Hot Stamper Pressing (more…)

Beethoven / Symphony No. 9 – MoFi Debunked

More of the music of Ludwig van Beethoven (1770-1827)

More Records Perfectly Suited for the Stone Age Stereos of the ’70s

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Sonic Grade: F

Hall of Shame pressing and another MoFi LP with ridiculously unnatural sound.

Full of the worst kind of bright, phony string tone, MoFi’s trademark sound for classical recordings. Anyone who has ever attended a concert knows that strings in real life simply do not sound anything like they do on these MoFi records.

The London and Decca pressings of this recording are no great shakes either. Any pressing of this performance should be avoided.

Londons and Deccas from this era (1972 in this case) rarely sound very good to us. Here is what we specifically don’t like about their sound.

Beethoven – Violin Concerto / Heifetz / Munch

More of the music of Ludwig van Beethoven (1770-1827)

More Recordings Featuring the Violin

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  • Presenting the best sounding recording of the Beethoven Violin Concerto we know of
  • Our vintage pressing of this brilliant Living Stereo recording — from 1956! — boasts outstanding Double Plus (A++) sound throughout
  • Heifetz’s violin is immediate, real and lively here – you are in the presence of greatness with this copy
  • The orchestra is wide, tall, spacious, rich and tubey, yet the dynamics and transparency are first rate
  • Hard to find them without marks or groove damage, but here is one without either, and the sound is magnificent (which is the hardest thing of all to find)

The reproduction of the violin here is superb — harmonically rich, natural, clean, clear, resolving. What sets the truly killer pressings apart is the depth, width and three-dimensional quality of the sound, as well as the fact that they become less congested in the louder passages and don’t get shrill or blary.

The best copies display a Tubey Magical richness — especially evident in the basses and celli — that is to die for.

Big space, a solid bottom, and plenty of dynamic energy are strongly in evidence throughout. Little smear, exceptional resolution, transparency, tremendous dynamics, a violin that is present and solid — the best copies take the sound of the recording right to the limits of what we thought possible.

Heifetz is a fiery player. On a good pressing such as this one, you will hear all the detail of his bowing without being overpowered by it. As we listened we became completely immersed in the music on the record, transfixed by the remarkable virtuosity he brings to such a difficult and demanding work. (more…)

Bartok & Beethoven – Music For Strings Percussion And Celeste / Grosse Fuge / Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

More of the music of Bela Bartok (1881-1945)

  • An outstanding copy of this wonderful release with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • I’ve never been a fan of the Grosse Fugue, but the Bartok piece on side two earned a Nearly White Hot stamper grade, and it is one of the best on record
  • Clear and transparent, with huge hall space extending wall to wall and floor to ceiling
  • Vintage Decca natural and relaxed sound, with wonderfully textured string tone – it’s all here and more
  • “… one of the best-known compositions by the Hungarian composer Béla Bartók.”

NOTE: our cover does not have the tear in the upper right corner shown in the picture. (more…)

Beethoven / Septet In E Minor / Members of the Vienna Octet

More of the music of Ludwig van Beethoven (1770-1827)  

More Records on Decca and London 

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  • With outstanding Double Plus (A++) grades on both sides, the sound here is realistic and natural, if not DEMO DISC quality
  • Both sides are full, rich, spacious, big and present, with no smear and a healthy dose of Tubey Magic
  • At the right level, the level at which these instruments are heard in performance, the sound is perfection
  • We’ve been raving about this album forever, on Blueback and on UK Stereo Treasury – both can be superb

We normally do not put as much effort into finding top quality pressings of chamber music as we do for the large orchestral works favored by audiophiles (or at least the audiophiles who are willing to spend the money to buy our records), works such as Scheherazade and The Planets. However, if more of them sounded as good as this one we would be more than happy to do just that. (more…)

Beethoven / Symphony No. 9 / Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

Decca and London Hot Stamper Pressings Available Now

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  • A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
  • Both of these sides are wonderfully rich, lively and musical yet still super clear and spacious, making this pressing a Must Own Beethoven 9th
  • Both sides play reasonably well for a London pressing from 1960
  • “…the Orchestre de la Suisse Romande play very well, facing every challenge with musical integrity that reveals to the listener that emotional engagement with the score is far more meaningful than virtuosity for its own sake.”

A Great 9th

The is the best recording of the Beethoven 9th Symphony we have ever played here at Better Records

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of.

Both sides are big, rich and clear, and both were showing us pretty much everything that’s good about a vintage symphonic recording.

The chorus on side two plays cleanly and sweetly all the way to the end, no mean feat for this particular work on vintage vinyl. (more…)

Beethoven – Symphony No. 6 (Pastoral) – Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

More Classical Recordings

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  • With solid Double Plus (A++) grades or close to them on both sides, this is an outstanding find from our recent shootout
  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
  • Everything sounds so right on this record, so much like live music, there is almost nothing to say about the sound other than You Are There
  • Recorded in Geneva’s exquisite Victoria Hall in 1959, this is a top performance from Ansermet and the Suisse Romande, the best we know of

In our opinion this is the best sounding Beethoven 6th Symphony ever recorded. It is the most beautiful of them all, and has long been my personal favorite of the nine Beethoven composed.

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least. It’s as wide, deep and three-dimensional as any, which is of course all to the good, but what makes the sound of these recordings so special is the weight and power of the brass and the timbral accuracy of the instruments in every section.

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. None of them, I repeat none of them, will ever begin to sound the way this record sounds. Quality record production is a lost art, and it’s been lost for a very long time.

The texture on the strings is captured perfectly; this is, by the way, an area in which modern pressings fail almost completely. We have discussed this subject extensively on the site. The “rosin on the horsehair” is a sound that is apparently impossible to encode on modern vinyl. (more…)

Beethoven – String Quartet Opus 130 / Grosse Fuge / Quartetto Italiano

More of the music of Ludwig van Beethoven (1770-1827)

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  • This wonderful Philips recording makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound from start to finish
  • This is a superb recording – big, clear, rich, dynamic, transparent and energetic, and is guaranteed to put to shame any Heavy Vinyl pressing of chamber music you own
  • This copy showed that it had the balance of clarity and sweetness we were looking for in the tone of the violins, viola and cello
  • Above all, the recording sounds natural and real, and with Shootout Winning sides, this pressing was the most natural and most real of all the copies we played

(more…)

Beethoven / Symphony No. 5 / Ansermet / L’Orchestre De La Suisse Romande

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  • This superb performance of the 5th makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish – reasonably quiet vinyl too
  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
  • Clear and transparent and natural – your ability to suspend disbelief requires practically no effort at all
  • This is a wonderful recording in every respect – it’s guaranteed to put to shame any Heavy Vinyl pressing of orchestral music you own

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. Practically none of them will ever begin to sound the way this record sounds.

Quality record production is a lost art, and it’s been lost for a very long time. (more…)

Beethoven / Piano Concerto No. 1 / Richter / Munch – Our Favorite Performance on Vinyl

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  • This stunning vintage RCA Living Stereo pressing boasts wonderful Double Plus (A++) sound throughout, with vinyl that is as quiet as any Shaded Dog from 1961 is ever going to play
  • This pressing has the real Living Stereo magic in spades, but unlike most of the RCA concerto recordings, Richter, the brilliant soloist featured here, is not overly spotlighted, hence the much more natural “concert hall” sound
  • The piano is part of the orchestra, and properly sized, allowing the contributions of the other musicians in the orchestra to be heard more clearly, laid out as they are so elegantly across a huge and deep Boston Symphony Hall stage

(more…)