_Conductors – Wallenstein

Saint-Saens – Piano Concerto No. 2 / Franck – Symphonic Variations / Rubinstein

More of the music of Camille Saint-Saens (1835-1921)

More Classical and Orchestral Recordings

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  • This superb TAS List Piano Concerto recording finally arrives on the site with outstanding Double Plus (A++) sound and vinyl that’s about as quiet and scratch-free as we can find it
  • With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case

Harry Pearson put this recording on his TAS List of Super Disc LPs, and with good reason — the sound is wonderfully relaxed and natural. This Shaded Dog pressing is exceptionally lively and dynamic. The sound is BIG and BOLD, enough to fill up your listening room and then some. The piano is clean and clear, and the strings are rich and textured.

The great Artur Rubinstein’s performance of these wonderful works is superb.

Our Shaded Dog pressing here offers plenty of Living Stereo Magic. This wonderful record boasts a natural orchestral perspective and superb string tone. It also presents the listener with a correctly-sized piano, which is fairly unusual for Rubinstein’s recordings. (more…)

Grieg – Piano Concerto and Favorite Encores / Wallenstein

More of the music of Edvard Grieg

 

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More entries in our Well Recorded Classical Albums – The Core Collection

Well Recorded Classical Albums from The Core Collection available on our site

  • This superb album of Grieg’s piano music returns to the site with outstanding Double Plus (A++) sound or BETTER from start to finish on this fairly quiet Shaded Dog pressing
  • These sides are big, full-bodied, clean and clear, with a wonderfully preset piano and plenty of 3-D space around all of the players
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s the proof
  • “But Grieg’s Concerto is much more than a vehicle for pianistic virtuosity. It has been described as a “tone poem for piano and orchestra” in which an array of colors and moods unfolds. From the beginning of the first movement’s first theme, the piano and the instruments of the orchestra enter into an almost constant dialogue.”

This Shaded Dog pressing is exceptionally lively and dynamic. The sound is BIG and BOLD enough to fill up your listening room and then some. The piano is clean and clear, and the strings are rich and textured. Artur Rubinstein’s performance of this wonderful work is superb, as is his performance of the shorter coupling works on side two.

Living Stereo MAGIC. This is wonderfully recorded music. It has a very natural orchestral perspective and superb string tone. It also boasts a correctly-sized piano, which is quite unusual for Rubinstein’s recordings. (more…)

Various Artists – Destination Stereo – Our Shootout Winner from 2015

More Living Stereo

Destination Stereoo

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A distinguished member of the Better Records Orchestral Music Hall of Fame

Side one is White Hot, with some of the best 1959 Living Stereo we’ve ever heard. Explosive dynamics, HUGE space and size, with unerringly correct tonality, this is a Demo Disc like no other. When “in -the-know” audiophiles discuss soundstaging and depth, they had better be talking about a record that sounds like this. Shockingly real – proof positive that the cutting systems of the day are capable of much better sound than we normally assume. 

This reasonably quiet RCA Shaded Dog LP has DEMONSTRATION QUALITY SOUND on BOTH sides. It is without a doubt THE best sounding copy we have ever heard*. (more…)

Various / Heart of the Piano Concerto – Rubinstein – Reviewed in 2008

More Living Stereo

Various / Heart of the Piano Concerto

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A distinguished member of the Better Records Orchestral Music Hall of Fame

This is an EXCEPTIONALLY GOOD SOUNDING Shaded Dog pressing with fairly quiet vinyl. What’s surprising about this is how transparent and low distortion it is. Just as with Destination Stereo (LSC 2307), the excerpts here frequently sound better than they do on the original complete performances. Rubinstein’s piano is solid and clear sounding, which is rarely the case, especially for his Beethoven concertos. Those almost never sound good, but the excerpt here for Concerto #3 is excellent.