We Get Letters

Building a World Class Record Collection…

One Customer’s Story

Dear Tom,

I want to thank you once again…

Quite a few years ago now I contacted you and talked about this concept called “hot stampers”…It ended up both saving me a lot of misdirection and foolishly trying to rebuild my vinyl collection with new vinyl re-releases often called “audiophile”  and “half-speed” issues.

After a few confirmations of what you said I quickly sold all those copies and began building a real world class collection of vinyl “original” hot stamper level records. A good number cam from your business and I also made a hobby of trying to do what you do in finding “hot stampers”.  Fortunately Philadelphia has a reasonable number of used record stores but unfortunately, as you well know, this is a rigorous and costly endeavor…..but it can be rewarding at times and at other times requires that I rely on you.  

So today I’m snowed in here so I fired up the rig and decided to do some small scale shoot outs and find the true great copies from my already culled collection. Put on several Hall and Oates and focused on “She’s Gone”… one was just clearly dynamic, clear and present…..then put on several Dire Straits “Love over Gold” and ended up with 3 killer copies (such a good lp).. I then put on about 5 copies of Phil Collins “Face Value” with “If Leaving Me is Hard”….What a great love song….and narrowed it to 2.

Yes my rig is really awesome for close up intimate listening at any level. It is something I have worked on for decades to become resolving, dynamic, harmonic, dimensional transparent, and involving. I can listen loud and close without distortion.  When I suddenly find that “hot stamper” Phil Collins is in the room where I hear his voice articulate and rich with background singers just as good and the band perfectly balanced to his vocal. 

And it is then I think of your contribution to all of this and want to tell you. So that is what I am doing. I know what three stars means…..I can’t afford many of them as I would assume some wealthy customers can but I really appreciate them and their unfortunate rarity….. and I appreciate all the work you have done to make this possible,

Sincerely,

Ed Z	


 

Making Audio Progress – Step One: Weed Out the Heavy Vinyl

who__whosn_1403_1_1107562749

 

In his latest letter Dan tells us of his disappointment with the new reissues he’s been trying:

… And thanks again for that amazing “Who’s Next” record. It was startling to hear the difference between that and the Classic – and that was one of the better modern audiophile records!I can’t tell you how many modern reissues I’ve bought over the past couple months that have lost, and lost badly, to just my one single original or early pressing of an album. Reissues by AC/DC, The Who, ZZ Top, The Rolling Stones, and Patti Smith have all failed miserably against my merely average sounding originals.
(more…)

The Doobie Brothers – Livin’ On The Fault Line

doobilivin_2012_1266946611

A distinguished member of the Better Records Rock and Pop Hall of Fame.

WHITE HOT STAMPERS for this overlooked and underrated Doobies album from 1977! Not a lot of hits but a lot of good Sophisticated Soulful Pop songs — the first four tracks on side one are some of the best of the Michael McDonald era, with Nothin’ But a Heartache and There’s a Light on side two making six SUPERB tracks all told.

I’m not even sure you could make the case that Minute By Minute has six tracks of this quality, and I would still find these six superior even if you tried. The consistency may not be as high as MBM, but the high points reach higher, and go deeper emotionally. (Yes, I’m being completely serious.)

More Doobie Brothers

And with Hot Stamper sound now you can actually enjoy the album as an audiophile quality recording. Who in his right mind thought this record could sound this good? Not us! We’ve been buying copies with different stampers for years with virtually nothing to show for it. That’s why you haven’t seen a Hot Stamper hit the site, ever.

That shrunken, flat, two-dimensional, lifeless, compressed, murky, dark sound you’re so used to hearing on Doobies Brothers albums may be the rule, but this pressing is the exception. The average copy of this record is such a letdown, it’s hard to imagine that too many audiophiles would have taken it seriously over the years. They should — the band cooks on practically every track, with strong songwriting that holds up to this day.

Why go to all the trouble to find great sounding copies? Because this is a good album! Side one is strong from start to finish, and side two has its own share of top quality material and musicianship. If you don’t know the album this is your chance to rectify that oversight.

A RECENT LETTER FROM A GOOD CUSTOMER TELLS HIS STORY WITH THE ALBUM

The Doobie Brothers album “Livin’ on the Fault Line” has been my favorite album from one of my favorite bands of all time. It is full of great songs, phenomenal musicianship, and Michael McDonald at his best. As a retiree who has very modest means today I have “shot out” more than a dozen copies of this lp and have a very good copy and backup. So last week Tom put up a double sided Triple Plus White Hot Stamper of “Livin’ on the Fault Line”. Could it be THAT much better than my best copy considering that my copy was the best of over a dozen and when played really sounds great? AND the Better Records copy would be almost 100 times the cost of my used record store “finds”.

But I couldn’t resist so I pushed the button and the Better Records White Hot copy arrived yesterday. I couldn’t wait to play it. It was in minty condition. I heated up the rig and sat down and laid my Jan Allearts “needle” (economy model $3000 cartridge with its Fritz Geiger stylus, ruby cantilever and hand wound gold coils that extract just about everything a record groove contains) on the band of the song “Little Darlin”. Suddenly Michael McDonald was in the room in front of me. The sound was simply amazing! TOTALLY transparent. Dynamics were fantastic…..harmonics were great without losing the high end or low end to the midrange. I was listening to the master tapes!

Now this record was not one of the Doobies biggies. It’s a sleeper… a lot were made but you can find them easily and the used prices in bins are dirt cheap. Your average copy sounds pretty good and a good one sounds great BUT this White Hot Stamper just put ALL of them to shame! This makes it a RARE find and Tom has alluded to how he hasn’t found many that sound this good. And that brings me to the thing that is most disturbing about collecting vinyl (forget cd’s)…..WHY could the record companies do such a really poor job shipping a majority of poor to good records when they also shipped a minority of fantastic Hot Stamper LP’s. I could say it’s the 80/20 rule where 20% of anything is great and 80% of everything is much less to awful. Like you want your car mechanic or your brain surgeon to be in the 20%! Then with vinyl you have to find the small percentage of the 20% that survived stems, twigs, coke, and horrible record players that destroyed most of all the records ever produced including the 20%.

But hey… there’s Tom Port and Better Records to do the hard work of finding a tiny percentage of a tiny percentage. Are they expensive? Sure. But from all my attempts, I personally know just how much money and work it takes to produce these “finds”. It’s a LOT. Can I afford many? NO! But I have my small collection of Better Records Hot Stampers and it is separate from my main “excellent” collection of vinyl. It’s separate because I can hardly ever top a top Stamper from Better Records…..especially a Triple Plus from that rarified air of BR!

ED Z

This Is Not a Cheap Hobby If You Want to Do It Right

mccarmccar_1408s_0210

Rick sent us a letter recently after having played his first Hot Stamper, the first record he ever bought from us. At $300 it wasn’t cheap, but the best things in life never are, and certainly there is little in the world of audio that’s cheap and much good. This is not a cheap hobby if you want to do it right, and even tons of money doesn’t guarantee you will get good sound. It’s far more complicated than that. To quote Winston Churchill, it takes “blood, toil, tears and sweat.”

Churchill went on to say “You ask, what is our aim? I can answer in one word: Victory. Victory at all costs… Victory, however long and hard the road may be…”

Now, he wasn’t talking about audio, but he could have been, and I certainly am. It takes resources — money and labor — to get the sound you want. That is the victory I am aiming at.

Rick here no doubt heard the sound he was looking for on our Hot Stamper McCartney album, and then some, judging by his letter.
(more…)

Transforming the Musical Experience

doors_morrison-hotel-original-album_front_1200

A letter from a good customer tells of his experience playing a top copy of the album seen on the left:

Hi Guys,

Just when I thought you guys could not surprise me, you did it again. Morrison Hotel was not in my collection when I was growing up although I was familiar with some of the tracks on the album. I picked up a SHS 2/1.5 copy; it was good and I added it to my collection. I saw the WHS 3/3 copy come up on the site and thought I would give it a try because of my past experience (Jackson Browne, Beatles – White Album, Crowded House). Holy smokes, my intuition was correct the 3/3 copy transforms the musical experience. I don’t know how or why this happens; how a SHS side 2 that sounds good goes exponentially up with a WHS 3 copy; it just does. When one gets a WHS 3/3 in single album as opposed to a 2 pack; it is a musical treat beyond compare. Thanks as usual.

Mike

My reply:

Mike, I have had that experience quite often, hundreds of times in fact. The 3+ takes the music to a place no other copy can take it, or you!

Glad you enjoyed it.
TP

See more albums engineered by Bruce Botnick

“NEVER would I have thought a single record could make this kind of difference…”

pinkfdarkspinkfdarkside180

 

 

 

 

Dan, our letter writer, is a new convert to the world of Hot Stampers. Although his system is modest by his own admission, the sound he was able to conjure up in his living room was “…a revelation…”
A good Dark Side can have that effect on you.

Hi Tom,
I received this DSOTM yesterday…

First I played the 180gm 25th anniversary release, so I listened to the first side. While it didn’t necessarily ‘grab’ me, I sat through and listened, with the assumption that I really needed to get a feel for this to do a somewhat critical A/B listening experience.

Then I put this Hot Stamper on.

From the very beginning, I heard vocals I never heard before, in my 12 years of listening to this album. There was such a dramatically engaging ‘dreamlike’ flow to the music, that I have never experienced before! The soundstage was so 3-dimensional, the speakers disappeared, and moment after moment, I completely forgot I was sitting in my living room!
(more…)

Cat Stevens Teaser Testimonial

stevetease_testimonial_400

… So Much More Alive and Dynamic …

Our good customer Roger here likes doing his own shootouts, having acquired many of the so-called audiophile recommended pressings over the years. Like us, he knows firsthand that those recommended records have little hope of standing up to the real thing, the real thing of course being an old record we charged him a lot of money for, or, to put it another way, a Super Hot Stamper. Can it possibly be worth the three hundred clams it cost him? Let’s hear from Roger on that subject.

Hi Tom:
Just the usual note to let you know of my latest LP shootout: Cat Stevens Teaser and the Firecat. Since you recommend this recording so highly, I was looking forward to comparing your Super Hot Stamper (SHS) to a British Sunray pressing I had and my Mobile Fidelity Anadisq. Since I had previously found, as you have, that the MFSLversion was thin and bright, I bought a UK pressing, finding it much more full, warm, and dynamic, and my recent comparison confirmed that. The MoFi is hideously bright and edgy, making guitars sound like zithers and Cat’s voice thin and reedy, like he had a head cold. Yep, that about sums it up, Cat Stevens and His Zither Band. It makes me wonder whether the ear-damaged MFSL engineers ever heard a good pressing of this record–even the UK was leagues better.
(more…)