We Get Letters

The Cars Candy-O Is Yet Another Awful Nautilus Remaster

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Sonic Grade: F

A Hall of Shame pressing and another Half Speed debunked.

This Nautilus Half-Speed Mastered LP, like The Cars first album they did, is pure compressed muck. Another one of the worst half-speeds of all time. For those who are interested we’ve reprinted a customer’s letter below as well. 

So I put on my Nautilus SuperDiscs (Listen To The Difference) pressing of The Cars Candy-O.

Sounds okay. But this is supposed to be a “SuperDisc”. Okay does not cut it.

So I put on my Better Records A+++ copy of the same title. Voila! The sound became magical.

Maybe some Nautilus pressings are very good? Maybe my copy is a lemon?

Thanks, again, for making my stereo perform at its best!

Craig D.

The Beatles White Album 10 Copy Shootout – “I was near a nervous breakdown.”

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Our good customer Erik in Germany purchased one of our hottest Hot Stamper White Albums ($700) and decided to do his own shootout with the ten — count ’em, ten — copies he had on hand.  

He makes a point to mention that it’s worth the seven hundred bucks he paid (plus international shipping and customs, let’s not forget, so add another 20-25% on to that figure). Some skeptics may think he’s suffering from Cognitive Dissonance, but we say there’s nothing dissonant about the kind of sound Erik describes hearing in the testimonial he sent us, as follows.

[We should note that we now prefer the right UK pressings of the album over our previous favorite, the right German pressing. Live and learn.]

Hello my friends,

I want to say THANK YOU for the Beatles White Album Hot Stamper. I’m so amazed and lucky – I can’t describe it. You graded it correct (A+/A++/A++/A++ to A+++) and it is worth the price, the sound is exactly “sweet, breathy vocals; well-defined bass; stunning clarity; warmth and richness; immediacy; astonishing transparency and spaciousness; clear transients; loads of ambience and more.”

I’m at the source here in good old Germany concerning the German Apple pressings, collected 10 copies (also a UK first issue and one in a box). 4 were crap, half a dozen had the condition for a shootout. But not one single side reach a rating above A-, I was near a nervous breakdown. Now this problem is solved and I can simply enjoy the album in the future.

Kind regards

Erik

Erik, so glad to hear our copy of the White Album so easily vanquished all comers, especially considering you had mutliple German pressings to play. Wow, that is quite a compliment.

Best, TP

Which One’s Pink? – And What Do All Those Numbers Mean?

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An erstwhile customer sent us an email a while back asking this question: “What is the FULL stamper matrix for this record… all the way around the dead wax?”

I replied that we never give out stamper numbers for the records we sell. The only way to find out the stampers for our records is to buy them. And while we’re on the subject, you might enjoy reading this commentary I wrote a while back pointing out how misleading the matrix numbers can be: The Book of Hot Stampers.

He then countered with this bit of information:

Well, ok. I don’t understand the logic, but it’s your show.

Floyd stampers are probably the most uniquely well documented stampers on [a site that no longer exists] that they’re pretty much common knowledge. If I understand your logic, a first pressing may not be a “Hot Stamper” while a 3rd, 4th or 5th might be. Just a function of the stars aligning when that record is pressed. So what’s the diff?

I would think this would be pretty obvious. If we say pressing X is the best, this is information that you cannot get anywhere else, certainly not on the site you sent us a link to. The day that such a site tells you which stampers sound the best is the day that such a site will have any value to those who are not collecting for the sake of collecting, but actually want to find pressings with the best sound to play (more…)

Kenny Burrell – Midnight Blue – One Customer’s Take on the 45

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A good customer had this to say about a recent shootout:

“By the way side 2 of Midnight Blue bested every other copy I played including the 45 RPM Blue Note [Analogue Productions] reissue. The 45 RPM is very good. You know that technically it is right, but at the same time it’s missing something. When I listened to the [Hot] stamper copy you dug up for me I found it a little noisy at first and wasn’t sure if I could live with it. However after returning to the 45 RPM there was no enjoyment, so I dropped the needle on the stamper one more time, and then I heard it…”

I know what you mean about these modern reissues “missing something”. No matter how well mastered they may be, they’re almost always missing whatever it is that makes the analog record such a special listening experience. I hear that “analog” sound practically nowhere else outside of the live event. 

Thanks for your letter. 
TP

Our Classic Review

Pretty flat and lifeless. You would never understand why audiophiles rave about this recording by listening to the Classic Records pressing.

We played it up against our best, and as expected it was nothing to write home about. Since Rudy has remastered and ruined practically all the Blue Note CDs by now, you will have your work cut out for you if you want to find a good sounding version of Midnight Blue. This sure ain’t one.

Of course we would be more than happy to get you an amazing sounding copy — it’s what we do — but the price will be five to ten times (or more) what the Classic costs. In our opinion it’s money well spent, as you will see in our review below.

Since the Classic conveys very little of what the musicians were up to whilst recording the album, our advice is to cross it off your list of records of interest. It’s thirty bucks down the drain.

Ella Fitzgerald – Clap Hands, Here Comes Charlie – Our Favorite Female Vocal Album of All Time

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A distinguished member of the  Better Records Rock and Pop Hall of Fame.

The first “Triple Triple” MONO copy to ever hit the site — A+++ from start to finish. Our knockout mono pressing here was fuller, more natural and more involving than any copy we heard in our shootout. with immediacy to put Ella practically in the room with you, it’s her performance that really comes to life. It’s our single Favorite Female Vocal album here at Better Records, one that gets better with each passing year.

Check out what the lucky owner of this copy had to say about it.

PR Writes

As you probably know, I own superb copies of the stereo. They both fade into pastel in comparison with this mono. (more…)

Jethro Tull – Aqualung – An Album We Are Clearly Obsessed With

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AQUALUNG is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it.

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries. (more…)

The Who Letter of the Week – No Record I Own Ever Did That!

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This week’s letter came from a long time customer of ours, Dan. When he ordered this album he left the following note in his order comments – This is one of my favorite albums of all time!! One of my personal desert island discs. Can’t wait to hear it!. I’m not sure his ears were prepared for what was about to happen though. Read on to see what Dan thought of his Very Hot Who’s Next.(We have added the headings you see between the paragraphs.)

Hey Tom,

Just listened to the Very Hot Stamper of “Who’s Next” and thought I’d drop a little note: Holy FUCK that was POWERFUL!!!

No record I own ever did that

And I’m talking bone-rattling, earth-shaking, sock-you-in-the-gut POWERFUL. I’ve always known that The Who were one of the most intense bands in the history of rock n’ roll. Hell, everybody knows that and it’s part of the reason we love ’em so much. But with this record, I experienced the sheer physical force of their music like I NEVER have before. I couldn’t believe I heard bass notes hang in the air and resonate for long stretches. Bass notes never just hang like that! No record I own ever did that. (more…)

Record Collecting Axioms

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In an old commentary for a shootout we did for Carole King’s Tapestry album we took shots at both the CBS Half-Speed Mastered Audiophile pressing and the Classic Heavy Vinyl Audiophile pressing, noting that both fell far short of the standard set by the Hot Stamper copies we’d discovered. This finding (and scores of others just like it) prompted us to promulgate the following axiom of audiophile record collecting, which we are calling…

Better Records Record Collecting Axiom Number Two

The better your stereo gets, the fewer Heavy Vinyl and Half-Speed Mastered pressings you will want to play, or own for that matter.

(This assumes a fact not in evidence: that audiophiles get rid of their bad sounding records. It has been my experience that the reverse is actually more often the case. Most audiophiles seem to like to hang on to their bad sounding audiophile pressings, Why they do so I cannot for the life of me understand. To me a bad sounding audiophile record is a record that has no business being played and should either be tossed or sold, with any proceeds from the sale applied to the purchase of good records — you know, like the ones on our site.)
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Steely Dan – Katy Lied – An Album We Are Clearly Obsessed With

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KATY LIED is an album we admit to being obsessed with — just look at the number of commentaries we’ve written about it. And scroll down to see a wonderful testimonial from one of our good customers about a killer copy we sent him years ago. 

We love the album and we hope you do too. If you have some time on your hands — maybe a bit too much time on your hands — please feel free to check out our commentaries.   

This link will take you to all of our other STEELY DAN albums.

This week’s letter is from our good friend Roger, who, like us, is a GIANT Steely Dan fan. Apparently he had tried every copy of Katy Lied he could get his hands on and practically had given up on the album — until he decided to shell out the princely sum of Three Hundred Clams ($300, probably not the last piaster he could borrow, but a pretty hefty chunk of dough for a fairly common used LP from 1975) to Better Records, with the hope that we might actually find a way to put him in touch with the real Dr. Wu.

Let’s just say it seems that Roger got his money’s worth — and maybe a little more.

The title of his letter is: 

Katy Lied? Are you sure?

I tried your Hot Stamper Steely Dan Katy Lied. You gotta be kidding me. Are you sure this is the same recording? I remember your saying that this one is your favorite SD record and I could never understand why, at least until I heard this secret recording. Other than the HS copy you basically had a choice between the dull and lifeless bland US pressing, or the Mobile Fidelity version, which has those undescribable phasey, disembodied instruments and voices that sound unmusical to me.

I even tried British and Japanese pressings with no luck. I just figured this was just a bad recording, which made sense in light of all the press about the problems during the recording and mixing sessions, and I don’t think I bothered to listen to it again for at least the past 5 years.

But wow, this is clearly in another league. The voices and instruments are in three dimensions, the bass and dynamics are far far better, the saxes are up-front and breathy. I couldn’t believe how good Daddy Don’t Live in that New York City No More and Chain Lightning sounded. Even my subwoofer that I roll off at 30Hz got a good workout. It sounds like live music. So how did you sneak your tape recorder into the studio sessions, anyway?

Roger, we’re so happy to know that your love for Katy Lied has finally been requited after all these years. The reason we go on for days about the sound of practically every track on the album (the green commentary below) is that we love it just as much as you do. (more…)

Turning Skeptics into Believers, One Hot Stamper at a Time

Straight Answers to Your Hot Stamper Questions

Turning Skeptics into Believers

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Years ago we received a letter from a fellow on our email list who found our prices for vinyl curious, as he considered a vinyl a bygone technology. Can’t say I agree with that assessment. It sure would be nice to demonstrate for him how much better records sound than the supposedly superior technologies that have — for most people, perhaps even for this gentleman — replaced them.audiophile label on the planet, I don’t know who it could be, and I don’t want to find out.  

Wait, there is a way! A Hot Stamper, 100% Guaranteed to Satisfy or Your Money Back. One click is all it takes. Which is pretty much what I said in my reply to his letter which you can read below.

Tom,

I receive your HTML email regularly. Along with the curious prices of your offerings, I occasionally wonder about the opinions expressed in your e-missives. A Roman senator once said that all mortal things are ‘only perfect in death.’ Ashes to ashes, and dust to dust aside: vinyl (of which I own a considerable library) is merely a bygone technology at this point in time. The opinions expressed on your website rarely credit the writer. Whose words are these? And why should I accept the opinions of someone who only stands to profit from their fanaticism? (more…)