We Get Letters

Letter of the Week – Steve Winwood

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Yesterday I was marveling at the bottom-end and overall clarity of my new Stevie Winwood album. I think it’s right up there with Miles of Aisles, which sounded so good it made my wife cry (seriously) . But as always, I came up with a dark thought: Are Hot Stampers the only way to get my system to sound this good? I have VERY few personally-selected LPs that can compete with a Hot Stamper. Even though I usually buy the “Budget” stampers, it looks like a future of hundred-buck-plus albums for me. (more…)

Heart – Little Queen – CBS Half-Speed Debunked

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Sonic Grade: D

No slam, no real weight and no deep deep bass, just that 30-plus-cycles stuff and barely any of that, mostly 40 and up if you’re lucky, and BLUBBERY.

Our good customer Roger wrote to tell me how much better he liked our $100 Hot Stamper of Little Queen compared to his CBS Mastersound Half-Speed Mastered LP.

As you can see from our old commentary I used to actually think the Mastersound pressing was pretty good, with better extension on the top to help overcome this album’s typically dull, thick, opaque sound.

But that’s before I discovered the Hot Stampers, which fix EVERYTHING and turn this album into a real Demo Disc. (more…)

Blood Sweat and Tears – MoFi Debunked

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Sonic Grade – MoFi: D

We found a Hot Stamper copy for one of our best customers a while back and he wrote an incisive commentary which may be of interest to you. To see the results of his comparison between the Direct Disc Labs Half-Speed, the MOFI Anadisq, his original domestic pressing, and the Hot Stamper he bought from us, check out his letter.

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[I want to thank Roger Lawry for his extensive commentary on the BS&T’s second album. His critical listening skills are obviously quite well developed, especially since he agrees with me about what is the best sounding BS&T — the one I sold him! I will be adding some caveats in places to clarify a few issues, but basically Roger’s assessment is right on the money. I added the underlining below for emphasis.]

Hi, Tom:

I listened to 3 versions of the BS&T record and here is what I found (I wrote up a little review–you can use it on your website or laugh and delete it, whatever). (more…)

Letter of the Week – Cosmo’s Factory

Cosmo’s Factory

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

Just some comments on the records purchased in July. Some of these records were a night and day experience for me. I bought ten years after a space in time and nilsson son of shmilsson from the columbia record club back in the early seventies. I’ve taken good care of them and thought they sounded very good so I didn’t need to upgrade. You mentioned that we’ve never heard these records sound like this, so I thought I’d take a chance. WOW! Space in time, son of schmillson, eat a peach it was like there was a blanket taken off the speakers. Everything sounded sooo much better, more involving, the sound jumped out at me. And not that in your face shrill run for the volume control sound which was so prevalent in the late 80’s and into the 90’s. 

CCR cosmo’s factory, I’ve got an original mofi copy which sounded really good ( I must have lucked out, 90% of the mofi’s I bought didn’t have a problem with sibilance. The ones that did have that problem and the dead as a doorknob presentation, anadisc 200 are all gone.)

The super hot stamper of Cosmos factory on side 1 completely smoked the mofi, side 2 they were comparable. The super hot stamper had more depth to it you could hear into the recording making the experience more lifelike.

Thanks, Shane

 

Letter of the Week – Dixie Chicken

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

Stop putting records I want on your site. I’m finding them very difficult to resist. I’ve come to expect my socks to get blown off every time. The recent Dixie Chicken was no exception, by the way. I dropped the needle on side one and knew within a couple of seconds, “Oh yeah, this is the shit!”. My socks were across the room, needless to say.

Robert B.

Letter of the Week – Dynavector 17D3, The B-52’s and Peter Gabriel

One of our good customers had this to say about some Hot Stampers he purchased recently: 

Hey Tom, 

Hey guys, before I talk about my very first Hot Stamper let me say this. I have been going to your site for well over two years and was very reluctant to spend the kind of money that you charge for a used record. Come on! Are you kidding?? But I was very intrigued by the description of your system. I had felt that the weakest part of my system may be the cartridge. So I sprung for the 17d3.

WOW! A first class improvement. So I thought “Well if these guys are right about the cartridge, maybe there is something about these used records. After all I can always send it back, right?” So I ordered the B-52’s first album (125.00) and played it. And played it. No No No, get up off your knees and stop begging. You can’t have it back. It’s MINE. Although I do not have this album in any format, it is now a reference or demo if you wish, that lets me know how good my system really is. It has also revealed to me that I have records that sound pretty darned good. It has also given me a lesson on critical listening.

I have been listening to music for over 55 years, and you are never to old to learn. Last week I received my new VPI with Disc Doctor package, and it seems to have been a wise addition. I have found a few treasures that have been lurking in my collection. And I ordered a Peter Gabriel today. I am a happy camper. (more…)

Letter of the Week – West Side Story and Jackson Browne

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I really liked the Osacr Peterson West Side Story and appreciate the effort you put in to find me a Hot Stamper. This was an album my mother bought for me and I have fond memories of lying on my back under my parents RCA console stereo looking up at the glowing tubes and listening to it. Thank you. Much better than the DCC cd. It now sounds like I remember it.

Mr. Magic was also a surprise. It never sounded that good and was better than I remember it. 

The one that has completely blown me away was the Jackson Browne 3+ side one. It never sounded like that ever. I had a 1.5 and it was good; kind of like I remember it. This copy is a completely different musical experience. I enjoy the presentation more and have a much better appreciation of the music. You guys did it again.

Thanks as usual,
Mike H. (more…)

Letter of the Week – Sergio Mendes & Brasil ’66, A Little Touch of Schmilsson and Stardust

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

I was totally blown away by the Sergio Mendes & Brasil ’66 album you sent me. The lovely, sweet female vocals and the awesome percussion was to die for. For a supposed easy listening album, I was getting very excited! In fact, I cannot stop listening to it. My only compliant is it is too short in duration. When it is over, I want (need?) more! Do his other albums sound like this? If so, I will be buying more.

This is what I love about you guys, you turn me on to albums I would never have even thought to listen to. For example, on your recommendation, I ordered Harry Nillsson’s A Little Touch of Schmilsson in the Night. This is an album I would never have given a second look at, yet, as soon as the needle hit the groove, I was floored. The vocal presence is startling. It is like Harry is in the room singing to me. It reminds me a lot of one of my other favourites I bought from you a while back – a White Hot copy of Willie Nelson’s Stardust. 

Willie, Harry and Sergio as demo discs…who would have thought! (more…)

Letter of the Week – The All-Time Greatest Hits of Roy Orbison

The All-Time Greatest Hits of Roy Orbison

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

I would like you to do me a favor and pull this record and ship it to me. I will ship the super Hot stamper I paid $399.99 because one side had A+++ grade. Please let me know ASAP if you can do me this favor. 

Thanks, Naz

Naz,

Not a problem, happy to do it for you. And if you are not thrilled with it make sure to tell us within the 30 day window so we can give you full credit towards something else.

Best, TP

Thanks 🙏

Tom I’m going out of my frigging mind on this White Hot stamper of Roy Orbison Greatest hits. What a piece of shit is my Dcc test pressing.

Letter of the Week – Who’s Next

Who’s Next

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,  

Just listened to the Very Hot Stamper of “Who’s Next” and thought I’d drop a little note: Holy F&*K that was POWERFUL!!! No record I own ever did that And I’m talking bone-rattling, earth-shaking, sock-you-in-the-gut POWERFUL. I’ve always known that The Who were one of the most intense bands in the history of rock n’ roll. Hell, everybody knows that and it’s part of the reason we love ’em so much. But with this record, I experienced the sheer physical force of their music like I NEVER have before. I couldn’t believe I heard bass notes hang in the air and resonate for long stretches. Bass notes never just hang like that! No record I own ever did that.
But this particular slab of vinyl offered more than just low-end power. Its grooves exploded with such energy, dynamics, and pure EXCITEMENT that I was honestly concerned my cartridge was going to jump off the record and say “Sorry, this is just too much.” Remarkably, it held up for the whole wild ride.

Anyhow, after that shockingly great experience, I (reluctantly) spun the Classic version of this album for comparison purposes. You’re right, there’s no going back. The difference is almost comical. On the track “Going Mobile”, while it certainly has well-defined bass and great detail, it sounded like a different take – a much worse take. The conviction in Townshend’s singing and guitar playing had been sucked out, as if he was bored of his own new song. I would have been sad hearing it if I didn’t know there was much better copy sitting on my shelf. So thank you for helping me take a dozen GIANT steps closer to the true sound of this phenomenal album. (more…)