With seriously good Double Plus (A++) sides or close to them, this Van Gelder mastered copy was one of the best we played in our shootout (but the vinyl is iffy at best)
The sound here has real texture to the strings and breath to the vocals, key elements if this music is going to work
4 1/2 stars: “The Astrud Gilberto Album was at least as good as Getz/Gilberto (despite what jazz fans say), for several reasons. Gilberto sounded beautiful on a range of material, from the sentimental “Dindi” to the playful “Agua de Beber,” and as long as intelligent musicians were playing to her strengths (as they do here), the results were splendid.”
If you can tolerate the slightly noisier surfaces of this pressing you are in for some amazing music and sound. If for any reason you are not happy with the sound or condition of the album,we are of course happy to take it back for a full refund including the domestic return postage.
This is an early stereo LP – the monos may be five times more common, but every last one we played was awful!
Check out this list of top jazz players:
Astrud Gilberto – vocals Antônio Carlos Jobim – vocals, guitar (track 2) João Gilberto – guitar Joe Mondragon – bass Bud Shank – alto sax, flute João Donato – piano Stu Williamson – trumpet Milt Bernhart – trombone (more…)
An outstanding copy of this superb collaboration with solid Double Plus (A++) sound from first note to last
Both sides are rich, sweet and Tubey Magical with wonderfully breathy vocals, excellent clarity and solid down low
“Wanderley’s organ playing is as enthusiastic and fluffy as ever, while Gilberto’s singing (in both English and Portuguese) remains smile-inducing. Both manage to create an incredibly warm sound, and when Wanderley plays some piano (as on the beautiful “A Certain Sadness”), you can sense a spark between the two.”
With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – reasonably quiet vinyl too
Another Getz Bossa Nova Classic, recorded immediately after Getz/Gilberto, with comparable sound quality from Val Valentin’s All Tube Recording Chain
“Continuing his practice of running through one star guitarist after another, this time Getz has Laurindo Almeida as the designated rhythm man, featured composer, and solo foil. Jobim’s “Outra Vez” is a particularly lovely example of Getz’s freedom and effortless lyricism contrasted against Almeida’s anchored embroidering. [I]n the long view, one should be thankful that these musicians were recording so much cherishable material.”
Verve Stereo LP with RVG Stampers and very good sound. This album has that analog richness, warmth and smoothness that we prize so highly here at Better Records. Jimmy does some pop tunes, some Ellington and more on this one, which has a real funky feel to it, with Jimmy really getting into it and grunting along with the music in places.
This copy (especially on side one) was just plain bigger and richer and tubier, as well as more dynamic than the others we played.(more…)
What to listen for you ask? That’s an easy one. Just listen for the best sounding Mothers record ever made, because that’s what the best copies can (and should) sound like.
Absolutely Free is much bigger, smoother, richer, livelier and more free from harshness, dryness and distortion than any other album we’ve ever played from Zappa’s early period, pre-Waka Jawaka let’s say. The only other records I can think of that can sound remotely as good as Absolutely Free are Cruising with Ruben & the Jets (1968) and Hot Rats (1969), and even then I really don’t think they are quite in this league.
BY FAR the best copy to ever hit the site – White Hot on side one and Nearly White on side two
You will not believe how rich and Tubey Magical this copy is, and yet so CLEAR and undistorted
If you’ve suffered through reissues or the dreadful CD you are going to flip out over the sound of this copy
4 1/2 Stars: “By turns hilarious, inscrutable, and virtuosically complex, Absolutely Free is… a fabulously inventive record…”
Credit the incredibly talented Val Valentin with engineering that to our ears gives every indication of being a clear step up over everything else Zappa released in the ’60s.
Our last shootout was in 2007 — yes, about nine years ago. We can’t even find one clean copy of this album a year (at prices we can afford to pay of course). To be honest, one copy in our shootout was exceptionally quiet but the sound is a big step down from this one.(more…)
The first “Triple Triple” MONO copy to ever hit the site — A+++ from start to finish. Our knockout mono pressing here was fuller, more natural and more involving than any copy we heard in our shootout. with immediacy to put Ella practically in the room with you, it’s her performance that really comes to life. It’s our single Favorite Female Vocal album here at Better Records, one that gets better with each passing year.
Check out what the lucky owner of this copy had to say about it.
As you probably know, I own superb copies of the stereo. They both fade into pastel in comparison with this mono.(more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
The first Hot Stamper copy of this great album to hit the site in many, many years! We are HUGE fans of this album at Better Records, but it’s taken us a long time to pull together enough clean copies to make this shootout happen. Boy, was it worth all the trouble!
The presence and immediacy here are staggering. Turn it up and Mel is right between your speakers, putting on the performance of a lifetime! One of our very favorite male vocal albums, and this copy will show you why — the sound and music are the tops.
The sound is big, open, rich and full. The highs are extended and silky sweet. The bass is tight and punchy. And this copy gives you more life and energy than most, by a long shot. Very few records out there give you the kind of realistic, lifelike sound you get from this pressing, particularly on side two.(more…)