_Composers – Liszt

The “Not-So-Golden-Age” of RCA, Mercury, London and Others

Well Recorded Classical Albums – The Core Collection

Hot Stamper Pressings of Classical Albums from The Core Collection

We ran into a number of copies of this title that had what we like to call that “Old Record” sound, which is surprisingly common on even the most revered Golden Age labels, RCA included.

No top, no real bottom, congested climaxes and a general shrillness to the sound — we’ve played Living Stereos by the dozens that have these shortcomings and many more.

Some audiophiles may be impressed by the average Shaded Dog pressing, but I can assure you that we here at Better Records are decidedly not of that persuasion.

Something in the range of ten to fifteen per cent of the major label Golden Age recordings we play will eventually make it to the site. The vast majority just don’t sound all that good to us. (Many have second- and third-rate performances and those get tossed without ever making it to a shootout.)

(more…)

Liszt / Rhapsodies / Stokowski – Classic Records Reviewed

More of the music of Franz Liszt (1811-1880)

Our Favorite Hungarian Rhapsodies

Sonic Grade: F

The lower strings are wonderful on the original — wall to wall, with that rosiny texture we love. I wrote at the time — this is twenty or so years ago — that the Classic pressing took that rich, dark sound and brightened it up, ruining it in the process.

Cellos and double basses just don’t sound like that. On the best pressings of LSC 2471 their timbre is Right On The Money. Of course, that’s the real thing, not some audiophile rebutchering. 

Now if you’re a Classic Records fan, and you like that brighter, more detailed, more aggressive sound, the original is probably not the record for you.

We don’t like that sound and we don’t like most Classic Records. They may be clean and clear but where is the RCA Living Stereo Magic that made people swoon over these recordings in the first place?

Bernie manages to clean that sound right off the record, and that’s just not our idea of hi-fidelity.

(more…)

Liszt / Piano Concertos Nos. 1 and 2 / Kondrashin / Richter

More of the music of Franz Liszt (1811-1886)

More Classical Masterpieces

  • The finest Liszt 1st and 2nd Piano Concertos we know of for their performances, and unquestionably for sonics (when the sonics are this good!)
  • The best pressings of this title are more like LIVE MUSIC than any classical recording you own (outside of one of our Hot Stamper pressings of course, those can be every bit as good) or your money back
  • So big, rich and transparent we guarantee you have never heard a better piano concerto recording (unless you already one of our White Hot copies!)

*NOTE: Unlike Concerto No. 1, The Second Piano Concerto opens very quietly, so there will likely never be a vintage pressing of the album that will get that opening to play like a CD. Expect to hear some random ticks, a small price to pay to hear this wonderful performance on top quality analog.

Richter and Kondrashin deliver the finest Liszt 1st & 2nd Piano Concertos I know of, musically, sonically and in every other way. Richter’s performance here is alternately energetic and lyrical, precisely as the work demands. The recording itself is explosively dynamic. The brass is unbelievably full, rich and powerful. You won’t find a better recording of this music anywhere, and this pressing just cannot be beat.

Big and rich (always a problem with piano recordings: you want to hear the percussive qualities of the instrument, but few copies can pull it off without sounding thin). We love the BIG, FAT, Tubey Magical sound of this recording! The piano is solid and powerful — like a real piano.

Huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard. (more…)

Liszt, Enesco, Smetana / Rhapsodies / Stokowski

More of the music of Franz Liszt (1811-1880)

Our Favorite Hungarian Rhapsodies

This RCA Living Stereo White Dog LP (LSC 2471) has SUPERB SOUND!

I’m a big fan of this title. The string tone is rich and dark and just wonderful. If you want an exciting record with outstanding Living Stereo sound — dynamic, with strings to die for, and an energetic performance, this is the one!

Don’t let the White Dog fool you. I doubt if the average Shaded Dog is any better.

[I suspect that the Shaded Dog has the potential to be better, but when this review was written I did not.]

This record sounds just right to me. Listen to how clear and correct the triangle is. 

I wonder if the Shaded Dog copies would be cut that clean. Without one here to compare there’s no way to know.

The Classic version sounds okay until you play it next to the real thing. Then you hear how brightening up the strings ruins everything.

Here are some of the other records we’ve discovered that are good for testing string tone and texture.

(more…)

Where Cheap Turntables Fall Flat – The Music of Franz Liszt

More Classical and Orchestral Music

Best Orchestral Performances with Top Quality Sound

Classical music is unquestionably the ultimate test for proper turntable/arm/cartridge set-up. The Liszt recording you see pictured is a superb choice for adjusting tracking weight, VTA, azimuth and the like.

One of the reasons $10,000+ front ends exist is to play large scale, complex, difficult-to-reproduce music such as Liszt’s two piano concertos. You don’t need to spend that kind of money to play this record, but if you choose to, it would surely be the kind of record that can show you the sound your tens of thousands of dollars has paid for.

It has been my experience that cheap tables more often than not collapse completely under the weight of a mighty record such as this.
(more…)

Liszt / The Music of Franz Liszt / Fiedler

More of the music of Franz Liszt (1811-1880)

  • Classic superb Living Stereo Sound on both sides – big and open with an especially clean and extended top end (great fun on those huge cymbal crashes Liszt favors)
  • Powerful, rich, dynamic and life-like orchestral reproduction, set in a huge hall
  • “The Hungarian-born composer and pianist Franz Liszt was strongly influenced by the music heard in his youth, particularly Hungarian folk music, with its unique gypsy scale, rhythmic spontaneity and direct, seductive expression.”
  • If you’re a fan of orchestral showpieces such as these, this Living Stereo from 1960 belongs in your collection.
  • The complete list of titles from 1960 that we’ve reviewed to date can be found here.

This is, in our opinion, one of the most underrated Living Stereo treasures in the Golden Age canon — but not by this critic (here reviewing the CD):

In the early days of stereo, RCA released an all-Liszt LP by Arthur Fiedler and the Boston Pops that has remained in my memory as one of the finest things the popular maestro ever committed to disc…

Two works, the Hungarian Rhapsody No. 2 and the high energy Rákoczy March, have been out for some time, coupled with “Hi-Fi Fiedler”. Now RCA has added to this current disc the two main pieces, Mazeppa and Les Preludes, from the original collection. They are as wonderful as ever – among the best, if not the best, performances of this music. Fiedler doesn’t dawdle or toy around with the melodies; he lets Liszt’s Romantic vision speak for itself, helping it along with brisk tempos and incisive phrasing. Seldom have the fanfares in Les Préludes had such bite and majesty.

ClassicsToday

 

(more…)

Grieg / Piano Concerto – With a Correctly Sized Piano for a Change

More of the music of Edvard Grieg (1843-1907)

Reviews and Commentaries for the Music of Edvard Grieg

This Shaded Dog pressing has exceptionally lively and dynamic sound on side two, which earned an A++ grade and plays quietly to boot! The sound is BIG and BOLD enough to fill up your listening room and then some.

The piano is clean and clear, the strings are rich and textured.

And his performance of this wonderful work is superb, as is his performance of the shorter coupling works on side two (which actually have the best sound here). 

This is wonderfully recorded music. It has a very natural orchestral perspective and superb string tone.

It also boasts a correctly-sized piano, which is quite unusual for Rubinstein’s recordings.

(more…)

Liszt / Smetana / Mussorgsky – Les Préludes / The Moldau / Night On Bald Mountain / Dorati

More of the music of Franz Liszt (1811-1886)

More Recordings on Mercury

  • With seriously good Double Plus (A++) sound or close to it on both sides, this copy will show you just how good the Mercury engineers were back in those days
  • Les Preludes on side two has the better sound here, and it is one of the best on record
  • Dorati breathes life into these concert hall favorites as only he can, and the Mercury engineers (Fine and Eberenz) capture the excitement on tape as only they can
  • We have a preference for Dorati’s recordings with the London Symphony Orchestra, and a record like this will show you exactly why we do
  • The exciting sound of Mercury lives on through the vintage disc they made all those years ago
  • If you’re a fan of orchestral showpieces such as these, this LP from 1960 belongs in your collection
  • The complete list of titles from 1960 that we’ve reviewed to date can be found here.

(more…)

Everything But the Beer / Fiedler Conducts a Boston Pops Concert

Living Stereo Titles Available Now

200+ Reviews of Living Stereo Records

This VERY RARE 2 LP Shaded Dog pressing has Super Hot Stamper sound. Much of what’s good about Golden Age recordings is heard here, with side one for example having the sound of a HUGE hall and that Three-Dimensional quality that the best vintage recordings are able to convey so well.

We constantly knock Heavy Vinyl here at Better Records for the simple reason that we play vintage recordings such as this by the score every month and can hear what they do so well. Unfortunately the huge hall and the 3-D soundstaging they effortlessly reproduce cannot be found on any Heavy Vinyl pressing we know of.

Such qualities allow this record to sound — in some ways, to be sure not all — like live music. Heavy Vinyl just plain doesn’t. (more…)

Liszt / Enesco – Hungarian Rhapsodies / Roumanian Rhapsodies / Dorati

More of the music of Franz Liszt (1811-1880)

More Orchestral Spectaculars

  • This wonderful collection of rhapsodies finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or BETTER on both sides
  • One of the best of the Mercury Living Presence Titles – the orchestra is big, rich and tubey, yet the dynamics and transparency are first rate
  • Beautifully performed by the London Symphony Orchestra (our favorite performances of these works in fact), under the direction of Antal Dorati
  • Other versions — the Oscar Danon we like on RDG, for example — may be faster, but Dorati and the LSO bring an energy and spirit to these pieces that we feel is unequaled on vintage vinyl
  • “The playing is flawless… if you like and/or appreciate the music of these composers, your life would be remiss not having heard these performances.”
  • More of Our Favorite Orchestral Performances with Top Quality Sound

(more…)