Another in our series of Home Audio Exercises.
This discussion, brought about by a Hot Stamper shootout we conducted for Revolver many years ago (2007!), touches on many issues near and dear to us here at Better Records: pressing variations, system upgrades, dead wax secrets, and the quality we prize most in a recording: LIFE, or, if you prefer, energy.
At the end of the commentary we of course take the opportunity to bash the MoFi pressing of the album, a regular feature of our Beatles Hot Stamper shootouts. We’re not saying the MoFi Beatles records are bad; in the overall scheme of things they are mostly pretty decent. What we are saying is that, with our help, you can do a helluva lot better. Our help doesn’t come cheap, as anyone on our mailing list will tell you. You may have to pay a lot, but we think you get what you pay for, and we gladly back up that claim with a 100% money back guarantee for every Hot Stamper pressing we sell.
The Story of Revolver, Dateline October 2007
White Hot Stampers for Revolver are finally HERE! Let the celebrations begin! Seriously, this is a very special day for us here at Better Records. The Toughest Nut to Crack in the Beatles’ catalog has officially been cracked. Yowza!
Presenting the first TRULY AWESOME copy of Revolver to ever make it to the site. There’s a good reason why Hot Stamper shootouts for practically every other Beatles album have already been done, most of them many times over, and it is simply this: finding good sounding copies of Revolver is almost IMPOSSIBLE. The typical British Parlophone or Apple pressing, as well as every German, Japanese and domestic LP we’ve played in the last year or two just plain sucked. Where was the analog magic we heard in the albums before and after, the rapturously wonderful sound that’s all over our Hot Stamper Rubber Souls and Sgt. Peppers? How could Revolver go so horribly off the rails for no apparent reason? (more…)