Demo Discs for Size and Space – Pop, Rock, Soul, etc.

Supertramp – Crisis? What Crisis?

More of the Music of Supertramp

  • This UK import copy was doing most everything right, earning solid Double Plus (A++) grades on both sides
  • Lots of quiet passages make this title one of the most difficult to find in audiophile playing condition, but here one is!
  • Most pressings are painfully thin and harsh, but this one had much more of the richness and smoothness we were looking for, miles away from the painfully bad original domestic pressings we know to avoid
  • Credit the man behind the board, Ken Scott (Ziggy Stardust, Honky Chateau, Crime of the Century, A Salty Dog, Magical Mystery Tour, America and more), who knows a thing or two about Tubey Magic
  • Desert Island Disc for TP, from all the way back in 1975 when I first gave it a spin on my Ariston RD 11 turntable
  • “Even simple tracks like ‘Lady’ and ‘Just a Normal Day’ blend in nicely with the album’s warm personality and charmingly subtle mood. Although the tracks aren’t overly contagious or hook laden, there’s still a work-in-process type of appeal spread through the cuts, which do grow on you over time.”

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Rod Stewart – Every Picture Tells A Story

More of the Music of Rod Stewart

  • You’ll find solid Double Plus (A++) grades on both sides of this vintage Mercury pressing
  • If you’re a fan of big drums in a big room, with jump-out-of-the-speakers sound, this is the album for you
  • The drum solo in “(I Know) I’m Losing You” is one of the best reasons any red-blooded audiophile should have big dynamic speakers, a big room, and enough power to drive them to very loud levels
  • Top 100 album, and Rod’s best music and best recording by far – nothing can touch it
  • 5 stars: “It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • f the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • On big speakers at loud levels, this is a Demo Disc of the highest order

This is a superb recording, and on a pressing like this, it is a Demo Disc with little competition (if you have the kind of system designed to play these sorts of records).

Not too many of our Hot Stamper titles are going to ROCK the way this one can. We put it in a class with Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least. In other words, no album rocks harder.

The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the show-stopping “(I Know) I’m Losing You”, is clearly out of his mind.

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)

Charles Mingus – Mingus Mingus Mingus Mingus Mingus

More of the Music of Charles Mingus

  • This original Impulse Stereo pressing boasts supeb sound from the first note to the last
  • Exceptionally spacious sound is a hallmark of any classic Mingus album, and this one does not disappoint — in fact, with Shootout Winning sound, it excels in its recreation of the three-dimensional space of the studio (and in practically every other area of reproduction too)
  • Impulse released a Heavy Vinyl pressing in 1995, as did Speakers Corner in 2003, but we’re quite sure that neither can hold a candle to the real thing
  • Mingus was undeniably one of the Giants of Jazz — the originality of the music on this record is simply more proof of his genius
  • 5 stars: “It closes out the most productive and significant chapter of his career, and one of the most fertile, inventive hot streaks of any composer in jazz history.”

The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’50s and ’60s jazz you cannot go wrong here. (more…)

Blood, Sweat & Tears – Self-Titled

More of the Music of Blood, Sweat and Tears

  • Here is a superb copy of BS&T’s self-titled LP with Double Plus (A++) sound or close to it throughout
  • The only versions of the album we sell are the 360 originals, but most of the dozen or more stamper numbers we know cannot hold a candle to this pressing
  • The sound is huge, rich, dynamic and powerful (particularly on side two) – BS&T is a permanent member of our Top 100 and a Demo Disc par excellence
  • This is Roy Halee‘s engineering masterpiece, and here’s the kind of pressing that, given the right equipment, room, and setup, really makes our case (also particularly on side two)
  • There are some marks (as is sometimes the nature of the beast with these vintage LPs) on “Variations on a Theme by Erik Satie (1st & 2nd Movements),” but once you hear just how good sounding this copy is, you might be inclined to stop counting ticks and just be swept away by the music
  • 4 1/2 stars: “Their finest moment and a testimony to the best of the jazz/rock movement … The album is bold, brassy and adventurous.”

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Jeff Beck – Truth

More of the Music of Jeff Beck

  • A vintage reissue pressing of Beck’s debut LP with two killer Nearly Triple Plus (A++ to A+++) sides, just shy of our Shootout Winner – fairly quiet vinyl too
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks, Ken Scott!
  • This pressing embodies the “big rock sound” that we go crazy for here at Better Records
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • Problems in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

These Nearly White Hot Stamper pressings have top-quality sound that’s often surprisingly close to our White Hots, but they sell at substantial discounts to our Shootout Winners, making them a relative bargain in the world of Hot Stampers (“relative” meaning relative considering the prices we charge). We feel you get what you pay for here at Better Records, and if ever you don’t agree, please feel free to return the record for a full refund, no questions asked.

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Emerson, Lake and Palmer – Tarkus

More of the Music of Emerson, Lake and Palmer

  • This original UK Island pressing was doing practically everything right, earning KILLER Shootout Winning Triple Plus (A+++) grades or close to them from top to bottom
  • Our most recent monster shootout produced this incredible sounding Brit (the only ones we offer), and it is stone guaranteed to rock your world
  • Eddie Offord‘s trademark Tubey Magic, energy, resolution, WHOMP factor and dynamics are all over this phenomenal recording
  • “Tarkus is a thoroughly written, focused piece of music. It remains among the Top Ten classic tracks in progressive rock history… [The album] is…a must-have.”

This killer copy features some of the more intense prog rock sound to hit our table in quite some time. This is a true Demo Disc LP, one of the most dynamic and powerful rock recordings ever made.

The organ captured here by Eddie Offord (of Yes engineering fame, we’re his biggest fans) and then transferred so well onto our Hot Stamper pressings will rattle the foundation of your house if you’re not careful. This music really needs that kind of megawatt reproduction to make sense. It’s big Bombastic Prog that wants desperately to rock your world. At moderate levels it just sounds overblown and silly. At loud levels it actually does rock your world.

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David Bowie – Let’s Dance

More of the Music of David Bowie

  • With two excellent sides, this vintage pressing can rock with the best of them – fairly quiet vinyl too
  • It’s all here: huge amounts of solid bass, clear guitar transients, breathy, natural vocals, and jump out of the speakers presence and energy
  • A real Demo Disc on the right system – “Modern Love,” “China Girl” and the title track are knockouts when you play them good and loud
  • On a Hot Stamper pressing that sounds as good as this one does, Omar Hakim’s drumming will rock your world like nothing you have heard
  • Top 100, of course – Let’s Dance is one of the best sounding Bowie albums ever recorded – this superb pressing is proof
  • One of the best releases of 1983, although that may not be saying much, since by 1983 popular music was definitely headed downhill — Bowie himself would never again release an album as good as Let’s Dance

Bowie is without question one of the all time great frontmen and producers. This is his last good album and a Must Own for audiophiles, especially if you have big dynamic speakers. Like we say, with this one you are in for a treat.

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Phil Manzanera / Diamond Head (Island Pressing)

More of the Music of Roxy Music

  • With two KILLER Shootout Winning Triple Plus (A+++) sides, this UK Island pressing is guaranteed to blow the doors off any other Diamond Head you’ve heard
  • Demo Disc quality sound barely begins to describe the size and power of this recording
  • This album is an amazing sonic blockbuster, with sound that will leap right out of your speakers like practically nothing you have every heard
  • A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his engineering Masterpiece
  • Don’t waste your money on the UK Polydor reissues or the domestic pressings, or anything else for that matter – the right UK Island pressings are in a league of their own
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – those on “Lagrima” are especially bad – but if you can tough those out, this copy is going to blow your mind
  • 4 1/2 stars: “Phil Manzanera’s first post-Roxy foray into solo albums is a terrific all-star affair that still holds up enormously well. Calling on favors from Roxy members present and past, and those from the Cambridge/British art rock scene, Manzanera assembled a supergroup for every song.”

The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.

Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album, and many many more.

If we could regularly find copies of this Audiophile Blockbuster (and frankly, if more people appreciated the album) it would definitely go on our Top 100 Rock and Pop List. In fact, it would easily make the Top Twenty from that list, it’s that good.

Looking for Tubey Magic? Rhett Davies is your man. Just think about the sound of the first Dire Straits album or Avalon. The better pressings of those albums — those with truly Hot Stampers — are swimming in it.

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Ambrosia / One Eighty

More of the Music of Ambrosia

  • Boasting two INCREDIBLE Shootout Winning Triple Plus (A+++) sides or close to them, this copy of Ambrosia’s 4th studio album could not be beat – fairly quiet vinyl too
  • The sound is lively, punchy, and powerful – with all due respect, it should murder whatever copies you may have
  • Analog at its Tubey Magical finest – you’ll never play a CD (or any other digitally sourced material) that sounds as good as this record as long as you live
  • “The ballads are the album’s redeeming feature. They are all lovingly crafted and boast strong, often complex melodies that keep them from getting too sappy or sentimental… The album’s finale, ‘Biggest Part of Me,’ is the best… It combines rich Beach Boys-styled harmonies with a heartfelt lyric to create a rich slice of blue-eyed soul that gave the group a number two hit single…”
  • As is sometimes the case, there is one and only one set of stampers that consistently wins our shootouts for One Eighty.  Click on this link to see other titles with a single set of stamper numbers that always come out on top

This is smooth, rich analog at its best. Easy on the ears as we like to say.

This is clearly the poppier side of Ambrosia, containing two of their highest-charting mainstream hits, “Biggest Part of Me” (#3) and “You’re the Only Woman” (#13). I, myself, of course prefer the proggy first two albums, falling as they do into the broad category of Art Rock where my favorite albums by Bowie, Peter Gabriel, Roxy Music, Supertramp, 10cc, later-period Beatles, Jethro Tull, Pink Floyd, Traffic and so many others from the last forty-plus years can be found.

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Brian Eno / Taking Tiger Mountain Is a Masterpiece

More of the Music of Brian Eno

  • An original UK Island import pressing of Eno’s Art Rock Masterpiece with an INCREDIBLE Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one
  • Side two of this copy resolves the subtle harmonics of Eno’s treated sounds better than all others we played – here is a truly immersive Art Rock experience like no other
  • Only these British originals ever win shootouts – their superior sound comes as the result of their being transferred from fresh master tapes, using the highest resolution cutting equipment available, on to to the best storage medium to ever exist: the mass-produced vinyl LP
  • When records are this big and bold, we say they have “blockbuster sound.” Here are some others that fit that bill.
  • “The songs…are as inventive and appealing as their treatments, and make for Eno’s most solid–and experimental–pop album. This LP holds up magnificently, even years on in the artist’s brilliant career.”

This is Brian Eno’s Masterpiece, as well as a personal favorite of yours truly.

On the right pressing this is a twisted pop Demo Disc like nothing you have ever heard. If you have a big speaker and the kind of high quality playback that is capable of unraveling the most complicated musical creations, with all the weight and power of live music, this is the record that will make all your audio effort and expense worthwhile.

That’s the kind of stereo I’ve been working on for forty years and this album just plain kills over here.

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