Demo Discs for Size and Space – Pop, Rock, Jazz, etc.

Elton John – Self-Titled

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Reviews and Commentaries for Elton John’s Second Album

  • This is an original UK pressing with superb sound — it’s a Must Own album for all right thinking audiophile record lovers, not just Elton John fans
  • No modern record has ever sounded like this – these sides are HUGE, with sound that positively jumps out of the speakers
  • Some of the most remarkable string arrangements (and Tubey Magical string sound) ever recorded for a pop album
  • 4 1/2 stars: “Even with the strings and choirs that dominate the sound of the album, John manages to rock out on a fair share of the record. …Elton John remains one of his best records.”

Folks, if you’re looking for Classic Popular Music that still appeals to sophisticated adults fifty-plus years after it came out, this is the album for you. It’s one of the four Classic Elton John records (five if you count GYBR) that belong in every right-thinking audiophile’s collection.

(The others are, in order of quality: #1) Tumbleweed Connection, #2) Honky Chateau, #3) Goodbye Yellow Brick Road , and #4) Madman Across the Water.)

It’s full of analog Tubey Magic — the richness, sweetness, and warmth are nothing short of stunning. The transparency, clarity, texture, dynamics, energy, spaciousness, and three-dimensionality of this recording are really something to be heard.

The piano has real weight, the vocals are breathy and full, and the string tone is some of the best we have ever heard on a pop album.

Drop the needle on Border Song. When it hits the big “Holy Moses” chorus, you can pick out and follow all the different voices. What sounds like a harp on Sixty Years On is actually a Spanish Guitar. Whatever it is, it’s positively sublime on the best pressings.

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Jeff Beck – Truth

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More Rod Stewart

  • An excellent reissue LP with Double Plus (A++) grades or close to them from start to finish – exceptionally quiet vinyl too
  • Easily – and by a wide margin – the best sounding record Jeff Beck ever made – thanks Ken Scott!
  • This pressing embodies the Big Rock Sound that we go crazy for here at Better Records (particularly on side two)
  • Really fun music – it’s a blast to hear Rod Stewart fronting such a heavy rock band
  • 5 stars: “…almost as groundbreaking and influential a record as the first Beatles, Rolling Stones, or Who albums.”

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


This is a SHOCKINGLY good sounding pressing of Truth, Beck’s As-Heavy-As-I-Can-Make-It Rock debut, the kind of record that would define Classic Rock for the next forty plus years.

The soundstage is absolutely HUGE, while the presence and transparency of this copy go way beyond most pressings. Great rock and roll energy too of course — without that you have nothing on this album.

Note how spacious, big, full-bodied and DYNAMIC both sides are. That’s why they’re Super Hot. I am pleased to report that the whomp factor on these sides was nothing short of MASSIVE. With tons of bass these sides have what it takes to make the music ROCK. (more…)

Led Zeppelin / Self-Titled

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Reviews and Commentaries for Led Zeppelin I

  • A truly excellent import of Zep’s amazing debut with outstanding sound from first note to last – quiet vinyl too
  • Arguably the biggest, clearest and most Tubey Magical Zeppelin album ever recorded, thanks to the engineering genius of Glyn Johns (and production genius of Jimmy Page, who paid for the whole thing out of his own pocket)
  • Just look at the track list – the lucky owner of this LP will be hearing those songs come to life like never before
  • The band’s first album is a permanent member of our Top 100 and a Big Speaker Demo Disc like you will not believe
  • 5 stars: “Taking the heavy, distorted electric blues of Jimi Hendrix, Jeff Beck, and Cream to an extreme… But the key to the group’s attack was subtlety: it wasn’t just an onslaught of guitar noise, it was shaded and textured, filled with alternating dynamics and tempos.”

For the real Led Zep magic, you just can’t do much better than their debut — and here’s a copy that really shows you why. From the opening chords of “Good Times Bad Times” to the wild ending of “How Many More Times” (“times” start the album and end it, too, it seems) this copy will have you rockin’ out!

Both sides have THE BIG ZEP SOUND. Right from the start we noticed how clean the cymbals sounded and how well-defined the bass was, after hearing way too many copies with smeared cymbals and blubbery bass.

When you have a tight, punchy copy like this one, “Good Times Bad Times” does what it is supposed to do — it REALLY ROCKS! With this much life, it’s lightyears ahead of the typically dull, dead, boring copy. The drum sound is PERFECTION.

Drop the needle on “Babe I’m Gonna Leave You” to hear how amazing Robert Plant’s voice sounds. It’s breathy and full-bodied with in-the-room presence. The overall sound is warm, rich, sweet, and very analog, with energy to spare. “Dazed and Confused” sounds JUST RIGHT — you’re gonna flip out over all the ambience!

Communication Breakdown is crazy good — the sound of Jimmy Page’s guitar during the solo is so good.

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Esquivel – Infinity In Sound

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Living Stereo Titles Available Now

  • You’ll find INCREDIBLE Shootout Winning Triple Plus (A+++) Living Stereo All Tube Chain sound throughout this original RCA pressing from 1960
  • Both sides are incredibly clear and open, yet rich and and oh-so-Tubey Magical, with brass that has little to none of the “blarey” quality that plagues most copies
  • Folks, I can tell you right now most original Living Stereo Popular (LSP) pressings, of this or any other LSP title, do not begin to recreate the Studio Wizardry found on this album
  • The sound rivals the best Chet Atkins albums and Bob and Rays in all their delicious three-dimensional Cinerama staging
  • Problems in the vinyl are sometimes the nature of the beast with these early pressings – there simply is no way around them if the superior sound of vintage analog is important to you
  • AMG raves that “Esquivel returns to his full glory on Infinity in Sound.”

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Martin Denny / Quiet Village – Our Shootout Winner from Way Back

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More Recordings Engineered by Ted Keep

This superb sounding Hot Stamper copy of Quiet Village has a lot in common with the other Bachelor Pad / Exotica titles we’ve listed over the years, albums by the likes of Esquivel, Dick Schory, Edmundo Ros, Arthur Lyman and others.

But c’mon, nobody really buys these records for the music (although the music is thoroughly enchanting). It’s all about the Tubey Magical Stereoscopic presentation, the wacky 3-D sound effects (of real birds and not-so-real ones) and the heavily percussive arrangements. In all of these areas and more this record does not disappoint.

If you’re an audiophile, both the sound and the music are crazy fun. If you want to demonstrate just how good 1959 All Tube Analog sound can be, this is the record that will do it.

This copy is super spacious, sweet and positively dripping with ambience. Talk about Tubey Magic, the sound here is PHENOMENAL. This is vintage analog at its best, so rich and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to “improve” it. If you like the sound of vibes and unusual percussion instruments, you will have a hard time finding a more magical recording of any of them.

Quick Notes

We were surprised that a number of copies were neither transparent nor spacious. For a while there we thought of giving up, but then we played this Black Label original copy and all was right with the world.

Unsurprisingly, we ran into plenty of noisy vinyl, too noisy to enjoy as the music is frequently quiet for extended periods.

There is a shocking amount of rich, deep bass in the recording. You could play fifty ’70s rock records and not hear this much richness and weight down low. Having played scores of Exotica titles over the years we were very pleasantly surprised to hear the bass  on this title surpass them all.

Side Two

Every bit as rich, sweet and tubey as side one, but this side is transparent, three-dimensional and spacious like no other side of any copy we played. The perfect music to demo your stereo with for anyone who thinks audio recording technology has improved in the last thirty years.

Side One

Super Hot Stamper sound, with a big stage, Tubey Magic and correct tonality from top to bottom. From top to bottom the tonality is Right On The Money. It’s very lively, with tight, clear bass.

Listen to how open the drum sound is. That sound is just not to be found on popular albums anymore.

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Ambrosia – Self-Titled


  • Spectacular Prog Rock sound explodes on this copy of the band’s phenomenally well-recorded debut album, mixed by none other than Alan Parsons – exceptionally quiet vinyl too
  • Big Whomp Factor here – the bottom end is huge and punchy on this copy, like nothing you’ve heard
  • “Its songs skillfully blend strong melodic hooks and smooth vocal harmonies with music of an almost symphonic density.”
  • A permanent member of our Top 100 and, on big speakers at loud levels, a Rock Demo Disc of the Highest Order
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Ambrosia’s debut is a good example of a record many audiophiles may not know well but should.
  • If you’re a fan of the band, this classic from 1975 belongs in your collection.
  • The complete list of titles from 1975 that we’ve reviewed to date can be found here.

Folks, this LP is nothing short of a Sonic Spectacular. For that reason alone it would get a strong recommendation, but the music is so good that the brilliant sound is best seen as a bonus, not the sole reason to own the album.

These sides have the kind of energy that few titles can lay claim to. Put this one up against your best Dark Side of the Moon. Unless you bought a High Dollar copy from us, I’d say there’s almost no chance that this album won’t reduce it to vinyl rubble. (We talk about how similar the recordings are below.) (more…)

The Eagles – One Of These Nights

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  • On an exceptionally good sounding copy such as this one, the soaring guitar solo of the title track really comes alive – assuming you have it turned up GOOD and LOUD
  • Lyin’ Eyes and Take It To The Limit sound the way they should – we guarantee you have never heard them sound remotely as good as they do here
  • 4 stars: “…a lyrical stance — knowing and disillusioned, but desperately hopeful — had evolved, and the musical arrangements were tighter and more purposeful. The result was the Eagles’ best-realized and most popular album so far.”

Another in the long list of recordings that really comes alive when you Turn Up Your Volume.

What to listen for you ask? Dynamic, soaring guitar solos! On the best copies the guitar solos are the loudest parts of some songs, which, as everyone who’s ever been to a rock concert knows, is exactly what happens in live rock music.

This is one of the toughest Eagles albums to find with good sound. This album may never sound quite as good as Hotel California or the self-titled debut, but there are some wonderful songs here and a Hot Stamper like this brings them to life in a way most pressings cannot hope to do.

The best copies are richer and sweeter. When you turn them up, they really come to life. When you play the better sides at Rock Music Volumes they really ROCK. When a copy is cut really clean, as the best ones are, the louder you play them the better they sound. They’re tonally correct at loud levels and a bit dull at what we would call “audiophile” levels. That’s the way it should be. (more…)

Charles Mingus – Mingus Ah Um

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More Vintage Columbia Pressings

  • Don’t let the Columbia Red Label scare you off – this pressing boasts excellent Double Plus (A++) sound on both sides
  • Most of the later pressings sound as bad as you would expect, but if you know your stamper numbers, gems like this one will come your way eventually
  • A superb 30th Street Studio recording by the legendary Fred Plaut – if you like Kind of Blue, here’s another album with that sound (same year, same studio, same engineer)
  • The rich, sweet, spacious sound of the vintage tubes used to record the session is reproduced faithfully here – without that sound, it would just not be Ah Um
  • 5 stars: “Mingus Ah Um is a stunning summation of the bassist’s talents and probably the best reference point for beginners… Mingus’ compositions and arrangements were always extremely focused, assimilating individual spontaneity into a firm consistency of mood, and that approach reaches an ultra-tight zenith on Mingus Ah Um”

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Robin Trower / Bridge of Sighs – A Demo Disc for Size and Space 

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Reviews and Commentaries for Robin Trower and Procol Harum

A Demo Disc for Size and Space 

  • An outstanding copy of Trower’s amazingly well recorded Psych masterpiece with solid Double Plus (A++) sound or BETTER on both sides
  • This early UK pressing is huge, rich and punchy, with guitar solos that soar like few others you’ve heard
  • The title track is on this killer side one – you have never begun to hear it sound like this!
  • Brilliant engineering by Geoff Emerick at George Martin’s AIR studios – maybe the best sounding album Emerick ever made
  • Top 100 and 4 1/2 stars on AMG: “…his most stunning, representative, and consistent collection of tunes. Bridge of Sighs holds up to repeated listenings as a timeless work, as well as the crown jewel in Trower’s extensive catalog.”

We’d been wandering around in the dark for more than a decade with Bridge of Sighs — that is, until about 2015 when we finally stumbled upon a certain UK Chrysalis pressing in audiophile playing condition.

Now we know just how good this album can sound. How good? Astonishingly good. The three-dimensional space is positively breathtaking on the best UK copies.

There is a substantial amount of Tubey Magic and liquidity on the tape, recalling the kind of hi-rez vintage analog sound that makes the luminous A Space in Time (1971) such a mind-expanding experience. Both albums have the kind of High Production Value sound that we go crazy for here at Better Records.

You can find many of our favorites in our Rock and Pop Top 100, and if we can find more of this title, it will surely be on the list as well. (more…)

The Hi-Lo’s – A Demo Disc for Tubey Magic

More Pop and Jazz Vocals

  • Superb sound throughout this early 6-Eye Stereo pressing, with both sides earning excellent Double Plus (A++) grades – fairly quiet vinyl too
  • On the right system, the better copies of this All Tube Chain Demo Disc from 1958 will demonstrate the superiority of both the analog medium and the vintage pressing (not to mention the concept of Hot Stampers)
  • With a copy this good, The Hi-Lo’s will appear as living, breathing (albeit disembodied) persons right in your very own listening room – we call that “the breath of life,” and there is plenty to be found on this record
  • “The Hi-Los weren’t really a jazz unit, but more of a pop band that knew how to incorporate jazz’s harmonic sensibilities. This was among their better albums, complete with catchy title.”
  • More records with exceptionally Tubey Magical Sound
  • More reviews of our most Tubey Magical Demo Discs

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