Top Artists – Van Morrison

Van Morrison – A Sense Of Wonder

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Reviews and Commentaries for Van Morrison

  • This is probably the last domestically pressed record he made that still has the kind of sound we look for in a Hot Stamper
  • “Over the years, Morrison has gathered around him a band that plays, like the best jazz ensembles, with effortless empathy. The group follows him through all his moods and meanderings, from the lilting cadences of “Tore Down à la Rimbaud” and “Ancient of Days” to the stately auguring of “Let the Slave” and the airy, triumphal shimmer of “A New Kind of Man.” A Sense of Wonder is serenely uplifting. With astonishing commitment and profound belief, Van Morrison continues to push forward into the mystic.”

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Van Morrison – Tupelo Honey

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  • Two super sides – both are chock full of Vintage Vinyl Tubey Magic
  • Wild Night and the title track sound wonderfully rich and full-bodied, with the warmth and naturalness that distinguishes a merely good sounding LP from a truly Super Hot Stamper
  • 4 1/2 stars on Allmusic and featuring some of Stephen Barncard’s best engineering – this is Analog Sound at its best
  • “Tupelo Honey is in one sense but another example of the artist making increased use of the album as the unit of communication as opposed to merely the song or the cut. Everything on it is perfectly integrated.”

There are actually real dynamics on this recording, which really helps kick up the life force of the music. Just listen to the energetic build-up during Wild Night — that’s how it would happen in a live setting, and that’s the way we want to hear it at home as well.

If you’ve been stuck with the average copy of any of the classic albums Van put out in the ’70s you would have no way of knowing just how well-recorded some of them are. (more…)

Van Morrison – Into The Music

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One of Our Favorite Titles from 1979

  • Wonderfully spacious and three-dimensional, as well as relaxed and full-bodied – a noticeable step up over many of the other copies we played
  • 4 1/2 stars: “In a sense, this is the definitive post-classic-era Morrison, since it summarizes all of his attributes while showcasing each at a peak. Musically, this is a little harder and rootsier than its two predecessors, but only a little; this is still remarkably relaxed music, where the charm is in its ease of delivery and compositions.”

Not a lot of casual Van fans are familiar with this album, but after a big shootout we were left very impressed with the sound of the best pressings and the quality of the music throughout. Morrison’s catalog after the early ’70s leaves plenty to be desired, but this one is a real return to form.

If you need a new Van Morrison album in your life and you want it with excellent Hot Stamper sound, give this one a spin — we think you’ll be as impressed as we were. In fact, we guarantee it… or your money back. (more…)

Van Morrison / Moondance – Our Half-Speed Shootout Winner from Way Way Back

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Reviews and Commentaries for Moondance

[This review was written more than ten years ago, so take it for what it is worth and with more than a grain of salt.]

We’ve combined our two best half-speed mastered SuperDisk pressings to give you Super Hot sound for both sides. Of all the half-speed versions we had here, two of them each had one amazing side. 

“But Tom,” you might say, “I thought you hated audiophile versions of rock records!” Well, we sure don’t hate ’em when they sound like this! The best Green Label copies are going to be a step up in class, but you’re going to have a hard time finding sound this good for Moondance no matter what kind of pressings you’re playing.

It took us a long time to build up enough copies to get this shootout rockin’, a fact that anyone who has ever sought out a copy of this album will certainly understand. Clean originals just aren’t hanging around in the bins, and when you do find one it usually costs a pretty penny. Add on the fact that most copies just don’t sound all that hot and you can forgive us for thinking that we might never list a Hot Stamper copy again. (more…)

Van Morrison – Veedon Fleece

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  • An amazing sounding copy of this 1974 release, with Shootout Winning Triple Plus (A+++) sound or close to it from first note to last
  • Most copies weren’t nearly this rich, warm and sweet.
  • This inspired collection reflects Morrison’s Irish roots, with Celtic, acoustic influences, and the same introspective quality found on Astral Weeks
  • 4 1/2 stars: “Veedon Fleece is every bit the creative equal of its more famous predecessors… If any album reflects a real period of transition for an artist, it’s this one. It’s brilliant.”

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Van Morrison – His Band And Street Choir

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Reviews and Commentaries for Van Morrison

  • The sound is full-bodied, clear, and brimming with the soulful energy of this great artist
  • The best sounding Van Morrison album, a Top 100 title, with classic 1970 Analog sound – exceptionally quiet vinyl too
  • “As “Domino” opens the album with a show of strength. “Street Choir” closes it with a burst of both musical and poetic energy which is not only better than anything else on the album but may well be one of Van’s two or three finest songs.” Rolling Stone

This is the album that came out between Moondance (in the same year in fact, 1970) and Tupelo Honey, but for some reason, it don’t get no respect. We think that’s insane — the material on this album is stellar and the sound on the best pressings is out of this world!

Here’s a copy that really makes our case for us. Both sides of this original Warner Bros. pressing sound AMAZING! We went through a massive stack of copies and let me tell you — most of them sure don’t sound like this! Take this one home for some of the best Van Morrison sound you will ever hear.

For years I thought that Moondance was the best sounding album in the Van Morrison catalog. His Band And Street Choir is even better. One reason for that would have to be that Robert Ludwig mastered it, and he can usually be counted on to do an excellent job. (more…)

Van Morrison – Moondance

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Reviews and Commentaries for Moondance

  • A stunning Green Label early pressing with Triple Plus (A+++) sound or very close to it throughout
  • A brilliant example of early-’70s Tubey Magical analog sound and Van’s Masterpiece of blue-eyed soul
  • An incredibly tough title to find in clean condition with audiophile quality sound, but we did it, and here it is
  • “An album worthy of an Irish R&B singer who wrote a teen hit called “Mystic Eyes” (not to mention a Brill Building smash called “Brown Eyed Girl”), adding punchy brass (including pennywhistles and foghorn) and a solid backbeat (including congas) to his folk-jazz swing, and a pop-wise formal control to his Gaelic poetry.” Christgau – A+ (a grade he does not give out often)

The record Moondance most reminds me of musically is After The Gold Rush. Neil Young set out to make a commercial album that had nothing but strong songs built around catchy melodies, with the highest quality production values. What better describes Moondance? Every song is good, you can sing practically every one of them from memory, and in fact you’ll probably feel like singing along with every one of them as you are playing this very copy.

Van Morrison never made another album as good as this one, and After the Gold Rush is still Neil’s masterpiece (along with Zuma of course). If there are two records on the planet that belong in everybody’s collection, it’s these two. Finding good sounding LPs of both of them is a tricky proposition — unless of course you are a customer of Better Records, where superb sounding pressings of Classic Rock Albums can be found all day every day. (more…)

Van Morrison – Saint Dominic’s Preview

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  • With Shootout Winning Triple Plus (A+++) sound or very close to it, this original Green Label pressing is one of the BEST we have ever heard
  • It’s unusual (to say the least) to find copies of Moondance or Astral Weeks that sound anything like the better copies of Saint Dominic’s Preview (or His Band and Street Choir, an equally good recording)
  • One of the better sounding Van Morrison albums, thanks to the superb engineering skills of Donn Landee at Wally Heider’s and elsewhere
  • 5 Stars in Rolling Stone: “The coexistence of two styles on the same record turns out to be very refreshing; they complement each other by underscoring the remarkable versatility of Van’s musical imagination… the best-produced, most ambitious Van Morrison record yet released.”

We’ve been huge fans of this album for ages and don’t understand why it doesn’t get more respect. This is the album that comes right after Tupelo Honey and His Band And The Street Choir, so that should tell you something.

The piano has real weight, the bottom end is solid, and the brass sounds lively and rich, never squawky. (more…)

Van Morrison / His Band And Street Choir – An All But Forgotten Classic

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Reviews and Commentaries for Van Morrison

This is the album that came out between Moondance (in the same year in fact, 1970) and Tupelo Honey, but for some reason, it don’t get no respect. We think that’s insane — the material on this album is stellar and the sound on the best pressings is out of this world!

For years I thought that Moondance was the best sounding album in the Van Morrison catalog. His Band And Street Choir is even better. One reason for that would have to be that Robert Ludwig mastered it, and he can usually be counted on to do an excellent job.

I wasn’t familiar with this album at all. I knew a couple of the big songs from it: Domino and Blue Money, and that was about it. But this is prime Van Morrison; 1970 was a very good year for him. As I played through the album I was surprised to discover that every track is good; there is simply no filler here. The tracks on each side flow seamlessly from one to the next. The result is an exceptionally involving listening experience.

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Van Morrison – It’s Too Late To Stop Now

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  • Outstanding sound for this live Van Morrison double album boasting outstanding Double Plus (A++) grades on all four sides
  • Reasonably quiet vinyl for Warner Bros., with no marks that play
  • Dramatically fuller, livelier and more present than on practically every other copy we played, this is the kind of sound that will immerse you in a Morrison’s music like no other
  • 4 1/2 stars: “… he’s in stellar form throughout the double album It’s Too Late to Stop Now, a superb concert set that neatly summarizes his career… An engaging, warm portrait of the man at the peak of his powers.”

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