A stunning Green Label early pressing with Triple Plus (A+++) sound or very close to it throughout
A brilliant example of early-’70s Tubey Magical analog sound and Van’s Masterpiece of blue-eyed soul
An incredibly tough title to find in clean condition with audiophile quality sound, but we did it, and here it is
“An album worthy of an Irish R&B singer who wrote a teen hit called “Mystic Eyes” (not to mention a Brill Building smash called “Brown Eyed Girl”), adding punchy brass (including pennywhistles and foghorn) and a solid backbeat (including congas) to his folk-jazz swing, and a pop-wise formal control to his Gaelic poetry.” Christgau – A+ (a grade he does not give out often)
The record Moondance most reminds me of musically is After The Gold Rush. Neil Young set out to make a commercial album that had nothing but strong songs built around catchy melodies, with the highest quality production values. What better describes Moondance? Every song is good, you can sing practically every one of them from memory, and in fact you’ll probably feel like singing along with every one of them as you are playing this very copy.
Van Morrison never made another album as good as this one, and After the Gold Rush is still Neil’s masterpiece (along with Zuma of course). If there are two records on the planet that belong in everybody’s collection, it’s these two. Finding good sounding LPs of both of them is a tricky proposition — unless of course you are a customer of Better Records, where superb sounding pressings of Classic Rock Albums can be found all day every day.(more…)
With Shootout Winning Triple Plus (A+++) sound or very close to it, this original Green Label pressing is one of the BEST we have ever heard
It’s unusual (to say the least) to find copies of Moondance or Astral Weeks that sound anything like the better copies of Saint Dominic’s Preview (or His Band and Street Choir, an equally good recording)
One of the better sounding Van Morrison albums, thanks to the superb engineering skills of Donn Landee at Wally Heider’s and elsewhere
5 Stars in Rolling Stone: “The coexistence of two styles on the same record turns out to be very refreshing; they complement each other by underscoring the remarkable versatility of Van’s musical imagination… the best-produced, most ambitious Van Morrison record yet released.”
We’ve been huge fans of this album for ages and don’t understand why it doesn’t get more respect. This is the album that comes right after Tupelo Honey and His Band And The Street Choir, so that should tell you something.
The piano has real weight, the bottom end is solid, and the brass sounds lively and rich, never squawky.(more…)
Two super sides, with outstanding Double Plus (A++) sound or BETTER – both are chock full of Vintage Vinyl Tubey Magic
Wild Night and the title track sound wonderfully rich and full-bodied, with the warmth and naturalness that distinguishes a merely good sounding LP from a truly Super Hot Stamper
4 1/2 stars on Allmusic and featuring some of Stephen Barncard’s best engineering – this is Analog Sound at its best
“Tupelo Honey is in one sense but another example of the artist making increased use of the album as the unit of communication as opposed to merely the song or the cut. Everything on it is perfectly integrated.”
There are actually real dynamics on this recording, which really helps kick up the life force of the music. Just listen to the energetic build-up during Wild Night — that’s how it would happen in a live setting, and that’s the way we want to hear it at home as well.
If you’ve been stuck with the average copy of any of the classic albums Van put out in the ’70s you would have no way of knowing just how well-recorded some of them are.(more…)
Outstanding sound for this live Van Morrison double album boasting outstanding Double Plus (A++) grades on all four sides
Reasonably quiet vinyl for Warner Bros., with no marks that play
Dramatically fuller, livelier and more present than on practically every other copy we played, this is the kind of sound that will immerse you in a Morrison’s music like no other
4 1/2 stars: “… he’s in stellar form throughout the double album It’s Too Late to Stop Now, a superb concert set that neatly summarizes his career… An engaging, warm portrait of the man at the peak of his powers.”
The original grade I gave out in 2014 when last I played this remastered version as part of a shootout was “D.” I explained at the time:
Just listen to how strange Van’s voice sounds, so lean, hard and sour. That alone qualifies it for an “F”, but considering how bad most pressings of this album are, let’s be fair, if not downright generous, and call it a “D”.
I just revisited the record in a current shootout, and after giving it some thought I have decided that the right grade is in fact “F.” It cannot be any other, for reasons I discuss below.
A superb copy of Wavelength with outstanding Double Plus (A++) sound on both sides
Richer, warmer and bigger than practically all of the other copies we played, here is the kind of analog smoothness that’s essential to the sound of Morrison’s music
His biggest selling album to date? Seems hard to believe but that’s what is says on Wikipedia – it went gold in 3 months
Time magazine raved: “Morrison has made two, maybe three albums that rank high among the finest of all rock ‘n’ roll. Wavelength is good enough to stand close by Morrison’s best work, a record of sinuous, sensuous magic. The man just can’t be beat.”
A stunning Shootout Winning Triple Plus (A+++) copy of this great sounding Van Morrison album, a favorite of ours here at Better Records
The sound is full-bodied, clear, and brimming with the soulful energy of this great artist
The best sounding Van Morrison album, a Top 100 title, with classic 1970 Analog sound – exceptionally quiet vinyl too
“As “Domino” opens the album with a show of strength. “Street Choir” closes it with a burst of both musical and poetic energy which is not only better than anything else on the album but may well be one of Van’s two or three finest songs.” Rolling Stone
This is the album that came out between Moondance (in the same year in fact, 1970) and Tupelo Honey, but for some reason, it don’t get no respect. We think that’s insane — the material on this album is stellar and the sound on the best pressings is out of this world!
Here’s a copy that really makes our case for us. Both sides of this original Warner Bros. pressing sound AMAZING! We went through a massive stack of copies and let me tell you — most of them sure don’t sound like this! Take this one home for some of the best Van Morrison sound you will ever hear.
For years I thought that Moondance was the best sounding album in the Van Morrison catalog. His Band And Street Choir is even better. One reason for that would have to be that Robert Ludwig mastered it, and he can usually be counted on to do an excellent job.(more…)
A distinguished member of the Better Records Rock and Pop Hall of Fame.
Two incredible sounding sides for this great Van Morrison album, one that Allmusic calls one of his best records! Not a lot of casual Van Mo fans are familiar with this album, but after a big shootout we were left very impressed with the sound of the best pressings and the quality of the music throughout. Morrison’s catalog after the early ’70s leaves plenty to be desired, but this one is a real return to form.
Side one is richer and fuller than most copies with much better bass. You get excellent presence and energy that are missing from the typical copy and the overall sound is clean, clear and natural. We gave it an A++ grade.
Side two is even better — A+++ all the way. It’s unusually dynamic with real immediacy, lots of texture to the instruments and amazing separation letting you hear every last detail. Most copies weren’t nearly this rich and practically none of them were this solid down low.
If you need a new Van Morrison album in your life and you want to have one with excellent sound, give this White Hot copy of Into The Music a spin — we think you’ll be as impressed as we were. In fact, we guarantee it… or your money back!(more…)
Richer, warmer and bigger than most of the other copies we played, with the kind of smoothness that’s essential to the album’s enjoyment. His biggest selling album to date? Seems hard to believe but that’s what is says on Wikipedia – it went gold in 3 months.
What are the criteria by which a record like this should be judged? Pretty much the ones we discuss in most of our Hot Stamper listings: energy, vocal presence, frequency extension (on both ends), transparency, harmonic textures (freedom from smear is key), rhythmic drive, tonal correctness, fullness, richness, and on and on down through the list.
When we can get all, or most all, of the qualities above to come together on any given side we provisionally award it a grade of “contender.” Once we’ve been through all our copies on one side we then play the best of the best against each other and arrive at a winner for that side. Repeat the process for the other side and the shootout is officially over. All that’s left is to see how the sides matched up.(more…)
The Band’s second live album returns with outstanding Double Plus (A++) Hot Stamper sound or close to it on all SIX sides – fairly quiet vinyl too
Rich, dynamic and natural sounding with low end weight, midrange smoothness and powerful, punchy bass
Features an A-list of brilliant artists, including Van Morrison, Ringo Star, Joni Mitchell, and Muddy Waters, just to name a few
4 stars: “It’s the Band’s “special guests” who really make this set stand out — Muddy Waters’ ferocious version of “Mannish Boy” would have been a wonder from a man half his age, Van Morrison sounds positively joyous on “Caravan,” Neil Young and Joni Mitchell do well for their Canadian brethren, and Bob Dylan’s closing set finds him in admirably loose and rollicking form.”