Personal Favorites

The James Taylor Album You Don’t Know – One Man Dog

ONE MAN DOG

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Play Chili Dog here, one of our favorite tracks, and note not only the clarity and spaciousness, but the PUNCH and LIFE of the music. This song is supposed to be fun. The average compressed dull copy only hints at that fact.

Then skip on down to the hit at the end of the side, Don’t Let Me Be Lonely Tonight, another favorite track for testing. There’s a lot of bass in the mix on this track, but the best copies keep it under control. When it gets loose and starts blurring the midrange, the vocals and guitars seem “blocked”. The best copies let you hear all that meaty bass, as well as into the midrange.

One Man Dog, like many early WB pressings, has a tendency to be dull and opaque. (Most side twos have a real problem in that respect.) When you get one like this, with more of an extended top end, it tends to come with much more space, size, texture, transparency, ambience and openness.

Of course it does; that’s where much of that stuff is, up high. Most copies don’t have nearly enough of it, but thankfully this one does.

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Hey Mister, Got a Hot Side One?

If you have a Hot Side One for One Man Dog you will know it in a hurry. The guitars and congas will leap out of your speakers at the beginning of One Man Parade. If they don’t, forget it, move along to the next copy and keep going until you find one in which they do. There are plenty of subtle cues to separate the White Hot copies from the merely Hot, but if the sound doesn’t come to life right from the get go, it never will. (more…)

Little Feat’s Hoy-Hoy Rocks

Little Feat Albums with Hot Stampers

Little Feat Albums We’ve Reviewed

 

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Hoy-Hoy.

The recording quality of many of these songs is OUT OF THIS WORLD, as good as any rock record I can think of. Although Waiting For Columbus is arguably the best sounding live rock ‘n roll album ever made, some of the tracks on this album are every bit as good or BETTER. (And the promo EP is practically in a league of its own for sound!)

Little Feat’s studio recordings rarely did justice to the band’s energy and drive. With so many live tracks, this is the album that really shows the band at their enthusiastic best. If I were going to choose one Little Feat album to own, it would be hard to argue with this one musically, and sonically the stuff here just can’t be beat — if you are lucky enough to own a copy with Hot Stampers for all four sides, no mean feat.
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Stevie Wonder’s Second Masterpiece

More Stevie Wonder

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In my opinion this is clearly the second of Stevie Wonder’s two MASTERPIECES.

It could also be one of the Great Albums You May Not Know.

Over the course of the last year or two, for the first time in my life I’ve really gotten to know the album well, having found a CD at a local store to play in the car. I’ve listened to Fulfillingness’ First Finale scores of times and now see that is some of the best work Stevie Wonder ever did, right up there with Innervisions and miles ahead of any other Stevie Wonder album.

To my mind the best songs on the album are the quieter, more heartfelt and emotional ones, not the rockers or funky workouts. My personal favorites on side one are: Smile Please. Heaven Is 10 Zillion Light Years Away, Too Shy to Say and Creepin’, which, as I’m sure you’ve noticed, are all the songs that weren’t hits.

On side two the two slowest songs are the ones I now like best: It Ain’t No Use & They Won’t Go When I Go (famously and brilliantly covered by George Michael on Listen Without Prejudice Vol. 1 in 1990).

If you take one of our Hot Stampers home see if you don’t find something very special about the tracks I have noted above.

Balance (more…)

The Glorious Sound of the SYL Pressing of On The Border

This killer copy just went up on the site

 

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  • An incredible Top Copy: Triple Plus (A+++) on side one, Double Plus (A++) on side two
  • The sound is incredibly big, lively, open, rich and present with real extension both up top and down low
  • You Never Cry Like A Lover and The Best Of My Love have Glyn Johns DEMO DISC Sound
  • We’re HUGE fans of the album here at Better Records; it’s some of the most sophisticated, well-crafted, heartfelt music these guys ever made, and that’s saying a lot
See all or our Eagles albums in stock

‘You Never Cry Like A Lover’ is breathtaking on this copy — Glyn Johns is a genius I tell you!

We’re HUGE fans of the album here at Better Records; it’s some of the most sophisticated, well-crafted, heartfelt music these guys ever made, and that’s saying a lot. Many of you have probably forgotten how good this album is (assuming you were ever familiar with it in the first place) probably because the typical domestic copy you would have played back in the day is fairly hard on the ears. Most pressings, even the British ones, barely hint at the kind sound you’ll hear on this Super Hot Stamper LP!

You Never Cry Like A Lover and The Best Of My Love have SUPERB Glyn Johns Demo Disc Sound on this copy. The LIFE and ENERGY of this pressing are going to knock you right out of your seat. Most copies leave you with a headache, but this one will have you begging to turn up the volume!

Let’s talk about the Eagles’ records from an audiophile perspective.

The Last Of The Glyn Johns Eagles Records

For their debut the Eagles recorded what we consider to be one of the Ten Best Sounding Rock Records in the history of recorded media. Wait a minute, the Eagles didn’t record anything, Glyn Johns did. He deserves all the credit for turning that first album into a Demo Disc of the highest order. Partway through this album, their third, they fired him. (The British ran Winston Churchill out of office after the war, so go figure.) Johns is credited with only two tracks, and as would be expected, those two are the real Demo Disc tracks on the album. (more…)

Listening in Depth to Heart Like a Wheel

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Heart Like a Wheel

and click on this link to the

Classic Tracks

entry for the album to read about it in real  depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Heart Like a Wheel.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold.

In-Depth Track Commentary

Side One

You’re No Good

Right from the git-go, if the opening drum and bass intro on this one doesn’t get your foot tapping, something definitely ain’t right. Check to make sure your stereo is working up to par with a record you know well. If it is, your copy of HLAW belongs on the reject pile along with the other 90% of the copies ever pressed.

It Doesn’t Matter Anymore

Amazing acoustic guitars! Lots of tubey magic for a mid-’70s pop album. And just listen to the breathy quality of Linda’s voice. She’s swimming in echo, but it’s a good kind of echo. Being able to hear so much of it tells you that your pressing is one of the few with tremendous transparency and high resolution.

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Our Better Records Hall of Fame for Jazz – Now 280+ Strong

 The Better Records Hall of Fame for Jazz

We’ve been searching for years trying to find just what kind of Lush Life pressing — what era, what label, what stampers, mono or stereo, import or domestic — had the potential for good sound.

No, scratch that. We should have said excellent sound. Exceptional sound. We’ve played plenty of copies that sounded pretty good, even very good, but exceptional? A pressing of that caliber had eluded us — until 2016.

More John Coltrane

Yes, it was only a few months ago, early in 2016 in fact, that we chanced upon the right kind of pressing — the right era, the right label, the right stampers, the right sound. Not just the right sound though. Better sound than we ever thought this album could have.

Previously we had written:

“There are great sounding originals, but they are few and far between…”

We no longer believe that to be true. In fact we believe the opposite of that statement to be true. The original we had on hand — noisy but with reasonably good sound, or so we thought — was an absolute joke next to our best Hot Stamper pressings. Half the size, half the clarity and presence, half the life and energy, half the immediacy, half the studio space. It was simply not remotely competitive with the copies we now know (or at least believe, all knowledge being provisional) to have the best sound. (more…)

The Trick with Katy Lied Is…

 

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… to find the right balance between richness, sweetness and clarity.

Take three or four Katy Lied pressings, clean them up and play just one or two of the tracks we discuss below. You won’t find any two copies that get those tracks to sound the same. We do our shootouts with dozens of copies at a time and no two sound the same to us.

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This is a very tough record to reproduce — everything has to be working at its best to even begin to get this complicated music to sound the way it should. But if you’ve done your homework and your system is really cooking, you are in for the time of your Steely Dan life.

In-Depth Track Commentary (more…)

Our Favorite Wes Montgomery Album

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California Dreaming

  • For the first time in three years, an amazing Triple Triple (A+++) copy of this excellent Wes Montgomery title
  • Both sides here are OUT OF THIS WORLD; this is DEMO DISC Quality Big Production Guitar-led Jazz
  • It’s incredibly big, bold, clear, rich and dynamic like no copy we’ve ever played
  • Forget the critics, this is one of Wes’s Best Albums of All Time I tell you!

This White Hot Stamper Shootout Winner has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is. Since this is one of Wes’s best albums, hearing this incredible White Hot copy was a THRILL for us and we’re sure it will be as big a thrill for you too.

Both Sides

As Good As It Gets Sound. So natural, transparent and clear. Listen to all the space around the guitar. (On the Cisco you might hear 20% of that space. That’s Heavy Vinyl for you. What a load of crap.)

It starts off a little blurry but quickly gets amazingly good, so good nothing could touch it. This was by far the most musically exciting and involving side we played in our shootout. (more…)

This Is the Most Amazing Record the Dregs Ever Made

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More Dixie Dregs

If you want to hear what happens when five virtuoso instrumentalists manage to combine their talent for Jazz, Rock, Classical and Country (thanks god there aren’t any vocals) into a potent mix that defies classification and breaks all the rules, this is the one. It reminds me of Ellington’s famous line that there are only two kinds of music: good music and bad music. This is the kind of music you may have trouble describing, but one thing’s for sure — it’s good. In fact it’s really good.

This is the most AMAZING album the Dregs ever recorded, and now this wild amalgamation of rock, jazz, country, prog and classical music has the kind of sound I always dreamed it could have. It’s rich and smooth like good ANALOG should be. It’s also got plenty of energy and rock and roll drive, which is precisely where the famous half-speed falls apart.
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The Soft Parade in Depth

Yet another album we are clearly obsessed with

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

The Soft Parade

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Our shootout from a while back (4/2014) included a minty Gold Label pressing, which did reasonably well, but not great, on side one. Side two however was OFF THE CHARTS and won the shootout on that side handily. The fact that side one wasn’t a knockout is yet more evidence that individual pressings with the same label — even the “right” label — vary dramatically in sound.

The sound of most pressings of The Soft Parade is just plain horrible. The brass that opens side one is so pinched, compressed, grainy and aggressive it will practically make your hair stand on end. Almost all the reissue LPs sound like they are made from sub-generation EQ’d compressed tape copies, what are commonly called cutting masters. So many reissues have such a similar character that it’s hard to imagine they’re not all sourced from the same bad “master.”
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