- This STUNNING pressing boasts insanely good Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second, which means the nearly seven minutes of Little Wing on this side one is guaranteed to present you with some of the most amazing sound you’ve ever heard
- Some of the most blistering performances of electric blues we have ever had the pleasure of rocking out to
- Hands down the best sounding SRV recording — Little Wing is an absolute monster on this side one and a Demo track to beat them all
- 4 stars: “Doing away with vocals, Vaughan augments Hendrix’s concise two-and-a-half minute original, turning the track into a nearly seven-minute-long electric tour de force. The cover would earn Vaughan his sixth Grammy, for Best Rock Instrumental Performance, in 1992.”
This is one of the most blistering recordings of electric blues we’ve ever played. Few other records recorded in the ’80s have this kind of BIG, BOLD sound. Maybe none. The sheer impact and wallop of this music is a real treat, but only if you have the right pressing (and the right kind of stereo to play it on, of course).
Stevie’s take on Jimi’s Little Wing is the surest proof that SRV was one of the greatest Electric Blues Guitarists of All Time. I know of no other guitar showcase to compete with it.
Turn it up good and loud and you will be amazed at how dynamic the guitar solos are.
Sonically it’s a knockout, with one of the tallest, widest, and deepest soundstages I have ever heard on record. It brings to mind Gilmore’s multiple solos on Money from the hottest Dark Side of the Moon pressings, high praise indeed.
Little Wing deservedly won SRV the Grammy in ’92 for Best Rock Instrumental.
And, if you want to hear Stevie channel Wes Montgomery instead of Jimi Hendrix, take a listen to Chitlins Con Carne. (more…)