- An original UK import pressing with seriously good sound from start to finish
- Guaranteed to be a huge improvement over anything you’ve heard, this Brit is big, lively, and full-bodied with excellent presence – Kate’s wonderfully breathy vocals really soar
- The domestic pressings are clearly made from dubs and should have no business taking up space in any serious audiophile record collection (but you may have noticed that we have a habit of saying that about a lot of records)
- 4 1/2 stars: “…from the minutiae of each song to the broad sweeping arc of the two suites, all heavily ornamented with layered instrumentation, makes this record wonderfully overpowering as a piece of pop music.”
- If you’re a fan of the Ms Bush, her Magnum Opus from 1985 belongs in your collection.
- The complete list of titles from 1985 that we’ve reviewed to date can be found here.
- About Face makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound on side two mated with outstanding Double Plus (A++) sound on side one – exceptionally quiet vinyl too
- Here you will find sound quality that is both cleaner and clearer, with much less grit and grain – richness is also key to these better copies
- 4 1/2 stars: “About Face is well-honed rock album that is riveting from beginning to end.”
- With outstanding Double Plus (A++) grades on all FOUR sides, this copy of The Wall is guaranteed to blow the doors off any other pressing you’ve heard
- Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of Floyd’s magnum opus from 1979, this is the way to go
- The Wall demands big, bold, explosively dynamic ANALOG sound, and here is a copy that delivers on that promise
- Grungy electric guitars, breathy vocals, HUGE punchy drums, earth-shaking bass and room-filling ambience are all here like you’ve never heard before
- One of the best sounding rock recordings of all time – here is a copy that will make our case
We spend a ridiculous amount of time cleaning, playing, and comparing copies of this classic double album for our shootouts and let me tell you, there are a lot of weak copies out there.
What do these kinds of top grades give you for The Wall? Top-notch clarity and transparency, mind-blowing immediacy, weight to the bottom, extension up top, HUGE open soundfields, real texture to all the instruments, TONS of energy with serious dynamics, BIG punchy drums and loads of natural ambience.
Pink Floyd tends to be an amazingly well-recorded band, and this album is certainly no exception. If you’ve taken home one of our Hot Stampers for Dark Side of the Moon, Meddle, or Wish You Were Here, then you certainly know what we’re talking about. (more…)
- The Final Cut finally returns on vintage British vinyl with outstanding Double Plus (A++) sound or BETTER throughout – reasonably quiet vinyl too
- Both sides are transparent, with excellent presence, and plenty of Tubey Magic, the kind that can only be found on the best vintage vinyl pressings
- Some of the copies we played had a tendency to sound dry and sterile, even analytical, but this one had the lovely analog warmth we were looking for
- “This may be art rock’s crowning masterpiece, but it is also something more. With The Final Cut, Pink Floyd caps its career in classic form, and leader Roger Waters — for whom the group has long since become little more than a pseudonym — finally steps out from behind the ‘Wall’ where last we left him.”
Everything we’ve looked for in a great copy of The Final Cut is here: incredible immediacy; punchy lows; extended highs; spaciousness and transparency; depth to the soundfield and so forth. In a word, the sound on this copy is POWERFUL — an excellent way to experience this music!
If you weren’t a fan of The Wall, I can’t imagine this one is going to be your cup of tea, but Pink Floyd fanatics will likely be very happy with the sound we found on this copy. Most of them we played weren’t anything like this! (more…)