Top Engineers – James Guthrie

What We Think We Know about Pink Floyd’s Wish You Were Here Album from 1975

Hot Stampers of Wish You Were Here

Letters and Commentaries for Wish You Were Here

 

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This is the perfect example of everything we look for in a recording here at Better Records: it’s dynamic, present, transparent, rich, full-bodied, super low-distortion, sweet — good copies of this record have exactly what we need to make us audiophiles forget what our stereos are doing and focus instead on what the musicians are doing.

For those of you who aren’t familiar with the album, Pink Floyd managed to record one of the most amazing sounding records in the history of rock music. The song Wish You Were Here starts out with radio noise and other sound effects, then suddenly an acoustic guitar appears, floating in the middle of your living room between the speakers, clear as a bell and as real as you have ever heard. It’s obviously an “effect,” but for us audiophiles it’s pure ear candy.   

On a copy like this one, it’s MAGICAL.

Size and Space

One of the qualities that we don’t talk about on the site nearly enough is the SIZE of the record’s presentation. Some copies of the album just sound small — they don’t extend all the way to the outside edges of the speakers, and they don’t seem to take up all the space from the floor to the ceiling. In addition, the sound can often be recessed, with a lack of presence and immediacy in the center.

Other copies — my notes for these copies often read “BIG and BOLD” — create a huge soundfield, with the music positively jumping out of the speakers. They’re not brighter, they’re not more aggressive, they’re not hyped-up in any way, they’re just bigger and clearer.

We often have to go back and downgrade the copies that we were initially impressed with in light of such a standout pressing. Who knew the recording could be that huge, spacious and three dimensional? We sure didn’t, not until we played the copy that had those qualities, and that copy might have been number 8 or 9 in the rotation.

Think about it: if you had only seven copies, you might not have ever gotten to hear a copy that sounded that open and clear. And how many even dedicated audiophiles would have more than one of two clean British original copies with which to do a shootout? These records are expensive and hard to come by in good shape. Believe us, we know whereof we speak when it comes to getting hold of original pressings of Classic Rock albums.

One further point needs to be made: most of the time these very special pressings just plain rock harder. When you hear a copy do what this copy can, it’s an entirely different – and dare I say unforgettable — listening experience. (more…)

Pink Floyd – Wish You Were Here

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Amazing! Triple Plus (A+++) sound on both sides, making this a Top Copy that will knock you out. The sound is, in a word, HUGE. You won’t believe how full, rich and clear this one is.

This copy has the size, energy and presence to bring the music out of the speakers and right into your listening room!

Both sides sound wonderful — silky up top and meaty down low. The sound is HUGE, open, and spacious. The vocals are breathy and full-bodied, and the various synths and sound effects sound just the way you want them to. The bass definition is startling — you almost never find copies with bass this tight.

This copy is also very transparent with substantial amounts of depth and three-dimensionality. You can really hear the room around these drums. The acoustic guitars are lovely — rich and full-bodied with proper harmonic overtones and textures.

Everything We Look For

This is the perfect example of everything we look for in a recording here at Better Records: it’s dynamic, present, transparent, rich, full-bodied, super low-distortion, sweet — good copies of this record have exactly what we need to make us audiophiles forget what our stereos are doing and focus instead on what the musicians are doing. (more…)

Pink Floyd – The Wall – Our Shootout Winner from 2012

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This is the ULTIMATE White Hot Stamper pressing of The Wall, the finest ever to hit our site BAR NONE. 

All four sides of this monster earned top A+++ grades in our massive recent shootout. This copy gives you ALL of the magic that Floyd laid down to tape. You get incredible clarity, breathtaking transparency, wonderful punch to the bottom, sweetness and full extension up top, tubey magical acoustic guitars, full-bodied vocals and serious depth and dimension to the soundfield. Folks, if you love The Wall you will TREASURE this copy for the rest of your listening days.

We spent a ridiculous amount of time cleaning, playing, and comparing copies of this classic double album this week and let me tell you, there are a lot of WEAK copies out there. The Wall is an album that DEMANDS big, bold, explosively dynamic sound, and this copy has got it in spades. (more…)

Pink Floyd – The Wall

More Pink Floyd

More The Wall

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  • A superb Demo Disc Quality pressing – all four sides earned outstanding Double Plus (A++) sonic grades
  • Buzzing helicopters, ringing telephones, clicking typewriters and so on happen RIGHT THERE in the room with you
  • James Guthrie labored mightily to make this one as big, bold and immersive as any Prog Rock recording we know of, and succeeded brilliantly
  • Rock & Pop Top 100 – “A triumph of production…” and indisputable proof that analog in 1979 could still be absolutely amazing 

Pink Floyd tends to be an amazingly well-recorded band, and this album is certainly no exception. If you’ve taken home one of our Hot Stampers for Dark Side of the Moon, Meddle, or Wish You Were Here, then you certainly know what we’re talking about. Big grungy electric guitars, crystal clear vocals, HUGE punchy drums, earth-shaking bass and TONS of ambience are the hallmarks of any Pink Floyd Hot Stamper. (more…)

Pink Floyd – Wish You Were Here

More Pink Floyd

Wish You Were Here

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  • An excellent sounding copy with solid Double Plus (A++) grades on both sides and vinyl that is as quiet as any vintage copy out there 
  • Demo Disc Quality Floyd Magic — big and present with life, clarity and richness like you have never heard for WYWH before
  • 5 stars on Allmusic, Top 100 and RIDICULOUSLY tough to find with the right sound and surfaces
  • “Showcasing the group’s interplay and David Gilmour’s solos in particular… the long, winding soundscapes are constantly enthralling.”

*The intro to Wish You Were Here is always going to be a little noisier than the overall play grade you see above. (more…)