_Composers – Herrmann

Bernard Herrmann – Music From The Great Movie Thrillers

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This is a BEAUTIFUL London Phase 4 LP with Very Little Sign of Play. It contains music from Hitchcock classics – “Psycho” “Marnie” “North by Northwest” “Vertigo” and “The Trouble With Harry”.

Bernard Herrmann released many LPs on London Phase 4, and this is one of the better ones. Included are new recordings of scores to five Alfred Hitchcock films. Psycho opens the LP, and Herrmann has arranged the music into a 14 minute “Narrative For Orchestra.” A 10 minute suite from Marnie follows, then the main theme from North by Northwest. Side 2 starts with three selections from Vertigo and ends with “A Portrait of ‘Hitch,'” based on motifs from the score to The Trouble With Harry.


OLD PHASE 4 NOTES FROM A LONG TIME AGO

[Some of this we still agree with and some we do not, so take it for what it’s worth.]

Phase IV, Are You Serious?

Yes, absolutely. Allow me to make the case this way. Phase 4 has the life, dynamics, and deep articulate bass not found on most Golden Age recordings. There is no compression to speak of on the album, not on the best copies anyway.

Shaded Dogs may have sweeter strings and more Tubey Magic (which, as anyone who listens to live classical music knows, is mostly a euphonic coloration), but this recording sounds dramatically more like live music than most of them in every way other than soundstaging.

There are of course multiple mikes being used, and sometimes they call attention to themselves, but for the most part the stage is wide and deep enough, and the mikes far enough from the orchestral sections, to create the illusion of a real orchestra in a hall.

The tympani at the back (along with most of the percussion) are especially convincing in this regard. On the copies with the most correct top ends, the triangles and bells are shockingly lifelike, sounding, to my “mind’s ear” exactly the way they do in the concert hall.

Satie / Parade – The Eccentric Erik Satie

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This contains various works by Satie as performed by Camarata, Bernard Herrmann, London Philharmonic and The London Festival Players.

Obviously these were Phase 4 recordings which have been compiled on this album from 1973. The sound is quite good: very transparent and lively. It does not have the tubey magic that the best of the Golden Age recordings so often have in abundance, but the tonal balance is correct and the overall sound is quite good.

This album contains many of Satie’s most famous works on one LP. I can’t imagine that you will find this music easy to come by on other pressings.

Satie, Ravel, Debussy / The Impressionists / Herrmann – Phase 4, its Strengths and Shortcomings

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More Recordings on the London Phase IV Label

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Presenting an exceptionally rare and very good sounding Decca Phase IV pressing (with the textured cover, ooh!), the first to ever hit the site. We have been on the lookout for this album for years and somehow cannot find any clean copies, other than this one of course.

Not to worry; this one will do nicely. Three of the six works here have SUPERB better than Super Hot Stamper sound. We went through them one by one and were rather surprised that the sound quality varied so much from track to track.

One might conclude from the variation in the sound that the album must be a compilation — so many of Herrmann’s albums are — but that is not the case, assuming the liner notes are to be believed.

Here’s what we heard, taken directly from our notes.

Side One

Satie / Gympnopedies I & II

A++ or better. Rich, smooth, sweet, big, natural, clear and very ANALOG. I don’t know when I’ve heard these famous works sounding better than they do here.

Debussy / Clair de Lune

A+, rich but a bit smeary, strings need more texture.

Debussy / Valse ‘la Plus Que Lente

No grade – Too murky.

Ravel / Five O’Clock Fox-Trot

A++ to A+++, with Demo Disc sound! So lively and clear, the sound will jump out of your speakers when you play this track! (more…)

The Insufficiently Dedicated Will Struggle Mightily with The Fantasy Film World of Bernard Herrmann

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An orchestral dreadnought such as this requires mastering and pressing of the highest quality.

Herrmann’s music taxes the limits of LP playback itself, with deep organ notes (listen for the famous Decca rumble accompanying the organ if you have the deep bass reproduction to hear it); incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects everywhere — every sound an orchestra can produce is found on this record, and then some.

You will hear plenty of sounds that defy description, that’s for sure. Some of the time I can’t even imagine what instrument could possibly make such a sound!

Your Hard Work Pays Off

A recording of this size and scope will bring virtually any stereo system to its knees. This is the real Power Of The Orchestra! You had better have a top quality front end if you want to play this record properly, not to mention plenty of power and big speakers.

This is not the record for the Weekend Budget Audiophile. If you haven’t put in the years of effort and invested the tens of thousands of dollars in equipment and room treatments it takes to play records of this difficulty, your system is probably not up to the challenge this album represents.

If on the other hand, you have done the work and spent the money, this is the album that will show you what you have achieved. (more…)

Bernard Herrmann – Conducts Psycho and Other Film Scores

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More Recordings on the London Phase IV Label

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  • An incredible sounding copy of this London Phase 4 title with both sides earning Shootout Winning Triple Plus (A+++) grades
  • Especially noteworthy is the ’Psycho Narrative For Orchestra’, at 14 minutes the longest piece here – written purely for string orchestra, the string tone is Right On The Money, with biting violins and cellos that growl like the real thing
  • This London recording is yet another brilliant showcase for one of the great orchestral colorists, Bernard Herrmann
  • The London Phase IV recording approach allows powerful orchestral works such as these to explode right out of your speakers and into your listening room
  • Features works from Citizen Kane, Snows of Kilimanjaro, North by Northwest, Mysterious Island, Vertigo, The 7th Voyage of Sinbad, Jason and the Argonauts, The Three World of Gulliver, Journey to the Centre of the Earth, The Devil and Daniel Webster, and Psycho

(more…)

Bernard Herrmann on Vinyl – These Are Some that Didn’t Make the Grade

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These are just some of the recordings of the music of Bernard Herrmann that we’ve auditioned and found wanting. Without going into specifics we’ll just say these albums suffer from poor performances, poor sound, or both, and therefore do not deserve a place on our site, in your collection, and might even belong in a Hall of Shame.

A Free Service provided to the Audiophile Public, courtesy of Better Records.

Bernard Herrmann – The Fantasy Film World of…

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  • This early British London pressing has excellent Double Plus (A++) sound or close to it on both sides – reasonably quiet vinyl too
  • On the better copies such as this one you can hear the power of the orchestra come to life right in your very own listening room
  • The soundfield is big, open and transparent, with the kind of size and spaciousness that may just leave you in awe
  • A superb Phase 4 recording by Arthur Lilley, taking advantage of the legendary acoustics of Kingsway Hall

The soundfield is big, open and transparent, with the kind of three-dimensionality most orchestral recordings just can’t approach. The brass here is excellent, and you can really hear the pluck of the strings on the harp.

Harry Pearson put the Decca pressing of this title on his TAS List of Super Discs. (We take issue with that choice.) (more…)

Bernard Herrmann / Citizen Kane & Other Classic Film Scores – Our Shootout Winner from 2013

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More Citizen Kane & Other Classic Film Scores

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

The Citizen Kane Suite on this album is to die for — a real desert island disc for me. (The CD by the way is actually quite good. I have it in the car and play it often.) 

The Concerto Macabre for Piano and Orchestra (from “Hangover Square”) is superbly well recorded and a brilliant piece of music as well.

An orchestral dreadnought such as this requires mastering and pressing of the highest quality. The music by its very nature taxes the limits of LP playback itself, with deep bass notes; incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects — every sound an orchestra can produce is found on this record, and then some.

You will hear plenty of sounds that defy description, that’s for sure. Some of the time I can hardly imagine what instrument or group of instruments could possibly be making some of these sounds. (more…)

Sibelius, Liszt, Dukas et al. / Bernard Herrmann Conducts – London Phase 4 Debunked

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More London Phase 4 Debunked

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Sonic Grade: F

Hall of Shame pressing.

While preparing for a Finlandia shootout recently we happened to drop the needle on this album, a 1977 Phase 4 recording made in Kingsway Hall and engineered by Arthur Lilley. We could hardly believe how bad it sounded. The multi-miking is the worst I have ever heard! We like lots of Phase 4 recordings — especially those of Bernard Herrmann — but this is definitely not one of them. 

Are they all bad? Who can say? We sure aren’t going to be wasting any more time and money on the album in order to find out, I can tell you that.

The Obsession soundtrack is a dog as well; audiophiles looking for good sound are best advised to avoid them both. 

 

Bernard Herrmann – Conducts Jane Eyre And Other Film Scores

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More Conducts Jane Eyre And Other Film Scores

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

This BEYOND White Hot Stamper Side Two completely blew our minds with Bernard Herrmann orchestral MAGIC. Side two is just OUT OF THIS WORLD. Since side two is where the Three Worlds of Gulliver suite is found — the very same superbly recorded music that is on Harry’s Super Disc List — you can be sure that is this is some of the best sounding Bernard Herrmann music you will ever have the opportunity to hear, if not THE best. The sound is DEMONSTRATION QUALITY of the HIGHEST ORDER. 

When it comes to this side two what we have here is a record that sounds so good, with the needle hits the groove you will feel like you’ve just threaded up the master tape and hit play. The effect is that you’re so totally IMMERSED in the musical experience you forget you’re listening to a record. You’re hearing the music exactly the way the musicians intended it to sound. You can’t ask for more than that. (more…)