A distinguished member of our Better Records Hall of Fame.
Your Steely Dan Hot Stamper Collection is far from complete without a killer copy of Gaucho, and I don’t think you’re going to be able to find a much better copy than this one no matter what you do! Both sides are wonderful, with side two boasting BIG, BOLD A+++ MASTER TAPE SOUND that’s sure to blow the minds of all you Steely Dan maniacs. From top to bottom I don’t think you could cut or press this album any better.
What do these high grades give you for this album? Mindblowing, DEMO QUALITY, Steely Dan Magic, baby! Tons of ambience, amazing richness, ‘you are there’ immediacy, note-like bass, clear guitar transients, silky highs, and truckloads of analog magic. The overall sound is airy, open, spacious, and lively. The bottom end is punchy and meaty, and even on this, their most famously laid-back album, with bass and energy like this it means these songs really ROCK!
Every instrument taking part in this complex, richly imagined sonic tapestry sits perfectly in its own place, and, more importantly for us audiophiles, its own SPACE.
The average pressing we auditioned was opaque and compressed, throwing a veil over the vocals. Not this knock-out: the transparency and dynamics are in a league of their own, highlighting Donald Fagen’s moody, emotive singing while his ensemble of Hand-Picked Studio Cats wails away behind him with abandon (but not too much abandon; can’t lose our Steely Dan cool don’t you know). Add a handful of Oh-So-Sultry Female Vocalists to sex it up and you have one trancendent musical experience.
A Special Feeling
No other copy gave us the feeling we got from this LP — that ethereal illusion of being in the room while the band is playing. This is what we refer to as Master Tape Sound. Once you’ve experienced it you’re never the same. Read some of our testimonials. People really go crazy over this kind of sound. Records like this are few and far between, but when you find one, the effect it can have on you may make you go a little overboard too.
You might even feel the need to write us a letter. It’s the kind of experience that compels you to find some way to share it with the world. The problem there is that those reading your letter don’t have a copy with the kind of sound you have, and they therefore can’t experience the music the way you can. If they haven’t heard it for themselves, it’s all just talk, the kind of crap you can read on any internet forum about any piece-of-junk record ever made.
That’s why we love to hear from people who’ve actually played the very same record we did. We know why they’ve flipped out. We flipped out too!
When you drop the needle on a record this good, you feel like you just threaded up the master tape and hit play. You quickly become so totally IMMERSED in the musical experience that you soon forget you’re listening to a record. You’re hearing the music exactly the way the musicians intended it to sound. You can’t ask for more than that. Records like that get the Triple Plus.
Three Demo Discs
Of all the great albums Steely Dan made, and that means their seven original albums and nothing that came after, there are only three in our opinion that actually support their reputation as studio wizards and recording geniuses. Chronologically they are Pretzel Logic, Aja, and Gaucho. Every sound captured on these albums is so carefully crafted and considered that it practically brings one to tears to comtemplate what the defective DBX noise reduction system did to the work of genius that is Katy Lied, their best album and the worst sounding. (Those cymbal crashes can really mess with your mind if you let them. To get a better picture of the DBX sound just bang two trash can lids together as close to your head as possible.)
The first two albums can sound very good, as can Royal Scam, but none of those can compete with The Big Three mentioned above for sonics. A Hot Stamper copy of any of them would be a serious DEMO DISC on anyone’s system full range system.