Top Studios and Concert Halls

Barbra Streisand – The Barbra Streisand Album

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

A killer 360 original stereo pressing with Triple Plus (A+++) sound from start to finish – the first copy to hit the site in many years. We recently did a shootout for this album and were thrilled at how natural and immediate the sound on the best copies can be. Good Ol’ Babs (actually, a very young Babs here) sounds LOVELY on this pressing — her voice is rich, breathy and textured with stellar presence. The orchestra backing her sounds wonderful and there’s plenty of bass to set a nice foundation for the music.

Excellent, natural, unprocessed sound. And she does a very nice job with this set of standards. This, and the album Guilty, are the two Streisand records I’m most likely to play. (more…)

Ted Heath – Shall We Dance – Absolutely Amazing Sound (and We Love the Music Too)

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One of the best sounding records we have ever played, the Gold Standard for Tubey Magical Big Band. Both sides are huge, rich, weighty and dynamic like few records you have ever heard. Three elements create the magic here: Kingsway Hall, Kenneth Wilkinson and the Decca “Tree” microphone setup.

More Big Band Jazz

Years ago we wrote in another listing “We had a copy of Heath’s Shall We Dance not long ago that had some of the biggest, richest, most powerful sound I have ever heard. Watch for Hot Stampers coming to the site soon.” Well, now they’re here, and this copy fulfills the promise of the album like no copy we have ever played.

DEMO DISC SOUND barely begins to do this one justice. This is Audiophile Quality Big Band sound to beat them all. The American big bands rarely got the kind of sound that the Decca engineers were able to achieve on records like this. For one thing they didn’t have Kingsway Hall, Kenneth Wilkinson or the Decca “Tree” microphone setup.

Unlike some of the American big band leaders who were well past their prime by the advent of the two-channel era, Heath is able to play with all the energy and verve required for this style of music. He really does “swing in high stereo” on these big band dance tunes. (more…)

Barbra Streisand – The Third Album

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  • Streisand’s 1964 release eturns to the site with outstanding Double Plus (A++) sound from first note to last
  • These 360 Label stereo originals are the only way to hear the Tubey Magic and space that is all over the original master tape
  • Frank Laico engineered at Columbia’s legendary 30th street studios – you can easily imagine how good the sound is
  • Ms Streisand sings a wonderful batch of standards on this one: My Melancholy Baby, Just In Time, It Had To Be You, As Time Goes By and 6 more

Both sides are rich and full-bodied, as befits anything recorded by the legendary Frank Laico at Columbia’s 30th street studios. (more…)

Rossini / Overtures with Maag – The Best on Record

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  • With a Triple Plus (A+++) Shootout Winning side one and a side two that’s not far behind, the orchestral power of display here is positively PHENOMENAL
  • This Decca Tree recording is overflowing with the kind of rich, spacious, Tubey Magical sound that can only be found on vintage vinyl
  • Performances and sound like no other – Maag’s William Tell is in a league of its own
  • “You’d think Maag would approach the scores the way most conductors do: gung-ho and hell bent for leather. He doesn’t. In fact, Maag displays a good deal of reserve, calculating his interpretations for the biggest payoff. For instance, in William Tell he keeps the opening sections in check, and then he builds the final segment into a most-exciting whirlwind, the conclusion carrying you away.”

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Schubert / Symphony No. 9 “The Great” / Krips / LSO

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  • With two Shootout Winning Triple Plus (A+++) sides, we guarantee you’ve never heard this powerful orchestral masterpiece sound remotely as good as it does here
  • One of the truly great All Tube Wilkinson “Decca Tree” recordings in Kingsway Hall, captured faithfully in all its beauty on this very disc
  • The 1950s master tape has been transferred brilliantly using “modern” cutting equipment (from 1976, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer
  • Don’t expect to ever see an original on this site – the two we had were crude, flat, full of harmonic distortion, and with clearly restricted frequency extremes

Krips’ 1958 recording for Decca is here brought to life on a fairly quiet and certainly quite wonderful World of the Great Classics pressing from 1976. This copy was clearly the best we played, showing us a huge hall, with layered depth that was only hinted at on most pressings, regardless of age.

The strings are remarkably rich and sweet. This pressing is yet another wonderful example of what the much-lauded Decca recording engineers of the day were able to capture on analog tape all those years ago. (more…)

Bizet – L’arlesienne And Carmen Suites – Ansermet

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  • With a Triple Plus (A+++) Shootout Winning side one mated to a nearly as good side two, this pressing has the best sounding Carmen Suite we have ever heard – exceptionally quiet vinyl too
  • This is the best sounding and quietest Carmen Suite to ever make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking
  • If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it
  • Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording

This is High Fidelity Audiophile Gold, with an orchestra that sounds so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London Blueback vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these 1961 sessions in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology,

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way. (more…)

Debussy / Clair de Lune on Stereo Treasury

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The STS is not impressive on the few we’ve played, for no reason other than they are simply not that sonically impressive. British vinyl, British mastering, just not especially good sound. Save your money. (more…)

Albeniz / Iberia – Ansermet

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A distinguished member of the Better Records Orchestral Music Hall of Fame.

The sound of this copy is so transparent, undistorted, three-dimensional and REAL, without any sacrifice in solidity, richness or Tubey Magic, that we knew we had a real winner on our hands as soon as the needle hit the groove.

We were impressed with the fact that it excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, pulling the listener into the space of the concert hall in an especially engrossing way.

Side One – Iberia (1-4)

A huge hall, correct string tone, spacious and open as practically any orchestral recording you can find!

Listen to the plucked basses – clear, not smeary, with no sacrifice in richness. Take it from us, the guys that play classical recordings by the score, this is hard for a record to do!

Listen to how natural the cymbal crashes are. (more…)

Bruch – Scottish Fantasia / Mendelssohn – Violin Concerto – Campoli

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  • As good as the Mendelssohn is on side one – with Double Plus (A++) sound it would have to be excellent indeed – the crowning glory of this disc is the Scottish Fantasy on side two  
  • It’s some of the best sound we have ever heard for the work, right up there with our longtime favorite, the Heifetz on Living Stereo (LSC 2603) 
  • One of the truly great 1959 All Tube Kenneth Wilkinson “Decca Tree” recordings in Kingsway Hall, captured faithfully in all its beauty on this very disc
  • Referring to the Mendelssohn, Gramophon noted: “[Campoli’s] virtuosity in the finale are as self-evident as is the excellence of the accompaniment under Sir Adrian Boult. There are many felicitous touches and the distinguished soloist plays magnificently throughout.”

If you want an outstanding Mendelssohn Violin Concerto and an out of this world Scottish Fantasy, this is the copy for you!

The Bruch brings to mind some of Tchaikovsky’s works. It’s so sweet and melodic, it completely draws you into its world of sound. This is a work of unsurpassed beauty, music that belongs in any serious music collection.

As we noted above, Kenneth Wilkinson engineered in the legendary Kingsway Hall. There is a richness to the sound of the strings that is exceptional, yet clarity and transparency are not sacrificed in the least. 

It’s practically impossible to hear that kind of string sound on any recording made in the last thirty years (and this of course includes practically everything pressed on Heavy Vinyl). It may be a lost art but as long as we have these wonderful vintage pressings to play it’s an art that is not being lost on us.

It’s also as wide, deep and three-dimensional as any, which is, of course, all to the good, but what makes the sound of these recordings so special is the timbral accuracy of the instruments in every section.

I don’t think the Decca engineers could have cut this record any better — it has all the orchestral magic one could ask for, as well as the resolving power, clarity and presence that are missing from so many other vintage Golden Age records.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. They cannot begin to sound the way this record sounds. (Before you put them in storage or on Ebay please play them against this pressing so that you can be confident in your decision to rid yourself of their unforgivable mediocrity.) (more…)

Dave Brubeck – Time Out on Classic Records

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Sonic Grade: D

When we did a shootout for this record way back in October of 2007 we took the opportunity to play the Classic Records 200 gram pressing. Maybe we got a bad one, who knows, but that record did not sound remotely as good as the real thing (6 eye or 360, both can be quite good). The piano sounded thin and hard, which was quite unexpected given the fact that we used to consider the Classic LP one of their few winners and actually recommended it.

As we said in our shootout: “We dropped the needle on the Classic reissue to see how it stacked up against a serious pressing. Suffice it to say, the real Time Out magic isn’t going to be found on any heavy vinyl reissue!”