Labels We Love – RCA

Harry Nilsson – Pussy Cats

More Harry Nilsson

More John Lennon

  • Pussy Cats returns to the site on this vintage RCA pressing with KILLER Shootout Winning Triple Plus (A+++) sound from start to finish – fairly quiet vinyl too
  • Both of these sides are rich, full-bodied and Tubey Magical with lots of energy
  • Produced by John Lennon, Nilsson’s partner in crime, it’s a really fun album, with an appealingly ragged and spontaneous vibe
  • “It may not be as wild as the lost weekend itself, but it couldn’t have been recorded at any other time and remains a fascinating aural snapshot of the early days of 1974.”

The soundstage is huge and open, there’s some real richness and body to the vocals and, perhaps most importantly, you get all the energy and presence required to bring this wild album to life.

John Lennon and Harry Nilsson were notorious partiers during Lennon’s “lost weekend” away from Yoko, and the album basically plays like all that excess playing out in the studio. The vibe is loose and spontaneous, and Nilsson’s voice is at its most ragged. That looseness and raggedness results in some startlingly emotional peaks — “Many Rivers To Cross” and “Don’t Forget Me” are positively spine-tingling — and some good-natured romps through classic covers like “Subterranean Homesick Blues” and “Rock Around The Clock.” It’s a whole lot of fun — especially when you have a copy that sounds like this!

This album may not be a demo disc like A Little Touch of Schmilsson In The Night, but that’s really not the point here. This record is about the atmosphere, and this copy has the kind of big, open soundstage and smooth, musical tonality that really make the music work! It’s actually one of the best-sounding Nilsson albums, and the sound is perfectly matched to the material.

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Vivaldi / The Four Seasons – Direct to Disc at 45 RPM

More of the Music of Antonio Vivaldi (1678-1741)

Hot Stamper Pressings of Excellent Direct-to-Disc Recordings

This RCA Direct-to-Disc 45 RPM Double LP has awful sound, with exceptionally hard and shrill string tone.

This is precisely why we dislike Japanese pressings as a rule — they sound like this audiophile piece of trash.

If you own this album, it should make a good one for testing string tone and texture. The strings on this record are awful, and they should sound awful on your stereo too.

The Big Picture from a Lifelong Audiophile

You may have seen this text in another listing, but it bears repeating.

There is nothing new under the sun, and that is especially true when it comes to bad sounding audiophile records. The world is full of them.

There has been one big change from the days when I self-identified as a freshly minted audiophile in the ’70s.

Yes, the records being marketed to audiophiles these days may have second- and third-rate sound, but at least now they have good music. That’s progress, right?

The title reviewed above is a good example of the kind of crap we newbie audiophiles used to put up with back in the old days, long before we had anything resembling a clue.

This one clearly belongs on our list of Bad Audiophile Records.

You might be asking: What Kind of Audio Fool Was I? to buy a dumbass record like this.

It’s a fair question. Yes, I admit I was foolish enough to buy records like this and expect it to have good music, or at least good sound. Of course it had neither. Practically none of these kinds of records ever did. Sheffield and a few others made some good ones, but most Direct to Disc recordings were crap.

As clueless as I was, even back in the day I could tell that I had just thrown my money away on this lipsticked-pig in a poke.

But I was an audiophile, and like a certain Mr. Mulder, I wanted to believe. These special super-hi-fidelity records were being made for me, for special people like me, because I had expensive equipment and regular records are never going to be good enough to play on my special equipment, right?

To say I was wrong to think about audio that way is obviously an understatement. Over the course of the last forty years, I (and to be fair, my friends and my staff) have been wrong about a lots of things in the worlds of records and audio.

You can read more about many of the things we got wrong under the heading: Live and Learn.

The good news? Audio Progress is real and anyone who goes about doing audio the right way can achieve a great deal.

Further Reading

Herrmann – Citizen Kane (The Classic Film Scores of Bernard Herrmann)

More of the music of Bernard Herrman (1911–1975)

More Orchestral Spectaculars

  • An original RCA Red Seal pressing with STUNNING Shootout Winning Triple Plus (A+++) grades or close to them from start to finish
  • On this killer copy you will hear deep bass notes; incredible dynamics from every area of the stage; masses of strings playing at the top of their registers with abandon; huge drums; powerful brass effects, and more
  • Every sound an orchestra can produce is found on this record, and then some — it’s the very definition of Demo Disc sound
  • These wonderful works, undoubtedly some of the greatest Bernard Herrmann composed, should be part of any serious Orchestral Collection
  • 5 stars: “… the best of the entire series by conductor Charles Gerhardt and the National Philharmonic Orchestra… every track is worthwhile and memorably played.”
  • If you’re a Bernard Herrmann fan, and what audiophile wouldn’t be?, this title from 1974 is clearly one of his best
  • The complete list of titles from 1974 that we’ve reviewed to date can be found here.

The Citizen Kane Suite on this album is to die for — big, bold, dynamic sound like few records you own. It’s a real Desert Island Disc for me. (The CD, by the way, is actually quite good. I have it in the car and play it often.)

The Concerto Macabre for Piano and Orchestra (from “Hangover Square”) is superbly well-recorded and a brilliant piece of music as well.

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Harry Nilsson – Harry

More Harry Nilsson

More Rock and Pop

  • A vintage pressing of Nilsson’s wonderful 1969 LP with excellent Double Plus (A++) grades on both sides
  • You’ll have a hard time finding a copy that sounds remotely as good as this one – it’s clean, clear, and present with tons of Tubey Magic
  • Full-bodied and energetic, with a punchy bottom end and plenty of space all around the various instruments, this is the sound of vintage analog
  • 4 stars: “…Harry is where Harry Nilsson began to become Nilsson, an immensely gifted singer/songwriter/musician with a warped sense of humor that tended to slightly overwhelm his skills, at least to those who aren’t quite operating on the same level.”
  • This is a Must Own album from 1969. The next time you see it on the site, grab it, because it is rarely up there. Until then, buy the DCC CD. It’s excellent.

This forgotten gem sank like a stone in 1969, but time has treated this album well; it still holds up. The production is superb throughout. Judging by this early Nilsson album, it appears he was already a pro in the studio, as well as an accomplished songwriter, and, more importantly, the owner of one of the sweetest tenors in popular music, then or now.

This album checks off a few of our favorite boxes:

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Beethoven – Piano Sonata No. 23 (“Appassionata”) / Kamiya – (45 RPM)

More of the music of Ludwig van Beethoven (1770-1827)

More TAS List Super Discs

  • This rare TAS-approved Japanese import LP boasts INSANELY GOOD Shootout Winning Triple Plus (A+++) DEMO DISC sound on both sides
  • You will have a hard time finding a better recording of the piano than this – it’s one of the all time great Direct-to-Discs
  • It’s simply bigger, more transparent, less distorted, more three-dimensional and more REAL than all of the other copies we played
  • All of which adds up to a top quality piano recording in every way
  • A famous resident of the TAS list, this album offers excellent music, performed with feeling, and recorded properly, the best of all possible worlds for us audiophiles
  • A friend of ours tells me that Kamiya plays this piece exactly the way Horowitz did, and that’s probably a good thing – good luck finding a Horowitz recording that sounds like this!

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Jefferson Airplane – Surrealistic Pillow

More of the Music of the Jefferson Airplane

Reviews and Commentaries for the Music of the Jefferson Airplane

  • With excellent Double Plus (A++) grades on both sides, we guarantee you’ve never heard the band’s sophomore release sound this good
  • Check out the breathy vocals on “Today” — now THAT is what we call the magic of vintage analog
  • It’s the rare copy of this ’60s Psych Classic that has this kind of freedom from grit and distortion – it’s also swimming in Tubey Magic, the glorious sound of vintage analog vinyl, found on the real thing and, let’s be honest, nowhere else
  • An incredibly difficult album to find with audiophile sound, but this pressing has the goods and is guaranteed to beat – and by a large margin – whatever you throw at it
  • 5 stars: “Every song is a perfectly cut diamond … a groundbreaking piece of folk-rock-based psychedelia that hit — literally — like a shot heard round the world…”
  • The DCC is a hopeless disaster – after fighting its way through Kevin Gray’s transistory, opaque, airless, low-resolution cutting system, whatever was good about the recording was lost
  • If I had compile a list of my Favorite Rock and Pop Albums from 1967, this album would definitely be on it

Three Qualities Are Key 

The best copies of Surrealistic Pillow have three things in common.

  1. Low Distortion,
  2. Driving Rock and Roll Energy and
  3. Plenty of Tubey Magical Richness.

It’s the exceedingly rare copy that has all three. The more of each of these qualities any given pressing has, the higher the sonic grades we typically award it.

In order to find these three qualities, you had better be using the real master tape for starters. At this point, we only buy the Black Label Original RCA pressings, preferably in stereo but occasionally in mono when they’re clean enough to take a chance on, although we think the mono pressings are not competitive with the best of the stereo LPs.

Next, you need a pressing with actual extension up top, to keep the midrange from getting congested and harsh.

Richness, Tubey Magic, weight, and warmth — the other end of the spectrum — are every bit as important, if not more so.

Add freedom from compression — the dynamic, lively sound that’s practically impossible to find on any modern reissue — and you should have yourself a very enjoyable, hopefully not-too-noisy LP to throw on the table and enjoy whenever you like, for years to come.

We know that the best pressings of this groundbreaking album, when played back on modern, high quality equipment, are every bit the thrill you remember — if you were around at the time like I was — from more than fifty years ago.

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Hall and Oates – H2O

More Hall and Oates

  • A stunning copy of this Hall and Oates classic from 1982 – exceptionally quiet vinyl too
  • It’s lively, open, and natural – the voices of the two leads sound especially full-bodied, real and tonally correct from top to bottom, which is pretty much all you need to earn top grades in a shootout
  • Much more consistent than most of their releases, this one boasts three killer hits including Maneater, Family Man and my All Time Favorite by the band, One on One
  • 4 stars: “Private Eyes solidified Hall & Oates’ status as one of the most popular acts in America in the early ’80s, and…… with 1982’s H2O, they capitalized on its success, delivering an album that turned out to bigger than its predecessor, as it climbed higher on the charts and launched three Top Ten singles…”

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David Bowie – David Live

More David Bowie

  • You’ll find incredible Nearly Triple Plus (A++ to A+++) sound on side one of this Bowie classic, and outstanding Double Plus (A++) sound or close to it on the other three – fairly quiet vinyl too
  • One of our favorite live recordings – a great overview of Bowie’s career through 1974
  • “1984,” “Rebel Rebel,” “Sweet Thing” and “Rock and Roll With Me” come ALIVE in performance like you have never heard before
  • A-List players of the day deliver sonic treats, including multiple horn players, multiple percussionists, all-male chorus background vocals, the searing fuzzed-out guitar leads of Earl Slick, piano and Mellotron by Mike Garson, and the amazing Herbie Flowers on bass
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” with an accent on the joy these amazing audiophile-quality recordings can bring to your life. David Live is a good example of a record audiophiles may not know well but we think might benefit from getting to know better

When you listen to an outstanding copy of this Bowie classic, you will have no trouble picturing yourself in the audience with a front row center seat. And the great thing about a record like this is that you can be in the front row of this very concert whenever you want!

The other top live album is, of course, Waiting For Columbus, and the two have much in common. Most importantly, the songs played live on both albums are consistently better than their studio versions. (This is especially true on the Little Feat album. Little Feat was not a studio band and their live arrangements — with the Tower of Power horns — just murder the studio ones.)

For us audiophiles, the other reason to own a Hot Copy of David Live or Waiting For Columbus is that the sound is much improved over most of the studio albums in which the material was originally found. Have you ever heard a good sounding “Diamond Dogs”?

But David Live is full of great sounding material from the album. “1984” is much better here than on the original album. “Rebel Rebel,” “Sweet Thing” and “Rock & Roll With Me” also come alive in performance. They rock!

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Elvis Presley – Moody Blue

More Elvis Presley

More Rock and Pop

  • An original RCA pressing with STUNNING Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • It also plays fairly quiet at Mint Minus Minus considering the blue vinyl
  • Presley’s final studio album, released just a month before his death – not his best but there are a number of songs worth hearing here
  • Marks in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • “For all of its slapped-together feel, however, Moody Blue held up. The title song, authored by Mark James (who’d previously written ‘Suspicious Minds’), was just about as good a single as Elvis released in the 1970s, topping the country charts earlier in 1977; additionally, he did a superb reinterpretation of the George Jones hit ‘She Thinks I Still Care.'”

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David Bowie – Heroes

More David Bowie

More Art Rock

  • An excellent vintage UK pressing with Double Plus (A++) sound from start to finish
  • This copy has real depth to the soundfield, full-bodied, present vocals, plenty of bottom end weight, and lovely analog warmth
  • This reissue is the only way to fly – if you have an original, or any other pressing, you don’t know what you are missing!
  • These are the stampers that always win our shootouts, and when you hear them you will know why – the sound is big, rich and clear like no other
  • We’ve discovered a number of titles in which one stamper always wins, and here are some of the others
  • 5 stars: “Repeating the formula of Low’s half-vocal/half-instrumental structure, Heroes develops and strengthens the sonic innovations David Bowie and Brian Eno explored on their first collaboration. The vocal songs are fuller, boasting harder rhythms and deeper layers of sound.”

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