Folk Rock, British/Irish

The Pentangle – Solomon’s Seal

More British Folk Rock

  • With solid Double Plus (A++) grades or BETTER from top to bottom, this original British Reprise pressing is doing most everything right – fairly quiet vinyl too
  • Big, rich, energetic, with an abundance of Analog Tubey Magic, this UK copy has exactly the right sound for this music
  • Surprisingly rich and smooth, with excellent bass and the kind of breathy immediacy to the vocals that only vintage vinyl can offer

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Gerry Rafferty – Night Owl

More British Folk Rock

  • The Hot Stamper debut of Rafferty’s 1979 release, here with KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides of this early British pressing
  • You won’t believe how rich, Tubey Magical, big, undistorted and present this copy is (until you play it anyway)
  • If all you know are the domestic pressings, you should be prepared for a mind-blowing experience with this UK copy
  • In fact, the original domestic pressings, the ones cut by Wally Traugott, had completely unacceptable sound — sound that was so bad you have to wonder how the label and the artists involved approved it
  • Marks and problems in the vinyl are sometimes the nature of the beast with these vintage LPs – there simply is no way around them if the superior sound of vintage analog is important to you
  • “On his second release for United Artists, Gerry Rafferty focuses an equal amount of attention on his lyrics and on the sincerity of the song’s moods to create one his strongest and most heartfelt albums. Delicate, touching, and extremely poignant, Rafferty blankets all of Night Owl’s tracks with a late-night/early-morning earnestness that is highly effective throughout.”

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Pentangle – Cruel Sister

More British Folk Rock

  • Here is an original UK import pressing of Pentangle’s 1970 release (the first copy to ever hit the site) with KILLER Shootout Winning Triple Plus (A+++) grades or close to them on both sides – exceptionally quiet vinyl too
  • The unprocessed quality found throughout the album has its audiophile credentials fully in order, especially in the area of guitar harmonics, as well as drums that sound like real drums actually sound
  • The true foundation of the music is provided by two legendary guitar heavyweights, Bert Jansch and John Renbourn, with Jacqui McShee’s almost unbearably sweet vocals soaring above them
  • 4 1/2 stars: “Cruel Sister shows Pentangle at their artistic height, combining all of their skill and inspiration to create a vital and enduring album.”

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Richard & Linda Thompson / Pour Down Like Silver

More of the Music of Richard Thompson

  • With two solid Double Plus (A++) or BETTER sides, this UK copy is guaranteed to blow the doors off any other Pour Down Like Silver you’ve heard – fairly quiet vinyl too
  • There’s real Tubey Magic on this album, along with breathy vocals and in-your-listening-room midrange presence
  • Remarkably present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone – past, present and future
  • 4 1/2 stars: “…those brave enough to look past its dark surface will find a startlingly beautiful album; it’s not an easy album to listen to, but it greatly rewards the effort.”

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Jethro Tull – Songs From The Wood

 More Folk Rock

  • This original UK pressing of Tull’s tenth studio album boasts INSANELY GOOD Shootout Winning Triple Plus (A+++) grades from top to bottom – exceptionally quiet vinyl too
  • Both of these sides are amazingly big and full with wonderfully breathy vocals and deep punchy bass
  • No other copy in the shootout earned 3 pluses on any side other than this killer copy right here — this was a tough shootout!
  • Forget the domestic originals and reissues, they’re medicore at best and more than likely awful
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days too – if you want to hear Tubey Magic, huge size and powerful energy, a vintage UK pressing like this one is the only way to go
  • 4 stars: “Far and away the prettiest record Jethro Tull released at least since Thick as a Brick and a special treat for anyone with a fondness for the group’s more folk-oriented material.”

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Rod Stewart – Every Picture Tells A Story

More of the Music of Rod Stewart

  • You’ll find solid Double Plus (A++) grades on both sides of this vintage Mercury pressing
  • If you’re a fan of big drums in a big room, with jump-out-of-the-speakers sound, this is the album for you
  • The drum solo in “(I Know) I’m Losing You” is one of the best reasons any red-blooded audiophile should have big dynamic speakers, a big room, and enough power to drive them to very loud levels
  • A Top 100 album, and Rod’s best music and best recording by far – nothing can touch it
  • 5 stars: “It’s a beautiful album, one that has the timeless qualities of the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • f the best folk, yet one that rocks harder than most pop music — few rock albums are quite this powerful or this rich.”
  • On big speakers at loud levels, this is a Demo Disc of the highest order

This is a superb recording, and on a pressing like this, it is a Demo Disc with little competition (if you have the kind of system designed to play these sorts of records).

Not too many of our Hot Stamper titles are going to ROCK the way this one can. We put it in a class with Zep II, Sticky Fingers, Nevermind, and Back In Black — elite company to say the least. In other words, no album rocks harder.

The opening track on side one has drums that put to shame 99% of the rock drum kits ever recorded. The same is true of I Know I’m Losing You on side two. It just doesn’t get any better for rock drumming, musically or sonically. Micky Waller is brilliant throughout. Kenney Jones, who only plays on the show-stopping “(I Know) I’m Losing You”, is clearly out of his mind.

Some of the best rock bass ever recorded can be found here too — punchy, note-like and solid as a rock. If you have the system for it you are going to have a great time playing this one for your friends, audiophiles or otherwise. (more…)

Traffic – The Best of Traffic

More Music on Island Records

For those who wish to find their own Hot Stamper pressings of the album, we say more power to you. Our helpful advice can be found at the bottom of the listing,

  • This original Pink Label Island pressing was doing practically everything right, with both sides earning killer Nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner – fairly quiet vinyl too
  • Here are the full-bodied mids, punchy lows and clear, open, extended highs that let this 1969 release come alive
  • This amazing compilation boasts superb sound, often dramatically better than the very same tracks on many of the original British releases
  • Top 100 and 4 stars: “The entire second side of the LP, comprising ‘Medicated Goo,’ ‘Forty Thousand Headmen,’ ‘Feelin’ Alright,’ ‘Shanghai Noodle Factory,’ and ‘Dear Mr. Fantasy,’ was the kind of progressive rock that would define Traffic and give it its place in the rock pantheon.”
  • For our current take on the sound of the various labels and stampers for Mr. Fantasy and The Best of Traffic, please click here.

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Dire Straits – Communique

More of the Music of Dire Straits

  • A Communique like you’ve never heard, with KILLER Shootout Winning Triple Plus (A+++) sound or close to it throughout – fairly quiet vinyl too
  • Forget the dubby domestic pressings and whatever crappy Heavy Vinyl record they’re making these days – the UK LPs are the only way to fly on Communique
  • If you’re a fan of the band’s debut release, you’ll find much to like on this underappreciated follow up
  • “…an album full of the delicate subtleties that make Mark Knopfler shimmer — that deep tobacco-soaked voice, the quick, fluid guitar, and the wit behind many of his lyrics… a rich, abundant source of beauty.”
  • If you’re a fan of the band, a killer copy of their album from 1979 surely belongs in your collection

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Traffic – John Barleycorn Must Die (Pink Island)

More British Folk Rock

  • An original British Island Pink Label pressing with INCREDIBLE Shootout Winning Triple Plus (A+++) grades or close to them from start to finish
  • These sides have the vintage analog sound we love – they’re full-bodied and smooth, with plenty of Tubey Magic, gobs of studio space, and the right balance of richness and the clarity that is the key to getting top quality sound for John Barleycorn
  • Arguably the band’s best album, certainly their most groundbreaking, original and involving – Low Spark would rank a not-especially-close second
  • “…the band sounds utterly grounded. As the grooves percolate effortlessly along, it becomes clear that unity, not any technical skill, is what makes the music levitate.”

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Pentangle – Reflection

More British Folk Rock

  • Reflection debuts on the site with a KILLER Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one of this original UK Transatlantic pressing
  • We shot out a number of other imports and the midrange presence, bass, and dynamics on this outstanding copy placed it head and shoulders above most others we played
  • Exceptionally present, real and resolving, this pressing is guaranteed to murder any remastering undertaken by anyone – past, present and future
  • “Pentangle were always great at creating musical fusions, and on this album, they once again came through. The opening song, Wedding Dress,is a fabulous meeting of Celtic, country, and, believe it or not, funk. It’s one of the few songs of theirs that actually rocks. The rest of the record is classic Pentangle, with Bert Jansch’s and John Renbourn’s acoustic guitars intermingling so well that it would make even Neil Young and Stephen Stills a little envious.”

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