Classical – Best Performances with Top Quality Sound

Rodrigo / Guitar Concerto / Fantasia Para Un Gentilhombre / Argenta / de Burgos

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Rodrigo - Concierto De Aranjuez / Fantasia Para Un Gentilhombre / Argenta / de Burgos - Super Hot Stamper

  • An outstanding copy of this wonderful classical guitar masterpiece with solid Double Plus (A++) sound from start to finish
  • The sound here is glorious, brimming with the wonderful qualities that make listening to classical music in analog on top quality equipment so involving and pleasurable
  • The sound of the orchestra is as rich and sweet as would be expected from the Decca engineers, yet the guitar is clear, present and appropriately placed at the center of the ensemble surrounding it

If you were only to be allowed one Guitar Concerto recording, the Concierto De Aranjuez would probably be the one to own. You will recognize the main theme instantly; it’s the one Miles Davis appropriated for the astonishingly innovative Sketches of Spain album he did with Gil Evans.

The second picture in this listing is the original London, CS 6046, from which the piece is taken. It is a longtime member of the TAS List, and deservedly so. (more…)

Sibelius – Symphony No. 2 / Barbarolli

More of the music of Jean Sibelius (1865-1957)

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  • An outstanding copy of the best Sibelius Second Symphony on vinyl we know of – solid Double Plus (A++) sound or BETTER from start to finish
  • One listen to this famous Wilkinson recording and you’ll see why it’s one of the most lauded RDG titles in all of their illustrious canon
  • “The Second Symphony has retained an extraordinary popularity for its individualistic tonal language, dark wind coloring, muted string writing, simple folk-like themes, and distinctly “national” flavor that are all Sibelian to the core.”

A truly extraordinary recording mastered beautifully but pressed on vinyl that has never been known for its quiescence (if I can get by with that ten-cent word).

The strings are clear and textured, yet rich and full-bodied. The bottom is big and weighty. The horns are tubey and full-bodied and never screech through even the most difficult passages. (more…)

Tchaikovsky – Piano Concerto No. 1 / Richter – Our Favorite Performance and Sound By Far

More of the music of Peter Ilyich Tchaikovsky (1840 – 1893)

More Classical Music

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  • This superb classical masterpiece makes its Hot Stamper debut with outstanding Double Plus (A++) sound from start to finish – fairly quiet vinyl too
  • With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard
  • When the brass is the way it is here – rich and clear, not thin and shrill – you have yourself a top quality DG pressing
  • Very little smear to the strings, horns or piano

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Finlandia – The Music of Sibelius and Grieg / Mackerras

More of the music of Jean Sibelius (1865-1957)

More of the music of Edvard Grieg (1843-1907)

Decca and London Hot Stamper Pressings Available Now

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  • A KILLER copy of Finlandia with Shootout Winning Triple Plus (A+++) sound or close to it throughout
  • Both sides are big, rich, transparent, spacious and dynamic – no Heavy Vinyl pressing can do what this record is doing
  • Yet another wonderful example of what the much-lauded Decca recording engineers were able to capture on analog tape all those years ago
  • These spectacular works are played with feeling – we know of no better performance or better sound

Yet another wonderful example of what the much-lauded Decca recording engineers were able to capture on analog tape all those years ago. The 1961 master has been transferred brilliantly using “modern” cutting equipment (from the early-’70s, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer.

The brass is HUGE and POWERFUL. Not many recordings capture the brass this well. (Ansermet on London comes to mind of course but many of his performances leave much to be desired. Here Mackerras is on top of his game with performances that are definitive.)

The opening track on side two, Wedding Day at Troldhaugen, is one of my favorite pieces of orchestral music. Mackerras and the London Proms make it magical.

You can be pretty sure of two things when you hear a record of this quality: one, the original won’t sound as good, having been cut on cruder equipment.

And two, no modern recutting of the tapes (by the likes of Speakers Corner for example, but you can substitute any company you fancy) could begin to capture this kind of naturalistic orchestral sound. (more…)

Tchaikovsky – 1812 Overture / Marche Slave and More / Alwyn

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

More Orchestral Spectaculars

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  • Outstanding Double Plus (A++) sound from start to finish – this Decca recording of the 1812 from 1958 is the only one we know of that can show you the power of Live Music for this important work
  • This UK pressing is BIG, lively, clear, open and resolving of musical information like no copy of the 1812 you’ve heard
  • The two coupling pieces, Marche Slave and the Capriccio Italien, also have rich, powerful, weighty brass and lower strings
  • The most exciting and beautifully played 1812 we know of – we encourage you to compare this to the best orchestral recording in your collection and let the chips fall where they may

There is some noticeable low frequency rumble under the quietest passages of the music for those of you with the big woofers to hear it!

The lower strings are rich and surrounded by lovely hall space. This is not a sound one hears on record often enough and it is glorious when a pressing as good as this one can help make that sound clear to you.

The string sections from top to bottom are shockingly rich and sweet — this pressing is yet another wonderful example of what the much-lauded Decca recording engineers (Kenneth Wilkinson in this case) were able to capture on analog tape all those years ago.

The 1958 master has been transferred brilliantly using “modern” cutting equipment (from 1970, not the low-rez junk they’re forced to make do with these days), giving you, the listener, sound that only the best of both worlds can offer. (more…)

Beethoven – Symphony No. 6 (Pastoral) – Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

More Classical Recordings

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  • With solid Double Plus (A++) grades or close to them on both sides, this is an outstanding find from our recent shootout
  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
  • Everything sounds so right on this record, so much like live music, there is almost nothing to say about the sound other than You Are There
  • Recorded in Geneva’s exquisite Victoria Hall in 1959, this is a top performance from Ansermet and the Suisse Romande, the best we know of

In our opinion this is the best sounding Beethoven 6th Symphony ever recorded. It is the most beautiful of them all, and has long been my personal favorite of the nine Beethoven composed.

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least. It’s as wide, deep and three-dimensional as any, which is of course all to the good, but what makes the sound of these recordings so special is the weight and power of the brass and the timbral accuracy of the instruments in every section.

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. None of them, I repeat none of them, will ever begin to sound the way this record sounds. Quality record production is a lost art, and it’s been lost for a very long time.

The texture on the strings is captured perfectly; this is, by the way, an area in which modern pressings fail almost completely. We have discussed this subject extensively on the site. The “rosin on the horsehair” is a sound that is apparently impossible to encode on modern vinyl. (more…)

Saint-Saens – Piano Concerto No. 2 / Franck – Symphonic Variations / Rubinstein

More of the music of Camille Saint-Saens (1835-1921)

More Classical and Orchestral Recordings

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  • This superb TAS List Piano Concerto recording finally arrives on the site with outstanding Double Plus (A++) sound and vinyl that’s about as quiet and scratch-free as we can find it
  • With huge amounts of hall space, weight and energy, this is DEMO DISC QUALITY SOUND by any standard
  • Some old record collectors (like me) say classical recording quality ain’t what it used to be – here’s all the proof anyone with two working ears and top quality audiophile equipment needs to make the case

Harry Pearson put this recording on his TAS List of Super Disc LPs, and with good reason — the sound is wonderfully relaxed and natural. This Shaded Dog pressing is exceptionally lively and dynamic. The sound is BIG and BOLD, enough to fill up your listening room and then some. The piano is clean and clear, and the strings are rich and textured.

The great Artur Rubinstein’s performance of these wonderful works is superb.

Our Shaded Dog pressing here offers plenty of Living Stereo Magic. This wonderful record boasts a natural orchestral perspective and superb string tone. It also presents the listener with a correctly-sized piano, which is fairly unusual for Rubinstein’s recordings. (more…)

Liszt / Enesco – Hungarian Rhapsodies / Roumanian Rhapsodies / Dorati

More of the music of Franz Liszt (1811-1880)

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  • This wonderful collection of rhapsodies finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound or BETTER on both sides
  • One of the best of the Mercury Living Presence Titles – the orchestra is big, rich and tubey, yet the dynamics and transparency are first rate
  • Beautifully performed by the London Symphony Orchestra (our favorite performances of these works in fact), under the direction of Antal Dorati
  • Other versions — the Oscar Danon we like on RDG, for example — may be faster, but Dorati and the LSO bring an energy and spirit to these pieces that we feel is unequaled on vintage vinyl
  • “The playing is flawless… if you like and/or appreciate the music of these composers, your life would be remiss not having heard these performances.”

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The Said and the Unsaid – The Firebird on Mercury

More on The Firebird

More of the music of Igor Stravinsky (1882-1971)

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For our recent shootout of The Firebird we had three minty, potentially hot copies of the Mercury with Dorati, as well as our noisy ref. (We have a noisy reference copy for just about every major title by now. We have been doing these shootouts for a very long time. After thirty years in the record business we have accumulated a World Class collection of great sounding records that just too noisy to sell.)

We had one FR pressing and two of the later pressings with the lighter label, the ones that most often come with Philips M2 stampers.
This is how we described the winner:

So clear and ALIVE. Transparent, with huge hall space extending wall to wall and floor to ceiling. Zero compression.

Lifelike, immediate, front row center sound like few records you have ever heard.

Rich, sweet strings, especially for a Mercury. This side really gets quiet in places, a sure sign that all the dynamics of the master tape were protected in the mastering of this copy.

What we didn’t say — and what we never say in the listings — is what the second tier copies didn’t do as well as the shootout winner. (more…)

VTA – A Few Moments of Experimentation Can Really Pay Off

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Specific advice on what to listen for as you critically Adjust Your VTA.

Experimenting with the VTA for this record we found a precise point where it all came together, far beyond whatever expectations we might have had at the time, which revealed a violin floating between the speakers, an effect that as audiophiles we appreciate for the magic trick that it is.

The sound of the wood of the instrument became so clear, the harmonic textures so natural, it was quite a shock to hear a good record somehow become an amazing one. All it took was a few moments of experimentation.

With the right VTA setting we immediately heard more harmonic detail, with no sacrifice in richness. That’s the clearest sign that your setup is right, or very close to it.
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