1972-best

Jimi Hendrix – Hendrix In The West

More of the Music of Jimi Hendrix

  • Both sides of this early UK import were giving us the big and bold sound we were looking for, earning solid Double Plus (A++) grades – exceptionally quiet vinyl too
  • This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
  • The awesome version of “Little Wing” is just killer on this copy – it’s Jimi’s best performance of the song
  • 4 stars: “…it’s a hodge-podge, made of live tracks largely from 1969 and 1970. But it’s a bunch of great live tracks, including some real rarities… In the West is a great sampling of Hendrix’s late-period live material (and his sense of humor) making its long awaited appearance.”

We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on “Little Wing” and you are going to be floored.

The size and space here are really something, miles beyond most. The resolution and clarity of the open live sound of this copy bring out all the instrumental textures and details of the recording like few we played. More importantly, the extended top keeps the highs from getting hard or harsh the way they do on so many pressings we’ve played.

As these performances are culled from different concerts, the sound varies a bit from track to track, but every track on here sounds good and the best tracks sound amazing.

Almost Famous

It’s hard to understand why this album isn’t more widely known. The performances are great and the sound is excellent for a vintage live recording.

Naturally not every copy sounds as good as this one. We heard a lot of pressings with too much grit and grain, and many that badly lacked presence. When I play a live album, I want to feel like I am there at the show (and to do that I set the volume accordingly, of course) but with most copies that just isn’t possible.

Thanks to Eddie Kramer’s amazing engineering, this album will have Jimi playing live in your listening room, and what a thrill it is to hear it all these years later (and on dramatically better equipment).

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Grover Washington, Jr. – All The King’s Horses

More of the Music of Grover Washington

  • An early Kudu pressing of Washington’s sophomore release with a STUNNING Shootout Winning Triple Plus (A+++) side two mated to a solid Double Plus (A++) side one
  • There’s so much life in these grooves – the sound jumps out of the speakers and right into your lap
  • Credit must go to Rudy Van Gelder for recording and mastering this album so well, and to Bob James for his brilliant big group arrangements
  • We cannot recommend this album highly enough – if you have the big speakers a big group of musicians need to perform live in your listening room, his record is going to be nothing less than a thrill
  • 4 stars: “. . . this set has assumed its proper place in Washington’s catalog: as one of his more ambitious and expertly performed sessions.”
  • This is a Must Own jazz album from 1972, one that deserves a place in any audiophile’s collection

Both sides of this original Kudu pressing are OUT OF THIS WORLD. The sweetness and transparency of Grover Washington Jr.’s breathy sax went beyond any copy we’ve ever played. Who knew it could sound like this? We sure didn’t!

It’s spacious and full of life with virtually no distortion. Of special note, this copy has amazingly articulate bass which brings out the undeniable funkiness of the music in a way that no other copy did.

The early 70s were a good time for Rudy Van Gelder. All the King’s Horses from 1972 is an amazing Demo Disc for a large group. But it only sounds good on the copies that it sounds good on, on the pressings that were mastered, pressed and cleaned right, a fact that has eluded most jazz vinyl aficionados interested in good sound.

But not us. We’ve played the very special pressings that prove the album can sound amazing.

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Loggins & Messina – Self-Titled

More of the Music of Loggins and Messina

  • An outstanding copy of the duo’s sophomore release with solid Double Plus (A++) sound from start to finish
  • This pressing allows the music to be totally involving, with breathy voices; clear, natural picking on the strings of the guitars and mandolins; choruses that get good and loud – everything you want from this band is here and more
  • L & M are famous for putting plenty of bass on their recordings, but the trick is to find the pressing that actually keeps that bass tightly under control, like this one
  • 4 1/2 stars: “The first full-fledged L & M album found the duo in good form as songwriters, with Messina turning in the sparkling ‘Thinking Of You,’ and the two collaborating on the hit single ‘Your Mama Don’t Dance’ and ‘Angry Eyes.'”
  • If you’re a Loggins and Messina fan, any of the first four albums are Must Owns. This, their second album, released in 1972, is clearly one of their best, and a record I have never tired of in the fifty years I’ve been listening to it.

We’re big fans of this band, not only for their music but also because their recordings are so good. We know this album about as well as anyone can, having done countless shootouts for it over the years. When it’s good, it’s really good, and it doesn’t take a pair of golden ears to hear it.

What we have here is the perfect example of a top quality analog studio pop recording. It’s rich, sweet, and dynamic, with the kind of sound that has practically disappeared from the face of the earth. Not to worry though; it can still be found on certain pressings from the ’70s, the ones that we put so much time and effort into auditioning. Why shouldn’t we? It’s where the BEST SOUND is. (more…)

Black Sabbath – Vol. 4

More of the Music of Black Sabbath

  • With KILLER Shootout Winning Triple Plus (A+++) grades on both sides of this vintage Green Label pressing, we guarantee you’ve never heard Vol. 4 sound this good
  • A tough shootout, as no other copy earned a 3+ grade on either side, which simply means that when you find a top copy, it sets such a high standard that everything else ends up getting marked down
  • Both sides here are really rockin’ — big and full-bodied with an abundance of bass and the kind of performance energy that gets sucked right out of the music on the reissues, not to mention the no-doubt-worse modern pressings
  • We agree with Henry Rollins, who said, “Sabbath could be my favorite band… There’s something about their music that’s so painful and yet so powerful.”
  • This is a lot of money for a somewhat noisy copy, but the sound is so awesome and quiet pressings of the album so hard to come by that we hope someone will take a chance on it and get the thrill we did from hearing it sound right for once
  • 5 stars: “… it does find Sabbath at their most musically varied, pushing to experiment amidst the drug-addled murk… Die-hard fans sick of the standards come here next, and some end up counting this as their favorite Sabbath record for its eccentricities and for its embodiment of the band’s excesses.”

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Roxy Music / Self-Titled

More of the Music of Roxy Music

  • A vintage UK pressing of Roxy’s amazing debut LP with two solid Double Plus (A++) sides – this is some of the most dynamic sound the band achieved
  • Andy Hendriksen’s engineering (over the course of a week!) is superb in all respects – we think the best pressings of this first album reveal a recording that is superior to any other by the band
  • A Top 100 album, Roxy’s Masterpiece, and a Must Own Desert Island Disc of glamorous Arty Rock
  • 4 1/2 stars: “Falling halfway between musical primitivism and art rock ambition, Roxy Music’s eponymous debut remains a startling redefinition of rock’s boundaries. Simultaneously embracing kitschy glamour and avant-pop, Roxy Music shimmers with seductive style and pulsates with disturbing synthetic textures.”
  • When it comes to rock and pop music in 1972, our picks for the best of the best, numbering at the moment a mere 21 titles, can be found here
  • This link will take you to the Hot Stamper pressings of our hardest rockin’ albums currently available

Folks, this is a true Demo Disc in the world of Rock. It’s rare to find a recording of popular music with dynamics like these. The guitar solo at the end of “Ladytron” rocks like you will not believe.

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Lou Reed – Transformer

More Rock Classics

  • This copy of Lou’s Rock Masterpiece boasts solid Double Plus (A++) grades or BETTER from top to bottom – exceptionally quiet vinyl too
  • A superb pressing that is guaranteed to blow your mind – there is practically no chance that you have ever heard this album sound this good, especially if you have an original import or domestic pressing
  • A side one this good means “Walk on the Wild Side” is a Demo Quality track that will have your audiophile friends turning green with envy
  • Our vintage British import Hot Stamper pressing here showed us just how Tubey Magical the midrange of the album could be – thanks, Ken Scott!
  • 4 1/2 stars: “… Bowie and Ronson gave their hero a new lease on life – and a solid album in the bargain.”
  • Transformer is his Masterpiece, a Core Collection title, and possibly a case of One and Done since it’s the only Lou Reed album we sell. (You, of course, may feel differently.)

Transformer is an absolute tour de force of 70s Glam Rock / Classic Rock / Alternative Rock. You’ve got Lou Reed teamed up with David Bowie (in the producer’s chair), Mick Ronson, Herbie Flowers and Klaus Voorman, and on top of that the album was recorded at Trident and mixed by the great Ken Scott.

Throw in the fact that this is the best set of post-Velvets material Lou would ever write and it is a recipe for success. There are so many good songs on here I won’t bother to list them one by one. Satellite Of Love is especially good though, if you ask me. If you agree, and you’ve never heard the VU demo version, make sure to seek it out. It’s completely different and good fun.

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Neil Young – Harvest

More of the Music of Neil Young

  • This vintage Reprise pressing was giving us the sound we were looking for on Neil’s undeniable classic, with both sides earning solid Double Plus (A++) grades or BETTER
  • It’s practically impossible to find an early pressing with sound this good and vinyl that plays as quietly as this
  • I don’t know how many early pressings (which are the only ones that ever sound any good) we would have to play in order to find one this quiet, but my guess is 15 or 20, and that’s probably a conservative estimate
  • A Top 100 album and a sublime recording no audiophile should be without
  • 4 1/2 stars: “…the love songs and the harrowing portrait of a friend’s descent into heroin addiction, ‘The Needle and the Damage Done,’ remain among Young’s most affecting and memorable songs.”
  • If you’re a Neil Young fan, and what audiophile wouldn’t be?, this title from 1972 is clearly a Must Own
  • Harvest is one of the titles that helped us dramatically improve our playback over the course of many years

When you have this kind of open, extended top end, the grit, grain and edge just disappear, leaving you with a clear, Tubey Magical sound that’s way beyond anything you have ever heard for Harvest (or we will happily give you your money back).

Tubey Magical acoustic guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings).

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Joni Mitchell – For The Roses

More of the Music of Joni Mitchell

  • With stunning Nearly Triple Plus (A++ to A+++) grades on both sides, this early White Label Asylum pressing is practically as good a copy as we have ever heard, right up there with our Shootout Winner – fairly quiet vinyl too
  • The sound is rich, warm and natural, with wonderful immediacy to Joni’s vocals and Tubey Magic for days – this is the amazing sound of Asylum in the Seventies, a subject nobody seems to talk about but us
  • One of the best sounding Joni records, on a par with Court and Spark and Blue – fine company indeed
  • 4 1/2 stars: “The lyrics here are among Mitchell’s best, continuing in the vein of gripping honesty and heartfelt depth exhibited on Blue…. More than a bridge between great albums, this excellent disc is a top-notch listen in its own right.”

This copy has real energy and dynamics that just could not be heard on most of the pressings we played. With dynamics and the warmth and richness found here, this copy will be hard to beat.

Listen to how huge the piano is. No two copies will show you the same piano, which makes it a great test for sound. Both sides have clear, present, breathy vocals, about as good as Joni can sound on vinyl, which is saying a lot.

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Dave Mason – Headkeeper

More of the Music of Dave Mason

  • An early Blue Thumb pressing with solid Double Plus (A++) grades on both sides – exceptionally quiet vinyl too
  • Some of the best sound Dave Mason ever managed, so let’s give credit where credit is due: to the amazing engineer Al Schmitt
  • If you’re a Dave Mason fan, this is one of the better albums he’s put out and it deserves a place in your collection
  • “The spare, acoustic solo performance of ‘Can’t Stop Worrying, Can’t Stop Loving’ heard here, for example, makes the undistinguished full-band studio version instantly obsolete. And the live version of ‘World In Changes’ is one of the best pieces of early 70s rock, period.”

This is some of the best sound Dave Mason ever managed, so let’s give credit where credit is due, to the amazing Al Schmitt. He recorded and mixed this album and he sure knocked it out of the park.

We know his work well; he happens to have engineered many albums with superb sound: Aja, Hatari, Breezin’, Late for the Sky, Toto IV – the guy’s won 13 Grammies, which ought to tell you something.

Side one of the album is recorded in the studio, side two live from the Troubador. Many of the songs on side one would be recorded again by Mason, and not as well in most cases. Mastered at Artisan (where Kevin Gray got his start, what the hell happened to that guy?) by none other than the owner, Bob MacLeod, this record got the A Team treatment from start to finish. (more…)

Seals & Crofts – Summer Breeze

More Folk Rock


  • A superb copy of Summer Breeze with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • With an abundance of Tubey Magical richness in the midrange – the kind that was still abundant on analog tape in 1972 – this is a wonderful sounding album of folk pop
  • It has taken us years to find the right stampers for this album, and now here they are on the Green Label original in all their glory
  • 4 1/2 stars: “Summer Breeze offered an unusually ambitious array of music within a soft rock context – most artists tried to avoid weighty subjects in such surroundings… the most highly regarded of all of Seals & Crofts’ albums.” (more…)