Rock, Pop, Soul, etc. Demo Discs

Emerson, Lake and Palmer – Trilogy

More Emerson, Lake and Palmer

More Prog Rock

  • You’ll find outstanding Double Plus (A++) sound on both sides of this vintage UK Island pressing
  • ANALOG at its Tubey Magical finest – you’ll never play a CD (or any other digital sourced material) that sounds as good as this record as long as you live
  • An excellent recording that really shines on a good pressing like this, courtesy the engineering brilliance of Eddie Offord
  • 4 stars: “Every track on this album has been carefully thought, arranged, and performed to perfection…”

It’s not easy to find great copies of this album. This kind of prog rock demands big, bold sound, and not all copies have the size or low end weight to pull it off. Keith Emerson’s organ needs to extend all the way down, or it just doesn’t work. Both sides here have a great bottom end, and some real texture and space up top.

“From The Beginning” has the kind of analog magic that made it a staple in practically every stereo store I walked into back in the ’70s.

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Ambrosia – Self-Titled


  • Spectacular Prog Rock sound explodes on this copy of the band’s phenomenally well-recorded debut album, mixed by none other than Alan Parsons – exceptionally quiet vinyl too
  • Big Whomp Factor here – the bottom end is huge and punchy on this copy, like nothing you’ve heard
  • “Its songs skillfully blend strong melodic hooks and smooth vocal harmonies with music of an almost symphonic density.”
  • A permanent member of our Rock and Pop Top 100 and, on big speakers at loud levels, a Rock Demo Disc of the Highest Order
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Ambrosia’s debut is a good example of a record many audiophiles may not know well but should.
  • If you’re a fan of the band, this classic from 1975 belongs in your collection.
  • The complete list of titles from 1975 that we’ve reviewed to date can be found here.

Folks, this LP is nothing short of a Sonic Spectacular. For that reason alone it would get a strong recommendation, but the music is so good that the brilliant sound is best seen as a bonus, not the sole reason to own the album.

These sides have the kind of energy that few titles can lay claim to. Put this one up against your best Dark Side of the Moon. Unless you bought a High Dollar copy from us, I’d say there’s almost no chance that this album won’t reduce it to vinyl rubble. (We talk about how similar the recordings are below.) (more…)

The Beatles – Rubber Soul

More of The Beatles

Reviews and Commentaries for Rubber Soul

  • With STUNNING Shootout Winning Triple Plus (A+++) sound or close to it, this vintage UK stereo pressing has plenty of analog magic in its grooves – exceptionally quiet vinyl too, about as quiet as they can be found
  • We guarantee you’ve never heard “Girl,” “I’m Looking Through You,” “In My Life,” “Wait,” “If I Needed Someone” and “Run for Your Life” sound better – and that’s just side two!
  • A Must Own Folk Rock Masterpiece and permanent member of our Top 100
  • 5 stars: “The lyrics represented a quantum leap in terms of thoughtfulness, maturity, and complex ambiguities. Musically, too, it was a substantial leap forward, with intricate folk-rock arrangements that reflected the increasing influence of Dylan and the Byrds.”

Since this is one of the best sounding Beatles recordings, this could very well be some of the BEST SOUND you will ever hear on a Beatles album!

There’s wonderful ambience and echo to be heard. Just listen to the rimshots on Michelle — you can clearly hear the room around the drum. On the best pressings, Michelle is incredibly 3-D; it’s one of the best sounding tracks on the entire album, if not THE best.

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings, and especially from modern remasterings.  (more…)

The Who – Who’s Next

More of The Who

Reviews and Commentaries for Who’s Next

  • This British Track pressing is guaranteed to blow your mind with its phenomenal sound — check out the BIG, BOLD, Rock ’em, Sock ’em bottom end energy
  • Compare this to any Heavy Vinyl (or other) pressing and you will hear in a heartbeat why we think The Real Thing just cannot be beat
  • 5 stars: “This is invigorating because it has. . . Townshend laying his soul bare in ways that are funny, painful, and utterly life-affirming. That is what the Who was about, not the rock operas, and that’s why Who’s Next is truer than Tommy or the abandoned Lifehouse. Those were art — this, even with its pretensions, is rock & roll.”
  • If you’re a fan of the band, this title from 1971 is a Masterpiece that belongs in every right thinking audiophile’s collection
  • The complete list of titles from 1971 that we’ve reviewed to date can be found here.

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Eagles – Self-Titled

More Eagles

More Country and Country Rock

  • A truly outstanding early pressing, earning seriously good Double Plus (A++) grades or close to them on both sides
  • This is as quiet as they come, folks – no marks play, and the vinyl is often quieter than Mint Minus Minus, exceptional for this title
  • You will be floored by the huge, rich, Tubey Magical guitars exploding out from your speakers on Take It Easy
  • One of the Best Sounding Rock Records Ever Made, a member of our Top Ten and without a doubt Glyn Johns’ engineering (and producing) Masterpiece
  • A Top 100 Tubey Magical Demo Disc that is guaranteed to blow your mind on a pressing that sounds as good as this one does

Vintage covers for this album are hard to find in clean shape. Most of them will have at least some amount of ringwear, seam wear and edge wear. We guarantee that the cover we supply with this Hot Stamper is at least VG, and it will probably be VG+. If you are picky about your covers please let us know in advance so that we can be sure we have a nice cover for you.


It will not take the lucky owner of this record long to recognize what we’ve known for years: the Eagles first album is clearly and inarguably one of the Best Sounding Rock Recordings Ever Made. Almost all the qualities we look for on this album can be found on this very copy.

The Eagles first album is without a doubt Glyn Johnsmasterpiece — rock records simply do not sound any better in our experience. It’s exactly the kind of record that makes virtually ANY Audiophile pressing pale in comparison. Everything you could ask for as an audiophile is here, and more.

We’ve been up on our soapbox for years telling people how amazing this record can be, and here’s a copy that backs up our position from start to finish. (more…)

The Hi-Lo’s – A Demo Disc for Tubey Magic

More Pop and Jazz Vocals

  • Superb sound throughout this early 6-Eye Stereo pressing, with both sides earning excellent Double Plus (A++) grades – fairly quiet vinyl too
  • On the right system, the better copies of this All Tube Chain Demo Disc from 1958 will demonstrate the superiority of both the analog medium and the vintage pressing (not to mention the concept of Hot Stampers)
  • With a copy this good, The Hi-Lo’s will appear as living, breathing (albeit disembodied) persons right in your very own listening room – we call that “the breath of life,” and there is plenty to be found on this record
  • “The Hi-Los weren’t really a jazz unit, but more of a pop band that knew how to incorporate jazz’s harmonic sensibilities. This was among their better albums, complete with catchy title.”
  • More records with exceptionally Tubey Magical Sound
  • More reviews of our most Tubey Magical Demo Discs

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Bryan Ferry – Let’s Stick Together

More Bryan Ferry

More Roxy Music

  • For material and sound I consider this to be the best of Bryan Ferry’s solo albums – it’s a blast from start to finish
  • The energy, presence, bass, and dynamic power (love that horn section!) place it well above his other side projects
  • 4 Stars: “The title track itself scored Ferry a deserved British hit single, with great sax work from Chris Mercer and Mel Collins and a driving, full band performance. Ferry’s delivery is one of his best, right down to the yelps, and the whole thing chugs with post-glam power.”
  • If you’re a Roxy fan, this title from 1976 is surely a Must Own
  • The complete list of titles from 1976 that we’ve reviewed to date can be found here
  • We’ve recently compiled a list of records we think every audiophile should get to know better, along the lines of “the 1001 records you need to hear before you die,” but with less of an accent on morbidity and more on the joy these amazing audiophile-quality recordings can bring to your life. Bryan Ferry’s third solo album is a good example of a record many audiophiles may not know well but should get to know better.

We shot out a number of other imports and this killer copy is As Good As It Gets. The presence, bass, and dynamics place it head and shoulders above the competition. It has what we like to call Master Tape Sound — right in every way.

As for material, he covers some early Roxy songs (brilliantly I might add); Beatles and Everly Bros. tunes; and even old R&B tracks like ‘Shame, Shame, Shame’. Every song on this album is good, and I don’t think that can be said for any of his other solo projects. Five stars in my book. (more…)

Lincoln Mayorga – An Audiophile Record with Honest-to-Goodness Real Music

More Lincoln Mayorga

More Direct-to-Disc Recordings

  • This Limited Edition Sheffield Lab Direct Disc recording has some of the best sound we have ever heard for Volume III, clearly the best sounding title in the series
  • A superb pressing with energy and presence that just jumps right out of your speakers – this is but one of the qualities that separates the truly Hot Stampers from the pack
  • Many copies of this album tend to sound a bit thin and somewhat bright – on this copy, the sound is rich, full, and tonally correct from top to bottom
  • If you’re a Lincoln Mayorga fan, and what audiophile wouldn’t be?, this title from 1974 is clearly one of his best, both musically and sonically
  • The complete list of titles from 1974 that we’ve reviewed to date can be found here.

What do Hot Stampers give you for this album? It’s very simple. Most copies of this album are slightly thin and slightly bright. They give the impression of being very clear and clean, but some of the louder brass passages start to get strained and blarey. This copy is rich and full. The sound is balanced from top to bottom. You can play it all the way through without fatigue.

Trumpets, trombones, tubas, tambourines, big bass drums — everything has the true tonality and the vibrancy of the real thing. The reason this record was such a big hit in its day is because the recording engineers were able to capture that sound better than anybody else around at the time.

That’s also the reason this is a Must Own record today — the sound holds up, and there are not many audiophile recordings you can say that about.

Just listen to the astoundingly powerful brass choir on Oh Lord, I’m On My Way. It just doesn’t get any better than that. If ever there was a Demo Disc, this is one. (more…)

Deep Purple – Made In Japan

More Deep Purple

More Recordings Engineered by Martin Birch

Want to find your own shootout winner? Scroll to the bottom to see our advice on what to look for.

  • Get ready to rumble! This UK copy boasts INCREDIBLE Shootout Winning Triple Plus (A+++) sound or close to it on all FOUR SIDES – remarkably quiet vinyl too
  • A phenomenally well-recorded album that’s a true Demo Disc on an exceptional pressing such as this
  • Turn it up and you will hear sound that is incredibly powerful and natural with amazing presence, energy and weight down low
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • Rolling Stone: “They’ve done countless shows since in countless permutations, but they’ve never sounded quite this perfect.”.
  • If you’re a fan of the band, this title from 1972 is clearly one of their best
  • The complete list of titles from 1972 that we’ve reviewed to date can be found here.

Having just played a stack of copies of Made In Japan, I’d put the album right up there with the best recorded live albums of all time. In terms of Tubey Magic, richness and naturalness — qualities that are usually in very short supply on live albums — I would have to say that the shootout winning copies of Made In Japan would be very likely to take Top Honors for Best Sounding Live Album of All Time.

Yes, the sound is that good.

Machine Head Live? That would not be far off, and the fact they brought Martin Birch along with them all the way to Japan in order to engineer a live album that was only supposed to sell to the Japanese market (!) could not have been more fortuitous for us audiophiles.

Machine Head is clearly one of the best sounding hard rock records ever made, and Made In Japan, its successor, sounds more like a top quality studio production than any live album I’ve ever heard. It’s shocking how clean and undistorted the sound is. Equally shocking is the fact that it’s every bit as big and lively as a Hard Rockin’ Live Album should be.

This is a combination the likes of which we have never heard.

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Humble Pie / Performance – Rockin’ The Fillmore

More Humble Pie

More Peter Frampton

  • This original pressing on the custom A&M label is ROCKIN’ with outstanding Double Plus (A++) grades or BETTER on all FOUR sides – exceptionally quiet vinyl too
  • Performance is one of the best sounding – perhaps even THE best sounding – Hard Rock concert albums we’ve ever heard
  • Engineered by the legendary Eddie Kramer, what other live rock record sounds this good?
  • Marks in the vinyl are sometimes the nature of the beast with these Classic Rock records – there simply is no way around them if the superior sound of vintage analog is important to you
  • 4 1/2 stars: “… [O]ne of the classic double-live albums of the ’70s: a two-LP set from a band that were earning a reputation as in-concert monsters, grinding out a living on a circuit that brought them from coast to coast in America… this was heavy, improvised blues rock where live moments trumped the studio… “
  • A Member of the Prestigious “None Rocks Harder” Club

Can you imagine if Frampton Comes Alive sounded like this? If you want to hear some smokin’ Peter Frampton guitar work from when he was in the band, this album captures that sound better than any of their studio releases, and far better than Comes Alive on even the best copies.

Grungy guitars that jump out of the speakers, prodigious punchy deep bass, dynamic vocals and drum work — the best pressings of Rockin’ The Fillmore have more live FIREPOWER than any live recording we’ve ever heard. Who knew?

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