_Composers – Chausson

Saint-Saëns / Rondo Capriccioso / Chausson / Poeme / Oistrakh

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With two Triple Plus (A+++) shootout winning sides, this collection of violin showpieces simply could not be beat
This copy was dramatically fuller, richer, tubier and smoother than the others we played, and ALIVE with pyrotechnic fireworks on side one
A superb 1963 Living Stereo recording with Tubey Magic to die for, one of the best violin recordings we have ever offered
The highlight for us on a collection like this is always going to be The Introduction and Rondo Capriccioso, “one of Saint-Saëns’ few genuine showpieces.”

The violin here is superb — rich, smooth, clear, resolving. What sets the truly killer pressings apart is the depth, width and three-dimensional quality of the sound. The Tubey Magical richness is to die for. This record sounds like a Living Stereo recording from 1963 in all the best ways.

Big space, a solid bottom, and plenty of dynamic energy are strongly in evidence throughout. Zero smear, high-rez transparency, tremendous dynamics, a violin that is present and solid — it takes the sound of this recording beyond what we thought was possible. (more…)

Ravel, Saint-Saens et al. / Tzigane, Havanaise / Kyung-Wha Chung – Reviewed in 2012

More of the music of Maurice Ravel (1875-1937)

Tzigane, Havanaise / Kyung-Wha Chung

A distinguished member of the Better Records Orchestral Music Hall of Fame.

This 1979 London original English pressing of violin showpieces has Super Hot Stamper sound on side two, which came as a bit of a shock to us after playing side one, which is as congested and opaque as one would expect from such a late London recording. Side two is fabulous — full-bodied, rich and sweet. Even though it may have been recorded in 1977, the engineer is Kenneth Wilkinson, and the hall is Kingsway — not many bad recordings can be attributed to either.

But bad mastering or bad pressing quality are surely not the fault of either; when the record doesn’t come out of the oven right, the sound is going to suffer, and the sound on this side one is insufferable all right. But side two is GLORIOUS; it has wonderful music played with the greatest skill and feeling. (more…)

Saint-Saens / Violin Concerto No. 3 & Chausson / Poeme – Milstein – Our Shootout Winner from 2013

Hot Stamper Pressings Featuring the Violin

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This White Hot Stamper original Blue Angel pressing has some of the most exquisite sound for a violin/orchestral recording we have ever heard here at Better Records. I do not think there is any Heifetz album on RCA Shaded Dog (or otherwise) to compete with it. We would rank this Angel recording/pressing with the best of Rabin and Milstein on Capitol, as well as the wonderful Ricci and Campoli discs on London/Decca. In other words, this is one of the best sounding violin-led orchestral recordings we have yet to play, and we’ve played them by the hundreds and hundreds. (Practice makes perfect they say.)

So clear, so three-dimensional, so relaxed, rich and sweet — can it get any better? I’d have to say not much!

It’s the Chausson piece that earned our highest grade of Three Pluses, a work that is certainly less well-known than the legendary Saint-Saens Third. Both are superb examples of the kind of sophisticated, melody-driven music the French Romantic school was producing in the latter part of the 19th century. You may become as big a fan of the Chausson as we happily admit to being now, having heard this wonderful pressing. (more…)