Labels We Love – Verve

The Mothers – We’re Only In It For The Money

More Frank Zappa

More 5 Star Albums

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  • This stunning two-pack boasts Shootout Winning Triple Plus (A+++) sound on side one and an outstanding Double Plus (A++) side two
  • The sound is huge and spacious with richness and Tubey Magic like nothing you’ve heard
  • Most copies we played were just too thin and crude-sounding to capture our attention — we played a good-sized stack of copies and these two were the ones that stood out and made the music work for us – and it will be quite a while before we are likely able to find any others
  • 5 stars: “… the music reveals itself as exceptionally strong, and Zappa’s politics and satirical instinct have rarely been so focused and relevant, making We’re Only in It for the Money quite probably his greatest achievement.”

Excellent sound for both sides of this wacky album! Any fan of the Mothers should know by now that this isn’t a very sonically impressive recording, but the sound on these Super Hot Stamper sides went far beyond what we heard elsewhere. It was a blast hearing what a serious pressing could do in relation to the mediocre copies I’ve played for so many years. And there are certainly some good sounding parts, but the presentation of the music is so wacky and lo-fi at times that I don’t want to raise expectations to an unreasonable level.

Don’t expect miracles here, nothing is going to turn this album into a stunning Demo Disc. However, those of you who love the music and want to hear what a serious pressing of this insane platter can do should get a kick out of this excellent sounding copy. I don’t think you can find better sound for this album no matter what you do. Your satisfaction is as always 100% guaranteed. (more…)

Kenny Burrell with Gil Evans – Guitar Forms

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More Gil Evans

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  • This STUNNING pressing offers Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • Gil Evans wrote the superb orchestral arrangements and Rudy Van Gelder captured them on lovely analog tape – what’s not to like? 
  • We’ve really been digging these Creed Taylor productions for years now – it may not be serious jazz, but it’s no less interesting and captivating for it
  • “His landmark 1965 collaboration with Gil Evans, Guitar Forms rivals anything the arranger did with Miles Davis. Indeed, the track “Lotus Land” has a bolero form very reminiscent of Sketches of Spain. Throughout, Burrell takes thoughtful, concise, and utterly musical solos, and even switches to acoustic classical guitar on “Prelude #2” and “Loie.””

For us audiophiles both the sound and the music here are wonderful. If you’re looking to demonstrate just how good 1965 All Tube Analog sound can be, this killer copy will do the trick.

This pressing is super spacious, sweet, and positively dripping with ambience. Talk about Tubey Magic, the liquidity of the sound here is positively uncanny. This is vintage analog at its best, so full-bodied and relaxed you’ll wonder how it ever came to be that anyone seriously contemplated trying to improve it. (more…)

Ben Webster – Ben Webster and Associates

Hot Stamper Jazz Recordings Featuring the Saxophone

Reviews and Commentaries for the Recordings of Ben Webster

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This Mono Black Label Verve LP from 1959 gets 4 1/2 Stars from AMG!

The sound quality is nothing special but the music is classic Webster.

“This summit meeting turned out to be a tribute to another tenor master of the same generation, Lester Young, who had died less than four weeks before this session. The chosen rhythm section of Jimmy Jones on piano, Les Spann on guitar, Ray Brown on bass, and Jo Jones on drums equally matches the performance of the featured horns… ” — AMG

FURTHER READING

We have four categories of sound for the thousands of records we’ve auditioned over the years.

The Ben Webster record above went into our Middling Sound Quality section. It’s not a bad sounding record, but not a very good one either. Although music lovers will be pleased, audiophiles looking for top quality sound are advised to look elsewhere.

These categories are not quite as definitive as they sound, as there could be a Hot Stamper pressing — perhaps a reissue of some kind — of the album that would better fit in the Excellent Sound Quality category.

Pressings with Mind-Blowing Sound Quality

Pressings with Excellent Sound Quality 

Pressings with Middling Sound Quality 

Pressings with Weak Sound Quality or Music 

Gerry Mulligan / The Gerry Mulligan Quartet – Reviewed in 2009

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This is a very nice Verve T Label Mono LP with Very Little Sign of Play (VLSOP). The record has very good sound and plays Near Mint. (We did not find the stereo pressing to our liking by the way.)

[Not sure if we would still feel that way, so try the stereo press and see if it doesn’t sound fine to you.]

“One of the harder Gerry Mulligan records to find from the early 1960s is the Verve disc simply titled The Gerry Mulligan Quartet…. The interplay between Mulligan and Brookmeyer rekindles the magic of their work together a half dozen years earlier…” – AMG

The Walter Wanderley Trio – Cheganca

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More Bossa Nova

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  • Cheganca finally makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or very close to it throughout
  • Spacious, sweet and positively dripping with ambience – both the sound and the bossa-nova-meets-exotica music are nothing but ear candy on the right system
  • Creed Taylor (the CTI man) produced and Val Valentin engineered – what’s not to like?
  • Cheganca would be a welcome addition to any bossa nova fan’s collection. The fat, swinging sound of this surprisingly small combo is a marvel even by modern standards. Alongside organ giants like Jimmy Smith or today’s Joey DeFrancesco, Wanderley will go down in history as one of the instrument’s champions.”

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Ella Fitzgerald – Hello Love

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  • Ella’s 1959 release finally arrives on the site with STUNNING Shootout Winning Triple Plus (A+++) Mono sound from first note to last
  • The sound is relaxed, full-bodied and lively, with Tubey Magical richness befitting the 1957 and 1959 recording dates of these sessions
  • Skip the stereo pressing on this title – none of the copies we played could hold a candle to this killer mono LP
  • “The album focuses on well-known songs not included in Fitzgerald’s epic Songbooks project, and several of the songs are tunes that she had recently recorded in duet with Louis Armstrong.”
  • 4 stars: “A fine gem among the diamonds of Ella Fitzgerald’s late-’50s period with Verve… Wrapped in the strings of Frank DeVol’s orchestra, Fitzgerald is a bewitching presence singing these dreamy standards…”

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Stan Getz / Luiz Bonfa – Jazz Samba Encore!

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More Antonio Carlos Jobim

More Bossa Nova

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  • This superb collaboration debuts with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish and ’60s vinyl that’s about as quiet as any we can find
  • Smooth, full-bodied and Tubey Magical, the brilliant Ray Hall engineered this Demo Disc using an All Tube chain back in 1963, and it’s glorious to hear that sound reproduced on modern hi-rez equipment
  • 4 stars: ” Getz relies mostly upon native Brazilians for his backing. Thus, the soft-focused grooves are considerably more attuned to what was actually coming out of Brazil at the time… Two bona fide giants, Antonio Carlos Jobim and Luiz Bonfá (who gets co-billing), provide the guitars and all of the material, and Maria Toledo contributes an occasional throaty vocal.”

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Jimmy Smith – Bluesmith

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  • Bluesmith makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish
  • Rich, lively and clear, with plenty of space for this exceptional ensemble to occupy, exactly the classic jazz sound you would expect from a vintage Verve recording that has been properly mastered and pressed
  • 4 stars: “… one of Jimmy Smith’s best Verve releases… [a] surprisingly freewheeling but relaxed jam session… Fine straight-ahead music.”

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Wes Montgomery – California Dreaming

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  • This excellent Wes Montgomery title returns to the site for the first time in two years with a Shootout Winning Triple Plus (A+++) side one and outstanding Double Plus (A++) sound on side two
  • Both sides here are OUT OF THIS WORLD, incredibly big, bold, clear, rich and dynamic – this is DEMO DISC Quality Big Production Guitar-led Jazz
  • Credit goes to Rudy Van Gelder once again for the huge space that the superbly well-recorded group occupies
  • Forget the critics, this is one of Wes’s Best Albums of All Time I tell you!

This White Hot Stamper has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is. Since this is one of Wes’s best albums, hearing this incredible White Hot copy was a THRILL for us and we’re sure it will be as big a thrill for you too.

As Good As It Gets Sound

So natural, transparent and clear. Listen to all the space around the guitar. (On the Cisco you might hear 20% of that space. That’s Heavy Vinyl for you. What a load of crap.)

Beware any and all imitations (even the one I used to like somewhat, the Cisco version). They barely BEGIN to convey the qualities of the real master tape the way this pressing does. This White Hot Stamper exhibits huge amounts of ambience and spaciousness, with far more energy and the kind of “see into the studio” quality that only the real thing ever seems to have. (more…)

Jimmy Smith & Wes Montgomery – The Dynamic Duo

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More Wes Montgomery

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  • KILLER Triple Plus (A+++) grades or very close to it on both sides, this is a wonderful vintage stereo pressing of a classic jazz collaboration from 1966
  • Big, rich and lively, thanks to Oliver Nelson’s arrangements (and RVG’s engineering), this big group of top players is having a blast and we think you will too
  • 5 stars: “The romping, aggressive big band charts [represent] Oliver Nelson at his best… The results are incendiary — a near-ideal meeting of yin and yang… They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound.”

The sound of this Verve stereo pressing is tonally correct and natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’60s jazz you cannot go wrong here. (more…)