- Cheganca finally makes its Hot Stamper debut here with Shootout Winning Triple Plus (A+++) sound or very close to it throughout
- Spacious, sweet and positively dripping with ambience – both the sound and the bossa-nova-meets-exotica music are nothing but ear candy on the right system
- Creed Taylor (the CTI man) produced and Val Valentin engineered – what’s not to like?
- Cheganca would be a welcome addition to any bossa nova fan’s collection. The fat, swinging sound of this surprisingly small combo is a marvel even by modern standards. Alongside organ giants like Jimmy Smith or today’s Joey DeFrancesco, Wanderley will go down in history as one of the instrument’s champions.”
- Ella’s 1959 release finally arrives on the site with STUNNING Shootout Winning Triple Plus (A+++) Mono sound from first note to last
- The sound is relaxed, full-bodied and lively, with Tubey Magical richness befitting the 1957 and 1959 recording dates of these sessions
- Skip the stereo pressing on this title – none of the copies we played could hold a candle to this killer mono LP
- “The album focuses on well-known songs not included in Fitzgerald’s epic Songbooks project, and several of the songs are tunes that she had recently recorded in duet with Louis Armstrong.”
- 4 stars: “A fine gem among the diamonds of Ella Fitzgerald’s late-’50s period with Verve… Wrapped in the strings of Frank DeVol’s orchestra, Fitzgerald is a bewitching presence singing these dreamy standards…”
- This superb collaboration debuts with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish and ’60s vinyl that’s about as quiet as any we can find
- Smooth, full-bodied and Tubey Magical, the brilliant Ray Hall engineered this Demo Disc using an All Tube chain back in 1963, and it’s glorious to hear that sound reproduced on modern hi-rez equipment
- 4 stars: ” Getz relies mostly upon native Brazilians for his backing. Thus, the soft-focused grooves are considerably more attuned to what was actually coming out of Brazil at the time… Two bona fide giants, Antonio Carlos Jobim and Luiz Bonfá (who gets co-billing), provide the guitars and all of the material, and Maria Toledo contributes an occasional throaty vocal.”
- Bluesmith makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish
- Rich, lively and clear, with plenty of space for this exceptional ensemble to occupy, exactly the classic jazz sound you would expect from a vintage Verve recording that has been properly mastered and pressed
- 4 stars: “… one of Jimmy Smith’s best Verve releases… [a] surprisingly freewheeling but relaxed jam session… Fine straight-ahead music.”
- This excellent Wes Montgomery title returns to the site for the first time in two years with a Shootout Winning Triple Plus (A+++) side one and outstanding Double Plus (A++) sound on side two
- Both sides here are OUT OF THIS WORLD, incredibly big, bold, clear, rich and dynamic – this is DEMO DISC Quality Big Production Guitar-led Jazz
- Credit goes to Rudy Van Gelder once again for the huge space that the superbly well-recorded group occupies
- Forget the critics, this is one of Wes’s Best Albums of All Time I tell you!
This White Hot Stamper has the REAL Wes Montgomery/ Creed Taylor/ Rudy Van Gelder MAGIC in its grooves. You will not believe how big, rich and full-bodied this pressing is. Since this is one of Wes’s best albums, hearing this incredible White Hot copy was a THRILL for us and we’re sure it will be as big a thrill for you too.
As Good As It Gets Sound
So natural, transparent and clear. Listen to all the space around the guitar. (On the Cisco you might hear 20% of that space. That’s Heavy Vinyl for you. What a load of crap.)
Beware any and all imitations (even the one I used to like somewhat, the Cisco version). They barely BEGIN to convey the qualities of the real master tape the way this pressing does. This White Hot Stamper exhibits huge amounts of ambience and spaciousness, with far more energy and the kind of “see into the studio” quality that only the real thing ever seems to have. (more…)
- KILLER Triple Plus (A+++) grades or very close to it on both sides, this is a wonderful vintage stereo pressing of a classic jazz collaboration from 1966
- Big, rich and lively, thanks to Oliver Nelson’s arrangements (and RVG’s engineering), this big group of top players is having a blast and we think you will too
- 5 stars: “The romping, aggressive big band charts [represent] Oliver Nelson at his best… The results are incendiary — a near-ideal meeting of yin and yang… They are an amazing pair, complementing each other, driving each other, using their bop and blues taproots to fuse together a sound.”
The sound of this Verve stereo pressing is tonally correct and natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’60s jazz you cannot go wrong here. (more…)
- A KILLER copy of Wings & Things with amazing Shootout Winning Triple Plus (A+++) sound from start to finish
- The 1965 stereo sound here is clear, open and highly resolving, yet still incredibly rich, warm, and smooth
- All the hallmarks of Vintage Analog are fully on display – when was the last time we played a Heavy Vinyl pressing that sounded as good as this one does? We can’t remember
- This original vintage Verve LP has TONS of Tubey Magic – it’s simply more musically involving than the other copies we played, and that’s the quickest way to win a shootout
- “The group always swings, and it is interesting to hear Hodges in this setting.”
- With a shootout winning Triple Plus (A+++) side two and a Double Plus (A++) side one, this early stereo pressing is a knockout – exceptionally quiet vinyl too
- Ella is rich, Tubey Magical and breathy – this is the way she should sound, and that makes this copy a true Demo Disc
- To get the vocals AND the brass to sound right on the same copy is the trick, and these two sides pulled it off
- 4 1/2 Stars: “…this 1963 LP was the first time (other than a couple songs) that Ella Fitzgerald and Count Basie recorded together. The match-up was so logical that it would be repeated many times over the next 20 years.”
Take it from an Ella fan, you can’t go wrong with this one. The sound is rich and full-bodied, in the proud tradition of a classic vintage jazz vocal album with big band backup. You could easily demonstrate your stereo with a record this good, but what you would really be demonstrating is music that the listener probably isn’t familiar with, and that’s the best reason to put on an old record.
The space is HUGE and the sound so rich. Prodigious amounts of Tubey Magic as well, which is key to the best sounding copies. The sound needs weight, warmth and tubes or you might as well be playing a CD. (more…)
- This killer 2-Pack offers Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish – fairly quiet vinyl too for a stereo pressing of this vintage
- Exceptionally lovely All Tube sound from 1961, with a huge, rich orchestra conducted by the legendary Nelson Riddle
- Ella’s way with this material won her the Grammy Award for Best Vocal Performance, her 7th Grammy
- “The singer has rarely sounded better than during this period. Fitzgerald sticks mostly to familiar standards and is particularly memorable on ‘Don’t Be That Way,’ ‘What Am I Here For,’ ‘I’m Gonna Go Fishin,’ ‘ and ‘I Won’t Dance.'”
Take it from an Ella fan, you can’t go wrong with this one. This is about as quiet as we can find them – this is one of the lucky few that play this well.
The sound is rich and full-bodied in the best tradition of a classic vintage jazz vocal album. You could easily demonstrate your stereo with a record this good! The space is HUGE and the sound so rich.
Prodigious amounts of Tubey Magic as well, which is key to the best sounding copies. The sound needs weight, warmth and tubes or you might as well be playing a CD. (more…)
- STUNNING sound throughout this Ella & Louis classic with Shootout Winning Triple Plus (A+++) grades on three sides matched with outstanding Double Plus (A++) grades on the fourth
- Spacious, full-bodied and Tubey Magical, with Ella and Louis front and center, this is the sound you want for their brilliant collaboration from 1958
- Two vocal giants came together to perform Gershwin’s timeless opera, revered by both music lovers and audiophiles to this day
- 4 1/2 stars: “What’s really great about the Ella and Louis version is Ella, who handles each aria with disarming delicacy, clarion intensity, or usually a blend of both.”