Top Studios and Concert Halls – Victoria Hall

Bartok & Beethoven – Music For Strings Percussion And Celeste / Grosse Fuge / Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

More of the music of Bela Bartok (1881-1945)

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  • An outstanding copy of this wonderful release with solid Double Plus (A++) sound or BETTER from start to finish – exceptionally quiet vinyl too
  • I’ve never been a fan of the Grosse Fugue, but the Bartok piece on side two earned a Nearly White Hot stamper grade, and it is one of the best on record
  • Clear and transparent, with huge hall space extending wall to wall and floor to ceiling
  • Vintage Decca natural and relaxed sound, with wonderfully textured string tone – it’s all here and more
  • “… one of the best-known compositions by the Hungarian composer Béla Bartók.”

NOTE: our cover does not have the tear in the upper right corner shown in the picture. (more…)

Bizet – L’arlesienne And Carmen Suites – Ansermet

More of the music of Georges Bizet (1838-1875)

More music conducted by Ernest Ansermet

  • With a Triple Plus (A+++) Shootout Winning side one mated to a nearly as good side two, this pressing has the best sounding Carmen Suite we have ever heard – exceptionally quiet vinyl too
  • This is the best sounding and quietest Carmen Suite to ever make it to the site, and it was worth the wait – the sound of this vintage Blueback is absolutely breathtaking
  • If you’re looking to demonstrate just how good ’60s All Tube Analog can be, this killer copy should be just the record to do it
  • Recorded in 1961 using the amazing Decca Tree mic setup, it’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording

This is High Fidelity Audiophile Gold, with an orchestra that sounds so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London Blueback vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these 1961 sessions in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording Technology,

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way. (more…)

Weber / Overtures / Ansermet / Suisse Romande

Decca and London Hot Stamper Pressings Available Now

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GLORIOUS Super Hot Stamper sound or BETTER on side two of this original London Blueback UK pressing. Yes, it has the Decca / London sound we expect from Ansermet, the Suisse Romande orchestra, and the amazing Victoria Hall they recorded in — rich and spacious, with lovely texture to the strings.

But that’s not all. This record is exceptionally DYNAMIC. If you like listening to your records at realistic levels — the only way to fly to our way of thinking — then you had better watch your levels! The huge bottom end makes those dynamic passages a thrill to experience. Make sure your VTA is carefully adjusted — a big deal with us these days — and you will be in for the ride of your life.

Side Two

A++ to A+++. The only reason we did not award the full three pluses was that there is a touch of congestion in some of the loudest passages. Other than that there is practically nothing to fault with the sound! No smear, present and clear. (more…)

Beethoven / Symphony No. 9 / Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

Decca and London Hot Stamper Pressings Available Now

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  • A KILLER sounding copy with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
  • Both of these sides are wonderfully rich, lively and musical yet still super clear and spacious, making this pressing a Must Own Beethoven 9th
  • Both sides play reasonably well for a London pressing from 1960
  • “…the Orchestre de la Suisse Romande play very well, facing every challenge with musical integrity that reveals to the listener that emotional engagement with the score is far more meaningful than virtuosity for its own sake.”

A Great 9th

The is the best recording of the Beethoven 9th Symphony we have ever played here at Better Records

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of.

Both sides are big, rich and clear, and both were showing us pretty much everything that’s good about a vintage symphonic recording.

The chorus on side two plays cleanly and sweetly all the way to the end, no mean feat for this particular work on vintage vinyl. (more…)

Beethoven – Symphony No. 6 (Pastoral) – Ansermet

More of the music of Ludwig van Beethoven (1770-1827)

More Classical Recordings

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  • With solid Double Plus (A++) grades or close to them on both sides, this is an outstanding find from our recent shootout
  • The texture on the strings is captured perfectly – this is an area in which modern pressings fail almost completely
  • Everything sounds so right on this record, so much like live music, there is almost nothing to say about the sound other than You Are There
  • Recorded in Geneva’s exquisite Victoria Hall in 1959, this is a top performance from Ansermet and the Suisse Romande, the best we know of

In our opinion this is the best sounding Beethoven 6th Symphony ever recorded. It is the most beautiful of them all, and has long been my personal favorite of the nine Beethoven composed.

Ansermet’s performance is clearly definitive to my ear as well. The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time; more amazing sounding recordings were made there than any other hall we know of. There is a richness to the sound that exceeds all others, yet clarity and transparency are not sacrificed in the least. It’s as wide, deep and three-dimensional as any, which is of course all to the good, but what makes the sound of these recordings so special is the weight and power of the brass and the timbral accuracy of the instruments in every section.

Everything sounds so right on this record, so much like live music, there is practically nothing to say about the sound other than You Are There.

This is the kind of record that will make you want to take all your heavy vinyl classical pressings and put them in storage. None of them, I repeat none of them, will ever begin to sound the way this record sounds. Quality record production is a lost art, and it’s been lost for a very long time.

The texture on the strings is captured perfectly; this is, by the way, an area in which modern pressings fail almost completely. We have discussed this subject extensively on the site. The “rosin on the horsehair” is a sound that is apparently impossible to encode on modern vinyl. (more…)

Mendelssohn / Symphony No. 4 / Ansermet

More Mendelssohn

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Demo quality. This record has the same kind of amazing sound as the Chabrier disc on London, but it’s much more rare. I don’t think I’ve ever heard a better Mendelssohn 4th.

It even beats the excellent Solti on Blueback, which of course is much more common. Hard to imagine a better sounding record than this and the music is wonderful as well.

Falla – Three Cornered Hat / Ansermet

More of the music of Manuel de Falla (1876-1946)

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  • With outstanding Double Plus (A++) sound or close to it on both sides, this copy is a true Demo Disc in the world of vintage classical vinyl
  • When you play the best pressings of this title it’s almost hard to believe how well recorded it is – even Billboard in 1961 noted the brilliant sound jumped from their speakers
  • “Anyone interested in theatrical music will know that within a few months the work had earned the category of a ‘classic’ and since then has been placed in the annals of great ballets such as Petrushka and Schéhérazade.”

This is High Fidelity Audiophile Gold, with bells, drums, voices, trumpets, strings, woodwinds and more, all sounding so real it will take your breath away. The Golden Age tapes have clearly been mastered brilliantly onto this vintage London vinyl.

No doubt you have run into something like this in our classical listings:

This London is energetic, dynamic, spacious, transparent, rich and sweet. James Walker was the producer, Roy Wallace the engineer for these sessions from 1961 in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording. 

We were impressed with the fact that this pressing excelled in so many areas of reproduction. The illusion of disappearing speakers is one of the more attractive aspects of the sound here, allowing the listener to inhabit the space of the concert hall in an especially engrossing way.

(more…)

Tchaikovsky – The Nutcracker Suites 1 and 2 / Ansermet

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

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  • STUNNING Shootout Winning Triple Plus (A+++) sound for both sides of Tchaikovsky’s masterpiece
  • If you have never experienced a vintage top quality pressing of a Wilkinson engineered Decca Tree recording from Victoria Hall, this is your chance to hear sound that puts practically everything else to shame
  • A record like this lets you get lost in the world of its music, and what could be more important in a recording than that?
  • This is an AMAZINGLY well recorded performance of one of the most famous ballets — probably the most famous — ever committed to analog tape
  • Enchanting music and sound combine on this copy to make one seriously good Demo Disc, if what you are trying to demonstrate is how relaxed and involved vintage analog can make you feel

*NOTE: On side one, three marks make one moderate to loud pop each at the beginning, then one quarter of an inch in, and lastly one half inch into the suite.

There is certainly no shortage of Audio Spectaculars available on the site. A record such as this, so rich, natural and effortless, has distinctly different qualities that we feel are every bit as vital to the serious audiophile’s enjoyment of Tchaikovsky’s music.

Ansermet breathes life into this ballet as only he can and the Decca engineering team led by Kenneth Wilkinson do him proud.

Other Recordings

We played Shaded Dogs by Reiner and Fiedler, both of whom opted against using the Suites as Tchaikovsky wrote them, preferring instead to create a shorter version of the complete ballet with excerpts of their own choosing.

On some copies of this album the strings are dry, lacking Tubey Magic. This is decidedly not our sound, although it can easily be heard on the hundreds of London pressings we’ve played over the years. If you have a rich sounding cartridge, perhaps with that little dip in the upper midrange that so many moving coils have these days, you will not notice this tonality issue nearly as much as we do.

Our Dynavector 17Dx is ruler flat and quite tonally unforgiving in this regard. It makes our shootouts much easier, but brings out the flaws in all but the best pressings, exactly the job we require it to do.

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Chabrier – Orchestral Music / Ansermet

More of the music of Emmanual Chabrier (1841-1894)

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  • This superb Chabrier album contains our favorite Espana Rhapsody, and this copy lets you hear it with outstanding Double Plus (A++) sound or BETTER and exceptionally quiet vinyl on both sides
  • The “Espana” rhapsody for orchestra in Nearly White Hot stamper sound here is guaranteed to blow your mind
  • This spectacular Demo Disc recording is big, clear, rich, dynamic, transparent and energetic – HERE is the sound we love
  • All the energy and power of Chabrier’s remarkable orchestration, thanks to the brilliant engineering of Roy Wallace
  • Ansermet’s Chabrier disc has long been a favorite of ours here at Better Records – this copy will show you why

If you want a classical record to TEST your system, if you want a classical record to DEMO your system, you will have a hard time finding a better pressing than this very copy.

Who can resist these sublime orchestral works? To quote an infamous (around here) label, they are an audiophile’s dream come true. The Track Listing tab has extensive background information on most of these works.

So clear and clean, and spread out on such a huge stage, either one or both of these sides will serve you well as your go-to reference disc for Orchestral Reproduction.

Listen for the waves of sound in Espana — only the best copies bring out the energy and power of Chabrier’s remarkable orchestration. (more…)

The Tale of Tsar Saltan and Our Rare Four Plus Grade

See all of our Rimsky-Korsakov albums in stock

More entries in our Well Recorded Classical Albums – The Core Collection

Well Recorded Classical Albums from The Core Collection available on our site

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  • This AMAZING side one with the complete Tsar Saltan was so good we gave it our rare 4+ grade
  • We freaked out when we heard this side – it took the sound beyond anything we had ever experienced for the work
  • It’s so rich and real, with huge WHOMP factor down low, as well as clear, uncolored brass and robust lower strings – wow!
  • We figure about one out of a hundred sides earn our Four Plus grade – you can’t get much more rare than that

James Walker was the producer, Roy Wallace the engineer for these sessions from April of 1959 in Geneva’s glorious Victoria Hall. It’s yet another remarkable disc from the Golden Age of Vacuum Tube Recording.

The gorgeous hall the Suisse Romande recorded in was possibly the best recording venue of its day, possibly of all time. More amazing sounding recordings were made there than in any other hall we know of. There is a solidity and richness to the sound beyond all others, yet clarity and transparency are not sacrificed in the least.

(more…)