Month: July 2019

Boz Scaggs / Silk Degrees – David Hungate Gives a Master Class on the Bass

Reviews and Commentaries for the Music of Boz Scaggs

One of the main qualities separating the winners from the also-rans on this title is the quality of the bass. This is first and foremost rhythmic music. David Hungate just kills on this album; he’s giving a master class on rock and roll bass on practically every track. And, for us audiophiles, the good news is the bass is very well recorded — big, punchy and well up front in the mix.

The bad news is that only the best copies show you the note-like, clear, rich bass that must be on the master tape. Vague and smeary bottom end is the rule, not the exception, and it’s a veritable crime against Well-Recorded Sophisticated Pop such as this. (more…)

Jack Sheldon / Unreleased UHQR Test Pressing – Reviewed in 2007

This is a PRACTICALLY BRAND NEW UHQR JVC Test Record. The record is virtually unplayed! The RAREST of the RARE! I’m SHOCKED at how good this record sounds. It has AMAZING live jazz sound. 

Jack Sheldon – Playin’ It Straight

Here’s Jack on trumpet with his Late-Show All-Stars: Alan Broadbent, piano; Pete Christlieb, tenor & baritone saxes & flute; Joel Di Bartolo, bass: Mundell Lowe, guitar; Tommy Newsom, alto sax & flute; and Ed Shaughnessy, drums. 

For those of you who do not know the complete story, basically the UHQR — the Ultra High Quality Record — was invented by JVC as a test to see how good a cost-no-object vinyl pressing could sound. It was thicker, had a longer pressing cycle, and other technological improvements, all with the goal of making the ultimate LP.

Mobile Fidelity produced limited editions of eight titles on UHQR, and both Reference and Telarc produced one each.

Apparently tests were done by others as well, because here we have some M&K recordings on UHQR. I believe they are not known to exist — until now. I bought them from M&K myself a few years back, along with some Flamenco Fevers and a box full of unplayed For Dukes. That was a good day for Better Records!

TRACK LISTING

Playin’ It Straight 
Steeplechase
That Old Feeling
Lover
Sweet Georgia Brown
I Hadn’t Anyone Til You
On Green Dolphin Street
Here’s That Rainy Day 

The secret is our exclusive RealTime Recording Process. Conceived and carried out by our own perfectionist audiophile/engineers, it keeps us working at the leading edge of recording technology. Every link in the chain—from microphones through recorders and/or disc-cutting lathe to custom-plating and pressing—is continuously monitored and upgraded to significantly exceed even the highest previous standards.

Our AKG microphones are first fitted with AKG’s latest capsules, in Austria, then further modified by RealTime engineers. Microphone output feeds RealTime’s own unique, passive mixer. No limiters, compressors, pan pots or other signal-degrading devices are used and the entire length of our signal path is 100% free of transformers.

Even our Neumann DC-coupled SAL/SX-74 600 watt/channel disc-cutting lathe is highly modified. And it is driven by a newly-developed Technics direct-drive cutting lathe motor. Disc masters are immediately flown overseas for custom-plating and careful pressing on the finest virgin vinyl available.

RealTime Records: the sound of unrivaled realism — so closely mirroring the original performance that any difference is virtually impossible to distinguish. Sample the sound of unrivaled realism on RealTime Records.

Dire Straits / Brothers in Arms – Simply Vinyl Reviewed

More of the Music of Dire Straits

Reviews and Commentaries for Brothers in Arms

Sonic Grade: B

This older Simply Vinyl pressing (with the gold SVLP sticker) actually sounds pretty good. It certainly is one of the most ANALOG sounding versions I’ve heard, high praise in my book.

We’ve recommended it in the past. It’s a nice record (if you can get your hands on one) but it’s not really a match for our Hot Stamper pressings. The multiple copies we auditioned did darn good for a Heavy Vinyl reissue and substantially better than the average pressing, hence the “B” grade. Simply Vinyl seems to have done a good job here.

Correction: an unnamed mastering engineer at the label did a superb job. Simply Vinyl isn’t in the business of mastering ANYTHING. They leave that up to the pros at the record labels. Sometimes those guys screw it up and sometimes they get it right.

Red Garland Trio – Bright And Breezy

More Red Garland

If you have full-range speakers some of the qualities you may recognize in the sound of the piano are WEIGHT and WARMTH. The piano is not hard, brittle or tinkly. Instead the best copies show you a wonderfully full-bodied, warm, rich, smooth piano, one which sounds remarkably like the ones we’ve all heard countless times in piano bars and restaurants. (more…)

Bryan Ferry / Boys And Girls – Pluses and Minuses from Way Back

More of the Music of Bryan Ferry

More of the Music of Roxy Music

This domestic pressing has STUNNINGLY GOOD SOUND on side two! It’s the best we’ve ever heard the album — super high-resolution transparency coupled with amazing immediacy. And talk about energy — the sound here positively JUMPS out of the speakers!

This side two blew our minds with its distortion-free sound, transparency and its punchy, note-like bass. The recording space is wall to wall HUGE, with amazing depth and three-dimensionality that’s only hinted at by most of the pressings we played. It’s meaty and punchy down low and there’s plenty of extension up top.  (more…)

The Kinks – The Kink Kontroversy

  • Here’s a rare one — a wonderful copy of an early Kinks album, in mono no less, with solid Double Plus (A++) sound or BETTER throughout
  • Both sides here are clean, clear, full-bodied and dynamic with excellent bass and tons of energy 
  • Till the End of the Day was the big hit, and Where Have All the Good Times Gone is also a classic 
  • Allmusic raves, “The Kinks came into their own as album artists — and Ray Davies fully matured as a songwriter — with The Kink Kontroversy…

We discovered the hard way that mono is the only way to go for The Kinks’ third album. The stereo version may in fact be the worst sounding stereo record compared to the mono that we have ever played. (more…)

Mozart / Sinfonia Concertante – Speakers Corner Reviewed

Hot Stamper Classical and Orchestral Imports on Decca & London

Reviews and Commentaries for the Music of Mozart (1756-1791)

One of the better Speakers Corner Deccas.

Years ago we wrote the following:

“One of the best of the Decca reissues! EXCELLENT SOUND for these pieces, written for violin, viola and orchestra.”

Can’t be sure we would still feel that way but I’m guessing this is a good record at the price.

Gram Parsons – Grievous Angel




  • A KILLER copy of this country rock classic and the first to hit the site in over a year
  • Amazing Triple Plus (A+++) sound on side two backed with an excellent Double Plus (A++) side one
  • The sound here is incredibly rich, full and tubey magical with plenty of presence and none of the harshness that plagues most copies
  • “… one would be hard pressed to name an artist who made an album this strong only a few weeks before their death — or at any time of their life, for that matter.” – All Music

It’s tough to find clean early pressings of this album, let alone copies that have excellent sound and quiet surfaces on both sides. We just had our second big shootout for this album and found a lot to like about this pressing. The sound here is big, rich and open with excellent clarity and transparency. Gram’s voice sounds just right here, as does Emmylou Harris’s. Most copies have some grit and edge that really hurts the uptempo numbers, but this copy remains smooth and sweet enough to work throughout. (more…)

Sarah Vaughan – Send In The Clowns

  • This outstanding pressing, only the second copy to EVER hit the site, boasts outstanding Double Plus (A++) sound from first note to last
  • Huge and powerful, Basie’s horns are really blastin’ on this copy
  • Sassy’s remarkable vocal range and flexibility are on full display here, singing favorites including “I Got A Right To Sing The Blues,” “When Your Lover Has Gone,” and, of course, the title track 
  • “Sarah Vaughan is accompanied by her regular rhythm section of the early ’80s, guitarist Freddie Green, and the Count Basie horn sections on this enjoyable date… Sassy is in superb form…” – Allmusic

A wonderful recording by one of our favorite engineers, Dennis Sands, the man behind the amazing Basie album, Farmers Market Barbecue. (more…)

Aretha Franklin – Hey Now Hey: The Other Side of the Sky

  • A STUNNING copy of Aretha’s 1973 release, with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • Rich, smooth, sweet, full of ambience, dead on correct tonality, and wonderfully breathy vocals – everything that we listen for in a great record is here
  • An album of deep introspective soul produced by none other than Quincy Jones!
  • “… notable are a poignant cover of Bernstein’s ‘Somewhere,’ and a sparkling ‘Moody’s Mood,’ and the beautiful Carolyn Franklin composition ‘Angel.'”

This vintage Atlantic LP has the kind of Tubey Magical Midrange that modern pressings barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.  (more…)