Month: July 2019

David Hungate Gives a Master Class on the Bass

Reviews and Commentaries for the Music of Boz Scaggs

One of the main qualities separating the winners from the also-rans on this title is the quality of the bass. This is first and foremost rhythmic music. David Hungate just kills on this album; he’s giving a master class on rock and roll bass on practically every track. And, for us audiophiles, the good news is the bass is very well recorded — big, punchy and well up front in the mix.

The bad news is that only the best copies show you the note-like, clear, rich bass that must be on the master tape. Vague and smeary bottom end is the rule, not the exception, and it’s a veritable crime against Well-Recorded Sophisticated Pop such as this. (more…)

Brothers in Arms on Simply Vinyl — Not Bad!

Sonic Grade: B

This older Simply Vinyl pressing (with the gold SVLP sticker) actually sounds pretty good. It certainly is one of the most ANALOG sounding versions I’ve heard, high praise in my book.

We’ve recommended it in the past. It’s a nice record (if you can get your hands on one) but it’s not really a match for our Hot Stamper pressings. The multiple copies we auditioned did darn good for a Heavy Vinyl reissue and substantially better than the average pressing, hence the “B” grade. Simply Vinyl seems to have done a good job here.

Correction: an unnamed mastering engineer at the label did a superb job. Simply Vinyl isn’t in the business of mastering ANYTHING. They leave that up to the pros at the record labels. Sometimes those guys screw it up and sometimes they get it right.

Bryan Ferry / Boys And Girls – Pluses and Minuses from Way Back

More of the Music of Bryan Ferry

More of the Music of Roxy Music

This domestic pressing has STUNNINGLY GOOD SOUND on side two! It’s the best we’ve ever heard the album — super high-resolution transparency coupled with amazing immediacy. And talk about energy — the sound here positively JUMPS out of the speakers!

This side two blew our minds with its distortion-free sound, transparency and its punchy, note-like bass. The recording space is wall to wall HUGE, with amazing depth and three-dimensionality that’s only hinted at by most of the pressings we played. It’s meaty and punchy down low and there’s plenty of extension up top.  (more…)

The Kinks – The Kink Kontroversy

  • Here’s a rare one — a wonderful copy of an early Kinks album, in mono no less, with solid Double Plus (A++) sound or BETTER throughout
  • Both sides here are clean, clear, full-bodied and dynamic with excellent bass and tons of energy 
  • Till the End of the Day was the big hit, and Where Have All the Good Times Gone is also a classic 
  • Allmusic raves, “The Kinks came into their own as album artists — and Ray Davies fully matured as a songwriter — with The Kink Kontroversy…

We discovered the hard way that mono is the only way to go for The Kinks’ third album. The stereo version may in fact be the worst sounding stereo record compared to the mono that we have ever played. (more…)

Mozart / Sinfonia Concertante – Speakers Corner Reviewed

Hot Stamper Classical and Orchestral Imports on Decca & London

Reviews and Commentaries for the Music of Mozart (1756-1791)

One of the better Speakers Corner Deccas.

Years ago we wrote the following:

“One of the best of the Decca reissues! EXCELLENT SOUND for these pieces, written for violin, viola and orchestra.”

Can’t be sure we would still feel that way but I’m guessing this is a good record at the price.

Sarah Vaughan – Send In The Clowns

  • This outstanding pressing, only the second copy to EVER hit the site, boasts outstanding Double Plus (A++) sound from first note to last
  • Huge and powerful, Basie’s horns are really blastin’ on this copy
  • Sassy’s remarkable vocal range and flexibility are on full display here, singing favorites including “I Got A Right To Sing The Blues,” “When Your Lover Has Gone,” and, of course, the title track 
  • “Sarah Vaughan is accompanied by her regular rhythm section of the early ’80s, guitarist Freddie Green, and the Count Basie horn sections on this enjoyable date… Sassy is in superb form…” – Allmusic

A wonderful recording by one of our favorite engineers, Dennis Sands, the man behind the amazing Basie album, Farmers Market Barbecue. (more…)

Aretha Franklin – Hey Now Hey: The Other Side of the Sky

  • A STUNNING copy of Aretha’s 1973 release, with Shootout Winning Triple Plus (A+++) sound or close to it from start to finish
  • Rich, smooth, sweet, full of ambience, dead on correct tonality, and wonderfully breathy vocals – everything that we listen for in a great record is here
  • An album of deep introspective soul produced by none other than Quincy Jones!
  • “… notable are a poignant cover of Bernstein’s ‘Somewhere,’ and a sparkling ‘Moody’s Mood,’ and the beautiful Carolyn Franklin composition ‘Angel.'”

This vintage Atlantic LP has the kind of Tubey Magical Midrange that modern pressings barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing any sign of coming back.  (more…)

Jellyfish – Bellybutton

Reviews and Commentaries for the Music of Jellyfish

One of the very best copies we’ve ever heard! Both sides earned top honors in our shootout, with side one even surpassing our reference copy to earn a FOUR plus A++++ grade. It goes far beyond anything we’ve heard before.

Out of the thousands of Hot Stampers we’ve listed over the years, less than twenty have earned Four Pluses. That alone makes this a very special copy indeed. (more…)

The Kinks – Kinks Kinkdom

  • This outstanding pressing of The Kinks excellent third album boasts solid Double Plus (A++) sound or BETTER throughout 
  • This Reprise Pink and Green original mono pressing is lively, balanced and vibrant, with a healthy dose of the Tubey Magical Richness these tracks need in order to sound their best
  • Fairly quiet vinyl for a vintage Kinks record – they don’t come much quieter or sound much better than this one
  • “There are some terrific numbers here — not just ‘A Well Respected Man’ and ‘Dedicated Follower of Fashion,’ but the exuberant ‘Who’ll Be the Next in Line’ and ‘I Need You,’ the menacing ‘I’m Not Like Everybody Else,’ and the haunting ‘See My Friends.'”

This original mono pressing has the kind of Midrange Magic that modern records cannot begin to reproduce. Folks, that sound is gone and it ain’t coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage All Tube Analog recordings are known for — this sound. (more…)

Dave Brubeck Trio Featuring Gerry Mulligan – Compadres

  • You’ll find excellent Double Plus (A++) sound on both sides of this Brubeck Mulligan Masterpiece  
  • The fullness of the lower midrange on this Columbia 360 Stereo pressing brings out all the magic of this pair’s piano and baritone, respectively
  • Recorded in Mexico, the superb sound captured here was no easy feat, but the Columbia engineers were clearly up to the challenge
  • 4 1/2 Stars: “This fine LP was the debut of Brubeck’s new Quartet, a group featuring baritonist Gerry Mulligan… this enjoyable set showed that for Brubeck there was life after Paul Desmond.”

If you haven’t heard one of our killer Gerry Mulligan vintage Columbia pressings, with the fullness of its lower midrange bringing out all the magic of the man’s remarkably rich baritone, this is your chance.

And if too much baritone sax is not your thing, this may be just the right record for you, with Brubeck taking half the leads.

As is the case with most live albums, the sound of the crowd tells you a lot about the recording, and on this copy the crowd sounded exceptionally clear and natural. Many live albums have crowds that are either too bright, or too loud between tracks, both of which can be very off-putting. When the crowd is recorded and mixed right — again, these are pros from Columbia Records who really know their jazz — you feel as if you are immersed right there with them in the audience. (more…)