Labels We Love – Elektra

Carly Simon / No Secrets – Listening in Depth

More Carly Simon

xxxxx

Balance is key to getting all the tracks to sound their best. Many copies we played were too dull or too bright.

One more note: having your VTA set just right is critical to getting the best out of this album. The loudest vocal parts can easily strain otherwise. Once you get your settings dialed in correctly, a copy like this will give you the kind of rich, sweet sound that brings out the best in this music.

Two Points

Listen to Embrace Me, You Child on side two — on the best copies you can really hear the rosiny texture of the strings as they are bowed.

The cymbals can sound amazing — listen to how extended the crashes are on You’re So Vain.

(more…)

Bread – Manna

See all of our Bread albums in stock

Pure Pop Albums Available Now

100+ Reviews of Our Favorite Pure Pop Albums

xxxxx

  • Manna finally returns to the site after more than 6 years with outstanding Double Plus (A++) sound or BETTER throughout – fairly quiet vinyl too
  • Tubier, more transparent, more dynamic, with that “jumpin’ out of the speakers” quality that only The Real Thing (an old record) ever has
  • A superb album, featuring one of the strongest rockers the band ever recorded, “Let Your Love Go”
  • 4 1/2 stars: “… this is a record that is laid-back and even tempered, which isn’t a bad thing — it results in a fine listen, especially since the group’s songwriting remains at the high standard instituted on that first Bread album.”

(more…)

The Doors / Waiting For the Sun – This Gold Label Copy Is White Hot

More of The Doors

More Psych Rock

  • A KILLER pressing of Waiting For The Sun with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish
  • The sound is present, lively and tonally correct, with Jim Morrison’s baritone reproduced with the weight, presence, space and depth all but missing from the reissues
  • It’s tough (not to mention expensive) to find these early Gold Label pressings with this kind of sound and reasonably quiet vinyl
  • “Krieger, Ray Manzarek and John Densmore were never more lucid… This was a band at its most dexterous, creative, and musically diverse …”

Here is THE BIG SOUND that makes Doors records such a thrill to play. Morrison’s vocals sound just right here — full-bodied, breathy and immediate. The transparency makes it possible to easily pick out Bruce Botnick’s double tracking of Morrison’s leads.

For a thrill just drop the needle on Not To Touch The Earth. Halfway through the song the members have sort of a duel — Robbie Krieger wailing on the guitar in one channel, Ray Manzarek pounding on the keyboards in the other, and John Densmore responding with drum fills behind them. On the average copy, the parts get congested and lose their power, but when you can easily pick out each musician, their part will raise the hair on your arms. It’s absolutely chilling, and it will no doubt remind you why you fell in love with The Doors in the first place. Who else can do this kind of voodoo the way that they do?

Check out the piano on Yes The River Knows on side two (such an underrated song!) or the big snare thwacks on Five To One to hear that Hot Stamper magic. The overall sound is airy, open, and spacious — you can really hear INTO the soundfield on a track like Yes The River Knows. The opaque quality that so many pressings of this album suffer from is nowhere to be found here. Not only that, but you will not believe how hard these sides rock. (more…)

The Dillards – Wheatstraw Suite

More of The Dillards

More Folk Rock

xxxxx

  • Stunning sound for this original Elektra Gold Label pressing with both sides earning Shootout Winning Triple Plus (A+++) grades and playing as quietly as these early pressings ever do
  • This is a SHOCKINGLY well recorded album, full of Tubey Magic and as relaxed, smooth and natural as any record from 1968 has a right to be
  • 4 1/2 stars: “It never got any better than this… 13 all-but-perfect tracks… this is a finer rural/rock fusion album than Sweetheart of the Rodeo, the first Flying Burrito Brothers album, or the Beau Brummels’ efforts during this same period, and an indispensable part of any collection of ’60s music.”

(more…)

Carly Simon – Self-Titled

More Carly Simon

xxxxx

  • An outstanding original Elektra LP with solid Double Plus (A++) sound or BETTER from start to finish
  • Can you believe that the producer and engineer of Carly’s debut is none other than Eddie Kramer!?
  • That’s The Way I’ve Always Heard It Should Be is the killer track here and it sounds wonderful on this copy
  • This pressing really brought this Big Production to life and allowed so many elements to work in harmony.
  • It’s a good example of what a truly Hot Stamper is supposed to do – let the music work as music

The richness and the sweetness of the midrange on the best copies are exactly what you’d be looking for on this heavily-produced pop album, and this copy gives you that sound like no other copy you’ve ever heard.

Credit must go to Eddie Kramer, legendary producer and engineer for the likes of Hendrix and Zeppelin. He knows how to get good sound all right, although Female Singer Songwriter albums in his catalog are fairly light on the ground. (Richard Perry became the go-to guy for those productions as the ’70s wore on.) This may in fact be the only one Eddie ever did. But he knows Big Production Rock, and that’s what most of this album is about. (more…)

The Doors – Self-Titled

More of The Doors

More Top 100 Rock and Pop Albums

xxxxx

  • An outstanding copy of the band’s debut with solid Double Plus (A++) sound from start to finish – we guarantee you’ve never experienced The Doors like this!
  • The sound is incredibly big, rich and spacious, with a rock solid bottom end and energy that puts the lie to the modern veiled, lifeless reissue
  • Only the right Gold Label originals can win a shootout, and few of them are not going to have condition issues, but the two here are fairly minor all things considered
  • A must-own album “whose nonstop melodicism and dynamic tension would never be equaled by the group again, let alone bettered.”
  • 5 stars: “A tremendous debut album, and indeed one of the best first-time outings in rock history, introducing the band’s fusion of rock, blues, classical, jazz and poetry with a knockout punch.”

Superb sound on this copy of the Doors self-titled classic! You won’t believe how good the sound is here — big and rich with plenty of bottom end and an energy level that’s really something to hear! Thanks, Bruce Botnick, you da man!

Honestly, we must return or reject 80% of the copies that come through the door, which should go a long way towards explaining why they hit the site with such irregularity. We know what the best stampers are and have for quite a while. What we have a devil of a time doing is finding anyone selling the album who knows how to grade it properly, especially when it comes to the kind of groove damage that’s common to records played on turntables that lack anti-skate. (more…)

Carly Simon / Torch – Surprisingly Rich, Natural Analog Sound for the Eighties

More Carly Simon

xxxxx

  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish – exceptionally quiet vinyl too
  • Surprisingly rich, natural and analog considering the recording date – very little sound of the sound of the day — the kind that ruined most of what was made in the ’80s — is on display here, and thank god for that
  • “Carly Simon’s Torch is a gorgeous throwback to the Fifties and early Sixties… By blending old and new material, and by incorporating a hint of jazz-fusion music into a studio-orchestra sound, Simon and her producer, Mike Mainieri, begin to suggest a continuity between Fifties torch and Eighties pop.”

(more…)

Judy Collins – Colors of the Day: The Best of Judy Collins

More Judy Collins

xxxxx

  • This superb compilation boast a Shootout Winning Triple Plus (A+++) side one mated with an outstanding Double Plus (A++) side two – exceptionally quiet vinyl too
  • The sound is especially rich, warm and natural, with exceptional immediacy to Judy’s vocals and Tubey Magic for days
  • Tons of breath of life, superb production and mastering, and some of the best sounding echo ever recorded
  • Note that Artisan cut this record a whole helluva lot better than DCC – the so-called audiophile label – ever did
  • 4 1/2 stars: “Lovingly programmed (it leads off with her excellent country-pop hit ‘Someday Soon,’ an Ian Tyson classic), this is Collins at her finest… This anthology brings the ‘best-of’ collection to a new art form.”

I remember being a bit taken aback by how much better my original Artisan pressing sounded compared to the supposedly superior DCC, pressed at high quality Heavy Vinyl at RTI to the most exacting standards possible.

What finally turned me completely against DCC were the awful Paul Simon solo albums they remastered.  Two were released, two I had as unreleased test pressings, and all of them were barely second rate compared to a good original pressing.

So much for believing in DCC. Since that time we have learned that placing your faith in any record label or cutting operation is a mistake. You have to play the records to know how they sound. Nothing else works, and nothing else can work. (more…)

Judy Collins / Fifth Album – Tubey Magical Folk Music from 1964

More Judy Collins

xxxxx

  • Fifth Album finally makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from first note to last on the Big Red E label
  • These sides are exceptionally good, especially compared to most of what we played – only the best early pressings managed to get Collins’ voice to sound natural and real
  • “… 5th Album, cut in late 1964, may very well be her definitive folk statement… A trio of Bob Dylan songs act as the album’s centerpiece, clearly showing Collins’ growth into more progressive songs. In addition to these, Gordon Lightfoot’s “Early Morning Rain” is given its classic reading, with Collins’ voice echoing the song’s melancholy and eerie but mellifluent precision and emotion. “

(more…)

The Doors / Waiting For The Sun – Listening in Depth

xxxxx

Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Waiting For The Sun. Here are some albums on our site you can buy with similar Track by Track breakdowns. 

My favorite of the first three Doors album, this one is imbued with more mystery and lyricism than previous efforts. The album shows them maturing as a band, having smoked large amounts of pot and preparing themselves for the wild ride of their next opus, the ambitious Soft Parade. Actually, as I listen to this album it reminds me more and more of that one. Now that it sounds as good as The Soft Parade, I find I’ve gained a new respect for Waiting for the Sun.

In-Depth Track Commentary

Side One

Hello, I Love You
Love Street
Not To Touch The Earth

Listen to the hard rockin’ duel between the keyboards (left channel) and the guitar (right channel) in the middle of the song. Morrison is screaming is head off and Densmore is really slamming on the drums. There’s a HUGE amount of information in the grooves there, and only the best copies will be open and spacious enough to not get a bit congested.

Summer’s Almost Gone

On a Hot Stamper copy, this song is tubey magical analog at its best — warm, sweet, rich, and full-bodied.

Wintertime Love
The Unknown Soldier (more…)