More Herbie Hancock
More Jazz Recordings Featuring the Piano
- A Maiden Voyage like you’ve never heard, with solid Double Plus (A++) sound throughout this vintage Blue Note pressing (only the second copy to hit the site in many years)
- Accept no substitutes! Nobody these days knows how to make a record sound as good as this one does
- Both of these sides are remarkably clean, clear, open, and transparent, with jazz energy to spare – thanks, RVG!
- You will hear cleaner, smoother, sweeter upper mids and a more extended top
- 5 stars: “Maiden Voyage…finds Herbie Hancock at a creative peak. In fact, it’s arguably his finest record of the 60s, reaching a perfect balance between accessible, lyrical jazz and chance-taking hard bop.”
We recently finished a big Maiden Voyage shootout and too many copies we played left us cold and bored; this one kept us engaged throughout. It’s got some of the silkiest highs and the breathiest brass we’ve heard for this album. Most of the other copies we played this against didn’t come close to the richness, sweetness, and warmth we heard here.
One Of The Great Blue Notes
This is one of the greatest Blue Note jazz records of all time — 5 big stars in the All Music Guide, which should surprise no one. Freddie Hubbard on this album is nothing short of astonishing.
I remember one time playing around with the stereo, listening for different effects as I made minor changes in the tracking weight, the VTA, adjustments to the Hallographs, and the like, and at one point, I noticed that the ensemble seemed to be really coherently connected.
Each of the players was balanced with the others. It was a striking effect and it made me realize that musical values can often be overlooked while chasing after audiophile effects of one kind or another. When I heard the ensemble come together, it made me appreciate this album even more.
Tony Williams on drums deserves a special nod. His cymbal work on the first track is completely original and spontaneous in the best jazz tradition.