Top Artists – Oliver Nelson

Oliver Nelson and RVG – Mastering Better than the Master?

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The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’50s and ’60s jazz you cannot go wrong here.

For those record lovers who still cling to the idea that the originals are better, this pressing will hopefully set you straight.

Yes, we can all agree that Rudy Van Gelder recorded it, brilliantly as a matter of fact. Shouldn’t he be the most natural choice to transfer the tape to disc, knowing, as we must assume he does, exactly what to fix and what to leave alone in the mix?

Maybe he should be; it’s a point worth arguing.

But ideas such as this are only of value once they have been tested empirically and found to be true.

We tested this very proposition in our recent shootout, as well as in previous ones of course. It is our contention, based on the experience of hearing quite a number of copies over the years, that Rudy did not cut the original record as well as he should have. For those of you who would like to know who did, we proudly offer this copy to make the case.

Three words say it all: Hearing is believing.

(And if you own any modern Heavy Vinyl reissue we would love for you to be able to appreciate all the musical information that you’ve been missing when playing it. I remember the one from the ’90s on Impulse being nothing special, and the Speakers Corner pressing in the 2000s if memory serves was passable at best.) (more…)

Oliver Nelson – More Blues and the Abstract Truth

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  • Nelson’s 1965 release makes its Hot Stamper debut with stunning Shootout Winning Triple Plus (A+++) sound throughout – exceptionally quiet vinyl too
  • Forget whatever dead-as-a-doornail Heavy Vinyl record they’re making these days – if you want to hear the Tubey Magic, size and energy of this wonderful album, a vintage pressing like this one is the only way to hear it
  • 4 stars: “… there are some strong moments from such all-stars as trumpeter Thad Jones, altoist Phil Woods, baritonist Pepper Adams, pianist Roger Kellaway and guest tenor Ben Webster (who is on two songs). The emphasis is on blues-based pieces and there are some strong moments even if the date falls short of its predecessor.” 

(more…)

Oliver Nelson – The Blues and the Abstract Truth

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  • Oliver Nelson’s masterpiece returns to the site with outstanding Double Plus (A++) sound on both sides
  • Clean, clear and present with a solid bass foundation, as well as the big stage this big group of musicians needs
  • If all you know is Van Gelder’s original cutting, you will surely have your eyes and ears opened by this wonderful Hot Stamper
  • Allmusic calls this album “…his triumph as a musician for the aspects of not only defining the sound of an era… but on this recording, assembling one of the most potent modern jazz sextets ever.” 5 Stars (of course)

The sound is tonally correct, Tubey Magical and above all natural. The timbre of each and every instrument is right and it doesn’t take a pair of golden ears to hear it. So high-resolution too. If you love ’50s and ’60s jazz you cannot go wrong here.

For those record lovers who still cling to the idea that the originals are better, this record will hopefully set you straight.

Yes, we can all agree that Rudy Van Gelder recorded it, brilliantly as a matter of fact. Shouldn’t he be the most natural choice to transfer the tape to disc, knowing, as we must assume he does, exactly what to fix and what to leave alone in the mix?

Maybe he should be; it’s a point worth arguing.

But ideas such as this are only of value once they have been tested empirically and found to be true. (more…)

Oliver Nelson – The Blues and the Abstract Truth

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Oliver Nelson’s masterpiece debuts at Better Records with at least White Hot Stamper sound on both sides. Side one was so HUGE and Tubey Magical we called it at least White Hot – it’s out of this world. If all you know is the Van Gelder original cutting, you will surely have your mind blown by this Hot Stamper LP.  

Side One

So big, tubey and clear you won’t believe it! The best sounding side of any side we played. No smear, no squawk, practically no faults of any kind!

Side Two

Right up there with it. GREAT energy, a big bottom end, smooth and full with the right top end, this side was the clear winner.

My notes read “awesome classic jazz sound” and I think that sums it up nicely. (more…)

Oliver Nelson’s Big Band – Live From Los Angeles

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  • An incredible sounding copy and the first to ever hit the site; Triple Plus (A+++) sound on the first side, Double Plus (A++) on the second
  • If you love the swinging sounds of Oliver Nelson’s Big Band arrangements behind Jimmy Smith, Frank Sinatra, Monk and others, you can’t go wrong here
  • Fairly quiet throughout with both sides playing Mint Minus to Mint Minus Minus
  • “Here’s a driving high flying record from start to finish. It’s jazz at it’s exciting best as Nelson’s arranging conducting and zippy sax work lead real quality playing…” – Billboard 

What do we love about these vintage pressings? The timbre of every instrument is Hi-Fi in the best sense of the word. The unique sound of every instrument is reproduced with remarkable fidelity. That’s what we at Better Records mean by “Hi-Fi,” not the kind of Audiophile Phony BS Sound that passes for Hi-Fidelity these days. There’s no boosted top, there’s no bloated bottom, there’s no sucked-out midrange.

This is Hi-Fidelity for those who recognize The Real Thing when they hear it. I’m pretty sure our customers do, and whoever picks this record up is guaranteed to get a real kick out of it. (more…)

Oliver Nelson’s Masterpiece – Better Sounding on the (Right) Reissue

See all of our Oliver Nelson albums in stock

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For those of you who still cling to the idea that the originals are better, this record will set you straight.

Yes, we can all agree that Rudy Van Gelder recorded it, brilliantly as a matter of fact. Shouldn’t he be the most natural choice to transfer the tape to disc, knowing, as we must assume he does, exactly what to fix and what to leave alone in the mix?

Maybe he should be; it’s a point worth arguing.

But ideas such as this are only of value once they have been tested empirically and found to be true. (more…)