Top Artists – Linda Ronstadt

Linda Ronstadt – What’s New

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

The sound is EXTRAORDINARILY rich, smooth, full-bodied and natural on both sides. We have never heard What’s New sound like this.

With two White Hot sides this pressing gets two critically important elements of the recording more right than any copies we have ever heard: the strings in the orchestra, and, even more importantly for obvious reasons, Linda’s voice. Both sides give you a much more natural sounding Linda than you have ever heard. She’s fuller, sweeter, breathier, less spitty (some tracks more than others) and just plain less artificial than any others we played.

We’ve criticized the engineer George Massenburg on this site in the past, but with this copy we almost want to take it all back.

What he gets right on this recording is the sound of an orchestra, augmented with various jazz musicians (Ray Brown, Tommy Tedesco, Plas Johnson, Bob Cooper), all performing live in a huge studio. The sound stretches far to Linda’s left, far to her right, as well as back far behind her in a huge semi-circle. She is of course singing in a vocal booth, with her vocal placed front and center in the soundstage.

As an aside, George Massenburg went on to record the Trio album with Dolly Parton, Linda Ronstadt and Emmylou Harris. The analog sound he produced was shockingly rich, smooth and sweet — and in 1987 no less! (more…)

Listening in Depth to Heart Like a Wheel

 

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Heart Like a Wheel

and click on this link to the

Classic Tracks

entry for the album to read about it in real  depth

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Heart Like a Wheel.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold. (more…)

Linda Ronstadt – Prisoner In Disguise – Our Shootout Winner from 2010

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A distinguished member of the Better Records Rock and Pop Hall of Fame

Val Garay (JT, Simple Dreams) does it again! Both sides of this Asylum pressing have SUPERB SOUND, and side one I would go so far as to say has MASTER TAPE SOUND.

Side one is simply OFF THE CHARTS. It’s super-transparent; the clarity is amazing, and from the moment the needle hits the groove you hear the kind of stunning immediacy that brings Linda right INTO your listening room! This is EXACTLY the kind of sound a pop record is supposed to have. This copy gives it to you big time, on both sides.

The soundfield has a three-dimensional quality that was pretty much nonexistent on the other copies we played. Drop the needle on Many Rivers To Cross and check out the amazing sound of the organ, coming from the back of the room. Only the highest resolution copies give you that kind of depth to the soundfield. (more…)

How Exactly Is This an Audiophile Record?

 

Linda-Ronstadt-Whats-New-419854

 

Linda Ronstadt – What’s New

Not having played this record in more than a decade, it’s interesting to hear this Mobile Fidelity pressing with much better equipment than was previous available to me. The first thing I noticed was the amazing transparency of the recording, no doubt the reason audiophiles have always liked it.

Next on the list, and a bit of a surprise, is the correct tonality — this record is tonally right on the money, something Mobile Fidelity rarely achieves. This MoFi was mastered by Jack Hunt, not Stan Ricker, which may explain why the top end is more correct than usual.

Third and last is George Massenburg’s approach to this recording, which, to be charitable, is not to my liking. Let’s just say he prefers a certain artificiality to his sound that does little for me.

Of course, not all audiophiles will agree with me about this. Some audiophiles actually like this kind of sound. They like the sound of Graceland. They like the sound of The Well. They like the sound of Patricia Barber’s albums. They like a lot of recordings I don’t like.

When I speak highly of a recording or pressing, my prejudices and preferences are spelled out for all to see. There should be little doubt that the sound of this album is not to my taste, but for those of you who like this sort of thing, this is the sort of thing you will probably like.

Linda Ronstadt – Don’t Cry Now – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

WOW! This White Hot Stamper Asylum pressing has TWO AMAZING A+++ SIDES — better than every other copy we played it against. Side one is huge, rich and full. The sound is absolutely jumpin’ out of the speakers and Linda’s vocals are wonderfully present and breathy. Side two is every bit as good. It’s nice and clear with a great top end, present vocals and lovely sounding pianos.

Linda really belts it out on this album — face it, it’s what she does best — and only the rarest copies allow you to turn up the volume good and loud and let her do her thing

Another key to recognizing the best copies is the fact that they tend to be highly resolving. Two places to check:

Note how breathy her voice is in the quiet passages. Only the least smeared, most transparent copies reproduce that breathy quality in her voice

Next check out the tambourine on Silver Threads and Golden Needles. If the sound is delicate, not gritty or transistory, you have yourself a winner in the resolution department.

NOTE: the balance on side two is slightly off the left on most copies.

Linda’s Problems in the ’70s

The most common problem with these Ronstadt records from the ’70s is grainy, upper-midrangy sound. The average copy of Heart Like a Wheel, the album that followed this one, is pure transistory grain on most copies, making it practically unlistenable.

The average copy of Don’t Cry Now, though not quite as bad as HLAW, shares many of its shortcomings. The smooth copies that still have plenty of presence, life, energy and top end extension are the ones that really get this music sounding RIGHT.

Mobile Fidelity (more…)

Letter of the Week – Heart Like A Wheel

Heart Like A Wheel

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

Sometime ago I received a very decent copy of Heart Like a Wheel from Better Records, (in fact two copies each with different sounding sides)……..then a while later up came a sealed Cisco 180g reissue, so I grabbed it thinking how nice it would be – a fresh copy, clean and quiet…

The other night I played the Cisco, and sure it is quiet, and smooth, but it just seemed generally lacking somehow, so I put on one of the Better Records copies – wow what a difference! The old copy has tons of clarity, detail, life and punch – it thoroughly blew away the Cisco – perhaps no surprise to you, but it once again reinforces my belief in Better Records!

Jason B.

 

Linda Ronstadt – The Stone Poneys Featuring Linda Ronstadt

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

White Hot on side one, and by far the best sound we heard in our shootout for these 1975 pressings. The originals from 1967 have never impressed us. Much more folk than pop, for the most part the sound here is tubey, rich and sweet. Re-released when HLAW hit big, this album features three great Linda solos.

This copy was clearly the best we played all day, but the sound certainly varies a fair amount from track to track. The best tracks are rich, tubey and clear; the worst thin, bright and hard.

The first track on side one rarely stayed clean when loud, but here it does. It’s a good test for whether or not you have a copy with low distortion mastering. Listen for the least amount of smear and congestion and the most resolution.

The second track is richer and tubier and is the proof that side one is mastered correctly.

On side two the first track is rough, the second track better, the third richer, sweeter and smoother still. (more…)

Linda Ronstadt – Heart Like A Wheel – Our Shootout Winner from 2011

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This original Capitol Orange Label LP has TWO SUPERB sides, with side two earning our top grade of A+++ for its White Hot sound! And side one was nearly as good at A++ to A+++. These are the highest grades we are awarding to any copy on the site, folks. It doesn’t get any better. The sound is uncharacteristically smooth, sweet, clear and Tubey Magical, light years from the grungy grit and grain that plagues most copies of Heart Like a Wheel.

Things are different since our last big shootout back in 2009. We learned a lot about the record and have added plenty of new commentary to back it up. If you’re a fan check it out.

Let’s be honest: the average copy of this album is an audio disaster. Those of you who love this album as much as we do are going to be shocked when you hear how wonderful it can sound. We bet you never imagined it could be this good, and we happily back up that bet with a full money back guarantee!

This shootout was no small project — we dropped the needle on more than a DOZEN copies.This is the only one to earn better than a Super Hot Stamper grade (A++) on both sides. I’ve been playing this album for years, and I can tell you it is no easy task to find this kind of smooth, sweet, analog sound on HLAW. On top of that it’s also full-bodied, lively, and super-transparent. The vocals are breathy and full with incredible immediacy. Folks, the Heart Like A Wheel magic is here. (more…)

Linda Ronstadt – Silk Purse – Reviewed in 2010

More Linda Ronstadt

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A distinguished member of the Better Records Rock and Pop Hall of Fame.

We played several copies of this album, and while it’s no demo disc by any means, this copy was far and away the best sounding of the group. We can’t quite bring ourselves to call it a Hot Stamper. Technically of course it is — it’s a pressing that’s superior to all the others we’ve played — but as the recording itself has some serious shortcomings we’ll just call it a Pretty Good Stamper. (more…)

Linda Ronstadt – Don’t Cry Now – What to Listen For

More Linda Ronstadt

More Don’t Cry Now

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Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy.

Her vocals on both sides can be very DYNAMIC, but only the best copies will present them with no hint of STRAIN or GRAIN, two problems that make most pressings positively painful to listen to at the loud volumes we prefer.

Linda really belts it out on this album — face it, it’s what she does best — and only the rarest copies allow you to turn up the volume good and loud and let her do her thing. (more…)