Top Artists – Linda Ronstadt

Linda Ronstadt / Prisoner In Disguise – Give It Up Again For Val Garay

xxxxx

  • Insanely good Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this copy of Prisoner, the followup to Linda’s Masterpiece, Heart Like a Wheel
  • This is an amazing recording, but it takes a special copy like this one to reveal all the magic that we know must be on the tape
  • 4 1/2 stars – Love Is a Rose, Tracks of My Tears and Heat Wave were hits, but Linda really pours her heart into Hey Mister, That’s Me up on the Jukebox
  • Andrew Gold (so critical to the success of HLAW) is still heavily involved, along with EmmyLou Harris, James Taylor, Lowell George, David Lindley, JD Souther, and of course Peter Asher

The soundfield has a three-dimensional quality that was pretty much nonexistent on most of the other copies we played. Drop the needle on Many Rivers To Cross and check out the amazing sound of the organ coming from the back of the room. Only the highest resolution copies give you that kind of soundstage depth.

The piano sounds natural and weighty. The fiddle on The Sweetest Gift (played by our man David Lindley) is full of rosiny texture.

Emmylou Harris, dueting here with Linda, is SUPERB, with truly Demonstration Quality Sound on the best copies.

The acoustic guitars are tonally Right On The Money throughout — the transient information is captured perfectly. Listen to the opening guitar in the right channel of The Sweetest Gift; we used it as a test track and when that guitar is RIGHT THERE you know you have a copy with Hot Stampers. (more…)

Linda Ronstadt / Heart Like A Wheel – Truly a Country Rock Masterpiece

xxx
xxx

  • With Shootout Winning Triple Plus (A+++) grades or close to them, this copy was giving us KILLER sound for Linda Ronstadt’s Best Album
  • Both sides here are rich, full-bodied and warm, with harmonically rich guitars and real immediacy to Linda’s heartfelt vocals
  • A Must Own Classic, the best album Ms Ronstadt ever made, and a True Country Rock Masterpiece virtually without peer
  • 5 stars: “What really makes HLAW a breakthrough is the inventive arrangements that producer Peter Asher, Ronstadt, and the studio musicians have developed. …[they] help turn Heart Like a Wheel into a veritable catalog of Californian soft rock, and it stands as a landmark of ’70s mainstream pop/rock.”

I’ve been playing HLAW since the year it came out, roughly 46 years by my calculation, and I can tell you it is no easy task to find this kind of smooth, sweet, analog sound on the album. Folks, we heard it for ourselves: the Heart Like A Wheel magic is here on practically every song.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing. (more…)

Linda Ronstadt – Hasten Down The Wind

xxxxx

  • Two incredible sides each earning Shootout Winning Triple Plus (A+++) grades, making this the best copy to ever hit the site
  • This copy is doing it all right — huge, rich and lively, with Linda’s vocals reproduced to near perfection
  • “Her big but pretty voice is a stunning instrument for expressing feelings, particularly intense feelings that require a slightly understated delivery… a fine album that begs closer inspection than, I fear, many of us are willing to give to Linda Ronstadt’s art. Like the best moments of the preceding nine, though, the best moments of Hasten Down the Wind will be with us a long, long time.”

The sound is rich, smooth, full-bodied and natural on both sides. In other words, this is Classic Analog from the ’70s, recorded by none other than Val Garay, one of our favorite engineers.

Most pressings of this album have quite obvious problems. If you own the record see if you don’t notice some of them on your own copy. Some have a phony boosted top end, a subject we have discussed on Linda’s records before. Some are just too fat and Tubey. Perhaps the result of too much Aphex Aural Excitement? Some are thick, some are thin, some are too clean, some are not clean enough, every sonic issue you can imagine can be heard on this album if you have enough copies to play, and we had plenty.

We know that this copy is about as correct as can be. We know because we cleaned and played it and listened to it critically in comparison to other copies, and we did it all by ourselves. (Of course we did. There’s really no other way to do it.) (more…)

Linda Ronstadt – Get Closer

xxxxx

  • Superb sound on both sides of this Asylum pressing from 1982 with each earning Nearly Triple Plus (A++ to A+++) grades, right up there with our Shootout Winner
  • Engineering prowess provided by Val Garay and George Massenburg, which means the sound is full-bodied, dynamic and lively, with plenty of bottom end punch
  • “Linda Ronstadt’s voice has never sounded better than it does on Get Closer… [her] ringing soprano vibrates with clarity and authority on the record’s best songs…” Rolling Stone, 4 Stars

(more…)

Linda Ronstadt – What’s New

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame. 

The sound is EXTRAORDINARILY rich, smooth, full-bodied and natural on both sides. We have never heard What’s New sound like this.

With two White Hot sides this pressing gets two critically important elements of the recording more right than any copies we have ever heard: the strings in the orchestra, and, even more importantly for obvious reasons, Linda’s voice. Both sides give you a much more natural sounding Linda than you have ever heard. She’s fuller, sweeter, breathier, less spitty (some tracks more than others) and just plain less artificial than any others we played.

We’ve criticized the engineer George Massenburg on this site in the past, but with this copy we almost want to take it all back.

What he gets right on this recording is the sound of an orchestra, augmented with various jazz musicians (Ray Brown, Tommy Tedesco, Plas Johnson, Bob Cooper), all performing live in a huge studio. The sound stretches far to Linda’s left, far to her right, as well as back far behind her in a huge semi-circle. She is of course singing in a vocal booth, with her vocal placed front and center in the soundstage.

As an aside, George Massenburg went on to record the Trio album with Dolly Parton, Linda Ronstadt and Emmylou Harris. The analog sound he produced was shockingly rich, smooth and sweet — and in 1987 no less! (more…)

Listening in Depth to Heart Like a Wheel

 

Click on the link below to pull up the many reviews and commentaries we’ve written, as well as Hot Stamper copies that are currently available on the site.

Heart Like a Wheel

and click on this link to the

Classic Tracks

entry for the album to read about it in real  depth

xxx

Another in our series of Home Audio Exercises with advice on What to Listen For (WTLF) as you critically evaluate your copy of Heart Like a Wheel.

A key test on either side was to listen to all the multi-tracked guitars and see how easy it was to separate each of them out in the mix. Most of the time they are just one big jangly blur. The best copies let you hear how many guitars there are and what each of them is doing.

Pay special attention to Andrew Gold’s Abbey Road-ish guitars heard throughout the album. He is all over this record, playing piano, guitar, percussion and singing in the background. If anybody deserves credit besides Linda for the success of HLAW, it’s Andrew Gold. (more…)

Linda Ronstadt – Prisoner In Disguise – Our Shootout Winner from 2010

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame

Val Garay (JT, Simple Dreams) does it again! Both sides of this Asylum pressing have SUPERB SOUND, and side one I would go so far as to say has MASTER TAPE SOUND.

Side one is simply OFF THE CHARTS. It’s super-transparent; the clarity is amazing, and from the moment the needle hits the groove you hear the kind of stunning immediacy that brings Linda right INTO your listening room! This is EXACTLY the kind of sound a pop record is supposed to have. This copy gives it to you big time, on both sides.

The soundfield has a three-dimensional quality that was pretty much nonexistent on the other copies we played. Drop the needle on Many Rivers To Cross and check out the amazing sound of the organ, coming from the back of the room. Only the highest resolution copies give you that kind of depth to the soundfield. (more…)

How Exactly Is This an Audiophile Record?

 

Linda-Ronstadt-Whats-New-419854

 

Linda Ronstadt – What’s New

Not having played this record in more than a decade, it’s interesting to hear this Mobile Fidelity pressing with much better equipment than was previous available to me. The first thing I noticed was the amazing transparency of the recording, no doubt the reason audiophiles have always liked it.

Next on the list, and a bit of a surprise, is the correct tonality — this record is tonally right on the money, something Mobile Fidelity rarely achieves. This MoFi was mastered by Jack Hunt, not Stan Ricker, which may explain why the top end is more correct than usual.

Third and last is George Massenburg’s approach to this recording, which, to be charitable, is not to my liking. Let’s just say he prefers a certain artificiality to his sound that does little for me.

Of course, not all audiophiles will agree with me about this. Some audiophiles actually like this kind of sound. They like the sound of Graceland. They like the sound of The Well. They like the sound of Patricia Barber’s albums. They like a lot of recordings I don’t like.

When I speak highly of a recording or pressing, my prejudices and preferences are spelled out for all to see. There should be little doubt that the sound of this album is not to my taste, but for those of you who like this sort of thing, this is the sort of thing you will probably like.

Linda Ronstadt – Don’t Cry Now – Our Shootout Winner from 2011

xxxxx

A distinguished member of the Better Records Rock and Pop Hall of Fame.

WOW! This White Hot Stamper Asylum pressing has TWO AMAZING A+++ SIDES — better than every other copy we played it against. Side one is huge, rich and full. The sound is absolutely jumpin’ out of the speakers and Linda’s vocals are wonderfully present and breathy. Side two is every bit as good. It’s nice and clear with a great top end, present vocals and lovely sounding pianos.

Linda really belts it out on this album — face it, it’s what she does best — and only the rarest copies allow you to turn up the volume good and loud and let her do her thing

Another key to recognizing the best copies is the fact that they tend to be highly resolving. Two places to check:

Note how breathy her voice is in the quiet passages. Only the least smeared, most transparent copies reproduce that breathy quality in her voice

Next check out the tambourine on Silver Threads and Golden Needles. If the sound is delicate, not gritty or transistory, you have yourself a winner in the resolution department.

NOTE: the balance on side two is slightly off the left on most copies.

Linda’s Problems in the ’70s

The most common problem with these Ronstadt records from the ’70s is grainy, upper-midrangy sound. The average copy of Heart Like a Wheel, the album that followed this one, is pure transistory grain on most copies, making it practically unlistenable.

The average copy of Don’t Cry Now, though not quite as bad as HLAW, shares many of its shortcomings. The smooth copies that still have plenty of presence, life, energy and top end extension are the ones that really get this music sounding RIGHT.

Mobile Fidelity (more…)

Letter of the Week – Heart Like A Wheel

Heart Like A Wheel

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

Sometime ago I received a very decent copy of Heart Like a Wheel from Better Records, (in fact two copies each with different sounding sides)……..then a while later up came a sealed Cisco 180g reissue, so I grabbed it thinking how nice it would be – a fresh copy, clean and quiet…

The other night I played the Cisco, and sure it is quiet, and smooth, but it just seemed generally lacking somehow, so I put on one of the Better Records copies – wow what a difference! The old copy has tons of clarity, detail, life and punch – it thoroughly blew away the Cisco – perhaps no surprise to you, but it once again reinforces my belief in Better Records!

Jason B.