Top Producers – Gary Katz

Steely Dan – Can’t Buy A Thrill

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Reviews and Commentaries for Can’t Buy a Thrill

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Both sides of this Steely Dan classic earned outstanding Double Plus (A++) grades for their big, bold, rich, Tubey Magical sound
After doing so many shootouts over the years, and hearing the guitars and vocals jumping out of our speakers right into our listening room, we now find the recording a lot more to our liking than we used to
A surprisingly difficult record to find these days with good sound and audiophile quality playing surfaces
If you made the mistake of buying the Speaker Corner reissue from 2000, this is your chance to hear the record with all the energy that this band put into their debut, the kind of energy and presence the remastering engineers took out!
4 1/2 stars: “Walter Becker and Donald Fagen were remarkable craftsmen from the start, as Steely Dan’s debut illustrates. Each song is tightly constructed, with interlocking chords and gracefully interwoven melodies, buoyed by clever, cryptic lyrics.”

Dirty Work sounds great here — rich and sweet mids, breathy brass, and lots of texture to the vocals. Often this track sounds dull and dubby, but it’s actually just a case of the mix being smoother than most of the other songs on the album. If this track sounds smooth, and the other songs sound right, the tonality is correct for the whole side because that’s what the best copies sound like.

Flip the record over and the good times begin all over again. Elliot Randall’s guitar on Reeling In The Years has the meaty texture and uncanny presence to take the song to an entirely new level. Fire In The Hole is dynamic with real weight to the piano, and the double-tracked vocals on Turn That Heartbeat Over Again sound rich and poppy the way they should. (more…)

Steely Dan – Aja

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Reviews and Commentaries for Aja

Presenting a STUNNING copy of Steely Dan’s magnificent Jazzy Pop breakthrough album
This one arrives with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish – exceptionally quiet vinyl too
Punchy, full and smooth, with the kind of rhythmic energy that brings out the jazzy funk in the music
A Better Records Rock and Pop Top 100 album and a true Demo Disc on an exceptional pressing like this
4 1/2 stars: “With Aja, Walter Becker and Donald Fagen’s obsession with sonic detail and fascination with composition reached new heights. A coolly textured and immaculately produced collection of sophisticated jazz-rock, Aja has none of the overt cynicism or self-consciously challenging music that distinguished previous Steely Dan records … a shining example of jazz-rock at its finest. “

Folks, there’s not much I can tell you about this copy of Aja that’s going to make you want this record, other than to say this: If you’re in the market for a superb pressing of what’s gotta be the most beloved Steely Dan record they made, look no further. It’s right here. (more…)

Steely Dan / Gaucho – Listening In Depth to The Dan’s Last Good Album

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Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Gaucho. Here are some albums currently on our site with similar Track by Track breakdowns.

Of all the great albums Steely Dan made, and that means their seven original albums and nothing that came after, there are only three in our opinion that actually support their reputation as studio wizards and recording geniuses.

Chronologically they are Pretzel Logic, Aja, and Gaucho. Every sound captured on these albums is so carefully crafted and considered that it practically brings one to tears to contemplate what the defective DBX noise reduction system did to the work of genius that is Katy Lied, their best album and the worst sounding. (Those cymbal crashes can really mess with your mind if you let them. To get a better picture of the DBX sound just bang two trash can lids together as close to your head as possible.)

The first two albums can sound very good, as can Royal Scam, but none of those can compete with The Big Three mentioned above for sonics. A Hot Stamper copy of any of them would be a seriously good sounding record indeed. (more…)

Steely Dan – Pretzel Logic

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More Reviews and Commentaries for Pretzel Logic

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Simply phenomenal amounts of Tubey Magic can be heard on every strum of the guitars, along with the kind of richness, body and harmonic coherency that have all but disappeared from modern remasterings.
Becker and Fagen spared no effort in the recording of this album – the mix is PERFECTION
A Top 100 Album and our pick for The Best Sounding Steely Dan Recording of Them All
5 stars: “Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one.”

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Steely Dan – Gaucho

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With insanely good Shootout Winning Triple Plus (A+++) sound or close to it on both sides, this copy is guaranteed to handily beat any pressing of Gaucho you have ever played, especially the awful Ron McMaster Heavy Vinyl LP
This superb pressing has three-dimensional ambience, tubey richness, you-are-there immediacy, tight bass, clear guitar transients, silky highs, and truckloads of analog magic on every track
4 stars in the AMG, 4 1/2 in Rolling Stone, and one of this exceptionally well recorded band’s Three Best Sounding Albums – a true Must Own
“Despite its coolness, the music is quite beautiful. With its crystalline keyboard textures and diaphanous group vocals, ”Gaucho” contains the sweetest music Steely Dan has ever made.” New York Times

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Steely Dan – Countdown to Ecstasy

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This early Black Label Shootout Winning pressing boasts stunning Triple Plus (A+++) sound or close to it on both sides
The only real rock album this band ever made actually ROCKS on this pressing, and that’s what makes listening to vinyl of the highest quality FUN
Only 8 tracks (so the band can stretch out). and every one is guaranteed to sound better than you have ever heard it
5 stars: “Smart, conflicted bands from Weezer to the Eels owe Steely Dan big time… because on Countdown to Ecstasy, the band was human, not just brainy. Like Exile on Main Street, this is a record where Steely Dan let slip their extraordinary mask of sarcasm, and could not disguise the joy in these excellent songs, or the fact that they were having a blast playing them.”

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If You Can’t Make a Good Record, Why Make Any Record At All?

Steely Dan – Can’t Buy A Thrill

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Speakers Corner Ruins Another Classic Album

This has to be one of the worst sounding versions ever pressed. You think the average ABC or MCA pressing is opaque, flat and lifeless, not to mention compromised at both ends of the frequency spectrum? You ain’t heard nothin’ yet!

As bad as the typical copy of this album is, the Speakers Corner Heavy Vinyl is even worse, with not a single redeeming quality to its credit. If this is what passes for an Audiophile Record these days, and it is, it’s just one more nail in the coffin for Heavy Vinyl.

But that’s not the half of it. Go to Acoustic Sounds’ website and read all the positive customer reviews — they love it! Is there any heavy vinyl pressing on the planet that a sizable contingent of audiophiles won’t say something nice about, no matter how bad it sounds? I can’t think of one. (more…)

The Trick with Katy Lied Is…

Dear Reader,

We have just recently moved our record business to our new Shopify store. None of the links to the old site will work anymore. We apologize for the inconvenience and hope to be able to rectify the situation soon. For now please check out Better Records, Mach II, home of the ultimate vinyl pressing, the White Hot Stamper.

Tom Port – Better Records

The Trick with Katy Lied Is to find the right balance between richness, sweetness and clarity.

Take three or four Katy Lied pressings, clean them up and play just one or two of the tracks we discuss below. You won’t find any two copies that get those tracks to sound the same. We do our shootouts with up to a dozen copies at a time and no two sound the same to us.

This is a very tough record to reproduce — everything has to be working at its best to even begin to get this complex music to sound the way it should. But if you’ve done your homework and your system is really cooking, you are in for the time of your Steely Dan life.

In-Depth Track Commentary

Side One

Black Friday

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Steely Dan – Listening in Depth to Pretzel Logic

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It’s positively criminal the way this amazingly well-recorded music sounds on the typical LP. And how can you possibly be expected to appreciate the music when it sounds like that?

The reason we audiophiles go through the trouble of owning and tweaking our temperamental equipment is we know how hard it is to appreciate good music which sounds bad. Bad sound is a barrier to understanding and enjoyment, to us audiophiles anyway.

In-Depth Track Commentary

Side One

Rikki Don’t Lose That Number

By far the biggest hit on this album and one of the biggest for the band, it’s also one of the clearest indicators of Hot Stamper Sound. The Horace Silver inspired intro is at its best when you can easily hear the acoustic guitar in the left channel doubling the piano. On most copies it’s blurry and dull, which causes it to get lost in the mix. Transparent copies pull it out in the open where it belongs.

That’s the first test, but the real test for this track is how well the (surprisingly) DYNAMIC chorus is handled. On a properly mastered and pressed copy, Fagen’s singing in the chorus is powerful and very present. He is RIGHT THERE, full of energy and drive, challenging the rest of the band to keep up with him. And they do! The best copies demonstrate what a lively group of musicians he has backing him on this track. (If you know anything about Steely Dan’s recordings, you know the guys in these sessions are the best of the best.)

Check out the big floor tom that gets smacked right before the first chorus. On the best copies the whomp factor is off the scale.

Shocking as it may seem, most copies of this album are DOA on this track. They’re severely compressed — they never come to life, they never get LOUD. The result? Fagen and the band sound bored. And that feeling is contagious.

Of course most audiophiles have no idea how dynamic this recording is because they’ve never heard a good pressing. Only a handful of the copies we played had truly powerful dynamics. These are Pretzel Logics with far more life than I ever dreamed possible. Hey, who knew?

(As an aside, back in 1976 I had my fifty favorite albums professionally cleaned on a KMAL record cleaning machine at the stereo store I worked at. They would give you a custom record sleeve along with the cleaning, and sure enough I found my original Pretzel Logic with its KMAL sleeve. My copy was pretty good but no Hot Stamper.)

So, yes, it really did take us thirty years to find the best copy!

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More Evidence of Ron McMaster’s Flat Out Incompetence

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Sonic Grade: D

Check out our Heavy Vinyl Scorecard to read all about the latest winners and losers. When such records are clearly inferior to their mass-produced counterparts (Heavy Vinyl pressings are mass-produced too by the way), we put them in our Hall of Shame.

Reasonably good bass, we’ll give it that, but no top end and no Tubey Magic. More of Ron McMaster’s handiwork and the result is a record that simply has no reason to exist.

The AVERAGE original pressing sitting in your local record store bin right now for probably all of five bucks will MURDER this piece of crap.

As we noted for Ron’s remastered Band album, “When you see that little RM in the dead wax of one of these new Heavy Vinyl reissues you know you’ve just flushed your money down the toilet. There should be a warning label on the jacket: Mastered by Ron McMaster. It’s only a warning to those of us familiar with his work of course; the general public, and that includes the general audiophile public, probably won’t have much of a problem with the sound of this record or anything else he does. He still has the job, doesn’t he? What does that tell you?”