Our pick for the best Dan album of them all, a Masterpiece of Jazzy Swing Pop that is sure to reward hundreds of plays in the decades to come
Take it from The Dan: “The sound created by musicians and singers is reproduced as faithfully as possible, and special care is taken to preserve the band-width and transient response of each performance.”
5 stars: “Each song is given a glossy sheen, one that accentuates not only the stronger pop hooks, but also the precise technical skill of the professional musicians drafted to play the solos.”
The covers for these original Katy Lied pressings on ABC always have at least some edge, seam or ringwear. We will of course do our best to find you a cover with the fewest problems, but none of them will be perfect, or even all that close to it. It is by far the hardest Steely Dan album to find good covers for.
This copy has the all-important rock energy we look for, although rocking is not quite what Steely Dan are up to here. Cameron Crowe calls it “…absolutely impeccable swing-pop”, a four word description that gets to the heart of the music far better than any combination of adjectives and nouns containing the word “rock.” (more…)
We really went overboard with the track commentary for this one. This should make it easy for you to compare what we say about the sound of these songs with what they sound like to you on your system, using the copy you own or, better yet, one of our Hot Stampers.
If you end up with one of our Hot Stampers, listen carefully for the effects we describe below. This is a very tough record to reproduce — everything has to be working in tip-top form to even begin to get this complicated music sounding the way it should — but if you’ve done your homework and gotten your system really cooking, you are in for the time of your Steely Dan life.(more…)
Stunning sound from start to finish: Triple Plus (A+++) or close to it on both sides
This is a killer Shootout Winning copy of The Dan’s hard-rockin’ classic from 1976 – HERE is the right sound for this music
These two sides give you what you need for The Royal Scam – rich, meaty, with powerful rhythmic energy and not too bright
“Drummer Bernard “Pretty” Purdie lashes out the rolling grooves on most of the nine tracks, establishing the album’s anxious feel, and Larry Carlton’s jaw-dropping guitar work provides a running commentary to Fagen’s strangulated vocals… These are not the sort of Steely Dan songs favored by smooth-jazz stations.”
The best copies of Steely Dan’s brilliant effort from 1976 — so different from the album before, Katy Lied, as well as the album to follow, Aja — manage to combine richness and smoothness with transparency and clarity, a tough combination to find on The Royal Scam. (more…)
Both sides of this Steely Dan classic earned outstanding Double Plus (A++) grades for their big, bold, rich, Tubey Magical sound
After doing so many shootouts over the years, and hearing the guitars and vocals jumping out of our speakers right into our listening room, we now find the recording a lot more to our liking than we used to
A surprisingly difficult record to find these days with good sound and audiophile quality playing surfaces
If you made the mistake of buying the Speaker Corner reissue from 2000, this is your chance to hear the record with all the energy that this band put into their debut, the kind of energy and presence the remastering engineers took out!
4 1/2 stars: “Walter Becker and Donald Fagen were remarkable craftsmen from the start, as Steely Dan’s debut illustrates. Each song is tightly constructed, with interlocking chords and gracefully interwoven melodies, buoyed by clever, cryptic lyrics.”
Dirty Work sounds great here — rich and sweet mids, breathy brass, and lots of texture to the vocals. Often this track sounds dull and dubby, but it’s actually just a case of the mix being smoother than most of the other songs on the album. If this track sounds smooth, and the other songs sound right, the tonality is correct for the whole side because that’s what the best copies sound like.
Flip the record over and the good times begin all over again. Elliot Randall’s guitar on Reeling In The Years has the meaty texture and uncanny presence to take the song to an entirely new level. Fire In The Hole is dynamic with real weight to the piano, and the double-tracked vocals on Turn That Heartbeat Over Again sound rich and poppy the way they should. (more…)
Presenting a STUNNING copy of Steely Dan’s magnificent Jazzy Pop breakthrough album
This one arrives with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish – exceptionally quiet vinyl too
Punchy, full and smooth, with the kind of rhythmic energy that brings out the jazzy funk in the music
A Better Records Rock and Pop Top 100 album and a true Demo Disc on an exceptional pressing like this
4 1/2 stars: “With Aja, Walter Becker and Donald Fagen’s obsession with sonic detail and fascination with composition reached new heights. A coolly textured and immaculately produced collection of sophisticated jazz-rock, Aja has none of the overt cynicism or self-consciously challenging music that distinguished previous Steely Dan records … a shining example of jazz-rock at its finest. “
Folks, there’s not much I can tell you about this copy of Aja that’s going to make you want this record, other than to say this: If you’re in the market for a superb pressing of what’s gotta be the most beloved Steely Dan record they made, look no further. It’s right here. (more…)
Of all the great albums Steely Dan made, and that means their seven original albums and nothing that came after, there are only three in our opinion that actually support their reputation as studio wizards and recording geniuses.
Chronologically they are Pretzel Logic, Aja, and Gaucho. Every sound captured on these albums is so carefully crafted and considered that it practically brings one to tears to contemplate what the defective DBX noise reduction system did to the work of genius that is Katy Lied, their best album and the worst sounding. (Those cymbal crashes can really mess with your mind if you let them. To get a better picture of the DBX sound just bang two trash can lids together as close to your head as possible.)
The first two albums can sound very good, as can Royal Scam, but none of those can compete with The Big Three mentioned above for sonics. A Hot Stamper copy of any of them would be a seriously good sounding record indeed.(more…)
Simply phenomenal amounts of Tubey Magic can be heard on every strum of the guitars, along with the kind of richness, body and harmonic coherency that have all but disappeared from modern remasterings.
Becker and Fagen spared no effort in the recording of this album – the mix is PERFECTION
A Top 100 Album and our pick for The Best Sounding Steely Dan Recording of Them All
5 stars: “Steely Dan made more accomplished albums than Pretzel Logic, but they never made a better one.”
With insanely good Shootout Winning Triple Plus (A+++) sound or close to it on both sides, this copy is guaranteed to handily beat any pressing of Gaucho you have ever played, especially the awful Ron McMaster Heavy Vinyl LP
This superb pressing has three-dimensional ambience, tubey richness, you-are-there immediacy, tight bass, clear guitar transients, silky highs, and truckloads of analog magic on every track
4 stars in the AMG, 4 1/2 in Rolling Stone, and one of this exceptionally well recorded band’s Three Best Sounding Albums – a true Must Own
“Despite its coolness, the music is quite beautiful. With its crystalline keyboard textures and diaphanous group vocals, ”Gaucho” contains the sweetest music Steely Dan has ever made.” New York Times
This early Black Label Shootout Winning pressing boasts stunning Triple Plus (A+++) sound or close to it on both sides
The only real rock album this band ever made actually ROCKS on this pressing, and that’s what makes listening to vinyl of the highest quality FUN
Only 8 tracks (so the band can stretch out). and every one is guaranteed to sound better than you have ever heard it
5 stars: “Smart, conflicted bands from Weezer to the Eels owe Steely Dan big time… because on Countdown to Ecstasy, the band was human, not just brainy. Like Exile on Main Street, this is a record where Steely Dan let slip their extraordinary mask of sarcasm, and could not disguise the joy in these excellent songs, or the fact that they were having a blast playing them.”
This has to be one of the worst sounding versions ever pressed. You think the average ABC or MCA pressing is opaque, flat and lifeless, not to mention compromised at both ends of the frequency spectrum? You ain’t heard nothin’ yet!
As bad as the typical copy of this album is, the Speakers Corner Heavy Vinyl is even worse, with not a single redeeming quality to its credit. If this is what passes for an Audiophile Record these days, and it is, it’s just one more nail in the coffin for Heavy Vinyl.
But that’s not the half of it. Go to Acoustic Sounds’ website and read all the positive customer reviews — they love it! Is there any heavy vinyl pressing on the planet that a sizable contingent of audiophiles won’t say something nice about, no matter how bad it sounds? I can’t think of one.(more…)