Top Artists – The Association

Listening in Depth to Insight Out

More of the Music of The Association

Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Insight Out. Here are some albums currently on our site with similar Track by Track breakdowns.

Never My Love is clearly the best sounding track on the album. Those of you with better front ends will be astonished at the quality of the sound. Windy also sounds excellent, but I hear some sub-generation harmonic distortion, probably caused by bouncing down some of the tracks to make room for others.

This is the era of the four track machine, and when four of the tracks are used up they are bounced down to one track, making available three new tracks. Some of the albums from this era — the Mamas and the Papas come to mind — have multiple bounces, three and four deep, which accounts for the distortion that you hear all through their recordings. The two-track finished master might have upwards of five tape generations or more on some instruments or vocal parts.

In-Depth Track Commentary

Side One

Wasn’t It a Bit Like Now (Parallel ’23)
On a Quiet Night

This is an interesting track, one I never fully appreciated before. It sounds just like the Mamas and the Papas! Perhaps Bones Howe, the man who recorded both groups, had something to do with the crossover harmonies and similiar arrangements. Either way, it’s one of the stronger songs on the album.

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The Real Stars of Windy – Bones Howe and The Wrecking Crew

The sound of the sixties will fill your room like never before — wall to wall, floor to ceiling, with layers upon layers of depth. You would be very hard pressed to find a pop rock recording from 1967 that sounds as good as a Hot Stamper Insight Out. (Sgt. Pepper comes to mind, but what else?) Can you imagine the Mamas and the Papas or The Jefferson Airplane with this kind of rich, sweet, open, textured, natural, tonally correct sound quality?

The midrange is pure Tubey Magic! If you have the kind of system that brings out that quality in a recording, you will go wild over this one. In fact it’s so good, it made me appreciate some of the other songs on the album which I had previously dismissed as filler. When you hear them sound this good, you can actually enjoy them.

Hal, Joe and Bones

The real stars of Windy (and the album itself) are Hal Blaine and Joe Osborne, the famous session drummer/ bass player team, who create the driving force behind these songs. Osborne’s web site puts Windy front and center as the first track demonstrating what a top rhythm section can do for a pop song. This whole album can be enjoyed simply for the great drum and bass work, not to mention the sound that both of those instruments are given by the pop recording master Bones Howe.

He produced and engineered the show here; Bones is a man who knew his way around a studio as well as practically anybody in the ’60s. He’s the one responsible for all the tubey magic of the recording. That’s his sound. Those of you who appreciate that sound will find much to like here.

More of The Association

The Master of Tubey Magical Pop Recording, Mr. BONES HOWE

Bouncing Tracks

Never My Love is clearly the best sounding track on the album. Those of you with better front ends will be astonished at the quality of the sound. Windy also sounds excellent, but I hear some sub-generation harmonic distortion, probably caused by bouncing down some of the tracks to make room for others.

This is the era of the four track machine, and when four of the tracks are used up they are bounced down to one track, making available three new tracks. Some of the albums from this era — the Mamas and the Papas come to mind — have multiple bounces, three and four deep, which accounts for the distortion that you hear all through their recordings. The two-track finished master might have upwards of five tape generations or more on some instruments or vocal parts. (more…)

The Association – Insight Out

More of The Association

More Sixties Pop Recordings

  • An outstanding pressing of Insight Out, with solid Double Plus (A++) sound or BETTER throughout
  • The Tubey Magical sound, the lively, tight playing by The Wrecking Crew, not to mention some killer Chart Topping ’60s pop, make this THE Association album to own
  • With this copy the Sound of the Sixties will fill your room like never before – wall to wall, floor to ceiling, with layers upon layers of analog depth
  • These original Gold Label stereo pressings are potentially the best sounding, with the ideal balance of richness and transparency
  • POTENTIALLY – again, the label is no guarantee of top quality sound, only proper cleaning and careful shootouts can do that
  • “The harmonies and choruses are among the most beautifully textured singing in a rock outfit this side of the Beach Boys.”

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The Association / Greatest Hits – Originals Versus Reissues

More of The Association

More Sixties Pop Recordings

The sound on this record is as good as this album gets. Don’t think you’re too cool to enjoy this ’60s pop rock. These songs are still a blast and very enjoyable. The sound on this record is as good as this album gets. 

I did a shootout with this copy and a later pressing just now, after having just listed a Gold Label Original LP of Insight Out, which allowed me to compare the sound of three different generations of Warner Brothers records.

I heard pretty much what you would expect to hear. The best Gold Label pressings have the most sweetness, richness, the best bass (amazingly good for a ’60s pop recording) and the most Tubey Magic.

The Green Label Greatest Hits sounds very sweet and analog, but it’s obviously made from sub-generation copy tapes, as Greatest Hits albums usually are. Still the sound is very smooth and sweet. There is a loss of transparency but the tonality is correct.

The Palm Tree Label pressing, the best sounding one I’ve ever heard by the way, is brighter and more modern sounding. On some tracks that brightness helps cut through the murk, but most of the time it sounds more transistory and less musical.

So this Green Label copy has the best sound for all the hits. If you want better sound, you have to find the right pressings of the individual albums. Since most of those are filled with filler, this is actually a pretty good way to go.

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The Association – Goodbye, Columbus

More of The Association

More Sixties Pop Recordings

This green label original pressing TROUNCED our other copies. Recorded by Bones Howe, the midrange is pure tubey magic! If you have the kind of system that brings out that quality in a recording, you will get a lot out of this one. It’s so good, it made me appreciate some of the instrumentals on the album which I had previously dismissed as filler. When you hear them sound this good, you can actually enjoy them!

You get rich, sweet, open, textured, natural, tonally correct sound here on side, A++ all the way! Side two is almost as good at A+, with some smear causing us to drop the grade.

Bones Howe produced and engineered the show here; Bones is a man who knew his way around a studio as well as practically anybody in the ’60s. He’s the one responsible for all the tubey magic of this recording and so many others from the era, including the Association’s masterpiece, Insight Out. That’s his sound. Those of you who appreciate that sound will find much to like here. If, on the other hand, you prefer the sound of a band like, oh, Dire Straits, a group with a dry, processed, transistory approach to recording, the sound of this LP is unlikely to move you as much as it moved us here at Better Records. (more…)