- Dynamic, transparent, spacious and musical throughout – you won’t believe how good this Jazz Classic from 1956 sounds
- Another top jazz recording from Rudy Van Gelder – big, bold and lively, just the right sound for this music
- “… no one could execute complex melodic lines with the speed and precision of Bill. He was a human “bebop machine,” a player who could improvise for hours on a single chord and not run out of ideas…”
- Shockingly good All Tube Mono Recording Chain sound from 1957 courtesy of Rudy Van Gelder, and the high-rez, tonally correct and wide-bandwidth mastering brings out even the most subtle nuances of the sound of this superb sextet
- McLean’s sax is joined on the first side by Curtis Fuller on trombone and Webster Young on Trumpet
- 4 stars: “Although not quite as intense as McLean’s later Blue Note dates, the ballad renditions show just how mature and original a soloist he was even at this early stage.”
- If you’re a fan of Jackie’s, this is a Top Title from 1957 that belongs in your collection.
- The complete list of titles from 1957 that we’ve reviewed to date can be found here.
- Surprisingly rich, lively and clear, with plenty of space for this exceptional group to occupy
- Credit must go to Rudy Van Gelder once again for capturing the swinging energy of this superbly sympathetic ensemble
- 4 stars: “McLean never really copied Charlie Parker and was one of the first in his generation to develop his own sound.”
Both sides are Tubey Magical, rich, open, spacious and tonally correct. These guys are playing live in the studio and you can really feel their presence on every track — assuming you have a copy that sounds like this one.
Based on what I’m hearing my feeling is that most of the natural, full-bodied, smooth, sweet sound of the album is on the master tape, and that all that was needed to transfer that vintage sound correctly onto vinyl disc was simply to thread up the tape on a high quality machine and hit play.
The fact that practically nobody seems to be able to make an especially good sounding record these days — certainly not as good sounding as this one — tells me that in fact I’m wrong to think that such an approach would work. Somebody should have been able to figure out how to do it by now. In our experience that is simply not the case today, and has not been for many years, if not decades. (more…)
- Outstanding sound throughout for this Prestige/OJC pressing with both sides earning solid Double Plus (A++) grades – exceptionally quiet vinyl too
- Shockingly good All Tube Mono sound from 1956 courtesy of Rudy Van Gelder, and the high-rez, tonally correct and wide-bandwidth mastering brings out even the most subtle nuances of the sound of these superbs groups of four, five and six players
- 4 stars: “4, 5 and 6 presents McLean’s quartet on half the date, and tunes with an expanded quintet, and one sextet track — thus the title… [it] does foreshadow the future of McLean as an innovative musician in an all-too-purist mainstream jazz world.”
- Open House makes its Hot Stamper debut here with STUNNING Shootout Winning Triple Plus (A+++) sound from start to finish
- An RVG live-in-the-studio recording from 1960 is hard to beat for you-are-there immediacy, and this pressing delivers that quality like no other copy you’ve heard – we guarantee it
- We wish more records had this kind of sound – natural, full-bodied, and REAL in a way that no modern Heavy Vinyl pressing seems to be
- 4 1/2 stars: “For this superlative outing, the innovative organist is teamed with trumpeter Blue Mitchell, altoist Jackie McLean, tenor saxophonist Ike Quebec, and his regular sidemen. The musicians all seem to be inspired by each other’s presence, making this a highly recommended set for straight-ahead jazz collectors”