1970

The Band – Stage Fright

More of The Band

More Roots Rock LPs

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  • Both sides boast Tubey Magical richness, correct tonality and plenty of bottom end
  • Stage Fright and The Shape I’m In are among the most well-known tracks here and they sound out of this world on a copy like this
  • 4 1/2 stars: “… their most nakedly confessional [album]. It was certainly different from their previous work, which had tended toward story-songs set in earlier times, but it was hardly less compelling for that.”

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Jimi Hendrix – Band of Gypsys

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More Rock Classics

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  • Truly exceptional sound – these Ludwig-mastered Capitol Orange Label pressings are the only way to fly
  • Tons of bass, smooth vocals, and an overall freedom from distortion characterize the overall sound of both sides, and that’s unusual, because most copies of this record are just plain dreadful
  • Trust me on this one – you’re going to have a difficult and (and expensive!) adventure trying to find a great sounding copy of this one on your own
  • 4 1/2 stars: “Although he could be an erratic live performer, for these shows, Hendrix was on — perhaps his finest performances… not only an important part of the Hendrix legacy, but one of the greatest live albums ever.”

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Ry Cooder – Self-Titled

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More Debut Albums of Interest

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  • You’ll find outstanding Double Plus (A++) sound on both sides of this vintage Reprise pressing of Cooder’s debut album from 1970 – fairly quiet vinyl too
  • If you want to hear the brilliant Lee Herschberg’s All Analog Recording skills brought to bear on so many different instruments serving an assortment of sonic textures, this is the copy that will let you do it
  • 4 stars: “Cooder’s debut creates an intriguing fusion of blues, folk, rock & roll, and pop, filtered through his own intricate, syncopated guitar; Van Dyke Parks and Lenny Waronker’s idiosyncratic production… Cooder puts this unique blend across with a combination of terrific songs, virtuosic playing, and quirky, yet imaginative, arrangements.”

The music reminds me a lot of early Little Feat, which is a good thing. The sound is somewhat similar as well, which is to say that it is natural and musical, nothing like the hyped-up hi-fi sound of his TAS-listed album Jazz — and that’s a good thing as well.

There are some great songs here, including My Old Kentucky Home, One Meat Ball and How Can A Poor Man Stand Such Times And Live. It may even be his best album. (more…)

Miles Davis / Bitches Brew

More Miles Davis

More Jazz Rock Fusion

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  • Stunning Shootout Winning Triple Plus (A+++) sound on sides two and four with solid Double Plus (A++) sound on the other two sides
  • These sides are clean, clear, lively and present with tons of space around all of the players; you can hear right in to the soundfield, and you can be sure that there’s a whole lot going on in there
  • It’s not an easy album to find in clean condition, let alone a copy that sounds like this and plays mostly quietly throughout!
  • If jazz-fusion is your bag, sides two and four of this copy will take you on a trip like few other records could
  • “Thought by many to be the most revolutionary album in jazz history, having virtually created the genre known as jazz-rock fusion (for better or worse) and being the jazz album to most influence rock and funk musicians, Bitches Brew is, by its very nature, mercurial.”” – All Music, 5 Stars

The incredible musicianship and Teo Macero’s innovative production each help take these jazz-fusion soundscapes to places most folks had never imagined before. And a copy like this one takes the entire production to a whole new level. I can’t begin to tell you how many crappy copies have hit our table over the years, but after finding this one I’m really glad we never gave up on this album.

I remember buying this record when I was in college and I had a hell of a time trying to make any sense of it. I also bought the first two Weather Report albums and had a hell of a time with those. But then when Sweetnighter came out, which was angular but still accessible, this kind of music started to make sense to me. This is music for those who want to be challenged. It’s as true today as it was 39 years ago when this record came out.

Our favorite track on this album, Miles Runs The Voodoo Down, is found on the A+++ side four, which means the sound for it is OFF THE CHARTS. (more…)

The Grateful Dead – American Beauty

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A Proud Member of Our Rock & Pop Top 100

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One of Our Favorite Albums from 1970

  • With two Double Plus (A++) sides, this copy is doing pretty much everything we want American Beauty to do – unusually quiet vinyl too
  • The acoustic guitars are magical on this copy, and you won’t believe how wonderfully breathy and sweet these guys’ voices sound
  • American Beauty is one of Stephen Barncard’s greatest recording achievements – the richness and clarity are really something here
  • A 5 Star Top 100 album – “A companion piece to the luminous Workingman’s Dead, American Beauty is an even stronger document of the Grateful Dead’s return to their musical roots. American Beauty remains the Dead’s studio masterpiece.”

We managed to find enough clean early pressings to get this always fun shootout going once again, and this copy took top honors. This is an amazingly well-recorded album — and a member of our Top 100, of course — but it takes a special copy to let the recording’s qualities shine the way this one does!

All the Elements Come Together for Once

All of the elements necessary to take this music to an entirely new level are here, my friends: smooth, sweet vocals; rich, meaty bass; an open and airy top end; top-notch presence and so forth. The sound is so spacious and transparent that you can easily pick out each of the instruments and follow them over the course of the songs.

You could choose any track you wanted to and find lovely sound here, but I’d recommend Ripple and Attics Of My Life for starters. Most copies suffer from a glaring lack of highs, but just listen to the ride cymbals on this one to find out that the top end is still alive and well here. (more…)

Van Morrison – His Band And Street Choir

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Reviews and Commentaries for Van Morrison

  • The sound is full-bodied, clear, and brimming with the soulful energy of this great artist
  • The best sounding Van Morrison album, a Top 100 title, with classic 1970 Analog sound – exceptionally quiet vinyl too
  • “As “Domino” opens the album with a show of strength. “Street Choir” closes it with a burst of both musical and poetic energy which is not only better than anything else on the album but may well be one of Van’s two or three finest songs.” Rolling Stone

This is the album that came out between Moondance (in the same year in fact, 1970) and Tupelo Honey, but for some reason, it don’t get no respect. We think that’s insane — the material on this album is stellar and the sound on the best pressings is out of this world!

Here’s a copy that really makes our case for us. Both sides of this original Warner Bros. pressing sound AMAZING! We went through a massive stack of copies and let me tell you — most of them sure don’t sound like this! Take this one home for some of the best Van Morrison sound you will ever hear.

For years I thought that Moondance was the best sounding album in the Van Morrison catalog. His Band And Street Choir is even better. One reason for that would have to be that Robert Ludwig mastered it, and he can usually be counted on to do an excellent job. (more…)

The Carpenters – Close To You

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  • An incredible sounding copy with Shootout Winning Triple Plus (A+++) grades from start to finish
  • Both of these sides are super big, rich and Tubey Magical yet still very clean, clear and spacious – the Classic A&M Pop Sound we love
  • We’ve Only Just Begun and Close to You are just two of the many good tracks here
  • 4 stars: “Close to You is a surprisingly strong album, and not just for those hits. Richard Carpenter’s originals “Maybe It’s You” and “Crescent Noon” are superb showcases for Karen Carpenter’s developing talent, the latter a superbly atmospheric, hauntingly beautiful art song of the kind that Judy Collins was doing well at the time, and gorgeously arranged.”

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Various Artists – Woodstock

More Live Albums

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  • Woodstock returns to this site with incredible Shootout Winning Triple Plus (A+++) sound or close to it on ALL SIX SIDES!
  • We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • “As potent a musical time capsule as ever existed, it captures the three-day, 1969 concert event that united close to half a million members of what came to be known as the ‘Woodstock Generation’. It topped the Billboard Charts for four weeks and sold two million copies.”

You will have a very hard time finding a quieter copy!

Folks, it was a struggle, let me tell you! Not as much of a struggle as putting on the concert itself to be sure, but a struggle for those of us charged with finding good sound on this famously badly recorded album.

First off there are six sides to play for every copy.

Secondly the sound is problematical at best; figuring out what the best copies do well that the run-of-the-mill copies don’t takes quite a bit of concentration, and one has to stay focused for a long time (most of the day in fact). After a while it can really start to wear on your nerves. (more…)

Cat Stevens – The World of Cat Stevens

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More Folk Rock

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  • Cat Stevens 1970 compilation album returns with outstanding Double Plus (A++) sound from start to finish and British Decca vinyl that is about as quiet as we can find it
  • These sides are doing most everything right — the sound is rich, full-bodied and Tubey Magical, Cat’s vocals are present, and there is plenty of studio space on the recording
  • Everything you want in a Folky Pop Star recording are here
  • Not an easy record to find in audiophile playing condition with top quality sound – it took us years to get this shootout going

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this recording. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with richness, body and harmonic coherency that have all but disappeared from modern recordings (and especially from modern remasterings). (more…)

Cat Stevens – Mona Bone Jakon

More Cat Stevens

More Reviews and Commentaries for Mona Bone Jakon

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  • With Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second, this copy of Cat Stevens’ brilliant third album will be very hard to beat
  • So transparent, open, and spacious, nuances and subtleties that escaped you are now revealed as never before 
  • When you play I Wish I Wish and I Think I See The Light on this vintage pressing, we think you will agree with us that this is one of the greatest Folk Rock albums of them all
  • “A delight, and because it never achieved the Top 40 radio ubiquity of later albums, it sounds fresh and distinct.”

So many copies excel in some areas but fall flat in others. This side one has it ALL going on — all the Tubey Magic, all the energy, all the presence and so on. The sound is high-rez yet so natural, free from the phony hi-fi-ish quality that you hear on many pressings, especially the reissues on the second label.

Right off the bat, I want to say this is a work of GENIUS. Cat Stevens made three records that belong in the Pantheon of greatest popular recordings of all time. In the world of Folk Pop, Mona Bone Jakon, Teaser and the Firecat and Tea for the Tillerman have few peers. There may be other Folk Pop recordings that are as good but we know of none that are better.

Mike Bobak was the engineer for these sessions from 1970. He is the man responsible for some of the best sounding records from the early ’70s: The Faces’ Long Player, Cat Stevens’ Mona Bone Jakon, Rod Stewart’s Never a Dull Moment, The Kinks’ Lola Versus Powerman And The Moneygoround, Part One, (and lots of other Kinks albums), Carly Simon’s Anticipation and more than his share of obscure English bands (of which there seems to be a practically endless supply).

Tubey Magical Acoustic Guitar reproduction is superb on the better copies of this album. Simply phenomenal amounts of Tubey Magic can be heard on every strum, along with the richness, body and harmonic coherency that have all but disappeared from modern recordings (and remasterings). (more…)