This White Hot Stamper Side Two is proof positive that the master tape used to cut the album back in 1973 was right here in the good old U. S. of A. The sound is positively JUMPING out of the speakers, like nothing you’ve ever heard before from this band — especially if you have a British pressing of the album. The sound has real life to it, unlike the sound on the import pressings of the album. Once you’ve played a good domestic pressing such as this one, it’s obvious that the Brit vinyl is made from sub-generation copy tapes. The imports sound like someone threw a blanket over your speakers.
We know this because we had a bunch of them cleaned up for our shootout and they all sucked. We always buy Electric Light Orchestra records on import vinyl; those are the ones that sound the best, the domestic pressings time and again sounding as though they were mastered from dub tapes. But On The Third Day is proof that this is not always the case, just as Siren proves that the best Roxy Music albums are not always British. Live and learn I guess.(more…)
This outstanding copy of ELO’s seventh studio album boasts solid Double Plus (A++) sound from first note to last- exceptionally quiet vinyl too
Lots of hits on this one, Turn to Stone and Mr. Blue Sky among them
“The last ELO album to make a major impact on popular music, Out of the Blue was of a piece with its lavishly produced predecessor, A New World Record… Out of the Blue was massively popular and did become the centerpiece of a huge worldwide tour that earned the group status as a major live attraction for a time.”
This KILLER sounding copy boasts insanely good Shootout Winning Triple Plus (A+++) sound or close to it from the first note to the last
This copy has real depth to the soundfield, full-bodied, present vocals, plenty of bottom end weight, and lovely analog warmth
You probably know most of these songs, even if you don’t recognize the titles (Waterfall, One Summer Dream)
“The soulful ‘Evil Woman’ was one of the most respectable chart hits of its era, and one of the best songs that Lynne ever wrote (reportedly in 30 minutes), while ‘Strange Magic’ showed off his writing in a more ethereal vein.”
Nobody seems to have noticed — at least I can find no evidence for anyone noticing, using a google search — that the song Fire on High, which opens side one of this album, is directly lifted from the opening song on Goodbye Yellow Brick Road, Funeral for a Friend.
He owes a lot of his sound to The Bee Gees as well as The Beatles, another thing about his music that nobody seems to notice.
But that takes nothing away from the fact that he is a consummate craftsman of catchy pop songs, the kind that get stuck in your head and make your day brighter than it would otherwise have been.
There are many fine examples of these kinds of songs on this very album. The first three (out of four) tracks on side one are all very strong: Fire On High, Waterfall and Evil Woman. On side two all the songs after Poker are very strong: Strange Magic, Down Home Town, and One Summer Dream.
That makes this a fairly consistent ELO record. Not quite the equal of A New World Record but not that far behind it either.(more…)
This outstanding copy of the band’s third studio album boasts solid Double Plus (A++) sound or BETTER from start to finish
This domestic LP is proof that the master tape used to cut the album in 1973 was right here in the good old U.S. of A.
“Electric Light Orchestra’s third album showed a marked advancement, with a fuller, more cohesive sound from the band as a whole and major improvements in Jeff Lynne’s singing and songwriting.”
“The ELO’s blending of rock drums, pop violins, a semiclassical feel in the sweep of these same violins, the midrange colors of the cello, and a vocal blend that reminds one of the Beatles in their sophisticated studio days, makes up all the key elements in their music.”
Once you’ve played a good domestic pressing, it’s obvious that the Brit vinyl is made from sub-generation copy tapes. The imports make it sound like someone threw a blanket over your speakers.
We know this because we had a bunch of them cleaned up for our first big shootout in 2010 and they all sucked. We always buy Electric Light Orchestra records on import vinyl; those are the ones that sound the best, the domestic pressings time and again sounding as though they were mastered from dub tapes.
But On The Third Day is proof that this is not always the case, just as Siren proves that the best Roxy Music albums are not always British. Live and learn I guess.(more…)
It’s obvious, or should be, that the Brit vinyl is made from sub-generation copy tapes. The imports sound like someone threw a blanket over your speakers. We know this because we had a bunch of them cleaned up for our shootout many years ago and they all sucked.
We tend to buy Electric Light Orchestra records on import vinyl; those are the ones that often sound the best. Many of the domestic pressings sound as though they were mastered from dub tapes.
But On The Third Day is proof that this is not always the case, just as Siren proves that the best Roxy Music albums are not always British.(more…)
MASTER TAPE SOUND ON SIDE ONE backed with an excellent side two, both on very quiet vinyl! It took us ages to put together enough clean copies to get this shootout going again. Many of the pressings we played suffered from too much compression and a phony hi-fi quality. We knew there had to be great copies out there somewhere, so we kept dropping the needle until we found a few good men. Here’s the best of them all — it rates our top grade of A+++ on side one and A++ on side two. Drop the needle on Handle With Care to hear how wonderful this music can sound when it’s cut right!
Side one of this copy is As Good As It Gets! The sound is natural, balanced, and tonally correct from top to bottom. Most copies we played weren’t nearly this open or transparent. The energy factor here is OFF THE CHARTS and the clarity is superb. We heard a lot of copies with a spitty, gritty top end, but this one is smooth like butter and sweet like candy! Side two is nearly as good but doesn’t have quiet the same energy factor. It’s still dramatically better than most copies out there.
It’s hard not to enjoy this music. Put Roy Orbison, Tom Petty, George Harrison, Bob Dylan and Jeff Lynne in a recording studio together and something good is bound to happen, right? This may not be these guys at the very top of their game, but the songs are still a lot of fun. Now that we’ve discovered these Hot Stampers, the sound is finally where we want it to be. Until this week, we were convinced that these songs sounded better on the radio! (That’s what tons of compression will do for you.)(more…)
An outstanding vintage pressing of Eldorado with solid Double Plus (A++) sound and vinyl that’s about as quiet as can be found
This pressing showed us a big, lively, musically involving Eldorado, one of the toughest nuts to crack in the entire ELO canon
There are some really awful UK pressings out there (and lots of bad domestics to be sure), so if you like the thrill of the hunt, make sure you have plenty of time and money to spend
5 stars: “Eldorado was strongly reminiscent in some ways of Sgt. Pepper’s Lonely Hearts Club Band. Not that it could ever have the same impact or be as distinctive, but it had its feet planted in so many richly melodic and varied musical traditions, yet made it all work in a rock context, that it did recall the Beatles classic.”
As a result of Jeff Lynne’s everything-but-the-kitchen-sink production approach, it’s the rare copy that provides enough transparency and resolution to bring out all the elements in the incredibly dense mixes — with strings! – that Lynne favors. But when you find a copy that does, what a THRILL it is.(more…)
Stunning sound from start to finish for this Harvest UK import with both sides earning nearly Triple Plus (A++ to A+++) grades, just shy of our Shootout Winner
These sides are huge, rich and Tubey Magical with wonderfully sweet and breathy vocals and a huge bottom end
“It was as personal an effort as Lynne had ever made in music, showcasing his work as singer, songwriter, guitarist, sometime synthesizer player, and producer, and it is more focused than its predecessor but also retains some of the earlier album’s lean textures… the album holds up well, and it and the single [Roll Over Beethoven] did go a long way toward getting them the beginnings of an audience in America.”
A++ sound on both sides for the crazy and wonderful debut album from ELO, an album that almost never sounds good! We had a bunch of these on hand and put them to the test recently. Most of them did not have the kind of sound that we were hoping for, but with enough copies on hand we were able to find a couple of winners. This one had our highest rated side one (A++ was as far as we wanted to go) and one of the better side twos as well. It isn’t a Demo Disc by any means but if you’re a fan of the band I’m sure you’ll be surprised at how much better a Super Hot Stamper like this one communicates the music.
We really enjoy the music of ELO, but it’s tough to find good sounding copies of their albums. We’ve been collecting copies of this album for years but it wasn’t until recently that we heard one that sounded good enough to be worthy of the Hot Stamper designation.(more…)