Half-Speed Mastered Winners

John Klemmer – Touch

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  • With excellent Double Plus (A++) grades on both sides, this is an outstanding copy of the best MoFi title to ever hit the site – exceptionally quiet vinyl too
  • Musically and sonically this is the pinnacle of Klemmer’s smooth jazz – we know of none better
  • The best sounding Smooth – But Real – Jazz Album ever made, and the only vintage MoFi we know of that deserves a place in your collection
  • “Klemmer sets up the mellow grooves that we have come to associate with smooth jazz. But there are no cliche blues licks, none of the crap that players in this genre try to foist upon as “hip.””

This Hot Stamper copy of Touch is one of the best sounding records Mobile Fidelity ever made, and the only record of theirs I know of that can’t be beaten by a standard real-time mastered pressing.

We’re talking Demo Disc quality sound here. The spaciousness of the studio and the three-dimensional placement of the myriad percussion instruments and bells within its walls make this something of an audiophile spectacular of a different kind — dreamy and intensely emotional.

Shocking as it may be, Mobile Fidelity, maker of some of the worst sounding records in the history of audio, is truly the king on this title.

Klemmer says pure emotion is what inspired the album’s creation. Whatever he tapped into to find the source of that inspiration he really hit paydirt with Touch. It’s the heaviest smooth jazz ever recorded. Musically and sonically, this is the pinnacle of Klemmer’s smooth jazz body of work. I know of none better. (If you want to hear him play more straight-ahead jazz try Straight from the Heart on Nautilus.) (more…)

Grateful Dead – American Beauty – An Honest-to-Goodness Hot Stamper MoFi

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Sonic Grade: B

Another MoFi LP reviewed

This is a Mobile Fidelity LP with SURPRISINGLY GOOD SOUND. The transparency and presence in the midrange is outstanding. The bass actually sounds in control on this copy — there’s no typically bloated MOFI bass to be found here.

This is the best sounding Mobile Fidelity American Beauty we have ever heard. It’s not perfect by any means, but it’s hugely better than we expected. 

Joan Baez Diamonds and Rust – The Half-Speed that Beats Most Originals

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Sonic Grade: B+

One of the best Half Speed Mastered Records we have ever played.

In our recent shootout we were shocked — shocked — to hear how good our old copy of Diamonds and Rust on Nautilus sounded head to head against the best first pressings. Hard to believe, but it actually beat every one.

If I hadn’t heard it with my own two ears I wouldn’t have believed it. 

OUR MOST RECENT HOT STAMPER COMMENTARY

  • If all you know are the originals you will be surprised at just how rich, natural and Tubey Magical the sound here can be
  • Guaranteed to handily beat the Nautilus Half-Speed as well as the TAS List-approved MoFi (which is awful by the way)
  • Five Stars: “…the real hit was the title track, a self-penned masterpiece and… her finest moment as a songwriter…”

Wonderful sound — rich, full, warm, and sweet. The vocals are full-bodied and breathy. The acoustic guitars are fairly natural for a pop recording from 1975.

Play Jesse on side two to hear the lovely space of the studio, as well as more harmonic extension on the acoustic instruments. Watch out for track two; the EQ on the vocal is always a problem. (more…)

Holst / The Planets / Solti / LPO – MoFi (and UHQR) Debunked

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Sonic Grade: Regular MoFi LP: F / UHQR: D

Both Hall of Shame pressings.

We recently auditioned an excellent sounding Decca Purple Label British import LP, the same performance, the same recording that Mobile Fidelity remastered (#510), but, thankfully, it sounded A WHOLE LOT BETTER!

I just listened to both and a catalog of the faults of the MFSL pressing would be quite lengthy. I won’t waste your time listing them. Although this recording is not perfect, the Decca pressing shows it in its proper light.

It finds the right balance between the multi-miked sound of the Super Disc List Mehta and a vintage recording from the Golden Age such as the famous Boult. The sound is very dynamic and the brass has tremendous weight. The MoFi is thin and bright.

Their UHQR is somewhat better, not quite as thin and phony up top, but not really very good either. Avoid them both.

Kotekan – Percussion and… – Reviewed in 2002

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A distinguished member of the Better Records Rock and Pop Hall of Fame. 

This IMMACULATE Reference LP with No Sogn Of Play (NSOP) is the best sounding record RR ever made! 

“.. heady, explosive, weird, bizarre and brilliant playing…” – S.F. Chronicle

Frank Sinatra and Count Basie – Sinatra At The Sands – Mobile Fidelity Reviewed

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Sonic Grade: B

Another MoFi LP reviewed.

It’s pretty good. Compressed and veiled, but the tonality is correct. I give it a B. It will beat the vast majority of reissues, which tend to be thin, gritty, and woefully lacking in Tubey Magic. And the vinyl will be quiet, which is something not many of the best pressings can offer. 

But who wants to listen to a B grade record when we you can buy A and A+ pressings from us? (more…)

Emmylou Harris – Quarter Moon In A Ten Cent Town – MoFi Debunked

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Sonic Grade: F

A Hall of Shame pressing and another MoFi LP debunked.

I comment below about the ridiculous sound of the MoFi pressing. When you have a recording that is already plenty bright, adding more top end and taking out more lower midrange is the last thing in the world you should be doing. Since that is standard operating procedure for MoFi (and other Half-Speed mastering outfits), that’s exactly the approach they ended up taking.

The sound that Emmylou and her producers were going for here is clean, detailed and low distortion, which is exactly what the best pressings, the “hottest stampers”, deliver.

Those of you who have had the opportunity to play the Mobile Fidelity pressing of this record should know what a disaster it is.

Is brighter better? Apparently Mobile Fidelity thinks so. And they did the same thing to Gordon Lightfoot’s album. His voice sounds so phony on the MoFi that you’d swear it’s a bad CD. But it’s not a bad CD. It’s an expensive audiophile record! (more…)

The Doobie Brothers – Takin’ It To The Streets – MoFi Reviewed

More The Doobie Brothers

More Takin’ It To The Streets

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Sonic Grade: B

Another MoFi LP reviewed.

This is an IMMACULATE Mobile Fidelity LP with EXCELLENT SOUND. I’m surprised how good this copy is. The mids and highs are close to Right On The Money (ROTM). The bass is not as deep and well defined as it should be, but that’s the fault of Half-Speed mastering, not MOFI. One of their best titles. And quite rare to boot.

Bloomfield / Kooper / Stills – Super Session – A MoFi Winner

More Super Session

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Sonic Grade: B

Another MoFi LP reviewed.

Super Session is one of the best-sounding MoFi pressings. The midrange sounds wonderful — silky sweet and transparent. Not having been cut by Stan Ricker, the top end doesn’t have that SR/2 boost. Overall it’s a very nice sounding record, and the music just can’t be beat. 

Fleetwood Mac – Fleetwood Mac – A MoFi Winner

More Fleetwood Mac

More Fleetwood Mac – Fleetwood Mac

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Sonic Grade: B

Another MoFi LP reviewed, and this one is actually pretty good. 

The Mobile Fidelity pressing of this album can actually sound quite good (if you get hold of a decent copy that is). Audio perfection it ain’t, but all in all it’s a very enjoyable record. Its strengths are many and its faults are few. Let’s give credit where credit is due; the MoFi is rich, transparent, sweet, and natural, and you won’t hear us saying that about very many MoFi pressings.

It belongs in their Top Ten, toward the bottom I would guess, due to its own sloppy bottom, but that’s half-speed mastering for you. Like most new audio technologies it was a giant step in the wrong direction: backwards. (more…)