More on the amazing album that this song is found on, The Original Soundtrack.
Sheet Music is in our opinion the most consistently well written and produced 10cc album, with every track performed with heart and recorded with exquisite attention to detail. Each song flows into the next and there is simply not a dull moment to be found. Sheet Music is arguably the best record they ever made, although I’m such a fan, I think they’re all great. (The first five albums anyway.) (more…)
On side two the tonal balance is key. If there is any boost to the top end the vocals on track two will SPIT LIKE CRAZY.
This is also a good test for how well your cartridge and arm are doing their jobs. Sibilance is a bitch. The best pressings, with the most extension up top and the least amount of aggressive grit and grain mixed into the sound, played using the best front ends, will keep it to a minimum. VTA, tracking weight, azimuth and anti-skate adjustments are critical to reducing the spit in your records.
We discuss the sibilance problems of MoFi records all over the site. Have you ever read Word One about this problem elsewhere? Of course not. Audiophiles and audiophile reviewers just seem to put up with these problems, or ignore them, or — even worse — simply fail to recognize them at all.
Play around with your table setup for a few hours and you will no doubt be able to reduce the sibilance problems on your favorite test and demo discs. All your other records will thank you for it too. (Especially your Beatles records. Many Beatles pressings are spitty, and the MoFi Beatles pressings are REALLY bad.)
The recording itself is a Tour De Force, one reason I’ve been demonstrating my stereo with it for more than thirty years. The extended suite that opens side one, One Night in Paris, has ambience, sound effects, and incredibly dynamic multi-tracked vocals at its climax that will make your jaw drop.
What outstanding sides such as these have to offer is not hard to hear: (more…)
This is an AMAZINGLY WELL RECORDED album, a record I would have no problem ranking in the Top Rock Recordings of All Time! We’re tough graders on this album because we know how good it can sound, which is SHOCKINGLY GOOD. (more…)
A distinguished member of the Better Records Rock Hall of Fame.
WHAT A RECORD! Both sides are lively, energetic, super transparent and full of ambience. There’s more depth to the soundfield, more WHOMP to the bottom end and more texture to the instruments than you’re going to hear elsewhere. The bottom end is KILLER with some seriously meaty, well-defined bass. The drums sound AMAZING — just listen to all that THWACK to the snare. The overall sound is BIG, BOLD, LIVELY, DYNAMIC, and POWERFUL — in other words, As Good As It Gets!
As good as the DCC Gold CD is, this record has all the MAGIC of ANALOG vinyl — and then some. It’s the kind of sound you will never hear coming from a CD or digital source of any kind, trust me. If there isn’t a huge difference in sound between the Hoffman DCC gold CD and your LP, I can tell you without fear of contradiction that you either A): Need a better front end (turntable, arm, cart, phono stage — which of course we are happy to help you with) or B): have a bad copy of the vinyl. (C would be a combination of the two, which, if I can say it without sounding too smug or arrogant, is the most likely scenario. I haven’t run into too many audiophiles who own a hot copy of The Original Soundtrack, or have the kind of system that can play a record like it. As I am fond of saying, this is the kind of record that is guaranteed to bring any audiophile stereo to its knees.) (more…)
Universal 180 Gram LP
Sonic Grade: F
This new Universal Super DeLuxe import LP appears to be the regular vinyl version that, for all we know, might actually still be in print in Europe. It appears to have been specially pressed on heavy import vinyl for our domestic market as part of the new Universal Heavy Vinyl series. Either that or it’s being made from the old metalwork for the LP that would have been available most recently in Europe (out of print by now I should think).
Which is a very long-winded way of saying that it is not in any real sense remastered, if such a claim is being made for it or the series. Rather it has simply been repressed on Heavy Vinyl in Europe and imported to the states. None of which is either here nor there because the record is an absolute DISASTER.
On any given day a White Hot side one of The Original Soundtrack could very well be the best sounding record on the site.
“On any given day” being a day when we don’t have a hot German copy of Dark Side of the Moon to offer, or a killer Eagles first album, or a top copy of the self-titled BS&T, or an RL Zep II, or a White Hot Teaser and the Firecat. Most days we don’t have such records on the site, and on those days this 10cc album is a recording Tour De Force that would be bigger, bolder, more dynamic, and more powerful than anything we could throw against it.
With this superb British pressing some of you who might consider yourselves more devoted fans of the band will finally be able to hear what a good recording this is. The typical domestic copy is a disaster as are some of the British originals and reissues; we should know, we cleaned them, played them and heard them for ourselves. (more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Now, thanks for 10cc. I know I know… for some weird reason I never listened to them and… wow. Just wow! I hesitated between 3 albums on your site and ended up getting Dare because my wife really liked that album — we were listening on crappy Amazon MP3 to pick a LP from you guys.
But Original Soundtrack… came a close second. And actually Deceptive Bend is great too, just that I wanted my first 10cc to be with the original crew.