An outstanding early pressing, boasting solid Double Plus (A++) Demo Disc sound – exceptionally quiet vinyl too
Superb clarity and energy, solid down low, silky up top, and as HUGE as any recording you’ve ever heard
A Top 100 Album and a real sonic blockbuster on a copy that sounds as good as this one does
The extended suite that opens side one has ambience, sound effects, and a climax of powerful, multi-tracked vocals that will make your jaw drop
“Musically there’s more going on than in ten Yes albums, yet it’s generally as accessible as a straight pop band… 10cc is among the few groups actively engaged in stretching rock’s restrictive boundaries in a constructive and meaningful manner, without falling prey to pretense or excess.”
The recording itself is a Tour De Force, one reason I’ve been demonstrating my stereo with it for more than thirty years. The extended suite that opens side one, One Night in Paris, has ambience, sound effects, and incredibly dynamic multi-tracked vocals at its climax that will make your jaw drop.
What outstanding sides such as these have to offer is not hard to hear:(more…)
With outstanding Double Plus (A++) sonic grades on both sides, this huge, lively copy of Deceptive Bends will be very hard to beat – exceptionally quiet vinyl too
A longstanding member of our Top 100 – it’s one of the most DYNAMIC, ENERGETIC, well recorded pop albums we know of
“Eric Stewart and Graham Gouldman kept the group alive and turned in a surprisingly solid album with 1977’s Deceptive Bends. It may lack the devil-may-care wackiness that popped up on previous 10cc albums, but it makes up for it by crafting a series of lush, catchy pop songs that are witty in their own right. All in all, Deceptive Bends is the finest achievement of 10cc’s post-Godley and Creme lineup and well worth a spin for anyone who enjoyed Sheet Music or The Original Soundtrack.”
This is an AMAZINGLY WELL RECORDED album, a record I would have no problem ranking in the Top Rock Recordings of All Time! We’re tough graders on this album because we know how good it can sound, which is SHOCKINGLY GOOD.(more…)
A distinguished member of the Better Records Rock Hall of Fame.
WHAT A RECORD! Both sides are lively, energetic, super transparent and full of ambience. There’s more depth to the soundfield, more WHOMP to the bottom end and more texture to the instruments than you’re going to hear elsewhere. The bottom end is KILLER with some seriously meaty, well-defined bass. The drums sound AMAZING — just listen to all that THWACK to the snare. The overall sound is BIG, BOLD, LIVELY, DYNAMIC, and POWERFUL — in other words, As Good As It Gets!
As good as the DCC Gold CD is, this record has all the MAGIC of ANALOG vinyl — and then some. It’s the kind of sound you will never hear coming from a CD or digital source of any kind, trust me. If there isn’t a huge difference in sound between the Hoffman DCC gold CD and your LP, I can tell you without fear of contradiction that you either A): Need a better front end (turntable, arm, cart, phono stage — which of course we are happy to help you with) or B): have a bad copy of the vinyl. (C would be a combination of the two, which, if I can say it without sounding too smug or arrogant, is the most likely scenario. I haven’t run into too many audiophiles who own a hot copy of The Original Soundtrack, or have the kind of system that can play a record like it. As I am fond of saying, this is the kind of record that is guaranteed to bring any audiophile stereo to its knees.)(more…)
This new Universal Super DeLuxe import LP appears to be the regular vinyl version that, for all we know, might actually still be in print in Europe. It appears to have been specially pressed on heavy import vinyl for our domestic market as part of the new Universal Heavy Vinyl series. Either that or it’s being made from the old metalwork for the LP that would have been available most recently in Europe (out of print by now I should think).
Which is a very long-winded way of saying that it is not in any real sense remastered, if such a claim is being made for it or the series. Rather it has simply been repressed on Heavy Vinyl in Europe and imported to the states. None of which is either here nor there because the record is an absolute DISASTER.
A distinguished member of the Better Records Rock and Pop Hall of Fame and another in our series of Demo Discs for Bass.
The remarkable level of transparency found on this copy allows you to pick out each background vocal and follow it throughout the choruses. The bass here is PERFECTION: it’s deep, punchy and POWERFUL. When you get the right pressing of this album, the bass is so good it will make every other rock record you own sound positively anemic.
This is the kind of recording that will have you asking yourself “Why don’t my other rock records sound like this?”(more…)
On side two the tonal balance is especially critical. Any boost to the top end will cause the vocals on the second track to SPIT LIKE CRAZY. This is a good test for how well your cartridge and arm are doing their jobs.
Sibilance is a bitch. The best pressings, with the most extension up top and the least amount of aggressive grit and grain mixed in with the music, played using the highest quality properly set up front ends, will keep siblilance to a minimum.
VTA, tracking weight, azimuth and anti-skate adjustments are critical to reducing the spit in your records.(more…)
On any given day a White Hot side one of The Original Soundtrack could very well be the best sounding record on the site.
“On any given day” being a day when we don’t have a hot German copy of Dark Side of the Moon to offer, or a killer Eagles first album, or a top copy of the self-titled BS&T, or an RL Zep II, or a White Hot Teaser and the Firecat. Most days we don’t have such records on the site, and on those days this 10cc album is a recording Tour De Force that would be bigger, bolder, more dynamic, and more powerful than anything we could throw against it. (more…)
You’ll find solid Double Plus (A++) sound on both sides of this outstanding early UK pressing of 10cc’s fourth album, How Dare You! – exceptionally quiet vinyl too
This wonderful LP will show you that 10cc’s commitment to Audiophile Recording Quality was – at the time – beyond reproach
Forget the dubby domestic stuff and the no-doubt-awful Heavy Vinyl, this early British pressing is huge, spacious and rich, with prodigious amounts of bass, like no other copy you’ve heard
4 stars: “…a well-crafted album that shows off 10cc’s eccentric humor and pop smarts in equal measure… it remains a solid album of witty pop songs that will satisfy anyone with a yen for 10cc.”
With this superb British pressing some of you who might consider yourselves more devoted fans of the band will finally be able to hear what a good recording this is. The typical domestic copy is a disaster as are some of the British originals and reissues; we should know, we cleaned them, played them and heard them for ourselves.(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Now, thanks for 10cc. I know I know… for some weird reason I never listened to them and… wow. Just wow! I hesitated between 3 albums on your site and ended up getting Dare because my wife really liked that album — we were listening on crappy Amazon MP3 to pick a LP from you guys.
But Original Soundtrack… came a close second. And actually Deceptive Bend is great too, just that I wanted my first 10cc to be with the original crew.
With a seriously good Double Plus (A++) side one and a side two that’s close to it, this copy was great fun to play
The sound is big, lively, clear and present, probably pretty close to what the band was going for
4 stars: “Displaying a command of pop styles and satire, 10cc showed that they are a force to be reckoned with on their first album. Hooks abound, harmonies shine, and instrumentation is dazzling without being overdone. Whether doing loving parodies of the music they grew up with or satirizing contemporary issues, 10cc show themselves to be top-level purveyors of pop on their debut recording.”
One interesting finding from this, our first extensive shootout, was that some of the domestic pressings could actually sound quite good, something I would not have expected to be true for this album (or Sheet Music for that matter).(more…)