Sonic Grade: F
Lifeless, compressed and thin. It’s clean and transparent, I’ll give it that, which is no doubt why so many audiophiles have been fooled into thinking it actually sounds better than the original. But of course there is no original; there are thousands of them, and they all sound different.
The Hot Stamper commentary below is for a pair of records that proves our case in the clearest possible way. (more…)
I spied an interesting quote on the Acoustic Sounds site years ago:
“…Analogue Productions’ 45rpm remastering improves upon the venerable Athena LP release from the late 80s, with better dynamics and a fuller ‘middle’ to the orchestral sonority.” – Andrew Quint, The Absolute Sound, October 2010
For some reason Andrew uses the word “venerable” when a better, certainly more accurate term would have been “execrable.” Having played the record in question this strikes us as the kind of mistake that would not be easy to make.
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Sonic Grade: F
A Hall of Shame Record and another Remastered Audiophile Pressing debunked.
Chesky is one of the WORST AUDIOPHILE LABELS in the history of the world. Their recordings are so artificial and “wrong” that they defy understanding. That some audiophiles actually buy into this junk sound is equal parts astonishing and depressing. Their own records are a joke, and their remasterings of the RCA Living Stereo catalog are an abomination. If there is a more CLUELESS audiophile label on the planet, I don’t know who it could be, and I don’t want to find out.
Audiophile Reissues of the Reiner/CSO Recording
Both the Chesky and Classic reissue pressings of LSC 2446 are just plain terrible. Embarrassingly the latter is found on the TAS List.
There is a newly remastered 33 RPM pressing of the album garnering rave reviews in the audiophile press. We will didn’t like it either.
Please note that in many of the reviews for the new pressing, the original vinyl used for comparison is a Shaded Dog pressing. In our experience almost no Shaded Dog pressings are competitive with the later White Dog pressings, and many of them are just plain awful, as we have noted previously on the site.
The “original is better” premise of most reviewers renders the work they do practically worthless, especially to those of us who take the time to play a wide variety of pressings, judging them on the merits of their sound, not the color of their labels.
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