Labels With Shortcomings – Athena & Chesky

Piano Works of Claude Debussy, Maurice Ravel / Ivan Moravec – The Only Good Record Athena Ever Made

Athena, not a label we have ever associated with good sound!

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But they did a great job on this album (or at least I thought so many years ago when I played it last. For purposes of this commentary, let’s assume the sound still holds up).

This is how to make a good audiophile record. Yes, there is such a thing. They may be rare but they do exist.

Take a good tape, hire someone who knows his way around a normal-speed cutting lathe (with 5800+ credits on Discogs I would hope he knows what he’s doing) as well as classical music (he cut a huge number of records for Nonesuch back in the day, which means he also can work fast and cheap), press it on good vinyl and let the audiophiles of the world enjoy it.

The Connoisseur Society original may in fact be better, but where are you going to find one?

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Who Can’t Hear Differences in Sound from Side to Side on Most Records?

 

More of the music of Rimsky-Korsakov (1844-1908)

Our Favorite Performance of Scheherazade – Ansermet with the Suisse Romande

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Audiophile Reissues of the Reiner/CSO Recording

Both the Chesky and Classic reissue pressings of LSC 2446 are just plain terrible. Embarrassingly the latter is found on the TAS List.

There is a newly remastered 33 RPM pressing of the album garnering rave reviews in the audiophile press. We didn’t like it either.

Please note that in many of the reviews for the new pressing, the original vinyl used for comparison is a Shaded Dog pressing. In our experience almost no Shaded Dog pressings are competitive with the later White Dog pressings, and many of them are just plain awful, as we have noted previously on the site.

The “original is better” premise of most reviewers renders the work they do practically worthless, especially to those of us who take the time to play a wide variety of pressings and judge them on the merits of their sound, not the color of their labels.
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The Power of the Orchestra – Remastered by the Geniuses at Chesky!

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Sonic Grade: F

Lifeless, compressed and thin. It’s clean and transparent, I’ll give it that, which is no doubt why so many audiophiles have been fooled into thinking it actually sounds better than the original. But of course there is no original; there are thousands of them, and they all sound different.

The Hot Stamper commentary below is for a pair of records that proves our case in the clearest possible way.

We sold a two pack of Hot Stamper pressings, one with a good side one and one with a good side two. Why? Because the other sides were terrible! If you have a bad original, perhaps the Chesky will be better.

Our advice is not to own a bad original, or this poorly-mastered Chesky reissue, but instead we advise that you make the effort to find a good original, or two or three, as many as it takes to get two good sides. (more…)

Venerable or Execrable? If It’s Athena the Chances Are Good It’s the Latter

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I spied an interesting quote on the Acoustic Sounds site years ago:

“…Analogue Productions’ 45rpm remastering improves upon the venerable Athena LP release from the late 80s, with better dynamics and a fuller ‘middle’ to the orchestral sonority.” – Andrew Quint, The Absolute Sound, October 2010

For some reason Andrew uses the word “venerable” when a better, certainly more accurate term would have been “execrable.” Having played the record in question this strikes us as the kind of mistake that would not be easy to make.

Athena was a godawful audiophile label that lasted all of five records, only one of which was any good, and it’s not this one. It was in fact the Debussy piano recording with Moravec, mastered by the venerable Robert Ludwig himself, a man who knows his classical music, having cut scores if not hundreds of records for Nonesuch in the ’60s and ’70s. (more…)

Rachmaninoff / Symphonic Dances / Johanos – Audiophile Reviewers Raved About This Muddy Mess

I guess things never change.

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Sonic Grade: F

This Athena LP is now long out of print, but it received rave reviews when it was released. (We quote many of them below.) This album is a member of the TAS Super Disc list, but we found the sound awfully opaque, smeary, slow and compressed, the kind of bad “analog” sound that Doug Sax brought to the early AP releases. 

The sticker on the shrink wrap of a previous copy had these quotes:

“…for this is the definitive symphonic recording to date.” – J. Gordon Holt/ Stereophile

“Wins ‘Best Record of the Year’ award against tough competition.” – Joe Hart/High End Audio Press & Music Review

“HP heard the Athena remastering of the Rachmaninoff and found it stunning. He could recommend it without reservation.” – Harry Pearson/The Absolute Sound #57 (more…)

We Review the Chesky Remastered Scheherazade

More of the music of Rimsky-Korsakov (1844-1908)

Our Favorite Performance of Scheherazade – Ansermet with the Suisse Romande

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Sonic Grade: F

Chesky is one of the WORST AUDIOPHILE LABELS in the history of the world. Their recordings are so artificial and “wrong” that they defy understanding. That some audiophiles actually buy into this junk sound is equal parts astonishing and depressing. Their own records are a joke, and their remasterings of the RCA Living Stereo catalog are an abomination. If there is a more CLUELESS audiophile label on the planet, I don’t know what it could be, and I don’t want to find out.