- Power and energy are what make this album a true Demo Disc in the world of rock, and this copy has both
- A sleeper in the Santana canon that boasts some of the best sound the band ever put to vinyl
- Top tracks here include three of their biggest barnburners: Dealer (Traffic), Stormy and Well…All Right (Blind Faith)
I know EXACTLY the kind of sound I like on this album. When the background vocals come in, on the Tubey Magical copies they are wall to wall and sweet as honey, with no trace of grain or edge. Big as life too. The guitars have plenty of bite, but no matter how loud they get, they never seem to strain. The louder they get the more I like it. That’s the ticket as far as I’m concerned.
Turn It Up
Like Abraxas, when you play a Hot Stamper copy good and loud, you find yourself marvelling at the musicianship of the group — because the Hot Stamper pressings, communicating all the energy and clarity the recording has to offer, let you hear what a great band they were.
If you’ve got the the big room, big speakers, and plenty of power to drive them, you can have a LIVE ROCK AND ROLL CONCERT in your very own house.
When Santana lets loose with some of those legendary monster power chords — which incidentally do get good and loud in the mix, unlike most rock records which suffer from compression and “safe” mixes — I like to say that there is no stereo system on the planet that can play loud enough for me. (Horns maybe, but I don’t like the sound of horns, so there you go.) Here are some other records that have especially dynamic guitar solos.
What makes it possible to play this record so loud and still enjoy it? Simple. When the sound is smooth and sweet, completely free of aggressive mids and highs, records get BETTER as they get LOUDER. (This of course assumes low distortion and all the rest, but the main factor is correct tonality from top to bottom, and this record has it.) (more…)