A distinguished member of the Better Records Rock and Pop Hall of Fame.
Get your Money For Nothing and your chicks for free on this White Hot Stamper, sure to be the best sounding copy you’ve ever heard of this ’80s classic! Here’s a knockout pressing that finished right up at the top for BOTH sides. We played a ton of copies this week; most of them sounded like CDs, but not this one! I can’t explain why this copy has such warm, sweet, analog sound, but it sure blew me away. The huge three-dimensional soundfield on both sides allows you to hear right INTO the music.
Of course no two copies sound alike, but there are some fairly consistent traits to both the British copies and the American ones. The best Brit imports are very rich, warm, and sweet, but most of them are dead and veiled. The Hot Stamper domestic copies (mastered by Robert Ludwig) have more meat on the bones down low and rock like you wouldn’t believe. We’re calling this one a draw — there are amazing domestic pressings and amazing import pressings, but the average copy of either is hardly worth the vinyl it was pressed on.
Surprisingly Analog Master Tape Sound
Both sides of this bad boy are SUPERB. Drop the needle on So Far Away — it’s airy, open, and spacious, yet incredibly rich and full-bodied. The bottom end really delivers the goods — it is punchy and meaty with lots of deep, tight bass. The vocals are Right On The Money — breathy and full with lots of texture and ambience. The 3-D quality to the soundfield here is something that you just won’t hear on most copies. The overall sound is lively, dynamic, and very natural. (more…)