- This vintage copy boasts outstanding Double Plus (A++) grades or BETTER from top to bottom
- Recorded at Sound City, home to some of the greatest analog sound ever recorded, this 1981 Backstreet pressing still has plenty of ANALOG magic in its grooves
- 4 1/2 stars: “…filled with great songwriting, something that’s as difficult to achieve as a distinctive sound… ‘The Waiting’ became the best-known song on the record, but there’s no discounting ‘A Woman in Love,’ ‘Nightwatchman,’ ‘Kings Road,’ and ‘The Criminal Kind,’ album tracks that would become fan favorites… it has a tremendous set of songs and a unified sound that makes it one of Petty’s finest records.”
- If you’re a fan of Tom Petty and his hard-rockin’ bandmates, this is a classic from 1981 that belongs in your collection
- The complete list of titles from 1981 that we’ve reviewed to date can be found here.
The album tends to be bright, thin, edgy, pinched and gritty — radio friendly, maybe, but not especially audiophile friendly.
We hate that sound but we are happy to report that some copies manage to avoid it, and this is one of them.
Is that richer, fuller sound the sound of what’s on the master tape or did the mastering engineer “fix” it?
We’ll never know, now will we?
What we can know is the sound of the pressings we actually have to play, and this one is killer.
Recorded by Shelly Yakus at Sound City, Van Nuys and at Cherokee Studios, Hollywood, CA, this vintage Backstreet pressing has the kind of Tubey Magical Midrange that modern records can barely BEGIN to reproduce. Folks, that sound is gone and it sure isn’t showing signs of coming back. If you love hearing INTO a recording, actually being able to “see” the performers, and feeling as if you are sitting in the studio with the band, this is the record for you. It’s what vintage all analog recordings are known for — this sound.