Labels We Love – Capricorn

Allman Brothers / Eat a Peach – Transparency, Energy, and Whomp

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What do high grades give you for this album? Unbelievably Tubey Magical guitars, huge whomp factor on the bottom end, incredible dynamics and life, shocking transparency and clarity, and the kind of immediacy that puts these crazy southern rockers right in your very own living room. The overall sound is impressively BIG, BOLD, and POWERFUL!

This and Live At Fillmore East are the two monumental albums these guys ever put out, and they have a lot in common. You know what you’re gonna get with the Allmans: dueling electric guitars, sweet acoustic guitars, energetic drumming, and full-bodied vocals throughout. There’s obviously a lot of exploration — two complete sides are dedicated to the song Mountain Jam — but the heartfelt radio-friendly songs such as Melissa and Little Martha keep up the energy and provide maximum enjoyment factor.

The Three Keys: Transparency, Energy, and WHOMP

A great copy like this one really lets everything that’s great about this music come through. You can easily pick out each of the musicians and follow their contributions over the course of the songs. The huge WHOMP factor throughout kicks up the excitement factor and sets the foundation for the extended guitar jams to work their Southern bluesy magic. The top end extends beautifully to bring out all the ambience and spaciousness of the Fillmore. (more…)

The Gregg Allman Band – Playin’ Up A Storm

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  • This stunning sounding 2-pack of the band’s sophomore release boasts Shootout Winning Triple Plus (A+++) sound from first note to last
  • A surprisingly well-recorded album – the sound is exceptionally rich, smooth and natural in the best tradition of Seventies Analog
  • “Playin’ Up a Storm is a well-made, expertly performed set of blues-rock, soul-pop, and straight-ahead rock & roll …the thing that makes it one of Allman’s best solo efforts is the terrific performances. Not only is he in fine voice, delivering each song with conviction, but his supporting band – featuring such luminaries as Dr. John and Bill Payne – is sterling.”

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The Allman Brothers – Brothers and Sisters

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  • Off the charts Shootout Winning Triple Plus (A+++) sound or close to it on both sides of this classic Allman Brothers album – nothing could touch the superior sonics of this copy on either side
  • Of course it won our shootout – you won’t believe how lively, full-bodied, clear and HUGE it is compared to anything you’ve heard; super quiet vinyl too!
  • 4 stars on Allmusic and the band’s commercial peak
  • “The Allman Brothers Band’s first new studio album in two years shows off a leaner brand of musicianship, which, coupled with a pair of serious crowd-pleasers, ‘Ramblin’ Man’ and ‘Jessica,’ helped drive it to the top of the charts for a month and a half and to platinum record sales.”

*NOTE: On side one, a mark makes 4 very light dull ticks at the end of track 2, Ramblin’ Man.

One of the keys to the Allman’s sound is obviously the guitars and the way they blend with one another. Most pressings are dry, congested, and grainy, which hurts the effect of the multiple harmonizing leads. When you get a copy with smoother, more Tubey Magical, more open sound, you really understand what sound the band was after. It’s wonderful when it works, and no one ever did it better than these guys. (more…)

The Allman Brothers – Eat a Peach

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  • One of the best copies of Eat a Peach to ever hit the site – Triple Plus (A+++) sound or close to it on ALL FOUR SIDES!
  • These superb sides have the immediacy that will put these wild and crazy southern rockers right in your living room
  • Includes phenomenal hits Melissa, One Way Out, Blue Sky, Ain’t Wastin’ Time No More and more
  • 5 stars: “The record showcases the Allmans at their peak .. proof of Duane Allman’s immense talents and contribution to the band.”

What do such high grades give you for this album? Unbelievably Tubey Magical guitars, huge whomp factor on the bottom end, incredible dynamics and life, shocking transparency and clarity, and the kind of immediacy that puts these crazy southern rockers right in your very own living room. The overall sound is impressively BIG, BOLD, and POWERFUL! (more…)

Jonathan Edwards – Jonathan Edwards

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  • Incredible sound for this pink label Capricorn pressing with Shootout Winning Triple Plus (A+++) sound on the first side and solid Double Plus (A++) sound on the second
  • If you’re a fan of superbly well recorded Acoustic Guitar Folk Pop (think James Taylor and Dan Fogelberg), this pressing is guaranteed to deliver the goods
  • 4 1/2 stars: “His brand of homespun tunes were perfectly matched to his emotive and soaring tenor… The acoustic and optimistic “Sunshine” struck a chord with listeners in the fall of 1971, climbing all the way to a lofty number four on the Pop Singles survey…

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The Allman Brothers – Brothers and Sisters

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Brothers and Sisters

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A distinguished member of the Better Records Rock and Pop Hall of Fame

A+++ sound on side one! It’s bigger, punchier and livelier with more texture to the instruments than any other copy we played. Finding great sound for this album is no mean feat. This one is definitely not a Demo Disc — no copy will truly be — but it’s a BIG step up from most of the copies we played. I don’t think you could find better sound for the first side no matter what you did!

One important note: it’s pretty clear that Ramblin’ Man and Jessica were not cut from the real master tapes. We’ve talked about this issue before; there are many instances where the master tapes were used to cut the singles and then dubs were used for those tracks on the albums. (It’s why the versions of the songs on The Best Of Traffic sound so much better than they do on the regular albums, for example.)

Those Harmonizing Guitars

One of the keys to the Allman’s sound is obviously the guitars and the way they blend with one another. The typical copies tend to be dry, congested, and grainy, which hurts the effect of two soaring, harmonizing leads. When you get a copy with smoother, more tubey magical, more open sound, you really understand what the band was going for. It’s a great sound, and no one ever did it better than these guys. (more…)

Gregg Allman – Laid Back

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A distinguished member of the Better Records Rock and Pop Hall of Fame

We were surprised at how well recorded the album is, dramatically better than the Allmans’ album from the same year, Brothers and Sisters. Full-bodied and Tubey Magical, with especially smooth, present vocals, this is the sound we love at Better Records.

AMG Review

Recorded in the same year as the Brothers and Sisters album, this solo debut release is a beautiful amalgam of R&B, folk, and gospel sounds, with the best singing on any of Gregg Allman’s solo releases. He covers his own “Midnight Rider” in a more mournful, dirge-like manner, and Jackson Browne’s “These Days” gets its most touching and tragic-sounding rendition as well. Although Chuck Leavell and Jaimoe are here, there’s very little that sounds like the Allman Brothers Band — prominent guitars, apart from a few licks by Tommy Talton (Cowboy, ex-We the People), are overlooked in favor of gospel-tinged organ and choruses behind Allman’s soulful singing. (more…)

The Allman Brothers – … At Fillmore East

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  • A big, hard-rockin’ copy with STUNNING Triple Plus (A+++) sound on side one and three other sides that rate a Double Plus (A++) or better 
  • This is one of the all-time great live albums, and with a copy like this one YOU ARE THERE at the Fillmore
  • The WHOMP factor here kicks up the excitement – here is the low end foundation that lets the extended guitar jams work
  • 5 stars: “At Fillmore East is like a great live jazz session, where the pleasure comes from the musicians’ interaction and playing… The pinnacle of the Allmans and Southern rock at its most elastic, bluesy, and jazzy.”

This is one of the all-time great live albums, and with a copy like this one you are there at the Fillmore.

The guitars really jump out of the speakers here and the bass is solid and full. When the music sounds this good, with this kind of rich, musical tonality and big, open soundstage, it just WORKS.

We’ve been looking for great copies of this one forever, but most of them are trashed and don’t sound all that good. A transparent, lively copy like this one really lets everything that’s great about this music come through. You can easily pick out each of the musicians and follow their contributions over the course of the songs.

The huge WHOMP factor throughout kicks up the excitement and sets the necessary foundation for the crazy guitar jams to sound correct. The top end has the kind of extension necessary to bring out all the ambience and spaciousness.

You can really hear the extension on the top end when you listen to the drumming. The cymbals are clear and silky sweet. In fact, the drums on this album are some of the most well-recorded drums I have EVER heard on a live rock record. (more…)