Top Artists – Little Feat

Little Feat – A MoFi Pseudo-Hot Stamper

Little Feat Albums with Hot Stampers

Little Feat Albums We’ve Reviewed

Sonic Grade: C

Ten or fifteen years ago we did a listing for this Mobile Fidelity pressing as a Pseudo-Hot Stamper. Here is what we wrote at the time:

This is actually a pretty good sounding record, all things considered. We put this one through our cleaning process and gave it a listen. Although our Hot Stamper copies do sound better, they’re also quite a bit more expensive. This copy had the best sound we heard out of the three or four we played, which makes it a Hot Stamper I suppose, but we are instead just calling it a Very Good Sounding Copy.

Waiting for Columbus is one of the greatest live rock and roll albums ever made, containing performances by one of the greatest rock and roll bands to ever play. If you only buy one Little Feat album in your lifetime, make it this one.

We spent years trying to get shootouts together for this album, but kept running into the fact that in a head to head shootout the right MoFi pressing — sloppy bass and all — was hard to beat.

This is no longer the case, courtesy of that same old laundry list you have no doubt seen on the site countless times: better equipment, tweaks, record cleaning, room treatments, etcetera, etcetera. Now the shortcomings of the MoFi are clear for all to see, and the strengths of the best non-half-speed mastered pressings are too, which simply means that playing the MoFi now would be an excruciating experience. All I can hear is what it does wrong. I was so much happier with it when I didn’t know better.

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Little Feat / Dixie Chicken – How Does the MoFi Sound?

Little Feat Albums We’ve Reviewed

How does the MoFi pressing sound?

We have no idea; we’ve never bothered to order one, for at least one very good reason. This is an album about rhythm.

Half-Speed mastered records have sloppy bass and, consequently, lack rhythmic drive.

Who is his right mind would want to half-speed master an album by Little Feat, one of the most rhythmically accomplished bands in rock and roll history?

The obvious answer is that it was a bad idea. But, if you’re Mobile Fidelity, and that’s the only idea you’ve ever had because you are in the half-speed mastering business, then what else can you do?

As the old saying goes, to a hammer everything looks like a nail.

OUR PREVIOUS HOT STAMPER COMMENTARY

Folks, this is no demo disc by any means, but the later pressings strip away the two qualities that really make this music work and bring it to life: Tubey Magic and Big Bass. This side two has both in SPADES.

Listen to how breathy and transparent the chorus is on the first track. Now layer that sound on top of a fat and punchy bottom end and you have the formula for Little Feat Magic at its funky best. This is the sound they heard in the control room, of that I have no doubt, and it is all over this side two. No side of any copy we played was better.

Personally

The All Music Guide (and lots of other critics) think this is Little Feat at their best. With tracks such as Two Trains, Dixie Chicken, Fat Man in the Bathtub and Roll Um Easy, who’s gonna disagree!? (I guess I am. I prefer Waiting for Columbus and The Last Record Album but cannot deny that Dixie Chicken is probably the best of the albums that came before them.)

Some Relevant Commentaries

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Little Feat / Feats Don’t Fail Me Now

  • The best copy to hit the site in close to two years, with both sides rating at or near our top grade of Triple Plus (A+++)
  • Huge, spacious and three-dimensional with plenty of rich Tubey Magic – who knew it could sound this good?
  • 75% of the songs on both sides are absolute Little Feat Classics. What other album can boast such consistently good songwriting?
  • Emmylou Harris, Bonnie Raitt and Fran Tate (the future Mrs. Billy Payne) contribute the lovely background vocals
  • “If Dixie Chicken represented a pinnacle of Lowell George as a songwriter and band leader, its sequel Feats Don’t Fail Me Now is the pinnacle of Little Feat as a group, showcasing each member at their finest.”

It’s getting mighty hard to find clean copies of practically all the pre-Waiting For Columbus titles.

The good news we have to offer this time as opposed to last is that we can now clearly say that Feats Don’t Fail Me Now is the best sounding album of the first four the band recorded. We think the songs are great too; we would hope that goes without saying. Waiting For Columbus — their live masterpiece and inarguably the definitive recording statement by the band — has at least one song from this album on each of its four sides. That ought to tell you something. If only we could find good sounding copies! But enough about that album. Let’s talk about this one. (more…)

Little Feat / The Last Record Album – A Great Test for Smaller Speakers and Screens

Don’t Try to Play This Album on Any System that Looks Like This

More Unsolicited Audio Advice

The piano on track three of side two, Somebody’s Leavin’, should sound rich and full and solid, yet percussive.

Rarely does it sound right, which is what makes it a good test for side two.

Most copies of this album are ridiculously dull and compressed. The band itself sounds bored, as if they don’t believe in their own songs. But it’s not their fault. Whose fault it is is never easy to fathom; bad mastering, bad tapes, bad vinyl, bad something else — whatever it is, that thick, lifeless sound turns this powerfully emotional music into a major snooze-fest. 

The best copies have the kind of transparency that allows you to hear the space around all the instruments. Most copies have a bad case of “cardboard drums;” even the best copies have a bit of that sound. But when you have one of the high-rez copies spinning, the sound of the drums doesn’t call attention to itself. It may not be the BEST drum sound you ever heard, but it’s a GOOD drum sound, and in a lot of ways you could argue that it’s the RIGHT drum sound. It’s rich and fat, a perfect match for the sound of the album as a whole.

A True Test

Now if you have mini-monitors or screens, some of that sound won’t come through nearly as well as it might with another speaker, a big dynamic one for example. To our way of thinking, this is the kind of record that one should bring to one’s favorite stereo store to judge their equipment. They can play some of the songs on Famous Blue Raincoat; they do it all day long. But can they play The Last Record Album and have it sound musical and involving?

This is a much tougher test, one that most systems struggle to pass. Leaner and cleaner — the kind of audiophile sound I hear everywhere I go — is simply not going to work on this album, or Zuma, or Bad Company, or the hundreds of other classic rock albums we put up on the site every year. There has to be meat on those bones. To switch metaphors in the middle of a stream, this album is about the cake, not the frosting.

You should keep that in mind when they tell you at your local audio salon that the record you brought in is at fault, not their expensive and therefore “correct” equipment.

I’ve been in enough of these places to know better. To mangle another old saying, if you know your records, their excuses should fall on deaf ears.

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Little Feat / Feats Don’t Fail Me Now – Their Best Early Album

Little Feat Albums We’ve Reviewed

We can now clearly say that Feats Don’t Fail Me Now is the best sounding album of the first four the band recorded.

We think the songs are great too; we would hope that goes without saying.

Waiting For Columbus — their live masterpiece and inarguably the definitive recording statement by the band — has at least one song from this album on each of its four sides. That ought to tell you something.

If only we could find good sounding copies! But enough about that album. Let’s talk about this one.

What to Listen for

So many pressings are either dull or thin that tonality becomes a major issue on an album like this.

The copies that do well in our shootouts are rich and full-bodied, but not thick, opaque or dull. They must also of course have plenty of rock and roll energy and drive.

Side One

A+++. It ROCKS! It’s got the ENERGY and the BIG, RICH sound that no other copy could manage. The midrange is sweet and clear with clean and breathy vocal harmonies.

No other copy had the open space of this side either. It’s there on the tape but it takes a very special pressing to let you hear it.

Side Two

A++. This side starts off without all the top end extension we wanted, but by the second track the top end had opened up just fine and showed us the space and stage depth and width we knew was possible after hearing our top side one.

The energy is rockin’ and the voices are not edgy, thin or veiled. Our shootout winner for this side was bigger and richer but it had a mediocre side one so this is the best overall pressing we have to offer.

Early Little Feat albums are not known for their audiophile quality sound, so at A++ this is miles beyond the kind of sound we are used to for this era of the band’s output.

The Girls

Emmylou Harris, Bonnie Raitt and Fran Tate (the future Mrs. Billy Payne) sing lovely background vocals on this record. Those Little Feat guys sure know how to pick ’em.

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Little Feat – Hoy-Hoy

More Roots Rock LPs

A Well Recorded Album that Should Be More Popular with Audiophiles

  • All four sides earned Double Plus (A++) grades for sound – exceptionally quiet vinyl too
  • Our pick for the best sounding Little Feat album – it’s a monster, and a Must Own for any fan of the band
  • “Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful — a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse.”

This is one of the all time TOP Little Feat albums and a longtime personal favorite, but it takes a pressing like this to bring it to life.

As we said last time around, there is not a rock album on the The Absolute Sound’s Super Disc List that can hold a candle to the real Rock and Roll Power of a pressing such as this. It’s really not fair to judge the Harry’s List by records like this, which have never been the man’s forte. We, on the other hand, know these kinds of records about as well as anyone, and to prove it we would love to send you this copy. The AMAZING sound is guaranteed to blow your mind.

What a Recording!

The recording quality of many of these songs is OUT OF THIS WORLD, as good as any rock record I can think of. Although Waiting For Columbus is arguably the best sounding live rock ‘n roll album ever made, some of the tracks on this album are every bit as good or BETTER. (And the promo EP is practically in a league of its own for sound!)

This is some of the best High-Production-Value rock music of the ’70s. The amount of effort that went into the recording of many of these tracks is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many of our favorites to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

The sides that had sound that jumped out of the speakers, with driving rhythmic energy, worked the best for us. They really brought this complex music to life and allowed us to enjoy the hell out of it. This is yet another definition of a Hot Stamper — it’s the copy where the music works as music. (more…)

Robert Palmer – Sneakin’ Sally Through The Alley

More Robert Palmer

Island Is One of Our Favorite Labels

  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish – fairly quiet vinyl for the most part too, although one mark is a problem
  • Rich, smooth, Tubey Magical sound is what makes these wonderful import pressings win our shootouts – that and lots of funky bass
  • The best album Robert Palmer ever made – with Little Feat and The Meters helping out, it had to be
  • 4 stars: “While the music is tight and solid, it is Robert Palmer’s voice that is revelatory — he sounds supremely confident among these talented musicians, and they seem to feed off his vocal intensity. Fans of the Meters or people who want to discover the funky side of Robert Palmer should check this one out.”

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Little Feat / Dixie Chicken – Our Shootout Winner from 2010

More Little Feat

More Roots Rock LPs

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White Hot Stamper sound on side two — yes, it is possible, and this very copy is Proof with a capitol P. Most copies of this album sound like cardboard, especially the later pressings on the palm tree and tan labels. To get the best sound you need originals of this album, and Warner Brothers green label originals are getting pretty darn hard to find as more and more collectors and audiophiles are coming to the realization that the unending stream of heavy vinyl reissues flooding the market leaves a lot to be desired. (Our desire for them is at zero as we no longer bother to order the stuff.)

Folks, this is no demo disc by any means, but the later pressings strip away the two qualities that really make this music work and bring it to life: Tubey Magic and Big Bass. This side two has both in SPADES.

Listen to how breathy and transparent the chorus is on the first track. Now layer that sound on top of a fat and punchy bottom end and you have the formula for Little Feat Magic at its funky best. This is the sound they heard in the control room, of that I have no doubt, and it is all over this side two. No side of any copy we played was better.

This is A Triple Plus As Good As It Gets Little Feat Sound, the best we have ever heard for any of the early albums. (more…)

Mobile Fidelity’s Approach to Mastering – I Have a Theory

Reviews and Commentaries for Mobile Fidelity Records

Little Feat Albums We’ve Reviewed

Yes, We Have No Hot Stampers of Little Feat’s Albums

I have a theory about why MoFi’s mastering approach here tended to work for the album when it failed so miserably for so many others. It goes a little something like this. 

Back in their early days MoFi tended to add bass and treble to practically every record they mastered, regardless of whether or not the master tape they were using needed any such boost. A little extra sparkle up top and a little extra slam down below was what the audiophile public seemed to want. Truth be told, I was a member of that group and I know I did.

Fortunately for them Waiting for Columbus is an album that can really use a little at both ends. Rarely did The Mastering Lab supply it, making the original domestic pressings somewhat bass-shy and dull up top. The MoFi clearly corrected the poor EQ choices The Mastering Lab had made for the most part.

The Bottom

But at what cost? At a very high one, revealed to us during our shootout by the killer pressings we uncovered. On the MoFi the bass, although there is more of it, just the right amount in fact, is BLUBBER. The lack of definition is positively painful, once you’ve heard how well-recorded it is, which is what the best copies can show you. (more…)

Little Feat – The Last Record Album

Yes, We Have No Hot Stampers of Little Feat’s Albums

Little Feat Albums We’ve Reviewed

  • Outstanding Double Plus (A++) grades or better on both sides – this is the best studio album the band ever recorded – exceptionally quiet vinyl too
  • The drums are rich and fat and deliciously ANALOG, a perfect match for the sound of the album as a whole
  • Consistently strong songwriting with dramatically more emotionally powerful tracks than their other releases
  • Features great songs like All That You Dream, Long Distance Love, Mercenary Territory and more

The Last Record Album is one of our favorite Little Feat albums. The recording, by the estimable George Massenburg, has many outstanding qualities. Among them is amazing bass; the bass goes REALLY deep in places (Long Distance Love) and it’s big, punchy, rich and well up in the mix throughout the album.

What to Listen For

The problem has always been an overly smooth top end, combined with congestion, smear, and a serious lack of presence. The good news is that if you clean enough copies with the advanced cleaning techniques we’ve developed, and you make enough improvements to your stereo, room, etc., with the right copy you can actually get this album to sound clear AND rich. (more…)