Top Artists – Little Feat

Little Feat / Feats Don’t Fail Me Now – Our Shootout Winner from 2013

Little Feat Albums We’ve Reviewed

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A White Hot side one mated to a Super Hot side two make this our big shootout winner this time around. Incidentally our last time around for Little Feat’s fourth album was 2008 for those of you keeping track at home; yes, it’s getting mighty hard to find clean copies of practically all the pre-Waiting For Columbus titles.

The good news we have to offer this time as opposed to last is that we can now clearly say that Feats Don’t Fail Me Now is the best sounding album of the first four the band recorded. We think the songs are great too; we would hope that goes without saying.

Waiting For Columbus — their live masterpiece and inarguably the definitive recording statement by the band — has at least one song from this album on each of its four sides. That ought to tell you something.

If only we could find good sounding copies! But enough about that album. Let’s talk about this one. (more…)

Little Feat – Hoy-Hoy

More Roots Rock LPs

A Well Recorded Album that Should Be More Popular with Audiophiles

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  • All four sides earned Double Plus (A++) grades for sound – exceptionally quiet vinyl too
  • Our pick for the best sounding Little Feat album – it’s a monster, and a Must Own for any fan of the band
  • “Filled with live performances, obscurities, album tracks, and a new song apiece from Bill Payne and Paul Barrere, Hoy Hoy is a bit scattered, a bit incoherent, a little bewildering, and wholly delightful — a perfect summation of a group filled with quirks, character, and funk, traits which were as much a blessing as they were a curse.”

This is one of the all time TOP Little Feat albums and a longtime personal favorite, but it takes a pressing like this to bring it to life.

As we said last time around, there is not a rock album on the The Absolute Sound’s Super Disc List that can hold a candle to the real Rock and Roll Power of a pressing such as this. It’s really not fair to judge the Harry’s List by records like this, which have never been the man’s forte. We, on the other hand, know these kinds of records about as well as anyone, and to prove it we would love to send you this copy. The AMAZING sound is guaranteed to blow your mind.

What a Recording!

The recording quality of many of these songs is OUT OF THIS WORLD, as good as any rock record I can think of. Although Waiting For Columbus is arguably the best sounding live rock ‘n roll album ever made, some of the tracks on this album are every bit as good or BETTER. (And the promo EP is practically in a league of its own for sound!)

This is some of the best High-Production-Value rock music of the ’70s. The amount of effort that went into the recording of many of these tracks is comparable to that expended by the engineers and producers of bands like Supertramp, The Who, Jethro Tull, Ambrosia, Pink Floyd and far too many of our favorites to list. It seems that no effort or cost was spared in making the home listening experience as compelling as the recording technology of the day permitted.

The sides that had sound that jumped out of the speakers, with driving rhythmic energy, worked the best for us. They really brought this complex music to life and allowed us to enjoy the hell out of it. This is yet another definition of a Hot Stamper — it’s the copy where the music works as music. (more…)

Little Feat / Dixie Chicken – Hard to Find on the Green Label

More Little Feat

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TWO AMAZING WHITE HOT SIDES for one of Little Feat’s best-loved albums! This music is tons of fun, but the typical pressing is so flat and lifeless that the music is basically ruined. When you find a copy that’s been properly mastered, like this one, it’s a whole ‘nother story. Richer and fuller, clearer and more transparent, this Green Label will absolutely DESTROY any later pressing!

This album may never be a Demo Disc, but it certainly doesn’t need to sound like a piece of cardboard, and this copy is the proof! As soon as we dropped the needle, there was no doubt in our minds that this was the winner of our shootout. It’s a huge step up in every way.

Most copies of this album sound like cardboard, especially the later pressings on the palm tree and tan labels. To get the best sound you need originals of this album, and Warner Brothers green label originals are getting pretty darn hard to find as more and more collectors and audiophiles are coming to the realization that the unending stream of heavy vinyl reissues flooding the market leaves a lot to be desired. (Our desire for them is at zero as we no longer bother to order the stuff.) (more…)

Robert Palmer – Sneakin’ Sally Through The Alley

More Robert Palmer

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  • This outstanding pressing boasts solid Double Plus (A++) sound from start to finish – fairly quiet vinyl for the most part too, although one mark is a problem
  • Rich, smooth, Tubey Magical sound is what makes these wonderful import pressings win our shootouts – that and lots of funky bass
  • The best album Robert Palmer ever made – with Little Feat and The Meters helping out, it had to be
  • 4 stars: “While the music is tight and solid, it is Robert Palmer’s voice that is revelatory — he sounds supremely confident among these talented musicians, and they seem to feed off his vocal intensity. Fans of the Meters or people who want to discover the funky side of Robert Palmer should check this one out.”

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Little Feat – Dixie Chicken – Our Shootout Winner from 2010

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More Roots Rock LPs

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White Hot Stamper sound on side two — yes, it is possible, and this very copy is Proof with a capitol P. Most copies of this album sound like cardboard, especially the later pressings on the palm tree and tan labels. To get the best sound you need originals of this album, and Warner Brothers green label originals are getting pretty darn hard to find as more and more collectors and audiophiles are coming to the realization that the unending stream of heavy vinyl reissues flooding the market leaves a lot to be desired. (Our desire for them is at zero as we no longer bother to order the stuff.)

Folks, this is no demo disc by any means, but the later pressings strip away the two qualities that really make this music work and bring it to life: Tubey Magic and Big Bass. This side two has both in SPADES.

Listen to how breathy and transparent the chorus is on the first track. Now layer that sound on top of a fat and punchy bottom end and you have the formula for Little Feat Magic at its funky best. This is the sound they heard in the control room, of that I have no doubt, and it is all over this side two. No side of any copy we played was better.

This is A Triple Plus As Good As It Gets Little Feat Sound, the best we have ever heard for any of the early albums. (more…)

Mobile Fidelity’s Approach to Mastering – I Have a Theory

More Little Feat

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I have a theory about why MoFi’s mastering approach here tended to work for the album when it failed so miserably for so many others. It goes a little something like this. 

Back in their early days MoFi tended to add bass and treble to practically every record they mastered, regardless of whether or not the master tape they were using needed any such boost. A little extra sparkle up top and a little extra slam down below was what the audiophile public seemed to want. Truth be told, I was a member of that group and I know I did.

Fortunately for them Waiting for Columbus is an album that can really use a little at both ends. Rarely did The Mastering Lab supply it, making the original domestic pressings somewhat bass-shy and dull up top. The MoFi clearly corrected the poor EQ choices The Mastering Lab had made for the most part.

The Bottom

But at what cost? At a very high one, revealed to us during our shootout by the killer pressings we uncovered. On the MoFi the bass, although there is more of it, just the right amount in fact, is BLUBBER. The lack of definition is positively painful, once you’ve heard how well-recorded it is, which is what the best copies can show you. (more…)

Little Feat – The Last Record Album

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  • Outstanding Double Plus (A++) grades or better on both sides – this is the best studio album the band ever recorded – exceptionally quiet vinyl too
  • The drums are rich and fat and deliciously ANALOG, a perfect match for the sound of the album as a whole
  • Consistently strong songwriting with dramatically more emotionally powerful tracks than their other releases
  • Features great songs like All That You Dream, Long Distance Love, Mercenary Territory and more

The Last Record Album is one of our favorite Little Feat albums. The recording, by the estimable George Massenburg, has many outstanding qualities. Among them is amazing bass; the bass goes REALLY deep in places (Long Distance Love) and it’s big, punchy, rich and well up in the mix throughout the album.

What to Listen For

The problem has always been an overly smooth top end, combined with congestion, smear, and a serious lack of presence. The good news is that if you clean enough copies with the advanced cleaning techniques we’ve developed, and you make enough improvements to your stereo, room, etc., with the right copy you can actually get this album to sound clear AND rich. (more…)

Little Feat / Hoy-Hoy – Some of the Biggest, Boldest Sound We’ve Ever Heard

Little Feat Albums with Hot Stampers

Little Feat Albums We’ve Reviewed

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Presenting another entry in our extensive Listening in Depth series with advice on what to listen for as you critically evaluate your copy of Hoy-Hoy.

Here are some albums currently on our site with similar Track by Track breakdowns.

The recording quality of many of these songs is OUT OF THIS WORLD, as good as any rock record I can think of. Although Waiting For Columbus is arguably the best sounding live rock ‘n roll album ever made, some of the tracks on this album are every bit as good or BETTER. (And the promo EP is practically in a league of its own for sound!)

Little Feat’s studio recordings rarely did justice to the band’s energy and drive. With so many live tracks, this is the album that really shows the band at their enthusiastic best. If I were going to choose one Little Feat album to own, it would be hard to argue with this one musically, and sonically the stuff here just can’t be beat — if you are lucky enough to own a copy with Hot Stampers for all four sides, no mean feat.

A Quick Overview

Side one has two amazing sounding live cuts, as good as it gets and that’s no lie.

Side two starts out with Lonesome Whistle, one of the five best songs this band ever committed to tape.

Highlights on side three include Framed and Gringo, both with superb sound.

Side four has a live version of the song Two Trains, another one of their best recordings, followed by China White, the story of Lowell’s feelings toward cocaine. Dead at 33, rock and roll lost a giant when drugs brought him low. (more…)

Lowell George – Thanks I’ll Eat It Here

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  • An amazing sounding copy and the first to hit the site in many years; Shootout Winning Triple Plus (A+++) sound or very close to it from the first note to the last
  • We’re huge fans of this album and a copy like this lets the natural quality of the recording shine through
  • “Lowell’s style is so distinctive and his performances so soulful, it’s hard not to like this record if you’ve ever had a fondness for Little Feat.” — All Music, 4 1/2 stars

This kind of recording quality was abandoned decades ago, but there was a time — I’m old, I remember it — when engineers actually tried to produce recordings with this kind of rich, sweet, thoroughly analog sound. 1979, the year of this album’s release, is right at the tail end of it. Why do you think so much of our Hot Stamper output covers the decade that stretched from the late ’60s to the late ’70s? Only one reason — that’s where some of the best sound can be found. (It’s a bit like Willie Sutton’s famous answer to why he robbed banks: “because that’s where the money is”.)

Which is taking the long way round in saying that this recording has a healthy dose of analog Tubey Magic, in places maybe even a bit too much, as the sound can sometimes get too thick and overly rich, like a cake with too much frosting.

The best copies keep that wonderful analog smoothness and freedom from artificiality, adding to it the life and energy of classic rock and roll. Yes, you can have it all — rich analog sound that jumps out of the speakers! Just listen to those horns on Honest Man — that is the sound we are looking for on an album like this. (more…)

Little Feat – Waiting For Columbus

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  • With Double Plus (A++) grades, or close to them, on all four sides, this copy of Waiting for Columbus is outstanding from first note to last – exceptionally quiet vinyl too
  • Some of the best sounding live rock and roll sound you will ever hear outside of a concert venue
  • One of our all-time favorite live recordings and their single best release – a true Masterpiece
  • 4 1/2 stars: “There’s much to savor on Waiting for Columbus, one of the great live albums of its era, thanks to rich performances that prove Little Feat were one of the great live bands of their time.”

This is an amazingly well-recorded concert, and what’s more, the versions the band does of their earlier material are much better than the studio album versions of those same songs in every case.

Fat Man In A Bathtub on this album is out of this world, but you could easily say that about a dozen or more of the tracks on this double album. Which simply means that you will have a very hard time listening to any of the studio versions of these songs once you’ve heard them performed with the kind of energy, enthusiasm and technical virtuosity Little Feat brought to this live show. (I saw them twice with Lowell and they were amazing both times.) (more…)