Pressings with Weak Sound Quality or Music

These are records we’ve auditioned that didn’t sound very good to us, or the music was not to our liking, or both.

Bola Sete / Tour De Force – Analogue Productions Reviewed

Reviews and Commentaries for the Music of Bola Sete

Hot Stamper Pressings of Bossa Nova Recordings Available Now

Sonic Grade: F

Acoustic Sounds had Stan Ricker remaster this record a number of years ago, and of course they (he) ruined it. A twinkly top end and flabby bass were just two of the major shortcomings of their version. Nothing surprising there, as Stan Ricker is famous for his “smile” curve, boosting both ends of the audio spectrum, whether they need boosting or not. (They rarely do).

When you add too much top end to a guitar album and ruin the sound of the guitar, what exactly are you left with?

Please note that not a single title from the Analog Revival series is any good, to the best of my knowledge, and every last one of them should be avoided if high quality sound is important to you.

The same is true for all the 180 gram jazz titles on Analogue Productions that were mastered by Doug Sax, as you may have read elsewhere on the site. Those records received rave reviews in the audiophile press when they came out, but you won’t find too many audiophile reviewers sticking up for them now, as they are, without exception, murky, compressed disasters of the worst kind.

I guess these reviewers eventually acquired equipment accurate enough to notice how bad those pressings are, which I guess goes to show there is hope for practically anyone.

Tchaikovsky / 1812 Overture – Telarc Reviewed

More of the music of Peter Ilyich Tchaikovsky (1840-1893)

Reviews and Commentaries for Recordings of the 1812 Overture

Sonic Grade: D

If you want an amazingly dynamic 1812 with huge amounts of deep bass for the firing of the cannon, you can’t do much better than this (or its UHQR brother). 

But if you want rich, sweet and tonally correct brass and strings, you had best look elsewhere. I’ve never liked the sound of this record and I’m guessing if I heard a copy today I would like it even less. Who thinks live classical music actually sounds like this?

Telarc – The Sound of Digital

Telarc makes clean, modern sounding records. To these ears they sound much like a good CD. If that’s your sound you can save yourself a lot of money avoiding vintage Golden Age recordings, especially the ones we sell. They’re much more expensive and rarely as quiet, but — again, to these ears — the colors and textures of real instruments seems to come to life in their grooves, and in practically no others.

We include in this modern group analog labels such as Reference, Sheffield, Chesky, Athena and the like. Having heard hundreds of amazing vintage pressings, I find it hard to take them seriously at this stage of the game. Twenty years ago, maybe. But twenty years is a long time, especially in the world of audio.

We started a list of records that suffer from a lack of Tubey Magic like this one, and it can be found here.


A PUBLIC SERVICE

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.

You can find this one in our Hall of Shame, along with more than 350 others that — in our opinion — qualify as some of the worst sounding records ever made. (On some Hall of Shame records the sound is passable but the music is bad.  These are also records you can safely avoid.)

Note that most of the entries are audiophile remasterings of one kind or another. The reason for this is simple: we’ve gone through the all-too-often unpleasant experience of comparing them head to head with our best Hot Stamper pressings.

When you can hear them that way, up against an exceptionally good pressing, their flaws become that much more obvious and, frankly, that much less excusable.

Today’s MoFi Disaster Is Pictures at an Exhibition

moussmofiMore of the music of Modest Mussorgsky (1839-1881)

Reviews and Commentaries for Mussorgsky’s Music

Sonic Grade: F

Hall of Shame pressing and another MoFi LP reviewed and found seriously wanting.

The MoFi mastering here is a joke. All that phony boosted top end makes the strings sound funny and causes mischief in virtually every other part of the orchestra as well. Not surprisingly, those boosted highs are missing from the real EMIs.

These are exactly the kind of unbearably bright strings that Stan Ricker seems to favor.

The proof? Find me a Mobile Fidelity classical record with that little SR/2 in the dead wax that does not have bright string tone. I have yet to hear one.

The last time I played a copy of MFSL 1-520 I found the sound so hi-fi-ish I couldn’t stand to be in the room with it for more than a minute. The bass is of course jello as well. The EMI with the right stampers is worlds better. (Warning: The domestic Angel regular version and the 45 are both awful.)

MoFi had a bad habit of making bright classical records. I suppose you could say they had a bad habit of making bright records in general. A few are dull, some are just right, but most of them are bright in one way or another. Dull playback equipment? An attempt to confuse detail with resolution?

Whatever the reasons, the more accurate and revealing your equipment becomes, the more obvious the shortcomings of Mobile Fidelity’s records will be. My tolerance for their phony EQ is at an all time low. But hey, that’s me.

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Neil Young / Old Ways – Another Anadisq Disaster

More of the Music of Neil Young

More Country and Country Rock

Some time in the 2000s we reviewed this pressing from 1996.

The MoFi is a muckfest, as was to be expected from a record mastered by this awful label during the Anadisq era, the darkest chapter in the disgraceful history of Mobile Fidelity.

We guarantee any Hot Stamper LP will make your MoFI pressing sound like the bad joke it was even as far back as 1996, the stone age in audio, or your money back including shipping.

As of 2015, this label may have entered a new and even more disgraceful era, but considering how bad their records have been from the very start, (something that should be obvious to any audiophile with a high quality playback system, the kind of system that should have no difficulty exposing the manifold shortcomings of their remastered pressings), how much lower can they possibly fall?

Only time will tell!


FURTHER READING on Half-Speeds

Here’s a good question:

How come you guys don’t like Half-Speed Mastered records?

To learn more about records that sound dramatically better than any Half-Speed ever made (with one rare exception, John Klemmer’s Touch), please consult our FAQs:

More Frequently Asked Questions (FAQ)

Below you will find our breakdown of the best and worst Half-Speed mastered records we have auditioned over the years.

Half-Speed Mastered Disasters

Half-Speed Mastered Mediocrities

Half-Speed Mastered Winners

Half-Speed Masters – The Complete List

New to the site? Start here.

Santana / Abraxas – MoFi Manages to Disgrace Itself Even Further

More of the Music of Santana

Reviews and Commentaries for Abraxas

Sonic Grade: F

The remastered Abraxas never got past the first elimination round; it had to have been one of the worst half-speeds I have ever heard. Dead dead dead as a doornail.

Santana’s first album on MoFi is a record we admit to having liked a bit when it first came out. Since then we have changed our minds. It’s just too damn compressed and lifeless. The Whomp Factor on this pressing is Zero. Since whomp is critical to the sound of Santana’s music, it’s Game Over for us. The review below is exactly what we wrote at the time the record came in. We tried to like it, but it’s clear to us now that we tried to like it too hard. Please accept our apologies.

I noted in my old blog: “But now I would have to say that the MoFi LP is far too lifeless to be acceptable to anyone, even those with the worst kinds of audiophile BS systems.”

We also mentioned a while back (4/29/08) on our blog how bad the latest crop of MoFi vinyl was, with the heading: “Mobile Fidelity, Ouch.

On another note, we played some godawful sounding MOFI pressings over the last few weeks: Linda Ronstadt (which appears to be out of phase, more on that down the road); Metallica (with blobby bass at 45 RPM no less; only half-speed mastering can guarantee muddy bass under any and all circumstances!); and Rush (nothing even resembling a top end. How do these things happen?).

These three albums have to be some of the worst sounding vinyl I have ever heard in my life. I won’t waste any more of your time or mine talking about them. Buy them if you feel the need, and if you like what you hear, drop us a line. Maybe the copy we cracked open was a “bad” one, unrepresentative of the general pressing run in the same way that the latest Crisis half-speed was.

Well, maybe so, but we are going to have to leave that conundrum unsolved for the time being. To crack open more copies to see if they are all as bad as the first one we played is not something we are particularly inclined to do. We call that throwing good money after bad around here at Better Records.

This is a label making some seriously bad records these days.

But why single them out? They all are.

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We Heap Scorn Upon Chesky Records, With Good Reason

More of the music of Rimsky-Korsakov (1844-1908)

Our Favorite Performance of Scheherazade – Ansermet with the Suisse Romande

Sonic Grade: F

Chesky is one of the WORST AUDIOPHILE LABELS in the history of the world. Their recordings are so artificial and “wrong” that they defy understanding. That some audiophiles actually buy into this junk sound is equal parts astonishing and depressing.

Their own records are a joke, and their remasterings of the RCA Living Stereo catalog are an abomination.

The best RCA Living Stereo pressings are full of Tubey Magic. The Chesky pressings I have played have none.

What else would you need to know about their awful records than that?

If there is a more CLUELESS audiophile label on the planet, I don’t know what it could be, and I don’t want to find out. 

(Turns out there is someone producing the worst kind of remastered junk vinyl who may be even more clueless than Chesky, imagine that!)

Carole King / Tapestry – CBS Half-Speed Reviewed

More of the Music of Carole King

Reviews and Commentaries for Tapestry

Sonic Grade: D

The CBS Half Speed is bright and thin — can you imagine a worse way to present this intimate music?  

The chances of there being Hot Stamper CBS Half-Speed Mastered pressings of Tapestry may be vanishingly small, but we can’t say the number is zero. There could be some, but considering how bad an idea Half-Speed Mastering is, would they have much chance of beating our Hot Stampers?

As a practical matter I would have to say the chances are zero.

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Bizet-Shchedrin / Carmen Ballet Suite – Just Awful on Alto Heavy Vinyl

Sonic Grade: F

Alto records did this title on 180 gram more than a decade ago, and it was a COMPLETE DISASTER. Those of you getting our catalogs in the ’90s when that record came around were warned not to buy it. I was lucky enough to own a very good original pressing of it at the time, which of course made it all too easy to recognize just how poorly the new pressing had been mastered.

No criticisms of the quality of the mastering were offered in the audiophile press however, none that I saw anyway.

And every major audiophile record dealer carried it. Funny how some things never change. (more…)

Santana / Self-Titled on MoFi – We Owe You an Apology

More of the Music of Santana

Reviews and Commentaries for the Music of Santana

Sonic Grade: F

Santana is a record we admit to having liked when it first came out. Since then we have changed our minds. As embarrassing as it may be, and let’s be clear, this pressing is very embarrassing, We Was Wrong and there is no sense trying to hide it.

It’s just too damn compressed and lifeless. The Whomp Factor on this pressing is Zero. Since whomp is critical to the sound of Santana’s music, it’s Game Over for us. The review below is exactly what we wrote at the time the record came in.

We tried to like it, but it’s clear to us now that we tried to like it too hard. Please accept our apologies.

I noted in my [now discontinued] blog: “But now I would have to say that the MoFi LP is far too lifeless to be acceptable to anyone, even those with the worst kinds of Audiophile BS systems.”

And I noted that the Abraxas they remastered never got past the first elimination round. It had to have been one of the worst half-speeds I have ever heard. Dead dead dead as a doornail.

We also mentioned a while back (4/29/08, time flies) on our blog how bad the latest crop of MoFi vinyl was, with the heading: “Mobile Fidelity, Ouch.” Please to enjoy:

On another note, we played some godawful sounding MoFi pressings over the last few weeks:

  • Linda Ronstadt (which appears to be out of phase, more on that down the road);
  • Metallica (with blobby bass at 45 RPM no less; only half-speed mastering can guarantee muddy bass under any and all circumstances!); and
  • Rush (nothing even resembling a top end. How do these things happen?).

These three albums have to be some of the worst sounding vinyl I have ever heard in my life. I won’t waste any more of your time or mine talking about them. Buy them if you feel the need, and if you like what you hear, drop us a line.

Maybe the copy we cracked open was a “bad” one, unrepresentative of the general pressing run.

Well, maybe so, but we are going to have to leave that conundrum unsolved for the time being. To crack open more copies to see if they are all as bad as the first one we played is not something we are particularly inclined to do. We call that throwing good money after bad around here at Better Records.

This is a label making some seriously bad records these days.

But why single them out? They all are.

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