Top Artists – JImi Hendrix

Jimi Hendrix – Electric Ladyland

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  • An Electric Ladyland like you’ve never heard, with solid Double Plus (A++) sound on all FOUR sides of this UK import copy – fairly quiet vinyl too
  • Forget the Track originals – they can’t hold a candle to the Hot Stamper reissues like the one we are offering here
  • Big, clear, tubey, sweet ANALOG sound – we played it good and loud and it was rockin’!
  • Probably the best-recorded of Hendrix’s studio albums – huge studio space and the Tubey Magical richness of analog are key to the best sound
  • 5 stars: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”
  • If you’re a fan of Jimi and his band, this UK import of his 1968 classic belongs in your collection.
  • The complete list of titles from 1968 that we’ve reviewed to date can be found here.

Some of Jimi’s best songs can be found here, including “Crosstown Traffic,” “Voodoo Child (Slight Return)” and his incendiary cover of Dylan’s “All Along The Watchtower.” All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.

Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and producer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight.

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Various Artists / Woodstock

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  • These original pressings boast seriously good Double Plus (A++) sound or BETTER on all SIX sides
  • With Mint Minus Minus vinyl and no marks that can be heard, you will have a very hard time finding a copy that plays this well
  • We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • “As potent a musical time capsule as ever existed, it captures the three-day, 1969 concert event that united close to half a million members of what came to be known as the ‘Woodstock Generation.’ It topped the Billboard Charts for four weeks and sold two million copies.”

You will have a very hard time finding a quieter copy!

Folks, it was a struggle, let me tell you! Not as much of a struggle as putting on the concert itself to be sure, but a struggle for those of us charged with finding good sound on this famously badly recorded album.

First off there are six sides to play for every copy.

Secondly the sound is problematical at best; figuring out what the best copies do well that the run-of-the-mill copies don’t takes quite a bit of concentration, and one has to stay focused for a long time (most of the day in fact). After a while it can really start to wear on your nerves. (more…)

Jimi Hendrix – Axis: Bold As Love

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  • Boasting superb Double Plus (A++) grades or BETTER from start to finish, this UK Polydor reissue is guaranteed to blow the doors off any other Axis: Bold As Love you’ve heard
  • These sides are BIGGER and RICHER and have more of the rock solid energy that’s missing from the average copy
  • You get clean, clear, full-bodied, lively and musical ANALOG sound from first note to last
  • 5 stars: “…the beautiful, wistful ballads ‘Little Wing,’ ‘Castles Made of Sand,’ ‘One Rainy Wish,’ and the title track set closer show [Hendrix’s] remarkable growth and depth as a tunesmith, harnessing Curtis Mayfield soul guitar to Dylanesque lyrical imagery and Fuzz Face hyperactivity to produce yet another side to his grand psychedelic musical vision.”

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Jimi Hendrix – The Jimi Hendrix Concerts

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  • With FOUR Double Plus (A++) or BETTER sides, this vintage 2-LP set of previously unreleased performances is guaranteed to blow the doors off any other Jimi Hendrix Concerts you’ve heard
  • A great sounding live Hendrix album of outstanding material (most of his best tunes – check the track list!)
  • These sides have energy and presence that positively JUMPS out of the speakers, two of the qualities that we prize most highly in our Hot Stampers, and two of things among many that Heavy Vinyl does so poorly
  • 4 stars: “With top-notch performances, consistently inspired solos, and excellent sound, this is probably the best introduction to Hendrix’s live recording

This live album, taken from concerts recorded from 1968 to 1970, is wonderful sounding on the best tracks. If you’re in the market for live Hendrix on a Hot Stamper, you’ll be hard-pressed to do any better.

The bass on this recording is huge, which is exactly what this kind of music needs most. At the levels we were playing this album, it really came to life. That’s the true test of a good live rock record — the louder you play it the better it sounds!

Stephen Cook writes “With top-notch performances, consistently inspired solos, and excellent sound, this is probably the best introduction to Hendrix’s live recordings.” We agree on all three points completely — but only when you hear it on the right pressing.”

Sonically, this recording has the key elements that a good live album needs: correct tonality, powerful dynamics, and Rock and Roll ENERGY.

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Jimi Hendrix – War Heroes

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  • Outstanding Double Plus (A++) sound from the first note to the last on this Hendrix classic
  • The material here is unusually well-recorded by Hendrix’s longtime engineer, Eddie Kramer – with sound that is competitive with, maybe even better than, Hendrix’s “real” albums
  • Features top-tier Hendrix rarities such as “Izabella,” “Highway Chile,” “Bleeding Heart” and “Stepping Stone”
  • “One of the few consistent compilations of unreleased Hendrix.”

Drop the needle at the start of either side and prepare to be floored. You won’t believe the big-time presence, the mindblowing energy, or the massive WHOMP factor. Here’s a copy with the kind of big, three-dimensional sound we wish we heard on more Hendrix records. You’ll know what I’m talking about as soon as the needle hits the groove.

The vocals are full-bodied and present with lots of body and breath. The bottom end is tight and punchy with more weight than we heard on other copies. You could play a good-sized stack of copies and you’d probably still not find one as open, spacious, and transparent as either of these sides.

The guitar — obviously a key element of any Hendrix recording — absolutely FLIES out of the speakers here. The bottom end is strong and solid, and the overall sound is big, rich and open.

Bridge of Sighs

Note that the guitar sound on the first track of side two appears to have acted as the template for Robin Trower’s sound throughout his career. We love Robin Trower — wish we could find more copies of Bridge of Sighs that sound good — but his guitar sound was all over this album years before it was on any of his own.

It’s beyond difficult for us to find killer copies of Jimi’s first three or four albums, so I advise you Hendrix fans to give this one a chance. It’s the real deal.

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Letter of the Week – “It just begs to be cranked up to sound its best.”

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom, 

As you know, I have been picking up quite a few live album hot stampers recently. Here is another great example of having to turn the volume up loud to get that “I’m at the concert” feeling.

The sound on the LP is so well balanced tonally top to bottom with absolutely no grittiness. It just begs to be cranked up to sound its best. That tubey magic is oozing from the grooves.

And what a performance from Jimi. I play guitar as a hobbyist and there is a reason why we crave the tones from old tube amps and those Marshall cabs with Celestion pulsonic coned speakers. That tubey magic we love in the recordings just accurately captures what was being played. Superb in every way!!

Thanks as always,
Rob

Band of Gypsys is yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.

Reviews and Commentaries for Records that Sound Their Best on Big Speakers at Loud Levels

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Hot Stamper Pressings that Sound Their Best on the Right Early Pressing

Records We’ve Reviewed that Sound Their Best on the Right Early Pressings

Jimi Hendrix – The Cry of Love

  • Big, bold Hendrix sound — powerful energy and presence plus huge size and space
  • The first and probably best of the posthumous Hendrix albums, with Angel, Ezy Rider, Freedom, Drifting and more
  • VH1 called it “the greatest posthumous classic rock record of all time” and they just might be right!

With Eddie Kramer and Robert Ludwig on the payroll, doesn’t this record have to be spectacular? Good, yes, but spectacular? Not really. Some copies just don’t rock, and those copies lose a huge number of points for that shortcoming, especially on a Monster Rock record such as this.

Some are leaned out, some have no real top end — as Murphy’s Law makes clear, if something can go wrong it will go wrong.

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Various Artists / Woodstock Two

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  • This early Cotillion pressing ROCKS with KILLER Shootout Winning Triple Plus (A+++) sound or very close to it throughout
  • With Mint Minus Minus vinyl and no marks that can be heard, you will have a VERY hard time finding a copy that plays this well
  • We guarantee there is dramatically more richness, fullness, vocal presence, and performance energy on this copy than others you’ve heard, and that’s especially true if you made the mistake of buying whatever Heavy Vinyl pressing is currently on the market
  • Fifteen amazing live tracks from Jimi Hendrix; Jefferson Airplane; The Butterfield Blues Band; Joan Baez; Crosby, Stills, Nash & Young; Melanie; Mountain; and Canned Heat
  • “If anything, this set, more concise and more focused, is a better bet than its predecessor.” — All Music

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Jimi Hendrix – Band of Gypsys

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  • Truly exceptional sound – these Ludwig-mastered Capitol pressings are the only way to fly
  • Tons of bass, smooth vocals, and an overall freedom from distortion characterize the overall sound of both sides, and that’s unusual, because most copies of this record are just plain dreadful
  • Trust me on this one – you’re going to have a difficult and (and expensive!) adventure trying to find a great sounding copy of this one on your own
  • 4 1/2 stars: “Although he could be an erratic live performer, for these shows, Hendrix was on — perhaps his finest performances… not only an important part of the Hendrix legacy, but one of the greatest live albums ever.”
  • If you’re a fan of Jimi’s, this 1970 release belongs in your collection.

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Jimi Hendrix – Nine to the Universe

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  • This Hendrix instrumental compilation has Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • The five jams contained herein may be for fans, but if you count yourself among those who bow before the amazing improvisational guitar playing of Jimi Hendrix, this is going to be the best sounding copy you will likely ever hear
  • In a contemporary review for The Village Voice, Robert Christgau gave Nine to the Universe a “B+” and called it “bracing progressive” rhythm and blues showcasing Hendrix’s most jazz-oriented improvisations
  • According to music scholar Craig Hansen Werner, “Nine to the Universe was one of the few works that suggested the direction Hendrix and [Miles] Davis would have explored had they worked together.”

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