A superb copy of Electric Ladyland with roughly solid Double Plus (A++) sound on all FOUR sides of this UK import
Forget the Track originals – they can’t hold a candle to the Hot Stamper reissues like the one we are offering here
Big, clear, tubey, sweet ANALOG sound – we played it good and loud and it was ROCKIN’!
Probably the best-recorded of Hendrix’s studio albums – huge studio space and the Tubey Magical richness of analog are key to the best sound
5 stars: “…not only one of the best rock albums of the era, but also Hendrix’s original musical vision at its absolute apex.”
If you’re a fan of Jimi and his band, this UK import of his 1968 classic belongs in your collection.
The complete list of titles from 1968 that we’ve reviewed to date can be found here.
Some of Jimi’s best songs can be found here, including “Crosstown Traffic,” “Voodoo Child (Slight Return)” and his incendiary cover of Dylan’s “All Along The Watchtower.” All four sides have truly killer sound, big and full-bodied with a MUCH better low end than you’ll find on most. You get enough energy and weight to make the rock songs really ROCK, and enough clarity and transparency to bring out the more spacey, psychedelic elements that Jimi and Eddie Kramer worked so hard on.
Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and producer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight.
Outstanding Double Plus (A++) sound from the first note to the last on this Hendrix classic
The material here is unusually well-recorded by Hendrix’s longtime engineer, Eddie Kramer – with sound that is competitive with, maybe even better than, Hendrix’s “real” albums
Features top-tier Hendrix rarities such as “Izabella,” “Highway Chile,” “Bleeding Heart” and “Stepping Stone”
“One of the few consistent compilations of unreleased Hendrix.”
Drop the needle at the start of either side and prepare to be floored. You won’t believe the big-time presence, the mindblowing energy, or the massive WHOMP factor. Here’s a copy with the kind of big, three-dimensional sound we wish we heard on more Hendrix records. You’ll know what I’m talking about as soon as the needle hits the groove.
The vocals are full-bodied and present with lots of body and breath. The bottom end is tight and punchy with more weight than we heard on other copies. You could play a good-sized stack of copies and you’d probably still not find one as open, spacious, and transparent as either of these sides.
The guitar — obviously a key element of any Hendrix recording — absolutely FLIES out of the speakers here. The bottom end is strong and solid, and the overall sound is big, rich and open.
Bridge of Sighs
Note that the guitar sound on the first track of side two appears to have acted as the template for Robin Trower’s sound throughout his career. We love Robin Trower — wish we could find more copies of Bridge of Sighs that sound good — but his guitar sound was all over this album years before it was on any of his own.
It’s beyond difficult for us to find killer copies of Jimi’s first three or four albums, so I advise you Hendrix fans to give this one a chance. It’s the real deal.
One of our good customers had this to say about some Hot Stampers he purchased recently:
As you know, I have been picking up quite a few live album hot stampers recently. Here is another great example of having to turn the volume up loud to get that “I’m at the concert” feeling.
The sound on the LP is so well balanced tonally top to bottom with absolutely no grittiness. It just begs to be cranked up to sound its best. That tubey magic is oozing from the grooves.
And what a performance from Jimi. I play guitar as a hobbyist and there is a reason why we crave the tones from old tube amps and those Marshall cabs with Celestion pulsonic coned speakers. That tubey magic we love in the recordings just accurately captures what was being played. Superb in every way!!
Thanks as always, Rob
Band of Gypsys is yet another in the long list of recordings that really comes alive when you Turn Up Your Volume.
Big, bold Hendrix sound — powerful energy and presence plus huge size and space
The first and probably best of the posthumous Hendrix albums, with Angel, Ezy Rider, Freedom, Drifting and more
VH1 called it “the greatest posthumous classic rock record of all time” and they just might be right!
With Eddie Kramer and Robert Ludwig on the payroll, doesn’t this record have to be spectacular? Good, yes, but spectacular? Not really. Some copies just don’t rock, and those copies lose a huge number of points for that shortcoming, especially on a Monster Rock record such as this.
Some are leaned out, some have no real top end — as Murphy’s Law makes clear, if something can go wrong it will go wrong.
Truly exceptional sound – these Ludwig-mastered Capitol pressings are the only way to fly
Tons of bass, smooth vocals, and an overall freedom from distortion characterize the overall sound of both sides, and that’s unusual, because most copies of this record are just plain dreadful
Trust me on this one – you’re going to have a difficult and (and expensive!) adventure trying to find a great sounding copy of this one on your own
4 1/2 stars: “Although he could be an erratic live performer, for these shows, Hendrix was on — perhaps his finest performances… not only an important part of the Hendrix legacy, but one of the greatest live albums ever.”
If you’re a fan of Jimi’s, this 1970 release belongs in your collection.
This Hendrix instrumental compilation has Shootout Winning Triple Plus (A+++) sound or close to it on both sides
The five jams contained herein may be for fans, but if you count yourself among those who bow before the amazing improvisational guitar playing of Jimi Hendrix, this is going to be the best sounding copy you will likely ever hear
In a contemporary review for The Village Voice, Robert Christgau gave Nine to the Universe a “B+” and called it “bracing progressive” rhythm and blues showcasing Hendrix’s most jazz-oriented improvisations
According to music scholar Craig Hansen Werner, “Nine to the Universe was one of the few works that suggested the direction Hendrix and [Miles] Davis would have explored had they worked together.”
This live album, taken from concerts recorded from 1968 to 1970, is wonderful sounding on the best tracks. If you’re in the market for live Hendrix on a Hot Stamper, you’ll be hard pressed to do any better. The bass on this recording is huge, which is exactly what this kind of music needs most. At the levels we were playing this album it was really rockin’.
That’s the true test of a good live rock record — the louder you play it the better it sounds!(more…)
Hendrix in the West finally returns to the site with outstanding Double Plus (A++) sound from first note to last
This is a fun live album with stellar performances by Jimi – the best of his many posthumous releases
The awesome version of Little Wing is just killer on this copy – it’s Jimi’s best performance of the song
4 stars: “. . . it’s a hodge-podge, made of live tracks largely from 1969 and 1970. But it’s a bunch of great live tracks, including some real rarities. . . In the West is a great sampling of Hendrix’s late-period live material (and his sense of humor) making its long awaited appearance.”
We’re still surprised at how well recorded the album is. It takes a pressing like this to really show you the live Jimi Hendrix magic Eddie Kramer got onto tape. Drop the needle on Little Wing and you are going to be FLOORED.
The size and space here are really something, miles beyond most. The resolution and clarity of the open live sound of this copy bring out all the instrumental textures and details of the recording like few we played. More importantly, the extended top keeps the highs from getting hard or harsh the way they do on so many pressings we’ve played.
As these performances are culled from different concerts the sound varies a bit from track to track, but every track on here sounds good and the best tracks sound amazing.(more…)
This one will blow you away with a Shootout Winning Triple Plus (A+++) side one mated with an outstanding Double Plus (A++) side two — exceptionally quiet vinyl too
The sound is dramatically bigger, cleaner, livelier and more present than you’ll hear on any other copy
Stunning sound for Purple Haze, Hey Joe, The Wind Cries Mary, Fire and Foxy Lady
No matter what version you’ve been playing, we guarantee you’ll be blown away by the energy and punch on this import
5 stars: “One of the most stunning debuts in rock history, and one of the definitive albums of the psychedelic era.”
It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. Good luck finding this kind of sound for Are You Experienced on your own — it took us DECADES!(more…)
This superb pressing of Rainbow Bridge boasts Nearly Triple Plus (A++ to A+++) sound from top to bottom – just shy of our Shootout Winner
Rich, full tonality and good presence and energy throughout
A surprisingly good sounding album, one of the best of his posthumous releases
“‘Dolly Dagger’ is arguably one of the great pop songs of Hendrix’s career. Written towards the very end of his life, the song sounds like it was written years earlier, and it certainly has the same feel as many of the compositions on Hendrix’s debut, Are You Experienced?. Of course, Hendrix’s guitar work is inspired, but it doesn’t draw attention away from what is essentially a brilliantly crafted song.”