Outstanding sound for this Robert Ludwig mastered Capitol Green Label pressing with each side rating a solid Double Plus (A++) or BETTER
Tons of bass, smooth vocals, and an overall freedom from distortion characterize the sound of both sides, and that’s unusual because most copies of this record are just plain dreadful
Trust me on this one – you’re going to have a difficult and expensive adventure trying to find a great sounding copy of this one on your own
4 1/2 stars: “Although he could be an erratic live performer, for these shows, Hendrix was on — perhaps his finest performances… not only an important part of the Hendrix legacy, but one of the greatest live albums ever.”
An insanely good sounding copy with Shootout Winning Triple Plus (A+++) sound or very close to it from start to finish; fairly quiet vinyl too!
Big, bold Hendrix sound — powerful energy and presence plus huge size and space
The first and probably best of the posthumous Hendrix albums, with Angel, Ezy Rider, Freedom, Drifting and more
VH1 called it “the greatest posthumous classic rock record of all time” and they just might be right!
With Eddie Kramer and Robert Ludwig on the payroll, doesn’t this record have to be spectacular? Good, yes, but spectacular? Not really. Some copies just don’t rock, and those copies lose a huge number of points for that shortcoming on a Monster Rock record such as this. Some are leaned out, some have no real top end — as Murphy’s Law makes clear, if something can go wrong it will go wrong.(more…)
This Hendrix instrumental compilation has Shootout Winning Triple Plus (A+++) sound or close to it on both sides
The five jams contained herein may be for fans, but if you count yourself among those who bow before the amazing improvisational guitar playing of Jimi Hendrix, this is going to be the best sounding copy you will likely ever hear
In a contemporary review for The Village Voice, Robert Christgau gave Nine to the Universe a “B+” and called it “bracing progressive” rhythm and blues showcasing Hendrix’s most jazz-oriented improvisations
According to music scholar Craig Hansen Werner, “Nine to the Universe was one of the few works that suggested the direction Hendrix and [Miles] Davis would have explored had they worked together.”
THE NEW ALL-TIME CHAMPION FOR SIDE ONE! We played over a dozen copies this week, split evenly between domestics and Brit imports — and this bad boy absolutely MURDERED the competition.
Drop the needle on Dolly Dagger or Pali Gap and prepare to be floored! You won’t believe the big-time presence, the mindblowing energy, or the massive WHOMP factor! This copy has the tightest bass we’ve ever heard for this album, plus an unbelievable amount of Tubey Magic.(more…)
This live album, taken from concerts recorded from 1968 to 1970, is wonderful sounding on the best tracks. If you’re in the market for live Hendrix on a Hot Stamper, you’ll be hard pressed to do any better. The bass on this recording is huge, which is exactly what this kind of music needs most. At the levels we were playing this album it was really rockin’.
That’s the true test of a good live rock record — the louder you play it the better it sounds!(more…)
One of our good customers had this to say about some Hot Stampers he purchased recently:
Well, you found another INCREDIBLE Hot Stamper with “Axis: Bold as Love.” What a mind-blowing experience! This was at least my fifth copy of this album and it shamed all other sad sacks I had bought. I really don’t know how you do it, but I’m infinitely grateful that you do. The notion of a “great sounding Hendrix album” almost sounds like an oxy moron, but again you struck sonic gold and unearthed one of those rare few that offer a deeply satisfying listening experience – to put it mildly!
My appreciation for Hendrix’s towering musical achievements has doubled, maybe even tripled, from hearing this Hot Stamper. That’s quite a feat for an artist I already considered to be one of the best ever! All this because of those magical Hot Stamper grooves. This goes to show what a difference amazing sound can have on the ability to appreciate an album or artist.
Oh, and I once owned a copy of the abysmal Classic pressing. Among its many other failings is the decision to re-release it in mono. Mono!? “Axis” is one of the creative examples of stereo mixing known to man! Reducing this album to mono is a travesty, but I guess that didn’t bother Classic Records.
Anyhow, keep ’em coming, Tom! You indeed sell the best sounding records in the world.
STUNNING SOUND ON BOTH SIDES! It is no easy task trying to find good copies of this album (or any Hendrix album, really). This one is absolutely killer. The bottom end is big and weighty, the top is open and transparent, and there’s plenty of rich, full tubey magic. It’s going to be incredibly hard to find a pressing that comes anywhere close to this one.
No matter what version you’ve been playing, we guarantee you’ll be blown away by the energy and punch on this one.
Ready to go on a trip? You’ve come to the right place. While the sound is not Demo Quality on every track, the acid-drenched soundscapes created by Jimi and engineer Eddie Kramer are certainly going to be exciting to the kind of audiophile who still digs Classic Rock. Unfortunately, most copies are missing a lot of the magic — the space, the tubes, the ambience, the size, the weight.(more…)
TWO GREAT TRIPLE PLUS SIDES on this original Reprise pressing! This is one of those somewhat controversial posthumous Hendrix albums, but it’s hard to argue with the quality of the best tracks on here, like the great Message To Love. I’m not going to go out on a limb and say this is a must-own album, but Hendrix fans will certainly find much to like here. We played a big stack of copies and most of them weren’t worth our time; a copy like this one lets you appreciate Jimi’s craft without mediocre sound getting in the way.
The overall sound is both richer and cleaner than you get on the average copy., not to mention more musical and enjoyable. The bass is strong, there’s lots of presence to the vocals and guitar, and more depth to the soundfield as well.
Bottom line? If you’re a Hendrix fan who wants to hear some of these later songs sound good, this Hot Stamper pressing will get the job done.(more…)
What a copy! Super rich and full-bodied with a wide, tall soundstage and plenty of punch, this is exactly the right sound for this music. It sure ain’t easy to find good-sounding Hendrix records, and most copies of Axis are positively painful. You need rich, full tonality and plenty of space up top if this album is going to work, and on those counts this copy certainly delivers!
Hendrix fans, we have a very special record for you, with one very special quality that sets it well apart from other Hendrix records you may have heard in the past: THE BEST HENDRIX SOUND EVER. Side two of this copy beats any studio release we’ve ever heard, any postmortem release, any release we’ve ever had on our turntable. We love Hendrix, but finding good sounding pressings of his most famous albums is practically impossible. (Note that no Hot Stamper listing exists for Are You Experienced just to cite one example.)
But here’s one, a White Hot copy in fact, with the kind of sound you always dreamed Hendrix records could have. It’s right here on this side two, and side one is very nearly as good!
We played about half a dozen copies this week, split between domestics and Brit imports — and this bad boy absolutely MURDERED most of the competition. Drop the needle at the start of side two and prepare to be floored! You won’t believe the big-time presence, the mindblowing energy, or the massive WHOMP factor! This copy has some of the tightest bass we’ve ever heard for any Hendrix album, plus an unbelievable amount of tubey magic. The sound is WALL to WALL.(more…)