Sonic Grade: B?
Probably a fairly good jazz vocal album from Classic Records.
Back in the day we noted that: “This is one of the best Billie Holiday records around” and we stand by that statement, at least until another copy of the Classic comes our way and we have a chance to play it.
By the way, we have never had a Hot Stamper pressing of the album on the site. We simply cannot find enough clean copies with which to do a shootout! Not sure we’ve even found one that played quietly and sounded good.
For thirty bucks the price of this Heavy Vinyl pressing has to be seen as a bargain.
Who the hell thought that the label below was better looking than the ones Verve used?
Classic Records was run by some of the most clueless audiophiles there ever were, and this label is a good example of a pitifully poor choice they made in the design of the labelling. (The Shaded Dog “shading” was all wrong but hey, it didn’t seem to bother too many people.)
A self-inflicted wound, and for no reason. Nobody could figure out how to make an authentic looking vintage Verve stereo label? I’m pretty sure it’s been done.
What was the point of this one? It’s ugly and modern. Who wants to collect classic albums with ugly modern labels?
The shiny jackets are bad enough. Now they have to ruin the labels too?
Down Beat’s West Coast editor John Tynan gave this a four star review, remarking that it is “loose, utterly relaxed, a top flight solo work.”
The great Lady Day is backed by Harry Edison’s trumpet, Ben Webster on tenor sax, Jimmy Rowles on Piano, Barney Kessel on guitar, Red Mitchell on bass and Alvin Stoller on drums.