Top Artists – Phil Manzanera

Phil Manzanera / Diamond Head – Sonically As Big and Bold as They Come

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More of Our Best Art Rock Records

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  • This superb pressing of Phil Manzanera’s debut album boasts Nearly Triple Plus (A++ to A+++) sound from start to finish – just shy of our Shootout Winner
  • Two excellent sides – Demo Disc quality sound barely begins to describe the size and power of this recording
  • This album is an amazing SONIC BLOCKBUSTER, with sound that will positively leap out of your speakers
  • A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his Engineering Masterpiece

The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.

Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album and many many more.

If we could regularly find copies of this Audiophile Blockbuster (and frankly if more people appreciated the album) it would definitely go on our Top 100 Rock and Pop List. In fact, it would easily make the Top Twenty from that list, it’s that good.

Looking for Tubey MagicRhett Davies is your man. Just think about the sound of the first Dire Straits album or Avalon. The best pressings of those albums — those with truly Hot Stampers — are swimming in it. (more…)

Phil Manzanera – Diamond Head – A Truly Awesome Feat of Engineering by Rhett Davies

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You may recall reading this bit about RHETT DAVIES engineering on Dire Straits’ debut:

“…until something better comes along, THIS IS HIS MASTERPIECE. It has to be one of the best sounding rock records ever made, with Tubey Magic mids, prodigious bass, transparency and freedom from hi-fi-ishness and distortion like few rock recordings you have ever heard.”

Well, something better has now come along, and it’s called Diamond Head.

It has some of the BIGGEST, BOLDEST SOUND we have ever heard. Diamond Head isn’t known as an audiophile album but it should be — the sound is GLORIOUS — wall to wall, floor to ceiling, and as rich and dynamic as it gets.

It’s clearly a BIG SPEAKER album. Play it one as loud as you can. The louder you play it the better it sounds.

The best copies have ROOM SHAKING DEEP BASS with the kind of WHOMP FACTOR that can drive this music to practically unexplored heights.

It’s also super TRANSPARENT, with a large, deep soundfield that really allows you to hear INTO the music and the studio space in which it was created. The clarity is SUPERB with all the detail and texture one could hope for, but the real kicker is the amount of ENERGY and musical DRIVE that this side has going for it. This is what the Master Tape is really capable of — Mind Bogglingly Good Sound.

Looking for TUBEY MAGIC? Rhett Davies is your man. Just think about the sound of the first Dire Straits album or Avalon. The best pressings of those albums — those with truly Hot Stampers — are swimming in it. (more…)

Letter of the Week – Diamond Head

Diamond Head

One of our good customers had this to say about some Hot Stampers he purchased recently:

Hey Tom,   

BTW- I played Diamond head UK and US pressings at my friend’s place. He has the Transrotor table and all VAC tube stuff. He was amazed at the difference.

Send him a link to our site if he wants to be amazed more often.

Even this one is a joke next to the best Island copies:

https://www.discogs.com/Phil-Manzanera-Diamond-Head/release/1658266

Best, TP

It’s funny you sent this link. I was on Discogs looking at one of the original UK releases. But I’m tired of chasing down copies all over the us and Europe getting nice condition vinyl that sounds like crap.

If you set high standards, which you do, then taking a chance on these Discogs types is a huge waste of time. It’s only the fact that record buyers have such low standards and poor playback equipment that they find the crap they are sent tolerable.

Sellers sometimes tell me that I am the one who ever complained. That speaks volumes. (more…)

801 Live – It’s All About the Bass (Except for that One Time When It Wasn’t)

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What’s especially interesting about this copy is that we went crazy for it even though it did not have the best bass of the copies we played, which, as you will see below, clearly contradicts what we had previously written. We thought that the copies with the best bass had the best everything else too, but that was not what we heard this time around.

THIS copy got the music to work its magic, and it did it with most, but not all, of the bass of the best. Not sure how to explain it. Rules were made to be broken maybe?  (more…)

Phil Manzanera – Diamond Head – Astonishingly Good Sound on the Right Import Pressing

Diamond Head

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  • This KILLER pressing of Phil Manzanera’s debut album boasts Shootout Winning Triple Plus (A+++) sound from start to finish
  • Two stunning sides – Demo Disc quality sound barely begins to describe the size and power of this recording
  • This album is an amazing SONIC BLOCKBUSTER, with sound that will positively leap out of your speakers
  • A shockingly well-recorded album from the ultra-talented Rhett Davies – this is his Engineering Masterpiece

The wind is at your back here because this is one seriously well-recorded album. If this copy doesn’t wake up your stereo nothing will.

Like its brother, 801 Live, this album is an amazing sonic blockbuster, with sound that positively leaps out of the speakers. Why shouldn’t it? It was engineered by the superbly talented Rhett Davies at Island, the genius behind Taking Tiger Mountain, the aforementioned 801 Live, Avalon, Dire Straits’ first album and many many more. (more…)

801 Live – None Rocks Harder

A Member of the Prestigious “None Rocks Harder” Club

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The best Island copies of this album ROCK HARDER than practically any record we’ve ever played. If you have the system for it, this one will bring a Live Art Rock concert right into your living room!

It’s right at the top of the list of my Favorite Albums — a Desert Island Disc if ever there was one. I stumbled across it more thirty years ago and I’ve loved it ever since. It all started when a college buddy played me the wildly original Tomorrow Never Knows from the album and asked me to name the tune. Eno’s take is so different from The Beatles version that I confess it took me an embarrassingly long while to catch on.

Sometime last year I noted on the site that I had finally figured out how to tell the good pressings from the not-so-good ones. I had been focusing on the wrong things in the shootouts I had done over the last few years, and in that I have the feeling I was not alone. This seems to be a fairly common Major Audiophile Pitfall that we all get stuck in on occasion. (more…)