Month: October 2020

Duke Ellington – At the Bal Masque

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  • A stunning sounding Six-Eye Columbia pressing with Shootout Winning Triple Plus (A+++) sound or close to it on both sides
  • Here are boatloads of the kind of Tubey Magical richness that make these vintage Columbia recordings the uniquely satisfying listening experience we know them to be
  • More superb sound from the legendary CBS 30th street studios in New York – the size and power of a jazz orchestra in glorious all ANALOG sound
  • “Ellington and his all-star orchestra manage to transform what could be a set of tired revival swing into superior dance music and swinging jazz… a surprise success.”

If you want to know what it was like to attend an Ellington supper club concert, this record will do the trick (even though the album was recorded in the studio and the applause added later). Ellington’s magic is on display for everyone to hear. (more…)

Duke Ellington – Jazz Party in Stereo

More Duke Ellington

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  • With two nearly Triple Plus (A++ to A+++) sides, this copy is close to the BEST we have ever heard, right up there with our Shootout Winner – exceptionally quiet vinyl too
  • This original stereo Six-Eye from 1959 is one of the few copies of this famous album to hit the site in many years, and of course one of the best
  • Many copies of the copies we played would get aggressive or edgy, but this one is smooth in the right way, and for that you can thank CBS’s legendary 30th St. studios
  • 4 stars: “A most unusual Duke Ellington record, two selections feature nine symphonic percussionists on tympani, vibes, marimbas and xylophones.

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John Coltrane – More Lasting Than Bronze

More John Coltrane

  • This superb Prestige Two-Fer offer outstanding Double Plus (A++) sound from top to bottom – exceptionally quiet vinyl too
  • Compiled from two nearly complete Classic albums, Lush Life and Coltrane, this collection boasts masterful sound – thanks RVG!
  • Full-bodied, energetic, and tonally correct from top to bottom and, these pressings are guaranteed to bring Coltrane’s music to life
  • “Rarely does a single performance uncover the essence of an artist with such aptness. The well-crafted melody is treated above all with dignity, which may be part of the reason it remains flawless.”

The jackets for these Two-Fers tend to have some ringwear. We will of course put these two discs in the nicest cover we have available.

This is the kind of recording that makes people respect Rudy Van Gelder. Believe me, most of his stuff doesn’t sound this good! And since he mastered these pressings, we have to give him even more credit for doing the transfer exceptionally well. I am on record as saying that many of his own transfers are problematical. Not this one! Since this has two of Coltrane’s greatest albums together, I can’t recommend this record any more highly. (more…)

The Music of Leonard Bernstein – Our Four Plus Mind Blowing Shootout Winner

This London Phase 4 British import has some of the most SPECTACULAR sound I have ever heard reproduced from disc. The sound is so BIG and BOLD that it handily puts to shame 95% or more of all the Golden Age Shaded Dogs, London Bluebacks, Mercury Living Presence’s, EMI’s and Decca’s we’ve ever played. If we had a Classical Top 100 list, this record would belong in a Top Ten taken from it, right near the top judging by what I heard when I played it.

Side two here is BEYOND White Hot, earning a sonic grade of A++++! I don’t know that any other copy has earned such a high grade for side two but this one sure did. It blew our minds.

If you have a system with the speed, power and size to play this record properly (yes, you will need all three and a whole lot more), it’s hard to imagine it would not qualify as the best sounding classical recording you’ve ever heard. Demo Disc barely begins to do it justice. What sound. What music. What a record! Side two is where the real action is on this album, and it is presented here with SPECTACULAR AUDIO FIDELITY the likes of which you may have never experienced.

More music written or performed by Leonard Bernstein

More Recordings on the London Phase IV Label

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Gabor Szabo with Gary McFarland – Gypsy ’66

More Jazz Recordings Featuring the Guitar

Reviews and Commentaries for Gabor Szabo

  • With excellent Double Plus (A++) sound or close to it on both sides, this copy is getting the sound of Gabor Szabo’s music right from first note to last
  • This copy plays on exceptionally quiet Impulse vinyl, Mint Minus to Mint Minus Minus throughout
  • The credit must go to one of, if not THE Greatest Jazz Engineers of all time, Mr. Rudy Van Gelder
  • “Szabo’s original sound, the unusual instrumentation (two or three guitars, Sadao Watanabe on flute, Gary McFarland on marimba, bass, drums and percussion) and McFarland’s clever arrangements uplift the music.”

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Peter Gabriel – Self-Titled (1)

More Peter Gabriel

  • This superb British pressing of Peter Gabriel’s debut solo album earned solid Double Plus (A++) grades from start to finish – fairly quiet vinyl too
  • Gabriel’s solo debut, the album features his autobiographical lead single, Solsbury Hill
  • Clearly the hardest of the first five PG records to find with good sound and decent vinyl, which is why these seldom make the site
  • “…much of the record teems with invigorating energy (as on Slowburn, or the orchestral-disco pulse of Down the Dolce Vita), and the closer “Here Comes the Flood” burns with an anthemic intensity that would later become his signature in the ’80s.”

*NOTE: On side one, the intro to track 1, Moribund the Burgermeister, plays Mint Minus Minus.

Tubey Magical Richness and breathy vocals are the hallmarks of a good British PG 1.

Unlike any that follow, the sound varies greatly from track to track on the first PG album, as does the music. You know you have a good copy when the best sounding tracks sound their best. That may seem like a tautology but is in fact the only way to judge a side when the songs sound this different from one another. (more…)

Johnny Cash / Johnny Cash at Folsom Prison – Our Shootout Winner from 2014

More Johnny Cash

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Two great sides on quiet vinyl! We’ve been trying to find good copies of this fun album for ages, but it wasn’t until recently that we heard this music sound right. Most copies are just too thin and edgy with lots of strain and hardness on the vocals. This one is richer, smoother and sweeter, with lots of body and excellent transparency. It ain’t easy to find great sounding Johnny Cash records, but this copy had the sound we were looking for.

Cash’s vocals sound Right On The Money here — present, full and natural with virtually none of the hardness, strain and edge you get on the typical copy. (more…)

Bobby Timmons / Johnny Lytle – Workin’ Out

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  • Workin’ Out makes its Hot Stamper debut here with outstanding Double Plus (A++) sound from start to finish
  • This superb recording is huge and lively with startling dynamics and in-the-room-presence
  • Credit goes to Rudy Van Gelder once again for the huge space that the superbly well-recorded group occupies
  • 4 stars: “This 1964 date was one of pianist Bobby Timmons’ most advanced recordings of the decade… filled with subtle surprises.”

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David Bowie – Pin-Ups

  • A stunning copy of this Classic Bowie album from 1973 with Shootout Winning Triple Plus (A+++) sound or close to it throughout – exceptionally quiet vinyl too
  • Both sides have phenomenal amounts of Tubey Magic, thanks to the engineering of Ken Scott
  • The bottom end is huge, as would be expected from anything Ken recorded, and if you don’t believe me, check out Baby You’re a Rich Man off MMT
  • A really fun listen, with Bowie running through covers of his favorite Sixties hits in true Demo Disc sound
  • Turns out he’s a great interpreter, turning in passionate versions of songs by The Who, Pink Floyd, The Yardbirds and more

The music on this album is wonderful. Bowie puts a unique spin on tracks originally played by The Who, The Yardbirds, Pink Floyd and other British rockers. It’s a fun, intriguing album that stands up well to repeated plays. Bryan Ferry did the same thing in 1973 with some of his favorite pop songs. Oddly enough both albums entered the charts on the very same day in November of that year.

The sound is lively and full-bodied with nice transparency throughout. Bowie’s voice sounds correct and the bottom end is huge, as would be expected from anything Ken Scott recorded, and if you don’t believe me check out Baby You’re a Rich Man off MMT.

The bass here is deep and not nearly as sloppy as on most copies. Listen to the vocals, which sound just right and have lots of texture to them. The harmonica on I Wish You Would is AMAZING. When has a harmonica ever sounded so rich and full? You’ll also want to check out the sax solo on Sorrow, which just plain ROCKS.

So what were some of the worst copies we heard? One was a British Original, believe it or not. They tend to be dull, thick, and lifeless — not a good match for this punky, energetic material. There are some very good sounding Brit originals but, having said that, to date they have never won a shootout.

On the other side, many of the other copies we heard were bright and grainy. It’s tough to find a copy that strikes the right balance, but this copy sure did. (more…)

Every Label Made Bad Sounding Records – Liberty Made This One with Julie London and Bud Shank in 1965

Way too bright. Best to give this one a pass if you are looking for audiophile sound.

Some of Julie London‘s records are phenomenally well recorded, and the best pressings of those superb recordings are the ones we offer to our customers.

We play mediocre-to-bad sounding pressings so that you don’t have to, a public service from your record loving friends at Better Records.

For vintage pressings with the ultimate in audiophile sound, check out our website, Better Records.